Quotes & Sayings About Japanese Art

I own a home in Kyoto, Japan actually on the temple on grounds in Nanzenji that is going to become a Japanese art museum. — Larry Ellison

Beautiful and minimalist, the traditional Japanese art of ikebana - arranging bouquets of cut flowers and leaves using very few elements - ideally corresponded to a form of expression I could transpose in a perfume. The smell of a rose early in the morning, damp, sprinkled with dew, delicate and light. — Jean-Claude Ellena

This book by Dr. Yasuda, while ostensibly about haiku, in reality penetrates deeply into the totality of this living spirit of Japan. It deals with those aspects which have produced and maintained haiku into the present day. The important key to understanding comes with the realization that in Japanese art one strives always for the absolute. Of the absolute there is no question of degree; it is either attained or lost. Most often, to be sure, it is not attained, but it is the constant striving toward and awareness of that high goal which gives strength and vitality to this living aesthetic spirit which has so impressed me in Japan.

(Robert B. Hall, Foreword, p. x) — Kenneth Yasuda

The Japanese have a wonderful sense of design and a refinement in their art. They try to produce beautiful paintings with the minimum number of strokes. — David Rockefeller

Japanese things - laquers, netsuke, prints - conjure a picture of a place where sensations are always new, where art pours out of daily life, where everything exists in a dream of endless beautiful flow. — Edmund De Waal

When a Japanese woman disrupts the powerful sequence of natural movement with her jerky little steps, we ought to experience the disquiet that troubles our soul whenever nature is violated in this way, but in fact we are filled with a unfamiliar blissfulness, as if disruption could lead to a sort of ecstasy, and a grain of sand to beauty. What we discover in this affront to the sacred rhythm of life, this defiant movement of little feet, this excellence born of constraint, is a paradigm of Art. — Muriel Barbery

While Elstir, at my request, went on painting, I wandered about in the half-light, stopping to examine first one picture, then another.
Most of those that covered the walls were not what I should chiefly have liked to see of his work, paintings in what an English art journal which lay about on the reading-room table in the Grand Hotel called his first and second manners, the mythological manner and the manner in which he shewed signs of Japanese influence, both admirably exemplified, the article said, in the collection of Mme. de Guermantes. Naturally enough, what he had in his studio were almost all seascapes done here, at Balbec. But I was able to discern from these that the charm of each of them lay in a sort of metamorphosis of the things represented in it, analogous to what in poetry we call metaphor, and that, if God the Father had created things by naming them, it was by taking away their names or giving them other names that Elstir created them anew. — Marcel Proust

If you had a large vase with a big crack down the middle of it, a Japanese art museum would put the vase on a pedestal and shine a spotlight on the crack! — Arielle Ford

The most notable function of Japanese art is to express the melancholy of mortality and the inevitable decay of beauty, to act as the catalyst for the experience of extreme sorrow. The mindfulness is found in every aspect of Japanese culture, in pottery, pop songs, haiku, and even in the way of tea. When it comes to achieving that desired quality of existential desolation in Japanese garden, it's moss that gets the job done. — Vivian Swift

The local Red Cross chapter volunteered to publish his book. It came out in a deluxe, gold-embossed, Japanese-paper edition to remind the reader of human artistry, which can be a refuge from evil and a source of new, platonic stirrings. One copy was reserved for His Imperial Majesty Nicholas II. (The Tsar fairly devoured mystical works, believing that hell could be avoided by a combination of education and deceit.)

"The Book of Kings and Fools," p. 136. — Danilo Kis

We recognize the distinctness of Asian art when we turn to its traditional forms, recognize it as Japanese, Chinese and Indian, even Balinese or Thai. — F. Sionil Jose

In Japanese art, space assumed a dominant role and its position was strengthened by Zen concepts. — Stephen Gardiner

The entrenched interests of the regional nobility prevented the proper functioning of a government built upon ethical practice. While high-minded scholars often called for reforms, their memoranda carried little weight with an idle aristocracy. — Joan Stanley-Baker

There are ancient works, written by monks that identify with Japanese's Zen monks practicing homosexuality. A woman can become a Zen monk also, but it is not an easy task since men are closer to Buddha than their female counterparts. Still, Buddhist have been known to practice the art of one woman having multiple husbands. — Isaiah Seber

Playing Japanese characters and being in environments that are Japanese, like a character's apartment or whatever, if you have directors or art directors who just don't know what' s what with Japanese culture, then pretty soon something's just passed through. I've been through many times where I've pointed out the incorrectness of so much of what's been done to a set. — Cary-Hiroyuki Tagawa

producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The — Oscar Wilde

The art of stone in a Japanese garden is that of placement. Its ideal does not deviate from that of nature. — Isamu Noguchi

Knowing that it is the earth we tread, we learn to tread carefully, lest it be rent open. Realizing that it is the heavens that hang above us, we come to fear the echoing thunderbolt. The world demands that we battle with others for the sake of our own reputation, and so we undergo the sufferings bred of illusion. While we live in this world with its daily business, forced to walk the tightrope of profit and loss, true love is an empty thing, and the wealth before our eyes mere dust. — Soseki Natsume

While my friends were discussing Pearl Harbor as the country's problem, I took it personally. It dawned on me that the Japanese attack could be my ticket out of high school. — Art Buchwald

The '80s market was only a Japanese market. It was the Japanese outbidding each other for the most expensive works of art. When the Japanese economy went down the tubes, there was no one left to pay the prices that have been recorded for all of those works. — Arne Glimcher

I have mastered many things in my life. Navigating the streets of London, speaking French without an accent, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms ... "
Tessa stared.
"Alas," he went on, "no one has ever actually referred to me as 'the master,' or 'the magister,' either. More's the pity ... — Cassandra Clare

Every three or four years I pick a new subject. It may be Japanese art; it may be economics. Three years of study are by no means enough to master a subject but they are enough to understand it. SO for more than 60 years I have kept studying one subject at a time. — Peter Drucker

These Taoists' ideas have greatly influenced all our theories of action, even to those of fencing and wrestling. Jiu-jitsu, the Japanese art of self-defence, owes its name to a passage in the Tao-teking. In jiu-jitsu one seeks to draw out and exhaust the enemy's strength by non-resistance, vacuum, while conserving one's own strength for victory in the final struggle.
In art the importance of the same principle is illustrated by the value of suggestion. In leaving something unsaid the beholder is given a chance to complete the idea and thus a great masterpiece irresistibly rivets your attention until you seem to become actually a part of it. A vacuum is there for you to enter and fill up the full measure of your aesthetic emotion. — Okakura Kakuzo

It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right." — Christian Boltanski

The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide. — Christopher Moore

If we study Japanese art, we see a man who is undoubtedly wise, philosophic and intelligent, who spends his time doing what? He studies a single blade of grass. — Vincent Van Gogh

What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures. — David Hockney

I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space. — Robert Barry

Before I started LimoLand, I mainly bought my clothes in Harlem, where I found clothing my size in fun colors. I still like to go there and see the vibrancy and colors of the neighborhood. I am also very influenced by the colors of my contemporary African and Japanese art collections. — Jean Pigozzi

I love crafting. Knitting, decoupage, scrapbooking, any "lady-ish" art form, I'm a fan. For about six months each. Then I shove all the supplies in a closet, alongside the skeletons of long dead New Year's resolutions, like saber fencing, playing the ukulele, and Japanese brush painting. — Felicia Day

In Japan, a number of time-honored everyday activities (such as making tea, arranging flowers, and writing) have traditionally been deeply examined by their proponents. Students study how to make tea, perform martial arts, or write with a brush in the most skillful way possible to express themselves with maximum efficiency and minimum strain. Through this efficient, adroit, and creative performance, they arrive at art. But if they continue to delve even more deeply into their art, they discover principles that are truly universal, principles relating to life itself. Then, the art of brush writing becomes shodo - the "Way of the brush" - while the art of arranging flowers is elevated to the status of kado - the "Way of flowers." Through these Ways or Do forms, the Japanese have sought to realize the Way of living itself. They have approached the universal through the particular. — H.E. Davey

Japanese people accept that art and commerce will be blended; and, in fact, they are surprised by the rigid and pretentious Western hierarchy of 'high art.' — Takashi Murakami

If you study Japanese art you see a man who is undoubtedly wise, philosophic and intelligent, who spends his time how? In studying the distance between the earth and the moon? No. In studying the policy of Bismarck? No. He studies a single blade of grass. But this blade of grass leads him to draw every plant and then the seasons, the wide aspects of the countryside, then animals, then the human figure. So he passes his life, and life is too short to do the whole. — Vincent Van Gogh

What's that?' Thaniel said, curious. The postmarks and stamps weren't English or Japanese.

'A painting. There's a depressed Dutchman who does countryside scenes and flowers and things. It's ugly, but I have to maintain the estates in Japan and modern art is a good investment. — Natasha Pulley

I acquired an admiration for Japanese culture, art, and architecture, and learned of the existence of the game of GO, which I still play. — Philip Warren Anderson

Great art projects a sense of inexhaustibility. In literature, particularly in poetry, this may be accomplished through ambiguity: Beneath each and every meaning that I can descry lie others, so that rereading holds out the prospect of new subtleties, inversions, secret codes and ineffabilities — William T. Vollmann

Aikido is not ultimately Japanese: It is an art of universal truth and international significance. — Linda Holiday

One famous Japanese haiku illustrates the state that Sid managed to discover in himself. It is one that Joseph Goldstein has long used to describe the unique attentional posture of bare attention: The old pond. A frog jumps in. Plop!2 Like so much else in Japanese art, the poem expresses the Buddhist emphasis on naked attention to the often overlooked details of everyday life. Yet, there is another level at which the poem may be read. Just as in the parable of the raft, the waters of the pond can represent the mind and the emotions. The frog jumping in becomes a thought or feeling arising in the mind or body, while "Plop!" represents the reverberations of that thought or feeling, unelaborated by the forces of reactivity. The entire poem comes to evoke the state of bare attention in its utter simplicity. — Mark Epstein

The Japanese have a word for it. It's Judo - the art of conquering by yielding. The Western equivalent of Judo is, "Yes dear". — J. P. McEvoy

As far as I have been able to understand, the Japanese seem to keep things close to the vest. Friendly but remote and polite to the point of being invisible. It is in the music, literature, film and art that the Japanese really seem to express themselves. — Henry Rollins

I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities. — Ad Reinhardt

I wanted Kimi to be a Japanese record with a Japanese title. I wanted it to be for them. They appreciate things on a different level, and take their art very seriously - that's special if you're an artist. — Matthew Sweet

On my first days here I did not start work immediately but, as planned, I took it easy for a few days - flicked through books, studied Japanese art a little. — Gustav Klimt

Life is too short to do the whole. — Vincent Van Gogh

We tottered together upon the brink of the fall. I have some knowledge, however, of baritsu, or the Japanese system of wrestling, which has more than once been very useful to me. I slipped through his grip, and he with a horrible scream kicked madly for a few seconds and clawed the air with both his hands. — Arthur Conan Doyle

In fact, the whole of Japan is a pure invention. There is no such country, there are no such people ... The Japanese people are ... simply a mode of style, an exquisite fancy of art. — Oscar Wilde

In Britain, chinoiserie was eclipsed by the medievalism of Sir Walter Scott and the Gothic Revival, while in Europe japonisme would be chinoiserie's successor. Japonisme never compelled the general middle-class British taste as did the indigenous medieval style. Nonetheless, through extensive importations to Britain of Japanese art and artifacts, notably by the shop Liberty's of London, as well as through the artists James McNeill Whistler and Dante Gabriel Rossetti, the architect E.W. Godwin, and the writer Oscar Wilde, the Japanese style of decoration was known in Britain well before 1894. — Linda Gertner Zatlin

In the potential of absurdity, hiding in the disparate combination of the various different subjects which in themselves are nothing but daily items equally in the exclusive representation of a normal item taken out of their usual context , is by far the most radical - in its effect comparable to a Japanese Zen koan - paradox to be witnessed, which modern art has produced, one of the most forceful impulses that generated from it. — Antoni Tapies

Destroyed, that is, were not only men, women and thousands of children but also restaurants and inns, laundries, theater groups, sports clubs, sewing clubs, boys' clubs, girls' clubs, love affairs, trees and gardens, grass, gates, gravestones, temples and shrines, family heirlooms, radios, classmates, books, courts of law, clothes, pets, groceries and markets, telephones, personal letters, automobiles, bicycles, horses - 120 war-horses - musical instruments, medicines and medical equipment, life savings, eyeglasses, city records, sidewalks, family scrapbooks, monuments, engagements, marriages, employees, clocks and watches, public transportation, street signs, parents, works of art. "The whole of society," concludes the Japanese study, "was laid waste to its very foundations."2698 Lifton's history professor saw not even foundations left. "Such a weapon," he told the American psychiatrist, "has the power to make everything into nothing. — Richard Rhodes

Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature through the window or door-frame of a palace. For the Cro-Magnons, space is a metaphysical arena of continually intermittent appearances and disappearances. — John Berger

Many Japanese painters and calligraphers would change their names intentionally to keep their relationship to the art always fresh. This way, others' expectations can be avoided. — Tina Weymouth

I've mastered many thing's in my life. Navigating the streets of London, dancing the quadrille, the Japanese art of flower arranging, lying at charades, concealing a highly intoxicated state, delighting young women with my charms ... "
Tessa stared.
"Alas," he went on, "no one has ever actually referred to me as 'the master' or 'the magister', either. More's the pity ... "
"Are you highly intoxicated at the moment? — Cassandra Clare

Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations - there you will find the essence of true art, religion, and science. — Santoka Taneda

Now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. — Oscar Wilde

I admire the abstract expressionists and pop artists so right now I'm referencing American '60s art and at the same time referencing Japanese manga culture. — Christian Marclay

'Toonami' was a tremendous vehicle, delivering the art of Japanese animation to a massive audience that may have otherwise never experienced it. I feel an immense debt of gratitude to everyone involved with the show and to every fan who supported it. — Steven Blum

In Japan, I am famous in certain special circles - mainly as someone who is trying to break down and enlighten the conventions of Japanese art. — Takashi Murakami

I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese. — Larry Ellison

No art takes places without inspiration. Every artist also needs effective knowledge of his or her tools (e.g., does a certain brush function well with a particular kind of paint?). What's more, artists need effective techniques for using those tools.
Likewise, to express ourselves skillfully with maximum efficiency and minimum effort, we need to investigate the most effective ways of using the mind and body since, in the end, they are the only "tools" we truly possess in life. — H. E. Davey, Japanese Yoga: The Way Of Dynamic Meditation

Until we can insert a USB into our ear and download our thoughts, drawing remains the best way of getting visual information on to the page. I draw as a collagist, juxtaposing images and styles of mark-making from many sources. The world I draw is the interior landscape of my personal obsessions and of cultures I have absorbed and adapted, from Latvian folk art to Japanese screens. I lasso thoughts with a pen. I draw a stave church or someone from Hello! Magazine not because I want to replicate how they look, but because of the meaning they bring to the work. — Grayson Perry

haragei - the art of balance and power emanating from the lower belly. Haragei was the basis of all Japanese martial arts, from sumo to karate to the almost extinct harakei. The — Eric Van Lustbader

When I was taking art history I was always angry that we would skip certain chapters because "it wasn't important." Like, "Let's skip over the Japanese. Let's just get to Giotto, because that's where everything begins." It's like, no. Everything is relevant to me. — Ali Banisadr

Did not the artists of the great age of Japanese art change names many times during their careers? I like that; they wanted to safeguard their freedom. — Henri Matisse