Khuda Ki Qudrat Quotes & Sayings

I don't want to be without you, Bonnie! Don't you get that? I am in love with you! I've known you for one week. And I'm in love with you! Crazy, drive-off-a-cliff-if-you-asked-me-to, in love with you. But I don't want to drive off a cliff! I want to live with you! Do you want that? Or do you still think about jumping off bridges and going down in a hail of bullets? — Amy Harmon

It is seriously believed by some that the intention may have been geodetic, or, in the view of the cannier, domestic economical. But by writing thithaways end to end and turning, turning and end to end hithaways writing and with lines of litters slittering up and louds of latters slettering down, the old semetomyplace and jupetbackagain from tham Let Raise till Hum Lit. Sleep, where in the waste is the wisdom? — James Joyce

Photography came as a substitute. I was painfully shy and found talking to people difficult; a camera in hand gave me a function, a reason to be somewhere, a witness, but not an actor. — Martine Franck

Approach change with an understanding of the process and an openness to the pain. — Elizabeth Lesser

Individual words, sounds, squiggles on paper with no meanings other than those with which our imagination can clothe them. — Jasper Fforde

A real decision makes one humble, one knows that it is at the mercy of more things that can be named. — James Baldwin

Always feel obligated to help people and carter for more needs of people so as to be more relevant to the world — Sunday Adelaja

Very small errors in our understanding of the Gospel can result in very big problems. — C.J. Mahaney

I would rather be an authority on myself than on Cicero. — Michel De Montaigne

Perhaps the mistake I made at the start of my mandate is not understanding the symbolic dimension of the president's role and not being solemn enough in my acts. A mistake for which I would like to apologise or explain myself and which I will not make again. Now, I know the job. — Nicolas Sarkozy

The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it's always the same beginning, and the same ending. — Martin Amis