Its A Good Scene Quotes & Sayings

When I do scenes with Alec Baldwin, he just stares at my boobs. That's how good of an actor he is, he finds a way. — Jane Krakowski

Abstractedly speaking, government, as well as liberty, is good; yet could I, in common sense, ten years ago, have felicitated France on her enjoyment of a government (for she then had a government) without inquiry what the nature of that government was, or how it was administered? Can I now congratulate the same nation upon its freedom? Is it because liberty in the abstract may be classed amongst the blessings of mankind, that I am seriously to felicitate a mad-man, who has escaped from the protecting restraint and wholesome darkness of his cell, on his restoration to the enjoyment of light and liberty? Am I to congratulate a highwayman and murderer, who has broke prison, upon the recovery of his natural rights? This would be to act over again the scene of the criminals condemned to the galleys, and their heroic deliverer, the metaphysic knight of the sorrowful countenance. — Edmund Burke

He loved his job, which allowed time to do it without comparing his performance to others'. He loved the economics of death: hastening a person's passage into the afterlife not only provided him with a good living: it gave work to coroners, beat cops, detectives, crime scene technicians, the people who made fingerprint powder and luminal and other sundry chemicals and devices - not to mention firearm, ammunition, coffin, and tissue manufacturers - obituary writers, crime reporters, novelists. — Robert Liparulo

This morning's scene is good and fine, Long rain has not harmed the land. — Du Fu

She chuckled, leaned on him as they headed out of the park. "All in all, it was a hell of a party."
"Hmm. We'll have others. But there's one thing."
"Hmm?" She flexed her fingers, relieved that they seemed to be back in full working order. The MTs knew their stuff.
"I want you to marry me."
"Uh-huh. Well, we'll - " She stopped, nearly stumbled, then gaped at him with her good eye. "You want what?"
"I want you to marry me." He had a bruise on his jaw, blood on his coat, and a gleam in his eye. She wondered if he'd lost his mind.
"We're standing here, beat to shit, walking away from a crime scene where either or both of us could have bought it, and you're asking me to marry you?"
He tucked his arm around her waist again, nudged her forward. "Perfect timing. — J.D. Robb

The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great. — Greg Ginn

If you give me a typewriter and I'm having a good day, I can write a scene that will astonish its readers. That will perhaps make them laugh, perhaps make them cry - that will have some emotional clout to it. It doesn't cost much to do that. — Alan Moore

Actually, one Anthem cue is a good example of the process. There is a four-minute sequence of music in Anthem, which underscores a prison sequence, and it lines up with five different, smaller scenes within one large scene. — Jeff Britting

Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks and the winding of the valley, as far as she could trace it, with delight. — Jane Austen

Anne, look here. Can't we be good friends?"
For a moment Anne hesitated. She had an odd, newly awakened consciousness under all her outraged dignity that the half-shy, half-eager expression in Gilbert's hazel eyes was something that was very good to see. Her heart gave a quick, queer little beat. But the bitterness of her old grievance promptly stiffened up her wavering determination. That scene of two years before flashed back into her recollection as vividly as if it had taken place yesterday. Gilbert had called her "carrots" and had brought about her disdain before the whole school. Her resentment, which to other and older people might be as laughable as its cause, was in no whit allayed and softened by time seemingly. She hated Gilbert Blythe! She would never forgive him! — L.M. Montgomery

From the director's point of view, it's infinitely easier to do violence than to do a good dramatic scene. — George Cukor

It was (Nick Frost's) first-ever bedroom scene and my first-ever bedroom scene ... not that we were actually doing much, but we did have to lie sort of semi-nude under the sheets. And he was incredibly sort of vibrant and outgoing, but then he suddenly got very, like, 'I'm engaged and I'm getting married!' And I was, 'Okay, that's good. I just won't be touching you, then!' — Talulah Riley

The law of our being is Love of Life, and its interests and adornments; love of the world in which our lot is cast, engrossment with the interests and affections of earth. Not a low or sensual love; not love of wealth, of fame, of ease, of power, of splendor. Not low worldliness; but the love of Earth as the garden on which the Creator has lavished such miracles of beauty; as the habitation of humanity, the arena of its conflicts, the scene of its illimitable progress, the dwelling-place of the wise, the good, the active, the loving, and the dear; the place of opportunity for the development by means of sin and suffering and sorrow, of the noblest passions, the loftiest virtues, and the tenderest sympathies. — Albert Pike

The rather blurred background to the face that formed over the vid plate seemed faintly familiar - ah yes, the Security Ops room at Ryoval Biologicals. Baron Ryoval had arrived personally on that scene as promised. It took only one glance at the dusky, contorted expression on Ryoval's youthful face to fill in the rest of the scenario. Miles folded his hands and smiled innocently. "Good morning, Baron. What can I do for you?" "Die, you little mutant!" Ryoval spat. "You! There isn't going to be a bunker deep enough for you to burrow in. I'll put a price on your head that will have every bounty hunter in the galaxy all over you like a second skin - you'll not eat or sleep - I'll have you - " Yes, — Lois McMaster Bujold

In matters of good-lookingness, we writers are the ugliest of the bunch, and normally our appearance is akin to that of someone investigating a crime scene; though the women in American writing keep producing world-class beauty in droves, and there are many breathtaking writers among them. — Pat Conroy

Good actors, especially when they know their character, will come in and either tell you in advance that they have an idea, or in the middle of the rehearsal or the scene they'll let it loose and you go, 'Ah that's great.' — Denis Leary

Sometimes people that are very good at improvisation in life, meaning like stage improvisation, aren't good in films because you have to ultimately take a scene where it needs to go. It's not about just saying something that's funny. You can say something funny but if it's not on story or driving the scene to its end it's really not very helpful at all. — Vince Vaughn

The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends. — Martin Landau

For me, writing's the only thing that's always real. I've never regretted a day I wrote a good scene, whatever else I screwed up that day. That's what's fucking real. — Scott Westerfeld

The whole scene gave Ashley a fierce ache in the center of her chest. Everything her eyes came across spoke to how these two men lived in some kind of world where hardship was the constant, with only these tiny spaces between heartbeats offering some kind of peace. She saw an apartment that housed two men who lived whatever life they could in the confines of that small space because everything else was no good for anyone. — Sheldon Lee Compton

Just call me a family man and an actor who digs his whole scene, side interests and all. Just say I feel mighty good at the ripe old age of 27. — Bobby Darin

Ah . . . listen. It's better for your case, and your fancy lawyers would back me up, if you and I aren't seen running around together. Primary investigator and defendant. It doesn't look good." "You mean I can't - " Mavis shut her mouth, regrouped. "All right then, we won't go running around together. Leonardo can work here. Roarke won't mind, will you?" "On the contrary." He took a satisfied drag on his cigarette. "I think it's a perfect solution." "One big happy family," Eve mumbled. "The primary, the defendant, and the tenant of the murder scene, who also happens to be the victim's former lover and the defendant's current. Are you all insane? — J.D. Robb

It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not. — Carey Mulligan

Soaps have a schedule where you have to be done in 15 minutes. With an hour show, there's no way to get off schedule. On a movie, it's a lot easier to go back and reshoot scenes. I wasn't used to that at all ... taking the time to really make each scene as good as it can be, which you can't do on soaps. — Lucy Deakins

I could be accused of glamourising crime, the favorite question on all journalists' lips whenever they ask about anyone writing about such things. The answer to that must be an emphatic 'Yes'. We've come to expect our icons of the criminal world to be larger than life, better than anyone else at foiling the final capture scene. We all love a good thriller .... — Stephen Richards

A good leg will fall, a straight back will stoop, a black beard will turn white, a curled pate will grow bald, a fair face will wither, a full eye will wax hollow. But a good heart ... is the sun and moon ... for it shines bright and never changes, but keeps its course truly.
Henry V, Act V, Scene 2 — William Shakespeare

It was certainly a good death scene. I'm endlessly perishing in roles but it's a wonderful thing to be asked to do. — Emilia Fox

If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I do think it is possible to use a digital camera artistically, but it can only be good if you are using film technique. Film has grain, and digital has pixels, and there is not that much of a difference, but digital does not replace the need to create a scene and light it properly and spend time considering the shot. — Vilmos Zsigmond

Life managed without males for its first billion years, much of which was passed as single cells in a series of warm ponds. Then, in some ancient and neutral Eden, the fruit of the tree of sexual knowledge - a new mutation - persuaded members of a particular clone to fuse with cells from another, and then to divide. That ingenious idea is good news for the novel gene, as it doubles its rate of spread, but is a lot less so for those who receive it, who are obliged to copy the extra DNA. At once, two factions emerge, one keen to force itself upon the other. Thus sex was invented.
Soon one contestant began to cheat. Large cells are expensive, but are better at dividing because they have more food reserves. Small cells are cheaper to make, but cannot afford to split. Their sole chance of success hence lies in fusion with a large cell. The first males had appeared on the scene. — Steve Jones

A good novel is an indivisible sum: every scene, sequence and passage of a good novel has to involve, contribute to and advance all three of its major attributes: theme, plot, characterization. — Ayn Rand

I think I can say without fear of inaccuracy that description is my strong point. Possibly this fact is central to my feeling excluded and so on in what might be called "the scene." There appears to be a particular divide in literature that has "description" and all it implies, as its focus. Some people hate "fancy writing," and just want to "cut to the chase," and so on. This attitude deeply irritates me. If you can't try and take words to their limit in the field of literature, then where can you? I actually think that variety is good, but it's usually the enemies of "fancy writing" who also seem to deplore variety and believe that there's only one way to write - without adverbs etc. etc. — Quentin S. Crisp

Robert Frost didn't like to explain his poems - and for good reason: to explain a poem is to suck the air from its lungs. This does not mean, however, that poets shouldn't talk about their poetry, or that one shouldn't ask questions about it. Rather, it suggests that any discussion of poetry should celebrate its ultimate ineffability and in so doing lead one to further inquiry. I think of that wonderful scene from Elie Wiesel's memoir, Night, where Mosche the Beadle of the local synagogue, in dialogue with the young, precocious author, explains: Every question possesses a power that does not lie in the answer. — Tony Leuzzi

Watching a really good movie excites me, because it makes we want to get up off the couch and go shoot something and act in a scene. — Michael B. Jordan

This is the testimony of all the good books, sermons, hymns, and memoirs I read
that God's ways are infinitely perfect; that we are to love Him for what He is and therefore equally as much when He afflicts as when He prospers us; that there is no real happiness but in doing and suffering His will; and that this life is but a scene of probation through which we pass to the real life above. — Elizabeth Payson Prentiss

It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know." — Ralph Fiennes

I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up ... not using ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research. — Brian Regan

James and I happened onto the scene and foiled the robber's plans. We're good at that-foiling plans,I mean. Don't you agree,Miss Ashton?"
"There seems to be very little on which we agree, Mr. Langley. — Kat Martin

The stuff that I got in trouble for, the casting for The Godfather or the flag scene in Patton, was the stuff that was remembered, and was considered the good work. — Francis Ford Coppola

[Act 5, Scene 4, ROSALIND] If I were a woman I would kiss as many of you as had beards that pleased me, complexions that liked me and breaths that I defied not: and, I am sure, as many as have good beards or good faces or sweet breaths will, for my kind offer, when I make curtsy, bid me farewell. — William Shakespeare

In your actor's heart, you know when you're playing well. Others may not always agree with you, but I'm always aware of when the scene is cooking or not. You have an instinct about that from years of doing scenes and plays, and I think it stands you in good stead even in the TV world. — Michael Emerson

In comics, the writer is also the director in a certain way. So if this were a film, you wouldn't tell the cinematographer to make a good fight scene while you go and get a cup of coffee. — Max Bemis

There's an economy in sports that I always think is a useful metaphor for acting. You have an objective. You're trying to win, and of course, you want to do well. You want to use good techniques so you enforce it, but also you don't do things you don't have to do. It's very economical, and I think that in acting the most economical way through a scene is always the best. It's active. There is the sense of the fight and you want to win. — Greta Gerwig

He made a pit and digged it. He was cunning in his plans and industrious in his labors. He stooped to the dirty work of digging. He did not fear to soil his own hands. He was willing to work in a ditch if others might fall therein. What mean things men will do to wreak revenge on the godly. They hunt for good men as if they were brute beasts - they that will not give them the fair chase afforded to the hare or the fox, but must secretly entrap them because they can neither run them down nor shoot them down. Our enemies will not meet us to the face for they fear us as much as they pretend to despise us. But let us look on to the end of the scene. The verse says he has fallen into the ditch that he has made. Ah, there he is. Let us laugh at his disappointment. Lo, he is himself the beast. He has hunted his own soul. The chase has brought him a goodly victim. So should it ever be. — Charles Haddon Spurgeon

I was so nervous that this was 'True Detective' and that I needed to do a good job that I would just dig into every scene. — Adria Arjona

Sometimes fake laughing is hard once you've done a scene 18 times. I don't want to brag, but I have a reputation for being very, very good at that. It's funny finding what's challenging about acting as you go. — Allison Williams

Look I have somewhere I have to be and I don't particularly love that I have to go, but you freaking out and making a scene is not going to do anything other than piss me off. I hope you had a good time last night and you can leave your number but we both know the chances of me calling you are slim to none. If you don't want to be treated like crap maybe you should stop going home with drunken dudes you don't know. Trust me we're really only after one thing and the next morning all we really want is for you to go quietly away. I have a headache and I feel like I'm going to hurl, plus I have to spend the next hour in a car with someone that will be silently loathing me and joyously plotting my death so really can we just save the histrionics and get a move on it? — Jay Crownover

Working at the scene of the action, I have adopted Robert Capa's saying: 'If your photographs aren't good enough, you're not close enough.' But in retrospect I add a corollary: if you're too close to events, you lose perspective. — Micha Bar-Am

There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed. — Geoffrey Rush

Do you know who W.H. Auden was, Mr. Iscariot? W.H. Auden was a poet who once said, "God may reduce you on Judgement Day to tears of shame reciting by heart the poems you would have written had your life been good" ... She was my poem, Mr. Iscariot. Her and the kids. But mostly her. You cashed in for silver, Mr. Iscariot. But me? Me ... I threw away gold. That's a fact. That's a natural fact. — Stephen Adly Guirgis

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

I'm sure that everything you do contributes to the sort of novel that you write. A lot of actors have an understanding of drama and a good ear for dialogue and also the rhythm of speech. Similarly, my 16 years in radio drama has influenced me. You only have 45 minutes, or 7,000 words, to tell a story, so every scene has to have a point. — Rachel Joyce

I can only hope that, upon learning of my imminent execution, Good Samaritans in Colorado will be moved to ship me a plump love apple from their backyard patch - and should they happen to be friendly with Hunter S. Thompson, perhaps persuade him to inject it with a little something beforehand. Hunter will know just what I mean, and trust me, it won't affect the taste of the tomato.*
*When I wrote those lines, Thompson was alive and blooming. Now, with his sad demise, still more color has faded out of the American scene. Where are the men today whose lives are not beige; where are the writers whose style is not gray? — Tom Robbins