Jeanine Quotes & Sayings

In Beautiful, Mr. Shearer writes with humor and has fun with some of the glorious nonsense of Lamarr's movies. — Jeanine Basinger

They could play married, both happy and unhappy, like no other acting couple have ever played married. They're the Lunts of the American marriage movie. — Jeanine Basinger

Marmalade in the morning has the same effect on taste buds that a cold shower has on the body. — Jeanine Larmoth

I have never relied on anyone else for money since I graduated, and that made me feel grown up. — Jeanine Tesori

I think there are some things in music that work and don't work. That's learned from counterpoint and rhythm and theory, and they don't work if you don't want them to work. — Jeanine Tesori

When Clark Gable, MGM's most popular and famous leading man asked for a percentage of the profits from his films, he was flatly refused. A top executive was reported to have said, He's nobody. We took him from nobody. We lavished him with lessons and publicity and now he's the most desired man in the world. Who taught him how to walk? We straightened his teeth and capped them into that smile. We taught this dumb cluck how to depict great emotions, and now he wants a piece of the action? Never! — Jeanine Basinger

Excellent films do exist on the subject, however, and one is a pure marriage movie in which Newman and Woodward make it work. Mr. and Mrs. Bridge exists to tell moviegoers that the marriage of their parents - especially if they were those tragic dogsbodies, Midwesterners - were fogbound. The film depicts a steady relationship that has no real communication between its couple — Jeanine Basinger

My early life was full of music because my sisters played the piano and I started playing at three. — Jeanine Tesori

Jeanine can be extraordinarily persuasive to those who aren't naturally suspicious. — Veronica Roth

Evelyn tried to control people by controlling weapons, but Jeanine was more ambitious - she knew that when you control information, or manipulate it, you don't need force to keep people under your thumb. They stay there willingly. That is what the Bureau - and the entire government, probably - is doing: conditioning people to be happy under its thumb. — Anonymous

What do they call you if you graduate first in your class at medical school?" John said, "I don't know. Doctor?" Eddie said, "And what do they call you if you graduated last in your class at medical school?" Without missing a beat, John said, "Dean! — Jeanine Pirro

Based on something called a 'ping,' where you literally ping a cell phone using an electronic signal that then reflects the location of where that cell phone is. — Jeanine Pirro

I stand there for just a few seconds before people realize that I'm there. Their conversation peters out. I wipe my palms off on the hem of my shirt. Too many eyes, and too much silence.
Evelyn clears her throat. "Everyone, this is Tris Prior. I believe you may have heard a lot about her yesterday."
"And Christina, Uriah, and Lynn," supplies Tobias. I'm grateful for his attempt to divert everyone's attention from me, but it doesn't work.
I stand glued to the door frame for a few seconds, and then one of the factionless men--older, his wrinkled skin patterned with tattoos--speaks up.
"Aren't you supposed to be dead?"
Some of the others laugh, and I try a smile. It emerges crooked and small.
"Supposed to be," I say.
"We don't like to give Jeanine Matthews what she wants, though," Tobias says. — Veronica Roth

I read a lot. I especially read memoirs and biographies. It's very helpful when you're thinking about what's possible and what exists in human behavior; if it exists out there then it can exist on the stage. I really try to go to a lot of concerts. A lot of live events. I just try to keep my ears really, really open. — Jeanine Tesori

I am the shee-it," the adolescent said in a singsong voice. Then he swung around, smirking at the nearly five-thousand-year-old Egyptian vampire.
"Who's your daddy, M?"
Far from being offended, Mencheres went over and flawlessly executed a street-style handshake complete with finger slaps, fist bumps, and a high-low finale.
"You are the shit," he solemnly agreed — Jeaniene Frost

Movies endorsed unwanted ideas by putting them into story form and resolving them up there on the screen. The goal was, as always, identification, but also relief. — Jeanine Basinger

Jeanine claims you're all dangerous Insurgents. — Evelyn Eaton

I feel like music is oceanic - there's no end to what you can discover. — Jeanine Tesori

I realized that all you have to do is state what you need and figure out how to get it, and be kind and help other people move forward. Check your jealousy, which is always present, and the threat of the younger generation coming forward as they must do. — Jeanine Tesori

I've been really opinionated my whole life. I was raised to be opinionated. I was raised to debate at the dinner table - my father demanded it - and you had to be able to debate in a confident and clear way. — Jeanine Tesori

In-laws were often used as plot devices to drive a happy couple apart, to destroy marital love and trust. — Jeanine Basinger

Loving and appreciative, researched to a fare-thee-well, and pitched to both fans and first-time viewers of Singin' in the Rain, this delightful book delivers almost as much fun as the film itself. — Jeanine Basinger

... this film taps perfectly into the viewers' sense of the world. It was a big, big hit, and one of Hollywood's best-remembered marriage movies, although by grounding itself in trendy political issues, it avoids ordinary day-to-day marital problems. Its bottom line is, however, marry your own kind. — Jeanine Basinger

Jeanine Honicker. . . . coined a sentence . . . 'The solution to pollution by dilution when it comes to radiation if fallacious. — Helen Broinowski Caldicott

Deanna Durbin's movies are about innocence and sweetness. They're from a different time and a different place. Outside the movie house, there was Depression, poverty, war, death, and loss. Audiences then were willing to pretend, to enter into a game of escape. No one really thought that the world was like a Deanna Durbin movie, they just wanted to pretend it was for about an hour and a half. — Jeanine Basinger

I WAKE TO a headache. I try to go back to sleep - at least when I'm asleep, I'm calm - but the image of Caleb standing in the doorway runs through my mind over and over again, accompanied by the sound of squawking crows.
Why did I never wonder how Eric and Jeanine knew that I had aptitude for three factions?
Why did it never occur to me that only three people in the world knew that particular fact: Tori, Caleb, and Tobias?
My head pounds. I can't make sense of it. I don't know why Caleb would betray me. I wonder when it happened - after the attack simulation? After the escape from Amity? Or was it earlier than that - was it back when my father was still alive? Caleb told us he left Erudite when he found out what they were planning - was he lying?
He must have been. I press the heel of my hand to my forehead. My brother chose faction over blood. There has to be a reason. She must have threatened him. Or coerced him in some way. — Veronica Roth

When it came to portraying couples who never directly connected, the Newmans were the Olympic gold champions — Jeanine Basinger

Magic in cinema is a bit like ventriloquism on the radio. — Jeanine Basinger

I used to think that cruelty required malice, but that is not true. Jeanine has no reason to act out of malice. But she is cruel because she doesn't care what she does, as long as it fascinates her. I may as well be a puzzle or a broken machine she wants to fix. She will break open my skull just to see the inner workings of my brain; I will die here, and that will be the merciful thing. — Veronica Roth

Everyone will tell you how rigid I am, but a teacher has to be flexible. You can't cut the student to your cloth; you have to cut yourself to theirs. — Jeanine Basinger

I thought Jeanine attacked the Abnegation to seize power, but — Veronica Roth

Movies with interfering in-laws and kids are often presented as comic, the ridicule bringing welcome relief to beleaguered married folks suffering offscreen at the hands of relatives. — Jeanine Basinger

Another superb movie about a mature marriage grounded in a fundamental lack of communication is Dodsworth, based on the Sinclair Lewis novel. — Jeanine Basinger

and it seemed to me that we was like seafarers, and the tober was the ocean. We was passing the landlubbers by. We gawped at each other, us from our ships, and them from their shores, but the gap between us was so big we couldn't cross it. It was high tide or low tide, or whatever tide would prevent us from dropping anchor and rowing out to them, to exchange gifts and brides, gods and diseases" Outside Boy pg.55 — Jeanine Cummins

Joanne Woodward's Mrs. Bridge is one of the best performances ever given on film of a middle-aged woman. — Jeanine Basinger

When I look at him, I don't see the cowardly young man who sold me out to Jeanine Matthews, and i don't hear the excuses he gave afterward.
When I look at him, I see the boy who held my hand in the hospital when our mother broke her wrist and told me it would be all right. I see the brother who told me to make my own choices, the night before the Choosing Ceremony. I think of all the remarkable things he is
smart and enthusiastic and observant, quiet and earnest and kind. — Veronica Roth

There was a period where I dressed sort of like a mechanic and I looked really schlumpy, and I thought, "This is not who I am. This is not who I want to be." It was a very important moment for me - to not hide. — Jeanine Tesori

A small town is automatically a world of pretense. Since everyone knows everyone else's business, it becomes the job of the populace to act as if they don't know what is going on instead of its being their job to try to find out. — Jeanine Basinger

In the movies Paris is designed as a backdrop for only three things
love, fashion shows, and revolution. — Jeanine Basinger

You're a beautiful girl, and you can do anything you want in life. — Jeanine Pirro

What the hell is going on?" I demand, craning my neck to look at Jeanine. "We agreed-cooperation in exchange for results! We agreed--"
"This is entirely separate from our agreement," says Jeanine, glancing at her watch. "This is not about you, Beatrice."
The door opens again.
Tobias walks in--limps in--flanked by Dauntless traitors. His face is bruised and there's a cut above his eyebrow. He does not move with his usual care; he's holding himself perfectly straight. He must be injured. I try not to think about how he got that way.
"What is this?" he says, his voice rough and creaky.
From screaming, probably.
My throat feels swollen.
"Tris," he says, and he lurches toward me, but the Dauntless traitors are too quick. They grab him before he can move more than a few steps. "Tris, are you okay?"
"Yeah," I say. "Are you?"
He nods. I don't believe him. — Veronica Roth

I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing. — Jeanine Tesori

You will be the first test subject, Tobias. Beatrice, however ... " She smiles. "You are too injured to be of much use to me, so your execution will occur at the conclusion of this meeting."
I try to hide the shudder that goes through me at the word "execution," my shoulder screaming with pain, and look up at Tobias. It's hard to blink tears back when I see the terror in Tobias's wide, dark eyes.
"No," says Tobias. His voice trembles, but his look stern as he shakes his head. "I would rather die."
"I'm afraid you don't have much of a choice in that matter," replies Jeanine lightly.
Tobias takes my face in this hands roughly and kisses me, the pressure of his lips pushing mine apart. I forget my pain and the terror of approaching death and for a moment, I am grateful that the memory of that kiss will be fresh in my mind as I meet my end. — Veronica Roth

Why would everyone - in both the movie business and the audience - want to avoid the label "marriage"? Marriage was presumably everybody's business. People were either born into one, born outside of one, living in one, living outside of one, trying to woo someone into one, divorced from one, trying to get divorced from one, reading about one, dreaming about one, or just observing one from afar. For most people, it would be the central event - the biggest decision - of their lives. Marriage was the poor man's trip to Paris and the shopgirl's final goal. At the very least, it was a common touchstone. Unlike a fantasy film or a sci-fi adventure, a marriage story didn't have to be explained or defined. Unlike a western or a gangster plot, it didn't have to find a connection to bring a jolt of emotional recognition to an audience. Marriage was out there, free to be used and presented to people who knew what the deal was. — Jeanine Basinger

I'd been trained as a classical musician, but also as a pop musician. My teacher made sure that everything was available. — Jeanine Tesori

The true marriage movie involving in-laws and children is a story about how marriage is directly affected by external characters who impact the central relationship in various ways. — Jeanine Basinger

If you're doing something new there is always a sense of fear or foreboding, but you're in new ground and you have to get out your machete and cut a new path. — Jeanine Tesori

My daughter is my greatest gift and, not to be corny, but my greatest teacher. — Jeanine Tesori

The business didn't trust it, audiences didn't want it, but marriage could never be ignored. It was everywhere and nowhere, the genre that dared not speak its name, the ghost that hung over the happy ending of every romantic comedy. As a subject, it existed to be achieved (jolly comedy, great love story), destroyed (death, murder, tragedy), or denied (divorce). If it was achieved, the movie was over. If it was destroyed, it was no longer there, gotten rid of and abandoned once and for all. If it was denied, it was only temporarily shelved (for some fun) and could be reassuringly restored. — Jeanine Basinger

I am a son of David and Jeanine O'Toole. I am a son of Earth. And you, you bug-eyed bastards, cannot have my mind. — Orson Scott Card

When you have competing companies that are engaging in the raising of prices in lock step with each other, you have to question whether or not this in coincidence or price fixing. With the merger of Exxon and Mobil and Chevron and Texaco, we have very little competition among the energy companies. — Jeanine Pirro

Marriage, after all, was the known, not the unknown: the dull dinner party, not the madcap masquerade. It was a set of issues and events that audiences knew all too well offscreen. Unlike the wide-open frontier of the western, offering freedom and adventure, or the lyrical musical, with its fantasy of release through singing and dancing, or the woman's film, with its placing of a marginalized social figure (the woman) at the center of the universe, or the gangster movie, with its violent excitement and obvious sexual freedom, the marriage film had to reflect what moviegoers already had experienced: marriage, in all its boredom and daily responsibilities. — Jeanine Basinger

The people who are going into music who hunger, they're going into pop music. There are some badass women who are ambitious and hungry and brave, and they're in pop. — Jeanine Tesori

I write to find out about how the world sings. — Jeanine Tesori

A hat is a shameless flatterer, calling attention to an escaping curl, a tawny braid, a sprinkling of freckles over a pert nose, directing the eye to what is most unique about a face. Its curves emphasize a shining pair of eyes, a lofty forehead; its deep brim accentuates the pale tint of a cheek, creates an aura of prettiness, suggests a mystery that awakens curiosity in the onlooker. — Jeanine Larmoth

The story of a marriage was an excellent way to fulfill the goal of discussing class without discussing class, and to tell an audience that they were upwardly mobile. — Jeanine Basinger

Tea quenches tears and thirst. — Jeanine Larmoth

Sometimes, reality is the illusion, and the truth only visible where our eyes can't see.
- Lady Lalaigne — Jeanine Henning

The ghastly mother-in-law is well represented by a little comedy film of 1952: No Room for the Groom, directed by Douglas Sirk, the fine German director more famous for his melodramas that humanely criticize American morals and values. — Jeanine Basinger

I met him while I was imprisoned," I say, and my voice sounds far away even to me. "I was just curious." "I wouldn't judge him too harshly," says Fernando. "Jeanine can be extraordinarily persuasive to those who aren't naturally suspicious. I have always been naturally suspicious." ... "Yeah," I say. "So have I. — Veronica Roth

Girl power in my mind is to let girls be exactly what they are. Let them be angry. Let them be resentful. And rebellious. Let them be hard and soft and loving and sad and silly. Let them be wrong. Let them be right. Let them be everything. because, they are everything. — Amy Sherman-Palladino