Kertesz Quotes & Sayings

I am an amateur and I intend to stay that way for the rest of my life. — Andre Kertesz

If the world is an objective reality that exists independently of us, then humans themselves, even in their own eyes, are nothing more than objects, and their life stories merely a series of disconnected historical accidents, which they may wonder at, but which they themselves have nothing to do with. — Imre Kertesz

I can't talk about my style. It us kind of difficult for me. I don't like styles. I only like taking photos and expressing myself through them. — Andre Kertesz

I already know there will be happiness. For even there, next to the chimneys, in the intervals between the torments, there was something that resembled happiness. Everyone asks only about the hardships and the "atrocities," whereas for me perhaps it is that experience which will remain the most memorable. Yes, the next time I am asked, I ought to speak about that, the happiness of the concentration camps. — Imre Kertesz

It is often said of me - some intend it as a compliment, others as a complaint - that I write about a single subject: the Holocaust. I have no quarrel with that. Why shouldn't I accept, with certain qualifications, the place assigned to me on the shelves of libraries? — Imre Kertesz

I would like to live a little bit longer in this beautiful concentration camp. — Imre Kertesz

The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail. — Imre Kertesz

If there is such a thing as freedom, then there is no fate. — Imre Kertesz

Of course, living is another way of killing oneself: its drawback is that it takes so horribly long. — Imre Kertesz

Kingbitter, as he did frequently nowadays, was standing at his window and looking out onto the street below. This street offered the most mundane and ordinary sights of Budapest's mundane and ordinary streets. The muck-, oil-, and dog-dirt-spattered sidewalk was lined with parked cars, and in the one-yard gaps between the cars and the leprotically peeling house walls the most mundane and ordinary passersby were attempting to go about their business, their hostile features an outward clue to their dark thoughts. Every now and then, perhaps in a hurry to overtake the single file inching along the front, one of them would step off the sidewalk, only for an entire chorus of rancorous car horns to give the lie to any groundless hope of breaking free from the line. — Imre Kertesz

You just sit there and tolerate it, the same way everything in this country is tolerated. Every deception, every lie, every bullet in the brains. Just as you are already tolerating bullets in the brains that will be implemented only after the bullet is put in your brains. — Imre Kertesz

No one in my family wrote. And there was no real introduction. I suppose I somehow blundered into it when I was about six or seven years old. I was asked what present I would like, and, without knowing why, I responded that I would like a journal. It was a beautiful journal - so beautiful that I didn't want to sully it. — Imre Kertesz

The camera is my tool. Through it I give a reason to everything around me. — Andre Kertesz

Man, when reduced to nothing, or in other words a survivor, is not tragic but comic, because he has no fate. — Imre Kertesz

When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over. — Imre Kertesz

Photography is my only language. — Andre Kertesz

I look on my life as raw material for my novels: that's just the way I am, and it frees me from any inhibitions. — Imre Kertesz

In a democracy, you have to find a market niche, make sure a novel is 'interesting' and 'spectacular.' That may be the toughest censorship of all. — Imre Kertesz

The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy. — Imre Kertesz

One cannot start a new life, you can only continue the old one. — Imre Kertesz

Writers sometimes cast themselves into the most profound depths of despair in order to master it and move on.
A person's true means of expression is his life. Living the shame of life and maintaining silence, that was the greatest accomplishment of all. — Imre Kertesz

Two seconds are a thousand years. — Andre Kertesz

People in motion are wonderful to photograph. It means catching the right moment ... when one thing changes into something else. — Andre Kertesz

I came from two harsh dictatorships, Nazi and Stalinist. I never thought of becoming a writer as such, yet in a lucid moment, I recognised what I had to do. — Imre Kertesz

On one occasion she had spoken heatedly about the French Revolution, saying it had been little better than the Nazis. Her great-aunt responded by saying that she, being a Jew, had no right to talk about the French Revolution in that way, because had there been no French Revolution the Jews would still be living in ghettos today. After this rebuke from the great-aunt, so my wife remembered, she had not spoken a word at home for days or maybe even weeks. She had felt that she herself no longer existed, that she had no right at all to lay claim to her own feelings or thoughts, that solely because she had been born a Jew she could have only Jewish feelings and Jewish thoughts. — Imre Kertesz

I came to feel that, in addition to Imre Kertesz, Hungary has produced at least three contemporary novelists who deserve the Nobel: Peter Nadas, Peter Esterhazy and Laszlo Krasznahorkai. — Garth Risk Hallberg

I still regard myself as an amateur today and I hope that's what I'll stay until the end of my life. Because I'm forever a beginner who discovers the world again and again. — Andre Kertesz

Modern life is organised so that you benefit at the expense of the other, and the most extreme example of that is a camp. — Imre Kertesz

For this very reason I refuse all the tricks of the trade and professional virtuosity which could make me betray my career. As soon as I find a subject which interests me, I leave it to the lens to record it truthfully. Look at the reporters and at the amateur photographer! They both have only one goal; to record a memory or a document. And that is pure photography. — Andre Kertesz

I am not a surrealist. I am only a realist. All this group - surrealists - use my name. No, no, I am realist. — Andre Kertesz

My talent lies in the fact that I cannot touch a camera without expressing myself. — Andre Kertesz

I have felt that some sort of awful shame is attached to my name and that I have somehow brought this shame along from somewhere I have never been, and that I have carried this sin as my sin even though I have never committed it; this sin pursues me all my life, which life is undoubtedly not my own even thought I live it , I suffer from it die of it. — Imre Kertesz

A good autobiography is like a document: a mirror of the age on which people can 'depend.' In a novel, by contrast, it's not the facts that matter, but precisely what you add to the facts. — Imre Kertesz

I can see the young man on dizzily autumn mornings, the fog of which he inhaled just like the rapidly evaporating freedom. — Imre Kertesz

Writing changed my life. It has an existential dimension, and that's the same for every writer. Every artist has a moment of awakening, of happening upon an idea that grabs hold of you, regardless of whether you are a painter or a writer. — Imre Kertesz

What I discovered in Auschwitz is the human condition, the end point of a great adventure, where the European traveler arrived after his two-thousand-year-old moral and cultural history. — Imre Kertesz

I was interned in Auschwitz for one year. I didn't bring back anything, except for a few jokes, and that filled me with shame. Then again, I didn't know what to do with this fresh experience. For this experience was no literary awakening, no occasion for professional or artistic introspection. — Imre Kertesz

I am sick of atrocities, though these are now the natural order of our world. And I would still like to act! — Imre Kertesz

I refuse to adapt or integrate myself. — Imre Kertesz

Dr. Kertesz mentioned to me a case known to him of a farmer who had developed prosopagnosia and in consequence could no longer distinguish (the faces of) his cows, and of another such patient, an attendant in a Natural History Museum, who mistook his own reflection for the diorama of an ape — Oliver Sacks

I just walk around, observing the subject from various angles until the picture elements arrange themselves into a composition that pleases my eye. — Andre Kertesz

Talking is not enough; words don't clarify anything. I'll have to hit upon something, but what? — Imre Kertesz

It was not very likely, of course, but then all kinds of things are possible, after all. — Imre Kertesz

I do not document anything, I give an interpretation. — Andre Kertesz

I read somewhere; while God still existed one sustained a dialogue with God, and now that He no longer exists one has to sustain a dialogue with other people, I guess, or, better still, with oneself, that is to say, one talks or mumbles to oneself. — Imre Kertesz

Nonexistence. The society of the nonexistent. In the street yesterday a nonexistent person trod on my foot with his nonexistent foot. — Imre Kertesz

I do what I feel, that's all. I am an ordinary photographer working for his own pleasure. That's all I've ever done. — Andre Kertesz

No" - I could never be another person's father, fate, god,
"No" - it should never happen to another child, what happened to me; my childhood. (Auschwitz). — Imre Kertesz

The most valuable things in a life are a man's memories. And they are priceless. — Andre Kertesz

You do not have to imagine things; reality gives you all you need. — Andre Kertesz

I think a man turns into a writer by editing his own texts. — Imre Kertesz

I tried to depict the human face of this history, I wanted to write a book that people would actually want to read. — Imre Kertesz

I am no historian, but Hungary is a country which has never known democracy - and by that, I mean not a democratic political system, but an organic process which has mobilised the entire country's society. In the case of Hungary, this development was blocked by the growth of the Ottoman empire in the 16th century. — Imre Kertesz

Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself. — Andre Kertesz

Technique isn't important. Technique is in the blood. Events and mood are more important than good light and the happening is what is important — Andre Kertesz

As we pass one step, and as we recognize it as being behind us, the next one already rises up before us. By the time we learn everything, we slowly come to understand it. And while you come to understand everything gradually, you don't remain idle at any moment: you are already attending to your new business; you live, you act, you move, you fulfill the new requirements of every new step of development. If, on the other hand, there were no schedule, no gradual enlightenment, if all the knowledge descended on you at once right there in one spot, then it's possible neither your brains nor your heart could bear it. — Imre Kertesz

The photographer's art is a continuous discovery which requires patience and time. — Andre Kertesz

A book is either autobiography or a novel. — Imre Kertesz

Kurti had believed in politics, and politics had deceived him, the way politics deceives everyone. — Imre Kertesz

Seeing is not enough; you have to feel what you photograph — Andre Kertesz

The West in general should stand up more for its own values. It is not always worthwhile to compromise. — Imre Kertesz

If you want to write you should learn the alphabet. You write and write and in the end you hava a beautiful, perfect alphabet. But it isn't the alphabed that is important. The important thing is what you are writing, what you are expressing. The same thing goes for photography. Photographs can be technically perfect and even beautiful, but they have no expression. — Andre Kertesz

Have confidence in the inventions and transformations of chance. — Andre Kertesz

Of course a picture can lie, but only if you are not honest with yourself ... — Andre Kertesz

The moment always dictates in my work. What I feel, I do. This is the most important thing for me. Everybody can look, but they don't necessarily see. I never calculate or consider; I see a situation and I know that it's right, even if I have to go back to get the proper lighting. — Andre Kertesz

I can do something with almost anything I see. Everything is still interesting to me. — Andre Kertesz

There's just one revolution that I can take seriously, and that's a police revolution. — Imre Kertesz

I have not changed my opinion that the Holocaust is a trauma of European civilization. — Imre Kertesz