It A Boy Girl Thing Quotes & Sayings

[pitching the proposal for Mononoke-hime (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, "I love you, Ashitaka. But I cannot forgive humans." Smiling, the boy should say, "That is fine. Live with me. — Hayao Miyazaki

Not every girl has a bad-boy problem. Some of my friends get into relationships constantly. Others cheat all the time, or run away. Some get jealous. Some think they are too undateable to even try. Our dating pool is a circus of fuckups, misfits, and past mistakes that we keep on making. The brand of baggage you're carrying on your back is the issue. But most of all, I think we fear the same thing. I think that thing is love. Real love. Think of your first love. Think of how Bambi-like you were, prancing around all excited and in love with everything. Then think of how that happiness was beaten to death with a hatchet, spit on, shit on, leaving you cold. If you watch something you care about get destroyed, you're not going to want to go back to that place, no matter how pleasant it ever was. — Alida Nugent

That woman - the me that had married Charlie - had tried and failed to find a gap in all of this that was so ordinary, to take some instrument to the gap and shape it, widen it until it got big enough to slip through. She'd wanted to make a beautiful thing, like the Flax Hill natives did. But not a lantern or a bookcase, a life. Not to have what it takes, and to be surrounded by witnesses too. The man you tried with. The children. A boy version of you, or a girl version of him, or both, looking at you with clear, pitiless eyes. — Helen Oyeyemi

A monster crosses over into the everyday world. The mortals struggle and show great courage, but it's no use. The monster kills first the guilty, then the innocent, until finally only one remains. The Last Boy, the Last Girl. There is a final battle. The Last One suffers great wounds, but in the final moment vanquishes the monster. Only later does he or she recognize that this is the monster's final trick; the scars run deep, and the awareness of the truth grows like an infection. The Last One knows that the monster isn't dead, only sent to the other side. There it waits until it can slip into the mundane world again. Perhaps next time it will be a knife-wielding madman, or a fanged beast, or some nameless tentacled thing. It's the monster with a thousand faces. The details matter only to the next victims. — Daryl Gregory

I wake up.
Immediately I have to figure out who I am. It's not just the body - opening my eyes and discovering whether the skin on my arm is light or dark, whether my hair is long or short, whether I'm fat or thin, boy or girl, scarred or smooth. The body is the easiest thing to adjust to, if you're used to waking up in a new one each morning. It's the life, the context of the body, that can be hard to grasp.
Every day I am someone else. I am myself - I know I am myself - but I am also someone else.
It has always been like this. — David Levithan

I think he's real," the boy said.
"Me, too," the girl agreed.
"Well," the mom said. "If enough folks believe in a thing, I guess it becomes real enough. Don't it? — Brom

Scientists have been trying to find an answer to the ancient question: What is it that makes a woman decide whether or not she's gonna roll in the hay with a guy she's met. And I'm afraid I'll have to disappoint you all on this one, since although being a woman, it's been a mystery to me as well.
Yet one thing I know: the decision is made within the very first minute a girl meets a boy. No exemptions. — Gina Wings

But I knew the first question Mom asked Gail was, Is its a boy or a girl? Because, for some reason, that is the first thing everybody wants to know the minute you're born. Should we label it with pink or blue? Wouldn't want anyone to mistake the gender of a infant! Why is that so important? Its a baby! And why does it have to be a simple answer? One or the other? Not all of us fit so neatly into the category we get saddled with on Day One when the doctor glances down and makes a quick assessment of the available equipment. — Ellen Wittlinger

I can't help it. I'm thinking about sex. Sex with Will Haley. Sex in general. The thing is, I can't make my brain turn the idea into something sexy. Isn't that ridiculous? It's sex. It's inherently sexy. But not to me. Because in hazily lit movies, when the girl pulls her shirt up over her head, she stops being me. The hazily lit girl is never me. She has a flat golden stomach and cute little boobs, and you can see the boy falling for her. You can read it on his face. Under my shirt, there's no flat stomach, and there are no cute little boobs, and there's no hazy lighting. It's just a lot of me. Way too much of me. — Becky Albertalli

I focus on my favorite daydream, the one where I return from London at the end of the summer and am all glamorous and drop-dead gorgeous and every girl in my school is completely jealous when Quinn McKeyan asks me to Fall Homecoming because he can't resist my charm.
Hey, it's my daydream. I can dream what I want to.
The thing is, Quinn's face keeps getting replaced in my head by Dante's.
Since I've had a mad crush on Quinn from the time we started kindergarten all the way through our junior year last year, that's saying something.
Every daydream I've had for eleven years has been of him. I'm a very loyal daydreamer. And I suddenly feel like I'm cheating on my imaginary boyfriend, a boy who happens to be real, but who has been dating my best friend Becca for the past two years. And no. Becca has no idea that I'm secretly in love with her boyfriend. It's the one secret that I've kept from her. — Courtney Cole

You would be forgiven for thinking Alex Morningside was a boy. In fact, she would be the first to laugh at this, because, for one thing, she wasn't, and for another, she had an Excellent Sense of Humour. It wasn't that she wanted to be a boy or anything, it was simply that she didn't see much difference in being treated as a girl or boy. Because, after all, everyone is just people.
One of the reasons people thought she was a boy was her haircut. Her haircut looked like someone had put a bowl on her head and cut around it. Which is exactly what her uncle had done. Also, they thought she was a boy because her name was Alex. Of course, Alex was short for Alexandra, but neither Alex nor her uncle liked that very much, so they shortened the name. They could have shortened it the other was I suppose - Andra - but she and her uncle preferred Alex. — Adrienne Kress

This is not an easy thing to admit, but until that moment I had held out some craven speck of hope that this had all been a hideous misunderstanding. A boy who would say anything he thought you wanted to hear, a girl made vicious by trauma and grief and my rejection on top of it all; we could have misinterpreted in any one of a hundred ways. It was only in that moment, in the ease of that gratuitous lie, that I understood that Rosalind - the Rosalind I had known, the bruised, captivating, unpredictable girl with whom I had laughed in the Central and held hands on a bench - had never existed. Everything she had ever shown me had been constructed for effect, with the absorbed, calculating care that goes into an actor's costume. Underneath the myriad shimmering veils, this was something as simple and deadly as razor wire. — Tana French

Portishead's production is just insane beats you would expect to be on a KRS-One album. But then there's this little white girl with an angel voice singing over it. It was a cool juxtaposition. I like 'It's A Fire.' That's a chill song with kind of a military drum thing going on, like a drummer boy. — Anders Holm

Just because you're into Kate ... well, it doesn't necessarily mean you're gay. Although it's okay if you are. But if that's what's worrying you ... ' Ariel sighed. 'God. It shouldn't be so hard to talk about this stuff. All I'm saying is maybe you're gay and maybe you're not. Maybe you're bi. Or maybe it's totally a Kate thing. Maybe you'd want to be with her whether she was a girl or a boy.' I blinked. I didn't know if what she said made things better or worse. — Lauren Myracle

For me to put a look together, if it's going to be a boy look or a girl look or whatever, is quite a tricky thing to do. I'm not doing drag because drag is seen in a certain way and my comedy has got zero to do with what I'm wearing. I could wear an elephant suit and say the same thing. — Eddie Izzard

You could call him,' Wes suggests. 'Why be a spectator in the game of love? Take charge. Don't wait around and let the boy call all the shots.'
'As cheesy as all of that sounds,' Kimmie adds.
'Cheese or not,I know what I'm talking about.' He sulks. 'I've lived it. I've learned it.'
Kimmie lets out a laugh. 'With who,Romeo? That Wendy girl you paid to date you?'
'Oh, and because I don't have a dating history as big as your mouth, it doesn't quite measure up?'
'I hate to break this to you, but that isn't the only thing of yours that doesn't measure up.'
'Wouldn't you like to know?' He grins. — Laurie Faria Stolarz

After so many drive-in waitresses becoming movie stars, there has been this real drought, when along come class; somebody who actually went to school, can spell, maybe even plays the piano. She may be a wispy, thin little thing, but when you see that girl, you know you're really in the presence of something. In that league there's only ever been Garbo, and the other Hepburn, and maybe Bergman. It's a rare quality, but boy, do you know when you've found it. — Billy Wilder

As a child Valentine's Day was fun. You got to design your own little heart-laden box to accept all your classmate's Valentine's. Then you'd get to fill in the To: and From: fields on your G.I. Joe cards (because nothing says "Be Mine" like Snake Eyes). I remember each time taking extra special care when filling out a card for the girl who I happened to like that particular year. When the day arrived and cards were exchanged I would rifle through my haul finding the one from whichever girl it was and kept it apart from the others. It was special even though I'm sure she'd written the exact same thing on mine that she'd written on everyone else's. No matter, love was given and received. Valentine's Day was for a young boy not yet mature enough to express his affections and for him to hold fast to even a token expression from the object those affections. — Aaron Blaylock

No, the last thing she cared about was whether people were staring at the boy and girl kissing by the river, as London, it's cities and towers and churches and bridges and streets, circled all about them like the memory of a dream. And if the Thames that ran beside them, sure and silver in the afternoon light, recalled a night long ago when the moon shone as brightly as a shilling on this same boy and girl, or if the stones of Blackfriars knew the tread of their feet and thought to themselves: At last, the wheel comes to a full circle, they kept their silence. — Cassandra Clare

She hasn't cried once. SHe doesn't understand that Margaret is dead. At that age, they can't fully understand the concept of death. It's a good thing really.
Jane fully understood the concept of death and she felt truly injured that Aunt Bess considered her unmoved. Jane thought it should be perfectly clear to everyone that rearranging the furniture in her dollhouse was her expression of grief. She had been moving the Mother Doll (it was a nuclear family of dolls that consisted of a mother, a father, a boy, and a girl) and all the Mother Doll's possessions into the dollhouse's attic. Jane wondered why tears were considered a superior form of grief to the rearrangement of one's dollhouse.
Feeling terribly misunderstood, Jane began to cry.
Oh listen, said Aunt Bess, she begins to understand. — Gabrielle Zevin

In chess the most unbelievable thing for me is that it's a game for everybody: rich, poor, girl, boy, old, young. It's a fantastic game which can unite people and generations! It's a language which you'll find people "speak" in every country. If you reach a certain level you find a very rich world! Art, sport, logic, psychology, a battlefield, imagination, creativity not only in practical games but don't forget either how amazing a feeling it is to compose a study, for example (unfortunately that's not appreciated these days but it's a fantastic part of chess!). — Judit Polgar

He's a boy, you see, and, as such, what does he care about reputation? But you? The reputation of a girl, especially one as pretty as you, is a delicate thing, Laila. Like a mynah bird in your hands. Slacken your grip and away it flies.
Fariba to her daughter Laila — Khaled Hosseini

I had thoroughly been a girl so long by then that I'd grown to like it, got used to it, got used to not having to lift things, and have folks make excuses for me on account of me not being strong enough, or fast enough, or powerful enough like a boy, on account of my size. But that's the thing. You can play one part in life, but you can't be that thing. You just playing it. You're not real. — James McBride

I used to be in school, like a good boy. Medieval Literature. Von Eschenbach, Chaucer, Milton... Yes, sir, no, sir. Then I had that... Crisis. You know it? Wake up one morning and everything's all wrong? Wake up one morning and it occurs to you the milk's spoiled and the bread is getting moldy. Wake up and it just hits you. Someday you're gonna die. Maybe like that girl last night died. Face down in an alley with a caved in head. Such a terrible thing and what for? Why life? Why This life? Why This soap? Why these hands? What's it all mean? Deep down you fear nothing. But you still hope something. Either way, you're not really sure. That's my crisis. I don't wanna die. But if I'm gonna die, first I'm gonna live. I'm gonna peel life like fruit, and use it up. I'm gonna light up an' burn. I'll burn and burn until I'm snuffed out. Then I'll just fade away. But until then I'm gonna live! I'm ready. I'm gonna do it. Come what may, one hundred percent. — Paul Pope

Well, psychologists say there's a second umbilical cord, an invisible one, an emotional one, which ties you to your parents for the whole time you're a kid. Then, one day, you have a row with your mum if you're a girl, or your dad if you're a boy, and that argument cuts your second cord. Then, and only then, are you ready to go off into the big wide world and be an adult on your own terms. It's like a rite-of-passage thing. — David Mitchell

Good boy" can be canceled out the next day by "bad boy." "You're a smart girl" by "What a stupid thing to do!" "Careful" by "Careless" . . . and so on.

But you can't take away the time he shoveled the whole walkway even though his arms were tired and his toes were frozen. Or the time he made the baby laugh with his goofy faces when the babysitter couldn't get her to stop crying, or found his mom's reading glasses, or figured out how to make the alarm on the cell phone stop going off when no one else could do it. These are the things he can draw upon to give himself confidence in the face of adversity and discouragement. In the past he did something he was proud of, and he has, within himself, the power to do it again. — Julie King

It was a boyish thing to do and it caught the hesitating girl in the depths of her heart, as the boy element in a man ever appeals to a motherly woman. — Gene Stratton-Porter

Who do you want to turn into?" I mean the question to be mocking, but that's not how it comes out. I sound interested. I reach down and scratch my leg, trying to hid my embarrassment.
Bishop looks at me. "Someone honest. Someone who tries to do the right thing. Someone who follows his own heart, even if it disappoints people." He pauses. "Someone brave enough to be all those things."
A boy who doesn't want to lie, married to a girl who can't tell the truth. If there is a God, he has a sick sense of humor. — Amy Engel

My favorite thing about playing a vampire is the stunts. It's just a new, fun thing to do. Especially as a girl, being able to be all dolled up in heels and little outfits and be able to kick boys' butts, I think it's a really fun, make-believe world to play. — Candice Accola

Well, think about it," he said. "Exposing yourself to a girl is one thing. Doing it to a boy, though - the guy would have to be perverted. — David Sedaris

It's a lot of fun to be able to run around with guns and scream and yell and do the kind of FBI-cop kind of stuff, which is different than what I've been doing, which is kind of playing the boy-girl thing. Its always fun to kiss the pretty girl, but sometimes, amazingly, you can get bored with that, too. — David Sutcliffe