Its In The Eyes Quotes & Sayings

As he clutched her in his shaking hands and wept against her, he whispered into her ear, the words that made him believe. "Love bears all things. Endures all things," he said. "Ours has, hasn't it?" She nodded and held him tighter. "But can it endure this, Anais? This demon who holds me so mercilessly in its claws?"
She touched his face and kissed him. "My love can and will, Lindsay. I will be here when you open your eyes. I will give you whatever you need to make it more bearable. — Charlotte Featherstone

Up there in my retreat, I feel the city calling to me. It winks at me with its myriad eyes, and I go out and get stiff as a board. I seek out companionship, and if I do not find friends, I make them. A wonderful, grand old Babylon. — A.J. Liebling

To sit, staring at those fixed glazed eyes, in silence for a moment, would play, Scrooge felt, the very deuce with him. There was something very awful, too, in the spectre's being provided with an infernal atmosphere of its own. Scrooge could not feel it himself, but this was clearly the case; for though the Ghost sat perfectly motionless, its hair, and skirts, and tassels, were still agitated as by the hot vapour from an oven. — Charles Dickens

The photograph dragged Maneck's eyes back to it, to the event that was once unsettling, pitiful, and maddening in its crystalline stillness. The three sisters looked disappointed, he thought, as though they had expected something more than death, and discovered that was all there was. He found himself admiring their courage. What strength it must have taken, he thought , to unwind those sarees from their bodies, to tie the knots around their necks. Or perhaps it had been easy, once the act acquired the beauty of logic and the weight of sensibleness. — Rohinton Mistry

Braith opened her eyes and screamed at what hovered above her, "Gods! Death comes for me!"
The horrifying face of death curled its lip at her and growled, "Well, that's charmin'." Death sat back in its chair, hands resting on its knees. "This face is not me fault, ya know?" Death looked off, thought a moment. Its finger traced one of the deep gouges across its jaw. "This one actually is kind of me fault." She pointed at the other side of her face, where part of her chin was missing. "And this one. A bit of barney at the pub."
...
"That was not death," he whispered. "That was our Great-Aunt Brigida."
"Brigida? Brigida the Foul?" He nodded. "I thought she was dead."
Addolgar shook his head and whispered, "She just won't die. — G.A. Aiken

It is growing cold. Winter is putting footsteps in the meadow. What whiteness boasts that sun that comes into this wood! One would say milk-colored maidens are dancing on the petals of orchids. How coldly burns our sun! One would say its rays of light are shards of snow, one imagines the sun lives upon a snow crested peak on this day. One would say she is a woman who wears a gown of winter frost that blinds the eyes. Helplessness has weakened me. Wandering has wearied my legs. — Roman Payne

Instead, I opened my eyes to find the thing in front of my face, wafting dead horse breath across my chin and up my nose, its mouth like a gaping maw; its eyes, two giant wormholes, twisting and bending with some apparitional substance that could have been space and time if I'd known anything about physics. — Shannon Celebi

New York may end up being no more than a scrim, a spectral film that is none other than our craving for romance - romance with life, with masonry, with memory, sometimes romance with nothing at all. This longing goes out to the city and from the city comes back to us. Call it narcissism. Or call it passion. It has its flare-ups, its cold nights, its sudden lurches, and its embraces. It is our life finally revealed to us in the most lifeless hard objects we'll ever cast eyes on: concrete, steel, stonework. Our need for intimacy and love is so powerful that we'll look for them and find them in asphalt and soot. — Andre Aciman

Whatever is, is in its causes just;
But purblind man
Sees but a part o' th' chain; the nearest link;
His eyes not carrying to that equal beam
That poises all above. — John Dryden

An ear-splitting screech pierced the silence, followed by another, striking his ears like metal against a hollow bell. The woosh woosh of wind being displaced brought Andrew's attention skyward, and a glacial gust of paralyzing terror raced up his spine. The creature opened its mouth, and a blazing shaft of fire bellowed from above. Andrew barely had enough time to back beneath an awning for protection. Egnatious and Sebastian dove to the side while Firen sidestepped her impending doom, raising the katana in challenge.
The screeching returned, except now the howls were coming from every direction.
Firen's chest heaved. "Did you see that?" she asked, her stormy eyes glinting with rapture and daring as she held her katana out, preparing for the next attack.
"Did I see the dragon?" Sebastian asked, hysteria dangerously rising to the surface. He stood and brushed himself off. "Yes, I bloody well did see that enormous, scaly, fire-breathing dragon. — Laura Kreitzer

I'm not the first one to point out that George Lucas used plastic helmets to cover the faces of the storm troopers in Star Wars, in order to make them more inhuman, as their eyes and faces were not visible. In our times, we are getting a more modern version of Lucas's Stormtroopers, thanks to the popular nerve toxin Botox. This is something more and more people who are past their middle age are happily injecting into themselves - more specifically, into their faces. Botox causes local paralysis (it is a nerve toxin, after all), which smoothes out wrinkles. Unfortunately, it also means you can no longer use some of your facial muscles, as you are paralyzed. This means you're not only getting the skin of a Barbie doll, you're getting its range of facial expressions too. — Henrik Fexeus

Should i even bother scanning the crowd for my parents? I could turn around and go back to the dormitory. Then I see her. My mother stands alone near the railing with her hands clasped in front of her. she has never looked more out of place, with her gray slacks and gray jacket buttoned at the throat, her hair in its simple twist and her face placid. I start toward her, tears jumping into my eyes. She came. She came for me. I walk faster. She sees me, and for a second her expression is blank, like she doesn't know who I am. Then her eyes light up, and she opens her arms. She smells like soap and laundry detergent. — Veronica Roth

It is the poor man who clenches so tightly to the gold he is given - for fear of losing it. The man of wealth spends his gold freely to accomplish his will in the world. It is the same with life.'
Suddenly ashamed of my conspicuous poverty, I lowered my eyes. But Scatha placed a hand beneath my chin and raised my head. 'Cling too tightly to your life and you will lose it, my Reluctant Warrior. You must become the master of your life, not its slave. — Stephen R. Lawhead

If we only had eyes to see and ears to hear and wits to understand, we would know that the Kingdom of God in the sense of holiness, goodness, beauty is as close as breathing and is crying out to born both within ourselves and within the world; we would know that the Kingdom of God is what we all of us hunger for above all other things even when we don't know its name or realize that it's what we're starving to death for. The Kingdom of God is where our best dreams come from and our truest prayers. We glimpse it at those moments when we find ourselves being better than we are and wiser than we know. We catch sight of it when at some moment of crisis a strength seems to come to us that is greater than our own strength. The Kingdom of God is where we belong. It is home, and whether we realize it or not, I think we are all of us homesick for it. — Frederick Buechner

The day was made for laziness, and lying on one's back in green places, and staring at the sky till its brightness forced one to shut one's eyes and go to sleep ... — Charles Dickens

The really destructive feature of their relationship is its inherent quality of boredom. It is quite natural for Peter often to feel bored with Otto - they have scarecely a single interest in common - but Peter, for sentimental reasons, will never admit that this is so. When Otto, who has no such motives for pretending, says, "It's so dull here!" I invariably see Peter wince and looked pained. Yet Otto is actually far less often bored than Peter himself; he finds Peter's company genuinely amusing, and is quite glad to be with him most of the day. Often, when Otto has been chattering rubbish for an hour without stopping, I can see that Peter really longs for him to be quiet and go away. But to admit this would be, in Peter's eyes, a total defeat, so he only laughs and rubs his hands, tacitly appealing to me to support him in his pretense of finding Otto inexhaustibly delightful and funny. — Christopher Isherwood

I saw something moving round the foot of the bed, which at first I could not accurately distinguish. But I soon saw that it was a sooty-black animal that resembled a monstrous cat. It appeared to me about four or five feet long for it measured fully the length of the hearthrug as it passed over it; and it continued to-ing and fro-ing with the lithe, sinister restlessness of a beast in a cage. I could not cry out, although as you may suppose, I was terrified. Its pace was growing faster, and the room rapidly darker and darker, and at length so dark that I could no longer see anything of it but its eyes. I felt it spring lightly on the bed. The two broad eyes approached my face, and suddenly I felt a stinging pain as if two large needles darted, an inch or two apart, deep into my breast. I waked with a scream. — J. Sheridan Le Fanu

I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck. — Graham Greene

There is in all our strivings a profound homesickness for God. When we touch another we touch God. When we look at a flower, its radiance, its fragrance, its stillness is another moment's experience of something deeper within. When we hold a baby, when we hear extraordinary music, when we look into the eyes of a great saint, what draws us is that deep homesickness for our true nature, for the peace and healing that is our birthright. This homesickness for God directs us toward the healing we took birth for. — Stephen Levine

The remarkable thing about the world of insects, however, is precisely that there is no veil cast over these horrors. These are mysteries performed in broad daylight before our very eyes; we can see every detail, and yet they are still mysteries. If, as Heraclitus suggests, god, like an oracle, neither "declares nor hides, but sets forth by signs," then clearly I had better be scrying the signs. The earth devotes an overwhelming proportion of its energy to these buzzings and leaps in the grass. Theirs is the biggest wedge of the pie: Why? I ought to keep a giant water bug in an aquarium on my dresser, so I can think about it. — Annie Dillard

I had traveled eight thousand miles around the American continent and I was back on Times Square; and right in the middle of a rush hour, too, seeing with my innocent road-eyes the absolute madness and fantastic hoorair of New York with its millions and millions hustling forever for a buck among themselves, the mad dream-grabbing, taking, giving, sighing, dying, just so they could be buried in those awful cemetery cities beyond Long Island City. — Jack Kerouac

Everyone in our town has a story
but it's not the one he tells himself. Its author has a thousand eyes, a thousand ears, and five hundred pens that never stop scribbling. — Carsten Jensen

It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake.
"Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence."
He thinks, Henry has been rehearsing. I suppose we all have.
The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts. — Hilary Mantel

Since we launched the original 'Pop Idol' in England, I've remained close with Simon Fuller. Working as executive producer on 'American idol' for its first seven years not only was an inspirational journey into the heart of American pop culture, it opened my eyes to the untapped potential of the incredibly dynamic young people in this world. — Nigel Lythgoe

Bran tore his eyes away from the monster. That was when he noticed the bundle in Robb's arms. He gave a cry of delight and moved closer. The pup was a tiny ball of grey-black fur, its eyes still closed. It nuzzled blindly against Robb's chest as he cradled it, searching for milk among his leathers, making a sad little whimpery sound. Bran reached out hesitantly. "Go on," Robb told him. "You can touch him." Bran — George R R Martin

And there is no living creature, though the whims of eons had put its eyes on boggling stalks and clamped it in a carapace, diminished it to a pinpoint and given it a taste for mud and stuck it down a well or hid it under a stone, but that creature will live on if it can. — Marilynne Robinson

Because I expected so little, Gaines's painting is startlingly powerul. A lank-haired blond woman with a hard face sits at akitchen table in the harsh light of a bare bulb. She's surrounded by dirty cereal bowls and fast-food bags, and her shirt is open to the waist, revealing small sagging breasts. Her hollow eyes look out from the canvas with the sullen resignation of an animal that has helped build its own cage. — Greg Iles

When I wake up earlier than you and you
are turned to face me, face
on the pillow and hair spread around,
I take a chance and stare at you,
amazed in love and afraid
that you might open your eyes and have
the daylights scared out of you.
But maybe with the daylights gone
you'd see how much my chest and head
implode for you, their voices trapped
inside like unborn children fearing
they will never see the light of day.
The opening in the wall now dimly glows
its rainy blue and gray. I tie my shoes
and go downstairs to put the coffee on. — Ron Padgett

Wolf's fur was speckled with drops of blood that had beaded on it like rain. The gravel in the alley shone in the half-light from the distant street lamps. The wolf's muzzle, a little shorter and broader than I had seen on Wild Kingdom, was drawn back, black lips from fangs striped white and red like peppermints. Its eyes were blue, rather than any proper lupine shade, and gleamed with a sort of demented awareness. — Jim Butcher

Of course there always will be darkness but I realize now something inhabits it. Historical or not. Sometimes it seems like a cat, the panther with its moon mad gait or a tiger with stripes of ash and eyes as wild as winter oceans. Sometimes it's the curve of a wrist or what's left of romance, still hiding in the drawer of some long lost nightstand or carefully drawn in the margins of an old discarded calendar. Sometimes it's even just a vapor trail speeding west, prophetic, over clouds aglow with dangerous light. Of course these are only images, my images, and in the end they're born out of something much more akin to a Voice, which though invisible to the eye and frequently unheard by even the ear still continues, day and night, year after year, to sweep through us all. — Mark Z. Danielewski

Every time I create something, whether an idea or a work of art, initially, its supposed completion seems absolutely perfect to me. However the more I think about it, stare it down, the more it marinates in my soul over the hours, days, and weeks, the more flaws I start to find in it; and finally, the more I'm pressed to continue enhancing it. It essentially turns out that whatever thing a flawed and imperfect, human eye once thought was amazing begins to appear quite wretched. This is why, eternally, God cannot be impressed by mere talents or by mortal achievements. To perfect eyes, I imagine that great is not really that great; rather, humility is ultimately a human being's true greatness. — Criss Jami

We gotta have a toast." Rocky on her pins, Peabody used the table for balance. She managed to raise her glass without spilling more than half its contents on Eve's head. "To the best fucking cop in the whole stinking city, who's gonna marry the sexiest sumbitch I, personally, have ever laid eyes on, and who, because she's so goddamn smart, has seen to it that I'm perman'ly attached to Homicide. Which is where any half-blind asshole could tell you I belong. So there." She downed the rest of her drink, fell backward into her chair, and grinned foolishly.
"Peabody," Eve said and flicked a finger under her eyes. "I've never been more touched."
"I'm shit faced. Dallas."
"The evidence points to it. — J.D. Robb

Mostly, though, he made people laugh, with wicked impersonations of everyone around him: clients, lawyers, clerks, even the cleaning woman. When Pickwick Papers came out, his former colleagues realized that half of them had turned up in its pages. His eyes - eyes that everyone who ever met him, to the day he died, remarked on - beautiful, animated, warm, dreamy, flashing, sparkling - though no two people ever agreed on their colour - were they grey, green, blue, brown? - those eyes missed nothing, any more than did his ears. He could imitate anyone. Brimming over with an all but uncontainable energy, which the twenty-first century might suspiciously describe as manic, he discharged his superplus of vitality by incessantly walking the streets, learning London as he went, mastering it, memorizing the names of the roads, the local accents, noting the characteristic topographies of the many villages of which the city still consisted. — Simon Callow

I felt my face going blank, my eyes going empty. For just an instant I let Marks see the gaping hole where my conscience was supposed to be. I didn't really mean to, but I couldn't seem to help it. Maybe I was more shaken up from the room and its survivors than I thought. It's the only excuse I can give.
Marks' face went from fading laughter to something like concern. He gave me cop eyes, but underneath that was an uncertainty that was almost fear.
"Smile, Lieutenant. It's a good day. No one died."
I watched the thought spill through his face. He understood exactly what I meant. You should never even hint to the police that you're willing to kill, but I was tired, and I still had to go back into the room. Fuck it.
Edward spoke in his own voice, low and empty, "And you wonder why I compete with you? — Laurell K. Hamilton

brooch caught her eye. It was in the shape of a snake and its eyes sparkled with rubies, just like her mother's bracelet. She picked it up to examine it closer. How odd it was to find something so similar. "Psst." Claire jumped at the sudden sound, and dropped the brooch on the table, her heart racing. A man stood in an alleyway behind the booth, his face cloaked in shadow under a gray hood. He took a step — Casey Odell

It is easy sometimes to blame genetics, some obesity gene perhaps. But even if this were true, we'll still be referring to the machine. Genetics are predispositions. The body is designed as a closed system, physiologically speaking and unless acted upon by an outside or higher force it maintains its functions. It is designed to sustain its own survival. The psychological (self-ordinate command) is essential for this survival because the body also belongs to a self, one that can overfeed it, starve it or kill it as may be. It is also by material urges that you seek to acquire wealth and by self command, suppose what you consider a higher more fulfilling purpose that you choose to give it all away.
The hard core truth is that despite some obesity gene, you can starve yourself to death if you want, or perhaps if you feel you have an ulterior higher purpose like an anorexic might, to look thin and beautiful in the eyes of the communal. — Dew Platt

Imagine you are walking in the woods and you see a small dog sitting by a tree. As you approach it, it suddenly lunges at you, teeth bared. You are frightened and angry. But then you notice that one of its legs is caught in a trap. Immediately your mood shifts from anger to concern: You see that the dog's aggression is coming from a place of vulnerability and pain. This applies to all of us. When we behave in hurtful ways, it is because we are caught in some kind of trap. The more we look through the eyes of wisdom at ourselves and one another, the more we cultivate a compassionate heart. — Tara Brach

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

Hours and hours passed, with nothing to do but keep the compass on its course and the plane on a level keel. This sounds easy enough, but its very simplicity becomes a danger when your head keeps nodding with weariness and utter boredom and your eyes everlastingly try to shut out the confusing rows of figures in front of you, which will insist on getting jumbled together. — Amy Johnson

Alone he watched the sky go out, dark deepen to its full. He kept his eyes on the engulfed horizon, for he knew from experience what last throes it was capable of. And in the dark he could hear better too, he could hear the sounds the long day had kept from him, human murmurs for example, and the rain on the water. — Samuel Beckett

Pity, Jane, from some people is a noxious and insulting sort of tribute, which one is justified in hurling back in the teeth of those who offer it; but that is the sort of pity native to callous, selfish hearts; it is a hybrid, egotistical pain at hearing of woes, crossed with ignorant contempt for those who have endured them. But that is not your pity, Jane; it is not the feeling of which your whole face is full at this moment - with which your eyes are now almost overflowing - with which your heart is heaving - with which your hand is trembling in mine. Your pity, my darling, is the suffering mother of love: its anguish is the very natal pang of the divine passion. I accept it, Jane; let the daughter have free advent - my arms wait to receive her. — Charlotte Bronte

Sometimes, in the darkness, Werner thinks the cellar may have its own faint light, perhaps emanating from the rubble, the space going a bit redder as the August day above them progresses toward dusk. After a while, he is learning, even total darkness is not quite darkness; more than once he thinks he can see his spread fingers when he passes them in front of his eyes. — Anthony Doerr

But, sir, isn't death a dreadful thing?" asked Malcolm.
"That depends on whether a man regards it as his fate or as the will of a perfect God. Its obscurity is its dread. But if God be light, then death itself must be full of splendor
a splendor probably too keen for our eyes to receive."
"But there's the dying itself; isn't that fearsome? It's that I would be afraid of."
"I don't see why it should be. It's the lack of a God that makes it dreadful, and you would be greatly to blame for that, Malcolm, if you hadn't found your God by the time you had to die. — George MacDonald

There is a popular notion about prayer that assumes that the thing asked for ought to be the object of faith - "Lord, give me this or that," wherefore "this" and "that" become the realities. No. The Bible states the absolutes that we can be certain of: the character of God, His love, His will that we be conformed to His Son's likeness, His sovereign control of all the universe. When faith latches on to those realities that we do not see with our eyes, it can never be confounded. If it makes the thing asked for its object, faith itself will dissolve if the Lord's answer is no, not yet or wait. In thee, O LORD, do I put my trust: let me never be put to confusion (Ps. 71:1, KJV). D — Elisabeth Elliot

But I never looked like that!' - How do you know? What is the 'you' you might or might not look like? Where do you find it - by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the repertoire of its images. — Roland Barthes

I feel high on the knowledge that I can talk as much as I want to, as quickly as I want to, in any direction that I want to, without anyone overtly rolling her eyes at me or suggesting I go to speech therapy. I'm not saying this is good pedagogy. I am saying that its pleasures are deep. — Maggie Nelson

Look at the subject as if you have never seen it before. Examine it from every side. Draw its outline with your eyes or in the air with your hands, and saturate yourself with it. — John Baldessari

The willow is full plumage and is no help, with its insinuating whispers.
Rendevous, it says. Terraces;
the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grows underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire ...
Winter is not so dangerous. I need hardness, cold, rigidity; not this heaviness, as if I'm a melon on a stem, this liquid ripeness. — Margaret Atwood

You've got to deal with the world with all of its troubles, while you've still got this alternate image. It's not about being in a different place or being in heaven, it's about seeing the world through magical eyes for a moment, and then being back in that same world, and everything is dull and gray. Having to remember the color. — Larkin Grimm

The most thrilling day of the year, the first real day of Spring had enclosed its warm delicious beauty even to London eyes. It had put a spangle in every colour and a new tone in every voice, and city folks walked as though they carried real bodies under their clothes with real live hearts pumping the still blood through. — Katherine Mansfield

One thing they don't tell you 'bout the blues when you got 'em, you keep on fallin' 'cause there ain't no bottom,' sings Emmylou Harris, and she may be right. Perhaps it would help to be told that there is no bottom, save, as they say, wherever and whenever you stop digging. You have to stand there, spade in hand, cold whiskey sweat beaded on your brow, eyes misshapen and wild, some sorry-ass grave digger grown bone-tired of the trade. You have to stand there in the dirty rut you dug, alone in the darkness, in all its pulsing quiet, surrounded by the scandal of corpses. — Maggie Nelson

And it is a profound consolation, perhaps the only one, to this haunted animal that wastes most of a long and ghostly life wandering the future and the past on its hind legs, looking for meanings, only to see in the eyes of others of its kind that it must die. — Peter Matthiessen

Somehow I cannot let it go yet, funeral though it is,
Let it remain back there on its nail suspended,
With pink, blue, yellow, all blanch'd, and the white now gray
and ashy,
One wither'd rose put years ago for thee, dear friend;
But I do not forget thee. Hast thou then faded?
Is the odor exhaled? Are the colors, vitalities, dead?
No, while memories subtly play - the past vivid as ever;
For but last night I woke, and in that spectral ring saw thee,
Thy smile, eyes, face, calm, silent, loving as ever:
So let the wreath hang still awhile within my eye-reach,
It is not yet dead to me, nor even pallid. — Walt Whitman

Just as you cannot see, at pleasure, with your ears and you cannot, at will, hear with your eyes so too you cannot make the state act in the interests of the working people. As an organ in the social body, its purpose is for the repression of self-determination. — Rudolf Rocker

His ministrations were tender, his eyes hooded as he seemed to withhold certain emotions from her. She allowed him his secrets, and took what he gave with a greed that shocked her with its intensity. But he never had to know. He never had to glimpse how deeply she felt for him, or discover the secret she had always suspected and finally admitted to herself.
She loved him.
Completely. Every part of him, good and bad, her friend and lover and partner and rival. She wanted to spend the rest of her life with him, giving him everything, even though she knew he didn't want her. She crammed the knowledge to a secret place in- side. Then realized she'd take whatever he gave, even though it would never be enough. — Jennifer Probst

Oh, my. Empress."
His words pulled her from her thoughts. His gaze was locked upon her, taking in the beautiful silk lingerie, the delicate fabric that clung to her curves, hinting temptingly at what it hid. He reminded her of a wolf- hungry and eager to snare its prey- and her breath caught as his eyes met hers, desire rife within them. — Sarah MacLean

Adin looked up at Donte, who was then in the middle of taking a sip of his wine. He took in Donte's demonically beautiful face, long and angular, with its hooded eyes and high cheekbones, its wine-darkened lips. He watched as Donte savored it, imagining the warmth of the wine on the inside of Donte's mouth and against his tongue. He could almost feel it as it slid down the column of Donte's throat, teasing his Adam's apple into a subtle bob, and suddenly Adin was the wine, slipping down that throat, and just as inexplicably, Adin felt Donte's mouth on him everywhere at once, biting ... licking ... sucking. Adin's breath sped up; his skin warmed with the beginnings of a flush brought on by arousal. — Z.A. Maxfield

The smell the tornado left in its wake combined pine, sulfur, and natural gas with the sickly sweet smell of death. It was a nauseating, desperate smell that clung to his nostrils and turned his stomach in every disaster zone he would ever visit. After one tornado, a man looked at him with ancient eyes and described the smell in words he would never forget: It comes from the pit of hell. — Kim Cross

If you have true gratitude, it will express itself automatically. It will be visible in your eyes, around your being, in your aura. It is like the fragrance of a flower. In most cases if there is a beautiful flower, the fragrance will be there naturally. The flower and its fragrance cannot be separated. — Sri Chinmoy

My eyes are bright, my hair has come loose from its ribbon, and Stella's scarf is waving around my neck. But that's not what I see when I look at the picture. I see three unlikely friends holding hands. And Ryan, Kenny, and Melanie are standing behind us, rapt.
And in the sky above us, I see a miracle. — Wendy Mass

One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there? — Virginia Woolf

It was one of those things they keep in a jar in the tent of a sideshow on the outskirts of a little, drowsy town. One of those pale things drifting in alcohol plasma, forever dreaming and circling, with its peeled, dead eyes staring out at you and never seeing you. It went with the noiselessness of late night, and only the crickets chirping, the frogs sobbing off in the moist swampland. One of those things in a big jar that makes your stomach jump as it does when you see a preserved arm in a laboratory vat. — Ray Bradbury

Heavily and hypnotically,with her soul flattening itself back like the ears of a hissing cat,Kizzy leaned in and drank of Jack Husk's full,moist mouth,and his red,red lips were hungry against hers,drinking her in return.Their eyes closed.Fingers clutched at collars and hair,at the picnic blanket,at the grass.And as they sank down,pinning their shadows beneath them,the horizon tipped on its side,and slowly,thickly,hour by hour,the day spilled out and ebbed away.
It was Kizzy's first kiss, and maybe it was her last, and it was delicious. — Laini Taylor

Everything around us, dead or alive, in the eyes of a crazy photographer mysteriously takes on many variations, so that a seemingly dead object comes to life through light or by its surroundings ... To capture some of this - I suppose that's lyricism. — Josef Sudek

But as the sun slipped even further, his eyes weren't drawn to the horizon. He watched Lily as she stood on the dock, glorying in the golden ritual, her russet hair slipping free from its ponytail to frame her face with messy abandon.
This is the view I need to be happy, she'd said.
The irony was exquisite. Because that was what he whispered to himself every time he saw her too.
And there wasn't a damn thing he could ever do about it. — Elyse Mady

Because of sorrow, my awareness of life's pulse is strongly detectable. It is syncopation while I journey, a lap of ocean in the eyes of every person I meet. This awareness informs the flesh of my stories. Grief has been an odd companion, at first a terror, but now I am all the better having accepted it for its intrinsic worth. — Patricia Hickman

Breaking new factual ground is not what Zeitgeist is about, however. Rather, the video is a powerful and fast-acting dose of agitprop, hawking its conclusions as givens. Unfortunately, like most propaganda, it doesn't play fair with its intended audience. At times, while watching it, I felt like I was getting Malcolm McDowell's treatment in Clockwork Orange: eyes pried wide open while getting bombarded with quick-cut atrocity photos. — Jay Kinney

His hair was shorter than I remembered, tawny in this half-light, the tousled edges casually framing the clean, commanding lines of his face. His mouth, normally so stern was relaxed now and as I stared a slight sweet smile touched his lips, its curve softening the straight strong lines of his nose and brow. Finally, inevitably, I met his eyes and felt a connection that seared straight through me, down through my soles and away. Those eyes, darker than mine, the darkest blue, dark and as impenetrable as glaciers. Tonight he was real, so very real that my heart thumped, my blood sang, my legs shook. — Hannah Blatchford

While she strode rapidly through the ward to the door at the other end, she was able to see that every bed or cot held an infant or a small child in whom the human template had been wrenched out of pattern, sometimes horribly, sometimes slightly. A baby like a comma, great lolling head on a stalk of a body... then something like a stick insect, enormous bulging eyes among stiff fragilities that were limbs... a small girl all blurred, her flesh guttering and melting - a doll with chalky swollen limbs, its eyes wide and blank, like blue ponds, and its mouth open, showing a swollen little tongue. A lanky boy was skewed, one half of his body sliding from the other. A child seemed at first glance normal, but then Harriet saw there was no back to its head; it was all face, which seemed to scream at her. — Doris Lessing

Strange how close the darkness is, even when things seem brightest. Even in the glare of a summer noon, when the sidewalk bakes and iron fences are hot to the touch, the shadows are still with us. They congregate in doorways and porches, and under bridges, and beneath the brims of gentlemen's hats so you cannot see their eyes. There is darkness in our mouths and ears; in our bags and wallets; within the swing of men's jackets and beneath the flare of women's skirts. We carry it around with us, the dark, and its influence stains us deep. — Jonathan Stroud

Glances
Two people meet. The sky turns winter,
quells whatever they would say.
Then, a periphery glance into danger -
and an avalanche already on its way.
They have been honest all their lives;
careful, calm, never in haste;
they didn't know what it is to meet.
Now they have met: the world is waste.
They find they are riding an avalanche
feeling at rest, all danger gone.
The present looks out of their eyes; they stand
calm and still on a speeding stone. — William Stafford

Two hundred years from now, she had - I will? she thought wildly - stood in front of this portrait in the National Portrait Gallery, furiously denying the truth that it showed. Ellen MacKenzie looked out at her now as she had then; long-necked and regal, slanted eyes showing a humor that did not quite touch the tender mouth. It wasn't a mirror image, by any means; Ellen's forehead was high, narrower than Brianna's, and the chin was round, not pointed, her whole face somewhat softer and less bold in its features. But the resemblance was there, and pronounced enough to be startling; the wide cheekbones and lush red hair were the same. And around her neck was the string of pearls, gold roundels bright in the soft spring sun. — Diana Gabaldon

Dogs' bond with humans is bred into their very cells, their genes; it's written through their entire history, a chronicle that can be read in their eyes. But inside this black wire cage, in the lolling eyes of what remained of a Pekingese, there was nothing legible at all. One could hardly grieve for the dog, because the dog was already gone. To euthanize it - which a BAWA vet mercifully did, moments later, with the customary dose of anesthesia - was merely to acknowledge its departure. — Bill Wasik

I touched the moon last night;
a golden glow beyond my grasp.
Eons before me it rested there.
It will remain when I am dust.
My hand now glows from the embrace.
Voices echo through nights past,
and with the glow, caress my face.
My finger faints from what will last.
Alone I am; alone secure;
the moon will last when I am gone.
A Master set it in its' place,
to move the tide, refresh the dawn.
Unnumbered eyes have felt its rest;
have looked upon reflected light.
My heart is moved away from pain;
I touched the moon last night. — Craig Froman

A powerful dragon crying its eyes out under the moon in a deserted valley is a sight and a sound hardly to be imagined. — C.S. Lewis

People of very different opinions
friends who can discuss politics, religion, and sex with perfect civility
are often reduced to red-faced rage when the topic of conversation is the serial comma or an expression like more unique. People who merely roll their eyes at hate crimes feel compelled to write jeremiads on declining standards when a newspaper uses the wrong form of its. Challenge my most cherished beliefs about the place of humankind in God's creation, and while I may not agree with you, I'll fight to the death for your right to say it. But dangle a participle in my presence, and I'll consider you a subliterate cretin no longer worth listening to, a menace to decent society who should be removed from the gene pool before you do any more damage. — Jack Lynch

Neither the heart cut by a sliver of glass in a wasteland of thorns, nor the atrocious waters seen in the corners of certain houses, waters like eyelids and eyes, could hold your waist in my hands when my heart lifts its oak trees toward your unbreakable thread of snow. Night sugar, spirit of crowns, redeemed human blood, your kisses banish me, and a surge of water with remnants of the sea strikes the silences that wait for you surrounding the worn-out chairs, wearing doors away. — Pablo Neruda

...I'm momentarily transfixed, torn between curiosity and fear. I can pull it up the gently sloping mud bank, but then what? Already thought is lagging behind events, as the blotchy brown mass slides up wet mud toward me, its amorphous margins flowing into the craters left by retreating feet. In the center of the yard-wide disc is a raised turret where two eyes open and close, flashing black. And it's bellowing. A loud rhythmic sound that is at first inexplicable until I realize that those blinking eyes are its spiracles, now sucking in air instead of water, which it is pumping out via gill slits on its underside. And all the while it brandishes that blade, stabbing the air like a scorpion... — Jeremy Wade

Lacking strength beauty hates the understanding for asking of her what it cannot do but the life of spirit is not the life that shrinks from death and keeps itself untouched by devastation, but rather the life that endures it and maintains itself in it. It wins its truth only when, in utter dismemberment, it finds itself. It is this power, not as something positive, which closes its eyes to the negative as when we say of something that it is nothing or is false, and then having done with it, turn away and pass on to something else; on the contrary, spirit is this power only by looking the negative in the face, and tarrying with it. This tarrying with the negative is the magical power that converts it into being. — Georg Wilhelm Friedrich Hegel

Like how the government of General Abacha was using its foreign policy to legitimize itself in the eyes of other African countries. — Chimamanda Ngozi Adichie

A man is culpable in the eyes of society when he escapes from the jurisdiction of its mediocrity. — Edgard Varese

She was rumpled, undone, her hair coming out of its elastic to curl in tendrils around her face. There was something I had to say to her, I thought, something necessary, something right at the tip of my tongue.
I guess she knew it before I did.
Leaning over, she smoothed my hair back from my forehead. I closed my eyes at her touch. And so it was a surprise when she kissed me on the lips. — Brittany Cavallaro

The arm was the arm, and it was the arm - not her husband, or even herself - that she thought about seven years later, on June 28, 1941, as the first German war blasts shook her wooden house to its foundations, and her eyes rolled back in her head to view, before dying, her insides. — Jonathan Safran Foer

He shoved her feet down to the floor, slid down the sofa, and cupped her face in his hands.
She barely had time to moisten her lips and shut her eyes before his mouth closed in to claim hers in a fiery hot kiss. She felt as if her whole body was floating off the sofa toward the ceiling. His hands on her cheeks were the only thing that kept her grounded. Her arms went around his neck. Both hands twisted into his hair for better leverage as his tongue found its way past her lips to do a beautiful two-step with hers.
Sweet Jesus! A kiss had never done that to her before. She wanted more ... — Carolyn Brown

You're going to have to take care of yourself," Karrin said quietly. "Over the next few weeks. Rest. Give yourself a chance to heal. Keep the wound on your leg clean. Get to a doctor and get that arm into a proper cast. I know you can't feel it, but it's important that
"
I stood, leaned over the bed, and kissed her on the mouth.
Her words dissolved into a soft sound that vibrated against my lips. Then her good arm slid around my neck, and there wasn't any sound at all. It was a long kiss. A slow kiss. A good one. I didn't draw away until it came to its end. I didn't open my eyes for a moment after.
" ... oh ... ," she said in a small voice. Her hand slid down my arm to lie upon mine.
"We do crazy things for love," I said quietly, and turned my hand over, fingers curling around hers. — Jim Butcher

Languor is upon your heart and the slumber is still on your eyes.

Has not the word come to you that the flower is reigning in splendour among thorns? Wake, oh awaken! let not the time pass in vain!

At the end of the stony path, in the country of virgin solitude, my friend is sitting all alone. Deceive him not. Wake, oh awaken!

What if the sky pants and trembles with the heat of the midday sun---what if the burning sand spreads its mantle of thirst---

Is there no joy in the deep of your heart? At every footfall of yours, will not the harp of the road break out in sweet music of pain? — Rabindranath Tagore

At around 8 pm we heard the sound of sirens. As the sound drew nearer and nearer, we caught sight of a fire truck. As it reached the hotel, the truck pulled into the parking lot with emergency lights shining and horns blasting. It came to a stop in front of our congregation. We didn't see a fire or any other emergency in the immediate vicinity, so this was quite unexpected. Perhaps our smell had been reported as some kind of toxic leak or spill? Firemen began to pour out of the truck carrying different trays covered in foil. I could hardly believe my eyes. The local Franklin Fire Department had brought us all a spaghetti and meatball dinner! They also brought salad and pudding for desert. This was an example of trail magic at its finest. — Kyle Rohrig

The forty days of the soul begin on the morning after death. That first night, before its forty days begin, the soul lies still against sweated-on pillows and watches the living fold the hands and close the eyes, choke the room with smoke and silence to keep the new soul from the doors and the windows and the cracks in the floor so that it does not run out of the house like a river. The living know that, at daybreak, the soul will leave them and make its way to the places of its past ... and sometimes this journey will carry it so far for so long that it will forget to come back. — Tea Obreht

My love, you are closer to me than myself ...
You shine through my eyes,
Your light is brighter than the Moon ...
Step into the garden so all the flowers ...
Even the tall poplar can kneel before your beauty ...
Let your voice silence the lily famous for its hundred tongues,
When you want to be kind ...
You are softer than the soul ...
But when you withdraw ...
You can be so cold and harsh.
Dear one, you can be wild and rebellious ...
But when you meet him face to face ...
His charm will make you docile like the earth,
Throw away your shield and bare your chest ...
There is no stronger protection than him.
That's why when the Lover withdraws from the world ...
He covers all the cracks in the wall ...
So the outside light cannot come though,
He knows that only the inner light illuminates his world! — Rumi

Maybe there are moments between any two adults in love when the age of one of them dissolves before the other's eyes, when the first refuge of the soul at its creation is laid bare and skinless as a sunbeam through a window. Innocence and vulnerability, two unmeasurable quantities ... Perhaps that is the essence of the protection's intimacy, that it dwells in camouflage and justifies itself in stillness. — Marianne Wiggins

The city might be savage, stray dogs might share the streets with grimy urchins whose blank eyes reflected the knowledge that they might soon be covered over, blinded forever, by the same two pennies just begged from some gentleman, and no one in the fuming, fulminous boulevards of trade might know who actually ran Ambergris-or, if anyone ran it at all, but, like a renegade clock, it ran on and wound itself heedless, empowered by the insane weight of its own inertia, the weight of its own citizenry. — Jeff VanderMeer

The decision for complete religious freedom and for separation of church and state in the eyes of the rest of the world was perhaps the most important decision reached in the New World. Everywhere in the western world of the 18th century, church and state were one; and everywhere the state maintained an established church and tried to force conformity to its dogma. — Henry Steele Commager

It really so in your souls? Are you now henceforth dead to the world, and dead to sin, and quickened into the life of Christ? If you are so, then the text will bear to you a third and practical meaning, for it will not merely be true that your old man is condemned to die and a new nature is bestowed, but in your common actions you will try to show this by newness of actual conduct. Evils which tempted you at one time will be unable to beguile you now because you are dead to them: the charms of the painted face of the world will no longer attract your attention, for your eyes are blind to such deceitful beauties. You have obtained a new life which can only be satisfied by new delights, which can only be motivated by new purposes and constrained by new principles suitable to its own nature. This — Charles Haddon Spurgeon

The sun was rising in the distance, pulled up by its lazy, invisible string, and the sky was shot through with color. Her hair was washed in gold, her cheeks, in gold, and her eyes were as knowing as a psychic's. — Brittany Cavallaro

The night was waiting for me as always. And my thirst could wait no longer. I stood for a moment, head thrown back, eyes closed, and mouth open, feeling that thirst, and wanting to roar like a hungry beast. Yes, blood again when there is nothing else. When the world seems in all its beauty to be empty and heartless and I myself am utterly lost. Give me my old friend, death, and the blood that rushes with it. The Vampire Lestat is here, and he thirsts, and tonight of all nights, he will not be denied. — Anne Rice

My point is, or should be, simple: history happened. The object is not to undo it, distort it, or to make it fit our present political attitudes. The object of history, which each generation properly interprets anew, is to understand what happened and why. A multicultural Canada can and should look at its past with fresh eyes. It should, for example, study how the Ukrainians came to Canada, how they were treated, how they lived, sometimes suffered, ultimately prospered, and became Canadians. What historians should not do is to recreate history to make it serve present purposes. They should not obscure or reshape events to make them fit political agendas. They should not declare whole areas of the past off-limits because they can only be presented in politically unfashionable terms any more than they should fail to draw object lessons from a past that was frequently less than pleasant and less than honourable. Because the past was not perfect, it must not be made perfect today. — J.L. Granatstein

As the seasons age us
I close my eyes and wish for snow
Alas the Irish seasons been foretold
For Spring will dawn and I will go
Into another season Jack Frost cold.
And when its here, I wish for night
As childhood memories flash right by
To see the birds in humble flight
I wish for Summer with a sigh
And on I go to months so sweet
Dawns sweet chorus and sunbeams bright
I yearn for Autumn leaves under feet
Yet now I dream of Winters night
As Auld Lang Syne rings in New Year
Alas! I'm one year older as Spring draws near. — Michelle Geaney

In the morning when he opened his eyes and when his glance fell upon the yellow linen of the curtain by the window, it seemed to him that its yellowness was suffused with the crimson of dark desire and that there was some strange and eerie tenseness in it. It seemed that the sun was insistently and fervently concentrating its burning and bitter rays towards this linen pierced by a golden color and summoning and demanding, and disturbing. And in reply to this fascinating external tension of gold and crimson the veins of the Youth were filled with a fiery agitation. His muscles were suffused with a resilient strength and his heart became like a spring of ardent fires. Sweetly pierced by millions of exciting, burning and arousing needles he leapt up from the bed and with a childlike gleeful laugh he began to leap and dance around the room without dressing.
("The Poison Garden") — Valery Bryusov

A large house left deserted by those who have filled its rooms with emotions and life, expresses a silence, a quality all its own. A house unfurnished and empty seems less impressively silent. The fact of its devoidness of sound is upon the whole more natural. But carpets accustomed to the pressure of constantly passing feet, chairs and sofas which have held human warmth, draperies used to the touch of hands drawing them aside to let in daylight, pictures which have smiled back at thinking eyes, mirrors which have reflected faces passing hourly in changing moods, elate or dark or longing, walls which have echoed back voices - all these things when left alone seem to be held in strange arrest, as if by some spell intensifying the effect of the pause in their existence. — Frances Hodgson Burnett

In all things there is beauty. In the glint of dew clinging to the strands of a spider's web; in the way the setting sun winks off shards of broken glass; in the rainbow forming in the soap suds in a sink full of dirty dishes; in a blade of grass which manages to force its way, with patience and time, through the all too willing grasp of sidewalk cement. It is in the faded brown of leaves, turning, twisting against their fate, as they fall to the ground, light and dry as brittle bones, and in the bare, thin-tipped branches, denuded by a change in season. It is in the way a stranger's laughter cradles you if you let it. It is in the intricate scars of a lover's back and in our upturned eyes when we ask for forgiveness. — Marta Curti