Jee Quotes & Sayings

The Bronze Horseman would pursue her into her grave. She felt it. Into her eternity, clambering behind her in the night and in the day, in every hour of sorrow, in every minute of weakness, in darkness, in light, through all of America he would be rattling at her heels, the way he had been relentlessly rattling at her through the past eleven hundred days, through the past eleven hundred nights, right into her maddening dust. How much longer for Tatiana's life? — Paullina Simons

In Korea, the director is on top, and the power flows down vertically. On the set, I love to come up with ideas on the spot. But in Hollywood, if I were to come up with a certain idea on set, the idea had to be taken to all these different people who had to agree. — Kim Jee-woon

I'm not an outgoing person. Compared to an average person, I am quite skeptical and pessimistic. This is different from being nervous. — Kim Jee-woon

I wish I could have been there to tell you to never trust a boy with star eyes. They blind you like a deer in headlights." I — Zoraida Cordova

Interestingly, my first director's cut was an hour and forty-one minutes. Then, the studio actually wanted to add more to the story, so we went all the way up to an hour and forty-seven minutes. After that, I made some additional cuts and now we are where we are. — Kim Jee-woon

As women go, so goes civilization. — Laura Schlessinger

What I look for is identifying what the utility of a character is to the telling of the story overall. If I can identify that from reading the script, then I've got a clear idea of whether or not I think the character is worth playing. — Harrison Ford

Of course, 'The Last Stand' has a villain who is traveling to the border to fulfill his own desires, but it's more about the main character. The Sheriff putting a stop to this villain and defending his town. 'The Last Stand' is more about protecting something. About protecting a value. — Kim Jee-woon

There's really no substitute for working hard. I think that's my biggest talent. There are always people who are funnier and more talented than I am, but I don't take anything for granted and I commit myself 100% to each of my roles. — Ken Jeong

Overseas directors who want to work in Hollywood, the language barrier is not a problem. With the right talent, any director can be successful. — Kim Jee-woon

I prefer to work the old-fashioned way. I trie to do everything or most of his action sequences practically, because I feel that while added effects or the VFX process allows for flashier sequences, I feel that it lacks the energy we see in practical effects. — Kim Jee-woon

I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, the Western film is American and American only; there's really no Western genre over in Asia. — Kim Jee-woon

I think my tendency when working is to try and find what's lacking in my current project and then tackle that in whatever I do next. — Kim Jee-woon

Lionsgate and Lorenzo di Bonaventura saw my Korean Western-style film, 'The Good, the Bad, the Weird,' and probably felt that I would be right for 'The Last Stand,' which could be classified as a modern Western. — Kim Jee-woon

After my film 'The Tale of Two Sisters,' I received a lot of offers from Hollywood to direct, but because 'A Tale of Two Sisters' was a horror film, I received a lot of horror films. But I wasn't interested in working in the same genre, and the scripts I received for films in different genres were for projects that were near completion. — Kim Jee-woon

Ned never argued with their father, he was unfailingly polite and then nonchalantly went his own way; whereas, he, Edmund, deferred dutifully to his father's authority and then found himself resenting both his parent's austere discipline and his own reluctance to rebel. — Sharon Kay Penman

I never make films thinking 'This is my film. This right here is undoubtedly Kim Jee-Woon style.' I am not even sure what 'Kim Jee-Woon style' is. When I make films, I never allow myself to make hard-set decisions ahead of time. — Kim Jee-woon

To be honest, I would have to say that there was a certain burden in working with Arnold, a big action star. I am aware that Arnold is loved by the American audience, but rather than focusing on working with Arnold, what I focused on was expressing the character, Sheriff Owens, through Arnold the actor and knowing that Arnold and my idea about Sheriff Owens coincided and that it was about Owens protecting a certain value and justice, I focused more on that aspect that helped me to be more comfortable in working with Arnold. — Kim Jee-woon

Actors are the flowers of the film, of the set, and of the director. The term 'Flowers of the Screen' holds a deep meaning. — Kim Jee-woon

I work from opposites to opposites, in a way. It's finding one thing and then doing the other from film to film. So maybe after 'I Saw the Devil,' I might do something like 'I Saw the Angel' or perhaps something warm and happy. — Kim Jee-woon

Just remember that you are tougher than any problem. Just keep putting in your best and you shall tame the beast that is the JEE. — Paras Arora

America is a country that, even with all its flaws, has been able to flourish because there is a certain ideology about fighting for what you believe in. What you choose to believe in - no matter how small or big it is - is what you believe in, and that ideology has made America. — Kim Jee-woon

Initially, before I came to Hollywood, I thought that the language barrier would be the biggest challenge, but I realized that actors all around the world, regardless of language, are all the same. — Kim Jee-woon

One quality that a director needs to acquire in Hollywood is to understand the system and figure out how to work within the system to express one's own ideas. — Kim Jee-woon

What can possibly be the common factor in a Kim Jee-woon film? I think what really ties a lot of my projects together is that there is always a character that believes his life is not exactly the way he wishes it to be. — Kim Ji-woon

I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for. — Kim Jee-woon

But when there were certain moments or scenes that required a very specific nuance or performance, I myself would act out the scene or the sequence and that would inspire the actors. Of course, I can't really express emotions on camera, but I was very active in showing a certain action or a blocking for an actor. I would also participate in certain stunts myself and because of that, I would get bruises or cuts on my knees and elbows. — Kim Jee-woon

In Korea, the director has the final word. If the director makes a decision, that decision is final. In Hollywood, every decision needs to go through the producer, the studio, and sometimes even the main actor. There is a certain procedure that needs to be followed. — Kim Jee-woon

'The Good, the Bad, the Weird' is about individuals fulfilling their desires and just going the distance to fulfill that desire. — Kim Jee-woon

The Western is as American as a film can get - there's the discovery of a frontier, the element of a showdown, revenge, and determining the best gunman. There's a certain masculinity to the Western that really appealed to me, and I've always wanted to do a Western in Hollywood. — Kim Jee-woon

To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set. — Kim Jee-woon