Jane Austen S World Quotes & Sayings

More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte - my old friends - with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me. — Catherine Lowell

And I decide to stop inwardly composing the feminist world court's prosecutorial summation to the jury. — Laurie Viera Rigler

Because he wanted nothing from her; this was a generous, expansive feeling, unattached to the possibility of gratification; it was the simple happiness that came from knowing that one particular person was alive in the world — Jo Baker

John Knightley only was in mute astonishment. - That a man who might have spent his evening quietly at home after a day of business in London, should set off again, and walk half a mile to another man's house, for the sake of being in mixed company till bed-time, of finishing his day in the efforts of civility and the noise of numbers, was a circumstance to strike him deeply. A man who had been in motion since eight o'clock in the morning, and might now have been still, who had been long talking, and might have been silent, who had been in more than one crowd, and might have been alone! - Such a man, to quit the tranquillity and independence of his own fireside, and on the evening of a cold sleety April day rush out again into the world! — Jane Austen

Perhaps it's one of those cases of a microcosm giving you the whole world. Like a spode dinner plate. Or a single cell. Or, as daisy says, like a Jane Austen novel. When player and listener together know the route so well, the pleasure is in the deviation, the unexpected turn against the grain. To see a world in a grain of sand. So it is, Perowne tries to convince himself, with clipping an aneurysm: absorbing variation on an unchanging theme. — Ian McEwan

The English major is, first of all, a reader. She's got a book pup-tented in front of her nose many hours a day; her Kindle glows softly late into the night. But there are readers and there are readers. There are people who read to anesthetize themselves - they read to induce a vivid, continuous, and risk-free daydream. They read for the same reason that people grab a glass of chardonnay - to put a light buzz on. The English major reads because, as rich as the one life he has may be, one life is not enough. He reads not to see the world through the eyes of other people but effectively to become other people. What is it like to be John Milton, Jane Austen, Chinua Achebe? What is it like to be them at their best, at the top of their games? — Mark Edmundson

If I'd been free to pick any name in the world, I would have one for something diaphanous and fanciful, like Coralie or Delphine, the kind of name a grand dame gives a petit chien. Because no one - no one - daydreams about pretty names more than girls called Jane. And with good reason, you know? I mean, even our most illustrious Janes are world-class stick-in-the-mud. Austen, Eyre, Doe? Spintser, sucker, corpse. It's a wonder I managed as well as I did. — Elizabeth Little

To be disgraced in the eye of the world, to wear the appearance of infamy while her heart is all purity, her actions all innocence, and the misconduct of another the true source of her debasement, is one of those circumstances which peculiarly belong to the heroine's life, and her fortitude under it what particularly dignifies her character. Catherine had fortitude too; she suffered, but no mumur passed her lips. — Jane Austen

I suppose you mean Camilla?" "Yes, that's the book; such unnatural stuff! An old man playing at see-saw, I took up the first volume once and looked it over, but I soon found it would not do; indeed I guessed what sort of stuff it must be before I saw it: as soon as I heard she had married an emigrant, I was sure I should never be able to get through it." "I have never read it." "You had no loss, I assure you; it is the horridest nonsense you can imagine; there is nothing in the world in it but an old man's playing at see-saw and learning Latin; upon my soul there is not. — Jane Austen

I refused to have bookshelves, horrified that I'd feel compelled to organise the books in some regimented system - Dewey or alphabetical or worse - and so the books lived in stacks, some as tall as me, in the most subjective order I could invent.
Thus Nabokov lived between Gogol and Hemingway, cradled between the Old World and the New; Willa Cather and Theodore Dreiser and Thomas Hardy were stacked together not for their chronological proximity but because they all reminded me in some way of dryness (though in Dreiser's case I think I was focused mainly on his name): George Eliot and Jane Austen shared a stack with Thackeray because all I had of his was Vanity Fair, and I thought that Becky Sharp would do best in the presence of ladies (and deep down I worried that if I put her next to David Copperfield, she might seduce him). — Rebecca Makkai

Miss Austen's novels ... seem to me vulgar in tone, sterile in artistic invention, imprisoned in the wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow. The one problem in the mind of the writer ... is marriageableness. — Ralph Waldo Emerson

How to explain the sheer tingling joy one experiences when two interesting, complex, and occasionally aggravating characters have at last settled their misunderstandings and will live happily ever after, no matter what travails life might throw in their path, because Jane Austen said they will, and that's that? How to describe the exhilaration of being caught up in an unknown but glamorous world of balls and gowns and rides in open carriages with handsome young men? How to explain that the best part of Jane Austen's world is that sudden recognition that the characters are just like you? — Margaret C. Sullivan

Sir John's confidence in his own judgment rose with this animated praise, and he set off directly for the cottage to tell the Miss Dashwoods of the Miss Steeles' arrival, and to assure them of their being the sweetest girls in the world. From such commendation as this, however, there was not much to be learned; Elinor well knew that the sweetest girls in the world were to be met with in every part of England, under every possible variation of form, face, temper and understanding. — Jane Austen

And with regard to the resentment of his family, or the indignation of the world, if the former were excited by his marrying me, it would not give me one moment's concern
and the world in general would have too much sense to join in the scorn. — Jane Austen

She played a great deal better than either of the Miss Musgroves; but having no voice, no knowledge of the harp, and no fond parents to sit by and fancy themselves delighted, her performance was little thought of, only out of civility, or to refresh the others, as she was well aware. She knew that when she played she was giving pleasure only to herself; but this was no new sensation: excepting one short period of her life, she had never, since the age of fourteen, never since the loss of her dear mother, know the happiness of being listened to, or encouraged by any just appreciation or real taste. In music she had been always used to feel alone in the world; and Mr. and Mrs. Musgrove's fond partiality for their own daughters' performance, and total indifference to any other person's, gave her much more pleasure for their sakes, than mortification for her own. — Jane Austen

Of such, one may almost say, that 'the world is not their's, nor the world's law. — Jane Austen

Mary was the only daughter who remained at home; and she was necessarily drawn from the pursuit of accomplishments by Mrs. Bennet's being quite unable to sit alone. Mary was obliged to mix more with the world, but she could still moralize over every morning visit; and as she was no longer mortified by comparisons between her sisters' beauty and her own, it was suspected by her father that she submitted to the change without much reluctance. — Jane Austen

I am at a loss to understand why people hold Miss Austen's novels at so high a rate, which seem to me vulgar in tone, sterile in artistic invention, imprisoned in their wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow ... All that interests in any character [is this]: has he (or she) the money to marry with? ... Suicide is more respectable. — Ralph Waldo Emerson

That's the attraction of the conference circuit: it's a way of converting work into play, combining professionalism with tourism, and all at someone else's expense. Write a paper and see the world! I'm Jane Austen - fly me! — David Lodge

Only think of Mrs. Holder's being dead! Poor woman, she has done the only thing in the world she could possibly do to make one cease to abuse her. — Jane Austen

One of my all-time favorite books is Jane Austen's Pride and Prejudice - I know, a bit girly, but great is great. I hated the book when I was forced to read it and write a book report at fourteen. I only realized that I loved it - and a lot of literature - when I reread it for fun on a whim when I was twenty-three. The same is true for Huckleberry Finn, A Tale of Two Cities, and Brave New World. Not only was I more mature and had more perspective on life, but I had the time and motivation to appreciate it. I believe that motivation, the culture of a community, and outlets for exploration drive the appreciation of the arts, not grades and credit-unit requirements. — Salman Khan

For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom. — Rebecca Solnit

But history, real solemn history, I cannot be interested in. Can you?"
"Yes, I am fond of history."
"I wish I were too. I read it a little as a duty, but it tells me nothing that does not either vex or weary me. The quarrels of popes and kings, with wars or pestilences, in every page; the men all so good for nothing, and hardly any women at all
it is very tiresome. — Jane Austen

Captain Harvile: Poor Phoebe, she would not have forgotten him so soon. It was not in her nature.
Anne Elliot: It would not be in the nature of any woman who truly loved.
Captain Harvile: Do you claim that for your sex?
Anne Elliot: We do not forget you as soon as you forget us. We cannot help ourselves. We live at home, quiet, confined, and our feelings prey upon us. You always have business of some sort or other to take you back into the world.
Captain Harvile: I won't allow it to be any more man's nature than women's to be inconstant or to forget those they love or have loved. I believe the reverse. I believe ... Let me just observe that all histories are against you, all stories, prose, and verse. I do not think I ever opened a book in my life which did not have something to say on women's fickleness.
Anne Elliot: But they were all written by men. — Jane Austen

My favorite book has always been Jane Austen's Persuasion and it's been the comfort blanket of my life which I know sounds a bit dramatic but, if ever I'm feeling fed up, it's my novel of choice. What I've always done when I can't face the world is to retreat into its pages and spend some time with Captain Wentworth. — Jane Odiwe

You know, there was a time when childbirth was possibly the most terrifying thing you could do in your life, and you were literally looking death in the face when you went ahead with it. And so this is a kind of flashback to a time when that's what every woman went through. Not that they got ripped apart, but they had no guarantees about whether they were going to live through it or not.
You know, I recently read - and I don't read nonfiction, generally - Becoming Jane Austen. That's the one subject that would get me to go out and read nonfiction. And the author's conclusion was that one of the reason's Jane Austen might not have married when she did have the opportunity ... well, she watched her very dear nieces and friends die in childbirth! And it was like a death sentence: You get married and you will have children. You have children and you will die. (Laughs) I mean, it was a terrifying world. — Stephenie Meyer

How is it that, a full two centuries after Jane Austen finished her manuscript, we come to the world of Pride and Prejudice and find ourselves transcending customs, strictures, time, mores, to arrive at a place that educates, amuses, and enthralls us? It is a miracle. We read in bed because reading is halfway between life and dreaming, our own consciousness in someone else's mind. — Anna Quindlen

MARIA: But unluckily that iron gate, that Ha, Ha, give me a feeling of restraint and hardship. I cannot get out, as the starling said.
HENRY: And for the world you would not get out without the key and without Mr. Rushworth's authority and protection, or I think you might with little difficulty pass round the edge of the gate, here, with my assistance; I think it might be done, if you really wished to be more at large, and could allow yourself to think it not prohibited. — Jane Austen

Words change over time. 'Condescending,' for instance, was once a good thing to be. It meant that a person was willing to interact politely with people of lower social ranks. In Jane Austen's world, a lady praised for her condescension was receiving a sincere compliment. — Nancy Kress

I certainly must,' said she. 'This sensation of listlessness, weariness, stupidity, this disinclination to sit down and employ myself, this feeling of everything's being dull and insipid about the house! I must be in love; I should be the oddest creature in the world if I were not. — Jane Austen