Just Leave Her Quotes & Sayings

Dirk looked at her expressionlessly. Apart from being extremely good-looking in a blondish, willowyish kind of way, she was dressed well in an "I don't care what I wear, just any old thing that's lying around" kind of way that relies on extremely careful about what you leave lying around. — Douglas Adams

Edward shook his head. "I'm going to do the same thing with Miss Marshall that I do to everyone I love. I'm going to leave before I can do her harm."
Patrick looked at him, his mouth quirking skeptically.
"I will," Edward said. "Just as soon as I can get everyone else to leave her alone. — Courtney Milan

But how can she change a person like that? said Victoria.
She just can. I'd never have thought before, ever, that I could hate music and want to leave it behind, but now
Lawrence Prewitt, said Victoria. Her voice was shaking, but she stood up and put on such a fierce dazzle that even Donovan seemed to wake up. Don't you dare ever start talking like that again, or when I get out of here, I'll leave you behind with the gofers. Lawrence smiled. I've missed your threats, Vicky. — Claire Legrand

Right," Chaol said. "So you're just ... memorizing that information now?"
"If you're suggesting that I have no reason to be here and to leave, then tell me to go."
"I'm just trying to figure out what's so boring that you dozed off 10 minutes ago."
She propped herself up onto her elbows. "I did not!"
His eyebrows rose. "I heard you snoring."
"You're a liar, Chaol Westfall." She threw her paper at him at ploppedback on the couch. "I only closed my eyes for a minute."
He shook his head again and went back to work.
Celaena blushed. "I didn't really snore, did I?"
His face was utterly serious as he said, "Like a bear. — Sarah J. Maas

I didn't do it on purpose." His arms went around her. "I just ... I just needed to keep you up here." He walked her backward until her knees met the edge of her bed, and they both tumbled onto the mattress. "In this bed."
He stroked her hair, fanning it out over the pillows, and framed her face in his hands. "But I couldn't discern what it was you needed to feel safe. I tried everything. Finally, tonight, you gave me the answer. Light. So now you have as many candles as you please. But now it's gone all wrong. Because you're here in this bed. But I'm here, too. And God help me, Izzy." His brow pressed to hers, and his weight settled over her, crushing and warm. "I don't know how to leave. — Tessa Dare

She must not cry in front of all these men. They would think her a useless watering pot unworthy of her father's inheritance. Everything went blurry as she turned away, trying to hide the tears. Colonel Lowe bent down to peek beneath her lowered head, a trace of humor on his strong face. "Tears? We've come all the way across the state to meet the famous Miss Mollie Knox, and all she has for us are tears?" She swiped them away. "It is just that I have felt so overwhelmed. It has been a difficult few weeks." "Then those are the last tears you will shed from being overwhelmed," he said. Colonel Lowe's face was a blend of kindness and humor as he smiled at her. "We will not leave this city until your factory is rebuilt and you are once again producing the world's most magnificent watches. — Elizabeth Camden

Rhys looked over at her with a naughty grin. "I lied, sweetheart. Completely and totally. You are all fired up and hot as fucking hell. There's no way I'm just going to drop you off and leave right now. Your ass is mine. — Sibylla Matilde

The dragon flew up and settled in the crook of Mina's hood, and quickly became invisible again.
"I don't trust that thing," Jared shot back.
"Relax, I find him quite cute. Isn't that right, Ander?" She held up a finger and felt the invisible dragon rub its face against her.
"Great, you've named it, now you're gonna want to keep it. But I'm telling you that thing better be house-trained." He turned to the bookshelf and began to pull open the book to open the hidden exit door.
Mina felt Ander leave her shoulder but didn't let Jared know he was missing. She saw Constance's teacup float mysteriously above Jared's head. She clapped her hand over her mouth to contain the laughter. A second later the cup turned over, spilling lukewarm tea on Jared's unsuspecting head.
"Oh, it better not have just peed on me!" he screamed. — Chanda Hahn

been through enough. Don't do this to her." "I've done nothing to her," Naz says, his hand shifting higher, tightening around my throat. I gasp as he leans down, kissing my temple. "Nothing she hasn't wanted me to do." My mother's on the verge of hyperventilating. "Just let her go and let's talk about this. I'll give you whatever you want, whatever it is. Take me, but leave her alone. Please, I'm begging you. I'll do anything." Naz loosens his hold, and I breathe deeply, disoriented. "Johnny here?" "No." "Bet he went out the back door when he saw me, didn't he? — J.M. Darhower

That's what you wanted me for," he all but growled. His dick was going to cuss him for a bastard if he didn't get inside her. But he'd just have to take it. This was about leaving her wanting more. "Wasn't it? To get you dirty. That's why you know you're going to let me do it. After I leave and you cool down, you'll tell yourself you won't. But one day, you'll beg me for it, because you know there's more, and you know I can give it to you. — Cherrie Lynn

I just wished to know if you mean to marry the girl. Spite of what you said of her lightness, I ha' known her long enough to be sure she'll make a noble wife for any one, let him be what he may; and I mean to stand by her like a brother; and if you mean rightly, you'll not think the worse on me for what I've now said; and if
but no, I'll not say what I'll do to the man who wrongs a hair of her head. He shall rue it to the longest day he lives, that's all. Now, sir, what I ask of you is this. If you mean fair and honourable by her, well and good: but if not, for your own sake as well as hers, leave her alone, and never speak to her more. — Elizabeth Gaskell

Currently, the scent of rising dough and hot berries was being sucked through the old air-conditioning unit and spread throughout the main house. This was Lisette's rebellion. She was cooking for guests who weren't coming. It was as if nothing bad could happen if she just kept going. Like a wheel in motion, she seemed to think no one could stop her, or make her leave, once she started. — Sarah Addison Allen

Were you ever actually going to leave New York, or were you just saying that to get her to finally make a move?"
"Clary," said Luke, "I am shocked that you would suggest such a thing. — Cassandra Clare

My sister made certain choices about the life she wanted. Those choices include a steady job, a husband and children. But balance and stability come at a cost. It is harder for her to be spontaneous. It is harder to just up and leave. — Simon Sinek

It's not fair!" Sunny wailed. "Why do you get to stay? Why can't I stay, if you can?"
I had to swallow hard. "That wouldn't be fair, would it? But I don't get to stay, Sunny. I have to go, too. And soon. Maybe we'll leave together." Perhaps she'd be happier if she thought I was going to the Dolphins with her. By the time she knew otherwise, Sunny would have a different host with different emotions and no tie to this human beside me. Maybe. Anyway, it would be too late. "I have to go, Sunny, just like you. I have to give my body back, too."
And then, flat and hard from right behind us, Ian's voice broke through the quiet like the crack of a whip.
"What? — Stephenie Meyer

Why do we put up with it? Do we like to be criticized? No, no scientist enjoys it. Every scientist feels a proprietary affection for his or her ideas and findings. Even so, you don't reply to critics, Wait a minute; this is a really good idea; I'm very fond of it; it's done you no harm; please leave it alone. Instead, the hard but just rule is that if the ideas don't work, you must throw them away. — Carl Sagan

She squeezed her eyes shut. "No."
"Excuse me?"
She sniffed, opened her eyes then looked up. "No. I don't wish you to leave."
His eyes changed from lukewarm to hot.
The iron of the seat met her back. Oh yes, definitely she was the keeper at the zoo and she'd just offered her own leg, medium-rare, to the lion. — Cari Silverwood

Each
day brought just another minute of the things they could not leave behind. Jane Barrington sitting on the
train coming back to Leningrad from Moscow, holding on to her son, knowing she had failed him, crying
for Alexander, wanting another drink, and Harold, in his prison cell, crying for Alexander, and Yuri
Stepanov on his stomach in the mud in Finland, crying for Alexander, and Dasha in the truck, on the
Ladoga ice, crying for Alexander, and Tatiana on her knees in the Finland marsh, screaming for
Alexander, and Anthony, alone with his nightmares, crying for his father. — Paullina Simons

Fear had absorbed her completely and remained there, fixed, tenacious, almost corporeal, as if it were some invisible person who had made up his mind not to leave the room. And the most upsetting part was that the fear had no justification at all, that it was a unique fear, without any reason, a fear just because. — Gabriel Garcia Marquez

Savannah, darlin'?" "Yes, Mama. Come in." Her mother opened the door a crack, then slipped into the room, carrying the largest, most extravagant bouquet of wildflowers Savannah had ever seen. Wildflowers that smelled of lilac and honeysuckle and the outdoors. She breathed deeply and sighed, looking at her mother in question. "Asher Lee," she said, "is downstairs." Savannah felt her mouth tilt up into an involuntary smile and her eyes flood with tears. Her mother set the bouquet on her vanity and put her arm around Savannah. "Whatever he did, he's awful sorry, button." "He yelled at me and made me cry." "Guessing he didn't mean whatever it is he said." "He thinks I want him to change." "Well, of course you do," said her mother matter-of-factly, swiping at Savannah's tears with the corner of her sunflower apron. "We all want to change the men we love. Leave our mark on them." "Oh, I don't lov - " "Of course you don't. I was just makin' conversation. — Katy Regnery

Barbara Bush has her finger on the pulse of America. Im so glad shes back and more compassionate than ever, ... Thats right, of course people just sat around New Orleans, boring, uninspired, soulless New Orleans, and dreamed of someday relocating to the Astrodome. Oh, dear Lord, if only I could leave my unhappy existence and head on up to wonderful Houston and live with my friends side by side in a spacious football stadium, my life would be so much richer and complete. — Sandra Bernhard

Kiara's common sense told her to leave, that he was too angry to talk to, but she couldn't.
Before she could rethink her actions, she crossed the room and shoved him away from the bag.
Stumbling two steps before he caught himself, he gave her an astonished look. The bag swung in an arc between them. "Are you out of your fucking mind?"
"Apparently. 'Cause I'd have to be to shove at you after what I just saw, but it got your attention, didn't it? And now you're going to talk to me."
-Nykyrian & Kiara — Sherrilyn Kenyon

I shall leave you to your Sisyphean task."
"What does that mean?" he heard Daisy ask.
Lillian replied while her smiling gaze remained locked with Marcus's. "It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task... rolling a huge boulder up a hill, only to have it roll down again just before he reached the top."
"Then if the countess is Sisyphus," Daisy concluded, "I suppose we're..."
"The boulder," Lady Westcliff said succinctly, causing both girls to laugh.
"Do continue with our instruction, my lady," Lillian said, giving her full attention to the elderly woman as Marcus left the room. "We'll try not to flatten you on the way down. — Lisa Kleypas

Bertie's gaze fell there and his blue eyes widened. "Deuce take you, Jess," he said crossly. "Can't a fellow trust you for a moment? How many times do I have to tell you to leave my friends alone?"

Miss Trent coolly withdrew her hand.

Trent gave Dain an apologetic look. "Don't pay it any mind, Dain. She does that to all the chaps. I don't know why she does it, when she don't want 'em. Just like them fool cats of Aunt Louisa's. Go to all the bother of catching a mouse, and then the confounded things won't eat 'em. Just leave the corpses lying about for someone else to pick up."

Miss Trent's lips quivered. — Loretta Chase

Caleb touched the brim of his hat and nodded an acknowledgment to Rupert, then spoke to Lily in the clipped, authoritative tone she'd heard him use with his soldiers. "We'll leave for the fort tomorrow," he announced. "You may do whatever you please, Major," Lily responded coldly, "but I'm staying here. I have business to attend to." "Shall I explain to your brother why I have a claim on you?" Caleb asked, his tone a mockery of indulgence. Lily felt her face go hot as a stove stoked for cooking. Rupert looked pleasantly baffled. "Did I miss something here?" Caleb relented just in time to save himself from a kick to the shins. "Tomorrow," he repeated. And then he excused himself and started to walk away. — Linda Lael Miller

His hope was that she would finish her damn book quietly and just leave; that one morning he would awaken and go up to the attic, and Anne Frank would be gone, and he could go on with his life, Anne-free. One hundred percent Frankless. Now with Less Genocide. — Shalom Auslander

I was just saying goodnight." Logan quipped and pecked Sienna on the cheek before slipping something in to her hand. She looked down to see it was a sleek new cellphone. He turned to leave but Mrs. Rivers interrupted him.
"Your fly is undone." She told him grimly giving him her the full extent of her medusa glare. If looks could kill, Mrs. Rivers had homicide down to a science. When had that happened? Sienna thought. Probably sometime when they were too busy pressing themselves against each other. Sienna was mortified. Logan however looked mildly amused. He zipped up his trousers and quietly thanked her.

"Oh and Logan, you left your souvenir behind." She added now giving Sienna the full extent of the medusa glare. Logan and Sienna both frowned momentarily before realizing what she meant. He snatched the condom and put it back in his pocket and quickly left the house leaving Sienna to battle with the Gorgon. — Ali Harper

I'd stayed away for two years. I had to. I knew I shouldn't even be at the summer house, because being there, being near her, I would just want what I couldn't have. It was dangerous. She was the one person I didn't trust myself around. The day she showed up with Jere, I called my friend Danny to see if I could crash on his couch for a while, and he'd said yes. But I couldn't bring myself to do it. I couldn't leave. — Jenny Han

He was the bane of her existence. He didn't deserve one second of her precious time. She knew that. Of course she knew that. If anyone knew what kind of pull Jack had on her, it was Lexi. She hated it more than anyone in this moment. It was the whole reason she had left Atlanta a year ago. She had to get away from him ... to try and leave him behind. But that didn't just kill her affection for him. She didn't stop desiring him because of it. They had a connection, a chemistry that she had no idea how to explain to the outside world. — K.A. Linde

Just as we can't fully explain what is beautiful, so we can't fully explain why we are friends with someone in a way that will make the grounds of our attraction obvious to another - and even to ourselves. Our efforts always leave something out. And it is what is always left out that we try to gesture toward when we say that it is not something ABOUT our friends that we love but our friends THEMSELVES. But the self that we love is always just one one step behind whatever we can actually articulate. And so we are faced with a choice between saying something that seems informative but is never enough of an explanation ('loyal, practical, unworldly and so on') and saying something else that seems like an explanation but is completely uninformative ('the individual, in the uniqueness and integrity of his or her individuality'). — Alexander Nehamas

Are you kidding?" She looked at me as if I'd just dropped from the moon. Her cheeks were bright red.
"What's the problem now?" I demanded.
"Me, go with you to the...the 'Thrill Ride of Love'? How embarrassing is that? What if somebody saw me?"
"Who's going to see you?" But my face was burning now, too. Leave it to a girl to make everything complicated. "Fine," I told her. "I'll do it myself." But when I started down the side of the pool, she followed me, muttering about how boys always messed things up. — Rick Riordan

Is this another fantasy?" she asked.
His gaze lifted to her face. His expression was serious, his usual amusement absent. "No. This is real. This is you and me. Just once, and afterwards I'll leave you alone. I promise I won't hold you back. Now, I'm going to make love to you, slowly and completely, and you'll never forget the feel of me inside you. — Nina Croft

How can I explain to her that I just can't come home? It's too soon, it's too late; I do want to be with Helen every second of the day but at the same time I don't want to be with her at all. I want to have back what I felt at the beginning. I could no more leave her then than leave my arms or legs.
How do you find the beginning, though? There are no roads or signs. You start to doubt it even exists. The hardest thing isn't deciding that I want to go back to when Helen and Gracie and I were us. The most difficult thing is finding the map to get there. — Cath Crowley

What the - Have you been crying?" Tohrment demanded. "Are you all right? Dear God, is it the baby?"
"Tohr, relax. I'm a female, I cry at matings. It's in the job description." There was the sound of a kiss.
"I just don't want anything to upset you, leelan."
'Then tell me the brothers are ready."
"We are."
"Good. I'll bring her out."
"Leelan ? "
"What?" There were low words spoken in their beautiful language.
"Yes, Tohr," Wellsie whispered. "And after two hundred years, I'd mate you again. In spite of the fact that you snore and you leave your weapons all over our bedroom. — J.R. Ward

She was showing me her treasures, Sophie
her eyes did not leave my face once. We were both so solemn, and I, for once, didn't start crying; I just held out my arms. She climbed right into them and under the covers with me
and went sound asleep. — Mary Ann Shaffer

Well, the story is that when a woman found out her husband had fallen in love with a girl from West Stave and planned to leave her, she came to the bridge and, rather than live without him, hurled herself into the canal." "Over a man with so little honor?" "You'd never be tempted? All the fruits and flesh of West Stave before you?" "Would you throw yourself off a bridge for a man who was?" "I wouldn't throw myself off a bridge for the king of Ravka." "It's a terrible story," said Matthias. "I doubt it's true. It's just what happens when you let men name the bridges. — Leigh Bardugo

We could go back to the time when we first met: a man in emotional tatters over someone who had left him, and a woman madly in love with her neighbor. I could repeat what I said to you once: 'I'm going to fight to the bitter end.' Well, I fought and I lost, and now I'll just have to lick my wounds and leave. — Paulo Coelho

Almost halfway down the aisle, she saw someone she wasn't expecting, and she almost stumbled on her satin heels.
Kingsley Martin stood at the end of a pew, his arms crossed. He was wearing a tuxedo as well. Just like any other guest. What was he doing here? He was supposed to be in Paris! He was supposed to be gone!
He looked directly at Mimi.
She heard his voice loud and clear in her head. Leave him.
Why should I? What do you promise me?
Nothing. And everything. A life of danger and adventure. A chance to be
yourself. Leave him. Come with me. — Melissa De La Cruz

Wait, so you do love me?" I asked, hope welling in my heart.
She growled and pounded her fist into a locker, leaving a fist-shaped dent. "Stop it, Justin. Stop it!"
I grabbed her shoulders. "Look at me and tell me you don't love me," I said. "Do it and I'll never bother you again."
"I don't love you," she mumbled.
"Look at me when you say it!"
She turned to me, her eyes hard but dull and faded. "I don't love you."
I let her go. My heart turned to lead, the heavy lump sagging in my chest. "Well, if there are agents out there looking to kill me, I guess it would be a mercy."
I turned to leave. Her hand gripped my shoulder.
"Please listen to me, Justin."
I pushed her hand away but didn't turn to face her. I couldn't let her see the tears welling in my eyes. "Why? What does it matter?"
"It just does. I - I don't want to see you hurt."
I took a deep shuddering breath. "You're not doing a very good job of it." I walked away and left her standing there. — John Corwin

If you'd rather skip lunch, that's fine with me. I've got some things to take care of anyway before I can leave the store to Robin for the weekend."
"I don't want to skip lunch," he bit out. "I'm starving."
Her temper got the better of her. "Fine, but if you plan on snapping at me the whole time then I'd just as soon you eat alone."
His gaze darkened. "I'm not snapping."
She poked him in the chest. "Yes, you are."
Leo started to speak, then paused and let out a huge breath. "Sorry. Damn, I'm just having one of those days."
Amanda smiled and patted his cheek. "You can tell me all about it over a bowl of fettuccine. — Anne Rainey

You may choose to live like a miser," Leo said, "but I'll be damned if I have to. You're incapable of enjoying the moment because you're always intent on tomorrow. Well, for some people, tomorrow never comes."
Her temper flared. "Someone has to think of tomorrow, you selfish spendthrift!"
"Coming from an overbearing shrew - "
Win stepped between them, resting a gentle hand on Amelia's shoulder. "Hush, both of you. It serves no purpose to make yourselves cross just before we are to leave." She gave Amelia a sweet quirk of a smile that no one on earth could have resisted. "Don't frown like that, dear. What if your face stayed that way?"
"With prolonged exposure to Leo," Amelia replied, "it undoubtedly would. — Lisa Kleypas

Just get your clothes back on, and leave the way you came. Or he'd gladly heave her ass out, preferably from the nearest window. Then he'd burn his sheets. — Eve Langlais

Stumped, Ia sat there and tried to comprehend her crew's acceptance. It was possible; it had clearly happened, but . . . she had come here expecting protests, a struggle, a fight to get at least some of them to understand . . .

"Everything alright?" Harper asked her, leaning close.

"I . . . think so?" she said, looking up at him. "Actually, everything just went . . . really well. Too well. I think I may need to worry about this for a while."

He chuckled and shook his head. "Just accept it, Ia. If you said it's necessary, this crew would follow you into Hell itself, no questions asked."

"Excuse me, but I'd ask questions," Helstead argued from his other side. "Like how many demons are we taking out, which ones we're supposed to leave in place, and whether or not we're taking over permanently or just visiting, and if so, for how long? — Jean Johnson

Each day before the end of eve
she sought her lover, nor would him leave,
until the stars were dimmed, and day
came glimmering eastward silver-grey.
Then trembling-veiled she would appear,
and dance before him, half in fear;
there flitting just before his feet
she gently chid with laughter sweet:
'Come! dance now, Beren, dance with me!
For fain thy dancing I would see! — J.R.R. Tolkien

Just do me a favor first - go find the baby. Find out who has her. If I go out there now everybody's going to want to start talking and it'll be midnight before I find her. Take a quick walk around, would you do that? Make sure some drunk didn't leave her in a chair." "How will I know it's your baby?" Cousins asked. Now that he thought about it, he hadn't seen a baby at the party, and surely with all these Micks there were bound to be plenty of them. "She's the new one," Fix said, his voice gone suddenly sharp, like Cousins was an idiot, like this was the reason some guys had to be lawyers rather than cops. "She's the one in the fancy dress. It's her party. — Ann Patchett

What on earth was she doing with her life? Could she just get up and leave? — Kate Atkinson

Why did he leave so fast at the end? Who was on the phone? A girl? That's it, he must have a girlfriend. One from another school. One he was just about to call so he could propose to her, but I interrupted, and then he had to run off to take her call, because weddings don't just plan themselves, you know. — Sarah Ockler

He watched her from the fading dark, unseen and invisible, just another shadow in the trees. He wondered if he had been right to come here, to see her one last time, though he knew resisting her was futile. He couldn't leave without seeing her again, hearing her voice and seeing her smile, even though it wasn't for him. He had no illusions about his addiction to her. She had her fingers sunk firmly into his heart, and could do with it what she wished.
He watched her walk away with the Iron faery and the dog, watched them leave to return to her own realm, back to a place he couldn't follow.
For now. — Julie Kagawa

He rolled her over, rising above her, cupping her cheek. "I wasn't lying, Loree. I've always heard the music in my heart ... but I lost the ability to do that when I went to prison. It was like the music just shriveled up and died. I thought I'd never hear it again. How could I play the violin if I couldn't hear the music? Then lately, I started going crazy because I'd hear snatches of music - when you'd look at me or smile at me. But I couldn't grab onto it, I couldn't hold it. Then last night, you told me that you loved me and I heard the music, so sweet, so soft. It scared me to hear it so clearly after I hadn't for so long.
"Tonight, I hurt you - again. I was going to let you go, Loree. I was gonna take you back to Austin. But I heard my heart break ... and I knew that's all I'd hear for the rest of my life. Don't leave me, Sugar."
Joy filled her and she brushed the locks of hair back off his brow. "I won't."
-Austin and Loree — Lorraine Heath

Ow!" Aideen suddenly hollered which earned a bark from my bedroom.
"Go back asleep you fat shite!" Aideen shouted when I swiped the antiseptic wipe over a small cut above her eye.
I hissed at her, "Leave him alone, he isn't fat. He just has a thick coat!"
Aideen laughed through her hissing. "Yeah, a thick coat of blubber."
I gave her a firm look. "Don't slag me baby when I'm cleanin' you up. Me finger might slip and jam into your eye. — L.A. Casey

Why couldn't she have slid it under the door? he wondered. Why couldn't she have folded it? It looked just like any other note she would leave him, like, Could you try to fix the broken knocker? or I'll be back soon, don't worry. It was so strange to him that such a different kind of note - I had to do it for myself - could look exactly the same: trivial, mundane, nothing. He could have hated her for leaving it there in plain sight, and he could have hated her for the plainness of it, a message without adornment, without any small clue to indicate that yes, this is important, yes, this is the most painful note I've ever written, yes, I would sooner die than have to write this again. Where were the dried teardrops? Where was the tremor in the script? — Jonathan Safran Foer

Goddamn Summerset. I've told him to leave my car when I park it."
"I think he did." Peabody flipped on her sunshades, pointed. "It's blocking the drive, see?"
"Oh, yeah." Eve cleared her throat. The car was just as she'd left it, and fluttering in the mild breeze were a few torn articles of clothing. "Don't ask," she muttered and started to hoof it down the drive.
"I wasn't going to." Peabody's voice was smooth as silk, "Speculation's more interesting. — J.D. Robb

When i dated someone, my goal is to marry her, i date to get married one day, i don't date a girl just to have sex and leave her, why wasting your time if the goal is not to get married? — Werley Nortreus

I'm here, Papa," she whispered, saying the words she had longed to say for her entire life. "I'm here, and I'm never going to leave you again."
He made a sound of contentment and closed his eyes. Just as Evie thought he had fallen asleep, he murmured, "Where shall we walk first today, lovey? The biscuit baker, I s'pose..."
Realizing that he imagined this was one of her long-ago childhood visits, Evie replied softly, "Oh, yes." Hastily she knuckled away the excess moisture from her eyes. "I want an iced bun... and a cone of broken biscuits... and then I want to come back here and play dice with you."
A rusty chuckle came from his ravaged throat, and he coughed a little. "Let Papa take forty winks before we leaves... there's a good girl..."
"Yes, sleep," Evie murmured, turning the cloth over on his forehead. "I can wait, Papa. — Lisa Kleypas

Reaching into her pack again, Ceony pulled out a simple bookmark, long and pointed at one end. She handed it to Zina.
Her sister crooked an eyebrow. "Uh, what is this?"
"A bookmark," Ceony explained. "Just tell it the title of the book you're reading and leave it on the nightstand. It will keep track of what page you're on by itself." She pointed to the center of the bookmark, where she'd overlaid a small square of paper. "The page number will appear here, in my handwriting. It should work for your sketchbooks, too."
Zina snorted. "Weird. Thanks. — Charlie N. Holmberg

before indulging in any form of foreplay kissing, massage and anything else you need to create desire in her! The following tips can help you in stirring her desire: Compliment her, her thoughts, mind, body make her feel irresistible Giver her your complete focus and attention. Just for now leave your taxes and conerns at the door step Really appreciate her and her body Tell her what you'd love to do her and how you want to please her Share your vulnerability and build trust and confidence. Share your fantasies that are normal, real and healthy Maintain a sense of fun as well! Don't talk or act negatively. — Gabrille Cerise

You said yourself she's trouble. I'm doing you a favor, really - should you ever encounter her, you have my permission to run the other way. Tristan just grunted and snapped his fingers at the boy to fetch his clothes. Trouble, yes; but even more dangerous than Bennet suspected. Because Tristan didn't want to run the other way when he saw Miss Bennet, as vexing as she was. He wanted to best her, to leave her speechless; he wanted to hear her confess that she was wrong and he was right, about anything at all. And most worrisome of all, he wanted to kiss her senseless when she did so. Maybe even before. He must be cracked in the head. — Caroline Linden

For she is my love, and other women are but big bodies of flame. who in the world would have thot of her like that? when most people looked they only saw a certain collection of bones, a selection of forms filling space. but he saw past the mouth and the eyes. the archetecture of the body, her fleshy masquerade. other boys were happy enuf to enjoy the show, they just wanted to be entertained by the bodys shadow theater but he had to come backstage. he went down into the mines. into the dark, brot up the gold. your new self, a better self. but wat good was it if he was jus gonna leave her behind. his poets lady, his silver lilly. he was a boy who knew things, things that looked one way but proved to be another. — Janet Fitch

But from morning to night Anne was with the king, as close to his side as a newly wed bride, as a chief counselor, as a best friend. She would return to our chamber only to change her gown or lie on the bed and snatch a rest while he was at Mass, or when he wanted to ride out with his gentlemen. Then she would lie in silence, like one who has dropped dead of exhaustion. Her gaze would be blank on the canopy of the bed, her eyes wide open, seeing nothing. She would breathe slowly and steadily as if she were sick. She would not speak at all. When she was in this state I learned to leave her alone. She had to find some way to rest from the unending public performance. She had to be unstoppably charming, not just to the king but to everyone who might glance in her direction. One moment of looking less than radiant and a rumor storm would swirl around the court and engulf her, and engulf us all with her. When — Philippa Gregory

He could think of only one reason for her to be there, though it made
no sense after what he'd said to her. Words were weapons, his father had
taught him that, and he'd wanted to hurt Clary more than he'd ever wanted to hurt any girl. In fact, he wasn't sure he had ever wanted to hurt a girl before. Usually he just wanted them, and then wanted them to leave him alone. — Cassandra Clare

Vik got up and moved to sit more in her lap. "What are you doing, Vik?" He flicked into his bot form and draped over her leg. "I'm getting bored." "You can't get bored." "Yes, I can." He stretched out. "How much farther?" She laughed at his tone that sounded like a five-year-old. "My God, he's like having a child." Syn snorted. "Yeah. You even have to change his diaper at times." "Nah. Just my batteries." Syn arched a brow. "And your attitude." "Bitch, bitch, bitch. Now leave me alone while I nap."
- Shahara, Vik, & Syn — Sherrilyn Kenyon

Bree stared down at Bernardo's still form. The monitor was the only sound in the room apart from his deep breathing. Alessandro had gone down to the cafeteria with Will and Gianni to grab something to eat before they left for home. Bree lied and told him that she wanted to check in with Tina and her mother Roxanna for a few minutes before they left. Even unconscious, the son of a bitch was formidable and Bree felt nervous around him. "Why don't you do everyone a favour and just die already?" Bree said. No response. Bree sneered and shook her head, turning to leave. "You could always smother me with a pillow," a groggy voice said behind her, making her heart nearly stop. Bree whirled around wide-eyed and met Bernardo's dark gaze. She forced herself to shrug and crossed her arms. "Do you think Alessandro would forgive you for murdering his father?" Bernardo asked. They both knew the answer to that. — E. Jamie

She shut her eyes to block out the image. This was all kinds of madness. "Tanner."

Matilda opened her eyes at the sound of her voice. It was deep and ragged, almost a growl. Maybe a plea.

"Tanner, what?" he asked, his voice as husky as hers as he flicked his gaze to her face. "Tanner, stop? Tanner, leave?" He slid a hand low on her stomach, the muscles beneath tensing in anticipation. "Tanner touch me?"

A lazy finger stroked the skin just above the waist band of her boxers, the sensation coursing white hot need straight between her legs. — Amy Andrews

She taught me everything I knew about crawfish and kissing and pink wine and poetry. She made me different.
I lit a cigarette and spit into the creek. "You can't just make me different and ten leave," I said out loud to her. "Because I was fine before, Alaska. I was fine with just me and last words and shool friends, and you can't just make me different and then die. — John Green

Simon whispered to me, "But is everything okay?"
"No," Tori said. "I kidnapped her and forced her to escape with me. I've been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude."
"Undying gratitude?" Simon looked at me. "Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up."
I smiled. "I'll remember that."
--
"All right, then. Emergency medical situation, take two."
He leaped to his feet, staggered, keeled over, then lifted his head weakly.
"Chloe? Is that you?" He coughed. "Do you have my insulin?"
I placed it in his outstretched hand.
"You saved my life," he said. "How can I ever repay you?"
"Undying servitude sounds good. I like my eggs scrambled. — Kelley Armstrong

Hearing may make shorter intuitive leaps than sight, but it too is subject to illusions. The most pleasant of these are 'mondegreens,' named by the author Sylvia Wright from her youthful mishearing of the Scottish ballad that actually says, 'They hae slain the Earl o' Moray / and they layd him on the green'--not, alas, 'the Lady Mondegreen.' Children, with their relaxed expectations for logic, are a rich source of these (pledging allegiance to 'one Asian in the vestibule, with little tea and just rice for all'), but everyone has the talent to infer the ridiculous from the inaudible--and, what's more, to believe in it. Here, at least, we do behave like computers, in that our voice-recognition software has little regard for probability but boldly assumes we live in a world of surrealist poets. We are certain that Mick Jagger will never leave our pizza burning and that the Shadow knows what evil lurks in the hot cement. — Michael Kaplan

Vegard and Riston's job today was to guard and protect me. And considering that I was in a tower room in the Guardians' citadel, it looked like a pretty plum assignment. I mean, how much trouble could a girl get into under heavy guard in a tower room? Notice I didn't ask that question out loud. No need to rub Fate's nose in something when I'd been tempting her enough lately.
Phaelan had generously his guard services as well, just in case something happened to me that my Guardian bodyguards couldn't handle. Phaelan's guard-on-duty stance resembled his pirate-on-shore-leave stane of leaning back in a chair with his feet up, but instead of a tavern table, his boots were doing a fine job of holding down the windowsill. I don't know how I'd ever felt safe without him. — Lisa Shearin

Emily sighed and looked to Simon. "Your brother is a hard man." Draven choked on his wine. She frowned. "Milord, are you all right?" she asked, pounding her hand on his back. "Fine," Draven said, then shrugged off her touch. "Your choice of words just caught me off guard." Once more Simon burst into laughter. "What?" she asked. Simon shook his head. "I'll leave it to my brother to explain to you just how hard a man he is." "Simon," he warned. "Don't growl at me when you instigated it."
-Emily, Draven & Simon — Kinley MacGregor

I just believe that us as women - should not criticize nor pull down other women. And why? Because we're all just trying our best to be beautiful! We all just want to be loved, we want to be beautiful, we're all trying to leave our own legacy! The good news is that the universe is unending and that means there is enough space for each woman on earth to leave her own mark and to be her own legacy. To be her own kind of beautiful. So why spend even a second on trying to take away from another woman? Trying to steal, trying to criticize, trying to oppress? There is enough space for every woman and every kind of beautiful, in this vast cosmos! When you waste any amount of time trying to take what is another's - you are wasting your huge chunk of a galaxy that's already been given to you! — C. JoyBell C.

Music began playing and a woman walked into the room and stood beside a small band. She was dressed in a red Irish costume that hung to her ankles and it was laced at the bodice with a black cord. After giving a nod to the band, she sang a few Irish songs. But one song seemed to stand out to Rick and he stopped eating and listened.
Sure a little bit of Heaven fell from out the sky one day and it nestled on the ocean in a spot so far away. When the angels found it, sure it looked so sweet and fair, they said, "Suppose we leave it for it looks so peaceful there."
So they sprinkled it with stardust just to make the shamrocks grow. 'Tis the only place you'll find them no matter where you go. Then they dotted it with silver to make its lakes so grand and when they had it finished, sure they called it Ireland. — Linda Weaver Clarke

I just saw a clip of Maria Bamford. She has a comedy show that was filmed and performed from her bed - the whole thing supposedly takes place in her bedroom at her parents house in Duluth, MN. I thought it was great and really strange - to have a comedy special without having to leave your bed. — Dana Schutz

Practice this first." He laid his hands on her shoulders. "Have a good trip. Enjoy your vacation."
"You didn't say I had to speak to him." She blew out a breath at Roarke's calm stare. "All right, all right, it's worth it. Have a good trip." She stretched her lips into a smile. "Enjoy your vacation. Asshole. I'll leave off the asshole, I just wanted to say it now."
"Understood. — J.D. Robb

No", Tori said, " I kidnapped her and forced her to escape with me. I've been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue chloe again and win her undying grattitude. — Kelley Armstrong

Ildiko clutched his arm, unwilling to have him leave her side. "I enjoy your touch, Brishen."

The stiffness eased from his shoulders. He gave her a wry look and pressed his palm to the pale expanse of skin just below her collarbones. His hand rose and fell in quick time to her breathing. "I believe you, but this tells me you fear it as well."

She winced. "Your teeth are so...sharp."

"They are, but I'm not careless, wife. And if, for some unfathomable reason, I accidently bite you, you're welcome to bite me back."

His attempt at humor worked, and Ildiko chuckled. "Brishen - " She offered him a toothy grin. "These wouldn't do much damage."

He traced the line of her collarbones with the rough pads of his fingers, their dark claws a whisper of movement across her flesh. "You have obviously never been badly bitten by a horse. — Grace Draven

It was not enough to be the last guy she kissed. I wanted to be the last one she loved. And I knew I wasn't. I knew it, and I hated her for it. I hated her for not caring about me. I hated her for leaving that night, and I hated myself , too, not only because I let her go but because if I had been enough for her, she wouldn't have even wanted to leave. She would have just lain with me and talked and cried, and I would have listened and kissed at her tears as they pooled in her eyes. — John Green

A larceny and a missing. Me ears-ring missing and she larcen it. That gal just buss 'way like kite. She is a little duty gyal, that one. Never take no instruction from her mother. From she born, me say, this little one, this little one going turn slut like her auntie. Sometime me wonder if is fi her own or fi me. Anyway, she gone from Wednesday morning. Leave out before the sun even rise and is not the first time neither. But this time she take me ears-ring and me Julia of Paris shoes. Me no business bout the shoes. Imagine, she take off to go school from four in the morning? I mean to say, who love school so much that they leave four hour early? Me can smoke in here? — Marlon James

Ah man. I remember the days of lying to my mother about a boy. Once I had a boy hidden in the closet and of course Mom wouldn't leave, so I finally had to pretend to get sick to my stomach just to get her out of the room long enough for him to climb out the window and down the tree. He fell, broke his leg. Ah, to be young again. — Amy Sherman-Palladino

Thus it is our daughters leave us,
Those we love, and those who love us!
Just when they have learned to help us,
When we are old and lean upon them,
Comes a youth with flaunting feathers,
With his flute of reeds, a stranger
Wanders piping through the village,
Beckons to the fairest maiden,
And she follows where he leads her,
Leaving all things for the stranger! — Henry Wadsworth Longfellow

You should hate me," she said brokenly. "You should leave me - "
"Hush." His grip tightened, just short of bruising her. "Do you think so little of me? Damn you." He crushed his lips in her hair. "You don't understand anything about me. Did you think I wouldn't want to help you? That I would abandon you if I knew?"
"Yes," she whispered.
"Damn you," he repeated, his voice choked with anger and love. He forced her face upward. The hopelessness in her eyes caused a cold pressure to squeeze around his heart. — Lisa Kleypas

She carried a scabbedover wound on her hip where her mate had bitten her two weeks before somewhere in the mountains of Sonora. He'd bitten her because she would not leave him. Standing with one forefoot in the jaws of a steeltrap and snarling at her to drive her off where she lay just beyond the reach of the chain. She'd flattened her ears and whined and she would not leave. In the morning they came on horses. She watched from a slope a hundred yards away as he stood up to meet them. — Cormac McCarthy

She nodded against me. "Do you need me to do anything?"
I didn't need a thing from her, but I wanted everything. I wanted her to leave Tyler, to love me, to want to live here with me for the rest of our lives. I wanted so damn much.
"Just go back to sleep, then enjoy the rest of the day with the girls. I'll be back tonight."
"I'll be waiting her for you."
Closing my eyes, I took a deep breath in and held it. if only she knew what she did to me. — Molly McAdams

Never underestimate a girl's love for her favorite band. Never think even for a minute, that she won't defend them to her death. Because it's not just the music that makes that band her favorite. It's the guys, the gals. It's the fans. People whom of which she has interacted with thanks to the band. That band might of saved her life, or just made her smile everyday. That band has never broke her heart and has yet to leave her. No wonder she finds such joy in her music. — Alex Gaskarth

Samuel," Amelie said, and her voice was low and quiet and warm. She bent closer to him. "Samuel. Come back to me."
His eyes opened, and they were all pupil. Scary owl eyes. Claire bit her lip and thought again about running, but Hans and Gretchen were at her back and she knew she didn't have a chance, anyway.
Sam blinked, and his pupils began to shrink slowly to a more normal size. His lips moved, but no sound came out.
"Breathe in," Amelie said, in that same quiet, warm tone. "I'm here, Samuel. I won't leave you." She stroked fingers gently over his forehead, and he blinked again and slowly focused on her.
It was like there was nobody else in all the world, just the two of them. Amelie was wrong, Claire thought. It isn't just that Sam loves her. She loves him just as much. — Rachel Caine

I knew that Clara kept Carax's book in a glass cabinet by the arch of the balcony. I crept up to it. My plan, or my lack of it, was to lay my hands on the book, take it out of there, give it to that lunatic, and lose sight of him forever after. Nobody would notice the book's absence, except me. Carax's book was waiting for me, as it always did, its spine just visible at the end of a shelf. I took it in my hands and pressed it against my chest, as if embracing an old friend whom I was about to betray. Judas, I thought. I decided to leave the place without making Clara aware of my presence. I would take the book and disappear from Clara's life forever. Quietly, I stepped out of the library. The door of her bedroom was just visible at the end of the corridor ... I walked slowly up to the door. I put my fingers on the doorknob. My fingers trembled. I had arrived too late. I swallowed hard and opened the door. — Carlos Ruiz Zafon

I tried to go to sleep with my headphones still on, but then after a while my mom and dad came in, and my mom grabbed Bluie from the shelf and hugged him to her stomach, and my dad sat down in my desk chair, and without crying he said, 'You are not a grenade, not to us. Thinking about you dying makes us sad, Hazel, but you are not a grenade. You are amazing. You can't know, sweetie, because you've never had a baby become a brilliant young reader with a side interest in horrible television shows, but the joy you bring us is so much greater than the sadness we feel about your illness.'
'Okay,' I said.
'Really,' my dad said. 'I wouldn't bullshit you about this. If you were more trouble than you're worth, we'd just toss you out on the streets.'
'We're not sentimental people,' Mom added, deadpan. 'We'd leave you at an orphanage with a note pinned to your pajamas. — John Green

If I order an appetizer is there any chance I can get it quickly? I'm two and a half months pregnant with a Bradford," she said, not mentioning it was twins because the thought was actually starting to scare her and she hadn't told Trevor yet and didn't want him finding out this way. She just hoped the woman understood because she was close to crying. Judging by the slightly startled look on the woman's face she did.
The waitress shook her head. "No, you're right. You probably won't be able to survive the wait," she said, sending Trevor, who was still trying to get the woman to leave, a glare. "I'll bring you out a bowl of clam chowder followed by chicken fingers, they'll only take a few minutes to prepare. Will that work?"
Zoe nodded solemnly. "You are my hero."
"I'll put a rush on your food," the waitress said before walking away.
"Bless you," Zoe said, fighting the urge to kiss the woman. — R.L. Mathewson

Her close friends have gathered.
Lord, ain't it a shame
Grieving together
Sharing the blame.
But when she was dying
Lord, we let her down.
There's no use cryin'
It can't help her now.

The party's all over
Drink up and go home.
It's too late to love her
And leave her alone.

Just say she was someone
Lord, so far from home
Whose life was so lonesome
She died all alone
Who dreamed pretty dreams
That never came true
Lord, why was she born
So black and blue?
Oh, why was she born
So black and blue?

Epitaph (Black And Blue)
Written by: Kris Kristofferson
Note: "Epitaph" is about Janis Joplin. — Kris Kristofferson

Shopping for clothes is a Boyfriend Thing. You stand around and look blankly at a bunch of pieces of fabric and you look at the price tags and you wonder how something that'd barely cover your right nut can cost the price of a kidney and you watch the shop assistants check you out and wonder what you're doing with her because she's cute and you're kind of funny-looking and she tries clothes on and you look at her ass in a dozen different items that all look exactly the same and let's face it you're just looking at her ass anyway and it all blurs together and then someone sticks a vacuum cleaner in your wallet and vacuums out all the cash and you leave the store with one bag so small that mice couldn't fuck in it. Repeat a dozen times or until the front of your brain dies. — Warren Ellis

His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy's life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That
was why she sheltered him with the side of her cloak.
The child, sensitive to his mother's mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother's lap, but just now he gripped her hand with the fingers of one hand, and with the
other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her? — Irving Stone

Sam had a DVD in his hand. He said, "Yesterday I sent Edilio to the power plant to get two things. First, a cache of automatic weapons from the guardhouse.
"Machine guns?"
"Yeah. Not just for us to have, but to make sure the other side doesn't get them."
"Now we have an arms race," Astrid said.
Her tone seemed to irritate Sam. "You want me to leave them for Caine?"
"I wasn't criticizing, just ... you know. Ninth graders with machine guns; it's hard to make that a happy story."
Sam relented. He even grinned. "Yeah. The phrase 'ninth graders with machine guns' isn't exactly followed by 'have a nice day'. — Michael Grant

When Sarsine saw Kestrel, her eyes narrowed to mere cracks and Kestrel became very conscious that Sarsine was a tall woman. "For someone with a reputation for being so smart," Sarsine said, "you act like you haven't a thought in your head. Did it never occur to you that I'd worry when you disappeared from the city with no word?"
"I didn't exactly mean to leave."
"Oh, so it just happened."
"Yes."
"The gods made you do it."
Kestrel laughed. "Maybe they did." Then, earnestly, she said, "I'm sorry, Sarsine."
Sarsine folded her arms. "Then make it up to me."
"How?"
Sarsine's expression softened. Now there was an inquisitive gleam in her eye. "Start with the night you left. End with this very moment. And tell me everything."
So Kestrel did. — Marie Rutkoski

I was a fuckhead for suggesting it, but I wasn't quite ready to leave her all alone yet. As much as I didn't want to admit it, I just wanted a little more time while she sorta kinda needed me. — Sibylla Matilde

She paused, frowning as she sifted through her memories. "I think it was my mother who said it, that Kathleen married Frank Dunn just so she could leave Haverhill. I remember thinking at the time that that must have been a powerful desire she had, to see more of the world."
Or a powerful desire to get away from her small of corner of it, Chad was thinking. — Johanna Lindsey

Screw caution," Tori said. "I'm outta here." We looked at her. "Well, I am. As long as someone comes with me." We kept looking at her. She sighed. "Fine, but when everything goes to hell, just remember, I get to blame you guys, because I wanted to leave right away. — Kelley Armstrong

...I never meant for it to go anywhere, I didn't want it to go anywhere. I just enjoyed feeling wanted; I liked the feeling of control. It was as simple and stupid as that. I didn't want him to leave his wife; I just wanted him to 'want' to leave her. To want me that much.

I don't remember when I started believing that it could be more, that we should be more, that we were right for each other. But the moment I did, I could feel him start to pull away. — Paula Hawkins

Displeased is too mild a word, Pauline. I would rather use the word "vexed". I would be most discomforted to know that you were "vexed" my lord, Halt said, with just the slightest trace of mockery in his tone. The Baron turned a piercing glare on him, don't take this too far, it warned him. Then we shall make it "extremely vexed", lady Pauline, he said meaningfully. I leave it to you to put it in the right form. He looked from her to Halt. You will receive the official notification of my displeasure tomorrow, Halt. I tremble in anticipation my lord, said Halt. — John Flanagan

I am surprised." She scanned the script rapidly. "Th-this is a p-pack of lies!" He looked worried. "Have you always had that little speech impediment?" he asked cautiously. "N-no, it's my souvenir from the Escobaran psych service, and the l-late war. Who came up with this g-garbage, anyway?" The line that particularly caught her eye referred to "the cowardly Admiral Vorkosigan and his pack of ruffians." "Vorkosigan's the bravest man I ever met." Gould took her firmly by the upper arm, and guided her to the shuttle hatch. "We have to go, now, to make the holovid timing. Maybe you can just leave that line out, all right? Now, smile. — Lois McMaster Bujold

Keep a woman broke, keep her under control. Give her just enough to get by. She won't starve to death, but she'll never be able to afford to leave. That's from the handbook on how to be a pimp. — Eric Jerome Dickey

She was making a conscious effort to take with her all the best things about the world she wanted to leave, just in case memories could be car-ried in one's pockets and used to plot out the course of whatever it was that came next — Jodi Picoult

My mother is very religious. She's one of those old ladies that spends her life in the church. She just prays and prays, day and night. We have a very different idea of what religion is. She doesn't understand what my work is about, why I want to make changes in the way we live. She thinks we should be thankful for the little we have and leave well enough alone. I suppose she thinks that if she prays enough, God will come down from the sky with a plate of beans for her to eat.
But I don't think that God say, 'Go to church and pray all day and everything will be fine.' No. For me God says, 'Go out and make the changes that need to be made, and I'll be there to help you.' [p. 30] — Elvia Alvarado