Is She The Right One Quotes & Sayings

Grab hold of the headboard with your one hand, for stability," I tell her. She does but her pussy is still about an inch too high. I think she's afraid she's going to break my face or something, but if anything is breaking off it's my dick because it is so goddamned hard right now a stiff wind could shatter it. "Lower baby. Sit on me." "Won't I suffocate you?" she worries but lowers until that juicy pussy is resting right on top of my mouth. "Oh, baby, if only. — Jessica Clare

Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, tightboots and naked blades.
Words like 'full', 'round' and even 'pert' creep into the narrative, until the writer has to go and have a cold shower and a lie down.
Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer.
Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword.
All right, maybe the boots were leather. But not black. — Terry Pratchett

What exactly was her love worth? A few weeks of sadness? All right. And what is sadness? A bit of depression, a bit of languishing. And what is a week of sadness? No one is ever sad all of the time. She would be sad for a few minutes in the daytime, a few minutes in the evening; how many minutes in all? How many minutes of sadness did her love merit? How many minutes of sadness did he rate?
Jaromil imagined his death, and he imagined the redhead's subsequent life, a life unconcerned and unchanged, coldly and cheerfully rising up above his nonbeing. — Milan Kundera

Described by Harold Bloom as "the beginning of the end of the traditional novel of social morality" (xii), George Eliot's Middlemarch is nonetheless replete with a kind of authorial intervention that modern readers might find tiresome. Readers today are accustomed to the contemporary fictional maxim of "show, don't tell" but Eliot had different aesthetic ideas, for she always tells us right away who we are dealing with. At the beginning of Middlemarch, the character of one of its protagonists, Dorothea Brooke, is laid out. Eliot writes, — George Eliot

Her eyes scanned the room and spotted her cell phone lying on the coffee table at least three whole feet away from her hands. She groaned. This was when she didn't want to be a witch, she wanted to be a Jedi, so she could use the Force to make her phone fly right into her hand.
What the hell, right? Lifting one arm she reached out an open hand toward the small electronic device. Use the Force, Wynn, she thought and had to stifle a slightly punch-drunk giggle.
From his seat in the oversized chair, Knox eyed her strangely. After a moment, she gave up and dropped her hand to her side, rolling her head along the sofa cusions to meet her mate's gaze. "What were just doing?" he asked warily.
"Using the Force."
He looked from her to the table and back again. "Did you do this successfully?"
She shook her head and grinned. "The Force is weak with this one. I'll never be a Jedi Master. — Christine Warren

There are people out there who have x-ray vision. They can see through my walls, armor and scrims and filters right down to the real me. And the saddest thing in the world? I haven't forgotten who that person is. She's on there and waiting. Like sleeping beauty locked high in a tower, she's been patient and aware of the coma I've been in all these years. I realise the one hitch in having x-ray glasses is that I'm utterly exposed to him. It's one thing to want someone to keep looking, to swim over moats and dodge flaming arrows to find you. It's quite another when you ask yourself, really ask yourself, if you're finally ready to come out into the open. No matter what. — Liza Palmer

Happiness, you make them" was her reply. My right words at the right time, I told Ms. Thomas during the interview, now several years after Grandma's death. "With her accent and broken English she misspoke, making happiness plural," I explained to Ms. Thomas. "And I like that, because it is good to be reminded that happiness is not just one thing and is always of your making. — Bridget Kinsella

The little girl, seeing she had lost one of her pretty shoes, grew angry, and said to the Witch, "Give me back my shoe!" "I will not," retorted the Witch, "for it is now my shoe, and not yours." "You are a wicked creature!" cried Dorothy. "You have no right to take my shoe from me." "I shall keep it, just the same," said the Witch, laughing at her, "and someday I shall get the other one from you, too." This made Dorothy so very angry that she picked up the bucket of water that stood near and dashed it over the Witch, wetting her from head to foot. Instantly the wicked woman gave a loud cry of fear, and then, as Dorothy looked at her in wonder, the Witch began to shrink and fall away. "See what you have done!" she screamed. "In a minute I shall melt away. — L. Frank Baum

Do you ever think about him?" Elise asks. "The baby?"
I nod slowly. "I wonder how much would have been different, if he'd-"
"Don't say it." There are tears in her eyes. "Let's do it this way, Charlie, all right? Let's just pick one sentence out of all of the ones we should have said
the best, most important sentence
and let's say just that."
This is my old Elise
whimsical, loopy
the one I couldn't help but fall for. And because I know she is sinking in the quicksand of regret just like me, I nod. "Okay. But I go first." I try to remember what it was like to be loved by someone who did not know limits, and had not yet been ruined by that. "I forgive you," I whisper; a gift.
"Oh, Charlie," Elise says, and she gives me one right back. "She turned out absolutely perfect. — Jodi Picoult

As soon as the door closed, Levi popped his eyes again. Bluely. "That's your twin sister?"
"Identical," Reagan said, like she had a mouth full of hair.
Cath nodded and sat down at her desk.
"Wow." Levi scooted down the bed so he was sitting across from her.
"I'm not sure what you're getting at," Cath said, "but I think it's offensive."
"How can the fact that your identical twin sister is super hot be offensive to you?"
"Because," Cath said, still too encouraged by Wren and, weirdly, by Abel, and maybe even by Nick to let this get to her right now. "It makes me feel like the Ugly One."
"You're not the ugly one." Levi grinned. "You're just the Clark Kent."
Cath started checking her e-mail.
"Hey, Cath," Levi said, kicking her chair. She could hear the teasing in his voice. "Will you warn me when you take off your glasses? — Rainbow Rowell

Piper giggled. "Right! Man, that one guy, the one with no teeth, whoa! If he just kept his mouth shut the whole time, I could probably holler at him."
Audrey giggle as she shook her head. "Yeah, he is, but did you see Anderson? My God, Fallon was right, total eye candy. I could suck on him like a Blow Pop! — Toni Aleo

She said if ever I saw you again, I was to tell you two things, just as she told them to me. The first was, "I think it is possible, but I do not know." And the second - the second was just numbers. She made me say them over, to be sure I had them right, for I was to tell them to you in a certain order. The numbers were one, nine, six, and seven. — Diana Gabaldon

Yes", Kumiko said, seriously. "Exactly that. The extraordinary happens all the time. So much, we can't take it. Life and happiness and heartache and love. If we couldn't put it in story - "
"And explain it -"
"No!" she said, suddenly sharp. "Not explain. Stories do not explain. They seem to, but all they provide is a starting point. The story never ends at the end. There is always after. And even within itself, even by saying that this version is the right one, it suggests other versions, versions that exist in parallel. No, story is not an explanation, it is a net, a net through which the truth flows. The net catches some of the truth, but not all, never all, only enough so that we can live with the extraordinary without it killing us." She sagged a little, as if exhausted by this speech. "As it surely, surely would. — Patrick Ness

It is difficult to describe how it feels to gaze at living human beings whom you've seen perform in hard-core porn. To shake the hand of a man whose precise erectile size, angle, and vasculature are known to you. That strange I-think-we've-met-before sensation one feels upon seeing any celebrity in the flesh is here both intensified and twisted. It feels intensely twisted to see reigning industry queen Jenna Jameson chilling out at the Vivid booth in Jordaches and a latex bustier and to know already that she has a tattoo of a sundered valentine with the tagline HEART BREAKER on her right buttock and a tiny hairless mole just left of her anus. To watch Peter North try to get a cigar lit and to have that sight backlit by memories of his artilleryesque ejaculations.13 To have seen these strangers' faces in orgasm - that most unguarded and purely neural of expressions, the one so vulnerable that for centuries you basically had to marry a person to get to see it. — David Foster Wallace

Oh. Dane. That's his name, right?" she asked. "He took our phones and put the shackles on us, but said we could use the phone on the table. I'm not sure if it's some kind of dominance posturing," she trailed off for a moment. "Actually yeah, having been around him for more than thirty seconds, I'm relatively certain that this is one hundred percent, testosterone-laden alpha male posturing. Is Jake like this?"
"I might be an idiot," I said, "but even I wouldn't fall for this sort of thing. A guy who goes to this length to seem awesome must have a dick the size of a gherkin. — Lynn Red

She was well armed with facts from The New Statesman, She was even better armed by the conviction of being in the right, but what is the use of being right if one is faced by the blank, unaltered stare of satisfied ignorance? Martha was so new to the game that she was surprised by Mrs. Buss's calm remark, "Oh, well, everyone's entitled to their ideas." She said it was not a question of ideas, but one of fact. — Doris Lessing

It is a way now, approximately, of being at home. The forum has become one of the most consistent places of her life, like a familiar cafe that exists someone outside geography and beyond time zones.
There are perhaps twenty regular posters on F:F:F:, and some muchlarger and uncounted number of lurkers. And right now there are three people in Chat. But there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people at a distance of about fifteen feet. the hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counmter-purposes, deter her. — William Gibson

Society is neither my master nor my servant, neither my father nor my sister; and so long as she does not bar my way to the kingdom of heaven, which is the only society worth getting into, I feel no right to complain of how she treats me. I have no claim on her; I do not acknowledge her laws--hardly her existence, and she has no authority over me. Why should she, how could she, constituted as she is, receive such as me? The moment she did so, she would cease to be what she is; and, if all be true that one hears of her, she does me a kindness in excluding me. What can it matter to me, Letty, whether they call me a lady or not, so long as Jesus says "Daughter" to me? — George MacDonald

I wound up writing a review that asserted her greatness but also said that this was not her career album, and that she could and would do even better than this.

I was in Atlanta, late at night, leaving a piano bar (don't ask), when my cell phone rang and I distractedly picked it up.

'Hello?'

'Peter Cooper?'

The words came out as one: 'Petercooper?'

'Yes.'

'You better get your ass over here right now.'

'Who is this?'

'Petercooper, it's Leeannwomack. Where the hell are you?'

'I'm in Atlanta?'

'Why?'

That one was hard to answer. I paused to ponder.

'Doesn't matter. Get your sorry ass over here right now.'

'I can't. I'm in Atlanta.'

'Well, get in your car and drive to Nashville. 'Cause I'm gonna give you three swift kicks to the groin. — Peter Cooper

While the world has found the right names for all chronic mental diseases, I believe poetry is also a brain dysfunction, yet the only one that owns itself the mastery for the cure. Isn't it lovely to say, "He/She suffers of Poetry?". — Ioana-Cristina Casapu

Shall I go to Llandrindon, then?" she asked, hoping to provoke him.
"Yes."
Daisy scowled. "I wish you'd be consistent. A few minutes ago you were ready to make mincemeat of him."
"If you want him, I have no right to object."
"If you want me, you have every right to say something!" Daisy strode to the door. "Why does everyone always claim women are illogical when men are a hundred times more so? First they want something, then they don't, then they make irrational decisions based on secrets they won't explain and no one is supposed to question them because a man's word is final. — Lisa Kleypas

Felicia nodded. "Sometimes I have that problem. I know nearly everything you can learn in a book and very little that you learn in life. Like my fear of spiders. It's silly, really. I've studied arachnids in an effort to get over my ridiculous overreaction, but still, every time I see one ... " She shuddered. "It's not pretty. I simply can't control myself. A flaw - one of many." "If you're not perfect, then you came to the right place," Charlie told her. "Fool's Gold is a lively town with plenty of characters. You'll get a crash course in how the little people live." "I hope I can fit in." Patience saw the concern in Felicia's eyes and touched her arm. "You're going to do just fine. — Susan Mallery

You know what?' said Vimes aloud. 'This is going to be the world's first democratically killed dragon. One man, one stab.'
Then you've got to stop them. You can't let them kill it!' said Lady Ramkin.
Vimes blinked at her.
Pardon?' he said.
It's wounded!'
Lady, that was the intention, wasn't it? Anyway, it's only stunned,' said Vimes.
I mean you can't let them kill it like this,' said Lady Ramkin insistently. 'Poor thing!'
What do you want to do, then?' demanded Vimes, his temper unravelling. 'Give it a strengthening dose of tar oil and a nice comfy basket in front of the stove?'
It's butchery!'
Suits me fine!'
But it's a dragon! It's just doing what a dragon does! It never would have come here if people had left it alone!'
Vimes thought: it was about to eat her, and she can still think like this. He hesitated. Perhaps that did give you the right to an opinion ... — Terry Pratchett

Shopping for clothes is a Boyfriend Thing. You stand around and look blankly at a bunch of pieces of fabric and you look at the price tags and you wonder how something that'd barely cover your right nut can cost the price of a kidney and you watch the shop assistants check you out and wonder what you're doing with her because she's cute and you're kind of funny-looking and she tries clothes on and you look at her ass in a dozen different items that all look exactly the same and let's face it you're just looking at her ass anyway and it all blurs together and then someone sticks a vacuum cleaner in your wallet and vacuums out all the cash and you leave the store with one bag so small that mice couldn't fuck in it. Repeat a dozen times or until the front of your brain dies. — Warren Ellis

Betsy Trotwood don't look a likely subject for the tender passion, but the time was, Trot, when she believed in that man most entirely. When she loved him, Trot, right well. When there was no proof of attachment and affection that she would not have given him. He was a fine-looking man when I married him", said my aunt, with an echo of her old pride and admiration in her tone. "I was a fool; and I am so far an incurable fool on that subject, that, for the sake of what I once believed him to be, I wouldn't have even this shadow of my idle fancy hardly dealt with. For I was in earnest, Trot, if ever a woman was. There, my dear. Now, you know the beginning, middle, and end, and all about it. We won't mention the subject to one another any more; neither, of course, will you mention it to anybody else. This is my grumpy, frumpy story, and we'll keep it to ourselves, Trot! — Charles Dickens

She glanced pointedly at the flopping tadpole.
"What?"
"Take it back."
"You're kidding, right?" he said disbelievingly.
"Do we have time?"
He considered that. "Yes, but
"
"Then, no I'm not."
"That lake was three hops ago," he said impatiently.
"If you don't take it back it's going to die, and while you may think it's just a pathetic little thing with an abbreviated little life that hardly even signifies in the fairy scheme of things, I'll bet in the tadpole scheme of things it's really looking forward to becoming a frog. Now take it back. A life is a life. I don't care how tiny an almighty fairy thinks it is."
One dark brow arched and he inclined his head. "Yes, Gabrielle." Scooping up the tadpole in one big hand, gently enough that it gave her pause, he popped out.
-Gabrielle and Adam Black — Karen Marie Moning

He handed Mae a piece of paper, on which he'd written, in crude all capitals, a list of assertions under the headline "The Rights of Humans in a Digital Age." Mae scanned it, catching passages: "We must all have the right to anonymity." "Not every human activity can be measured." "The ceaseless pursuit of data to quantify the value of any endeavour is catastrophic to true understanding." "The barrier between public and private must remain unbreachable." At the end she found one line, written in red ink: "We must all have the right to disappear. — Dave Eggers

Every person has a right to be unhappy, to suffer in peace without someone else telling her that she is acting like a spoiled brat. Without a certain someone telling her constantly that her life is the stuff that everyone else dreams about. Happiness is not a one-size-fits-all kind of thing. — Suzanne Selfors

Granny sat down on the step and stared off into the trees. That girl right there, she was my only child. I have lost two husbands, one by death, the other by divorce, and I have lost my parents and my brothers and sisters. But nothing ever pierced me to the core like that little girl's dying. I know it wasn't your daddy's fault. I know I messed up by filling a report to Social Services. Is that what you want to here? Is that what it takes for you not to be mad at me? — Frances O'Roark Dowell

Raeanne
Mirror, Mirror

When I look into a
mirror,
it is her face I see.
Her right is my left, double
moles, dimple and all.
My right is her left,
unblemished.

We are exact
opposites,
Kaeleigh and me.
Mirror image identical
twins. One egg, one sperm
one zygote, divided,
sharing one complete
set of genetic markers.

On the outside we are

the same. But not
inside. I think
she is the egg, so
much like our mother
it makes me want to scream.
Cold.
Controlled.

That makes me the sperm
I guess. I take completely
after our father.
All Daddy, that's me.
Codependent.
Cowardly.

Good, bad. Left, right.
Kaeleigh and Raeanne.
One egg, one sperm.
One being, split in two.

And how many
souls? — Ellen Hopkins

Minutes after Eve stepped into her office to coordinate her next move, Peabody rushed in.
"I've got the initial sweeper's report on the room the Lombards vacated - nothing," Peabody said hurriedly. "Canvassing cops found the bar - one block east, two south of the hotel. Door was unlocked. Zana's purse was inside on the floor. I have a team heading there now."
"You've been busy," Eve said. "How did you manage to fit in sex?"
"Sex? I don't know what you're talking about. I bet you want coffee." She darted to the AutoChef, then whirled back. "How do you know I had sex? Do you have sex radar?"
"Your shirt's not buttoned right, and you've got a fresh hickey on your neck."
"Damn it." Peabody slapped a hand to the side of her neck. "How bad is it? Why don't you have a mirror in here?"
"Because, let's see, could it be because it's an office? — J.D. Robb

Ross believed in past lives. Moreover, he believed that the person you fell in love with in each life was the same person you fell in love with in the life before, and the one before that. Sometimes, you might miss her - she'd be reborn in post-World War I generation, and you wouldn't come back until the fifties. Sometimes, your paths would cross and you wouldn't recognize each other. Get it right - that is: fall madly, truly, deeply - and perhaps there'd be an eternity carved out solely for the two of you. — Jodi Picoult

He takes her hand and they leave. There's a taxi outside and they go to her room without saying anything. Behind the door, she unties the dress, and then reaches for his belt. He pushes her hands away. He'll do it all himself, though his right hand is bleeding. He sits on a small wooden chair and pulls her down on top of him and feels how rough and silky she is straddling him. He is the one moving her, as if she's a doll, and he knows it has to be this way because it makes him feel that he won't die, at least for tonight. — Paula McLain

GHOSTBUSTERS I always wanted the reboot of Ghostbusters to be four girl-ghostbusters. Like, four normal, plucky women living in New York City searching for Mr. Right and trying to find jobs - but who also bust ghosts. I'm not an idiot, though. I know the demographic for Ghostbusters is teenage boys, and I know they would kill themselves if two ghostbusters had a makeover at Sephora. I just have always wanted to see a cool girl having her first kiss with a guy she's had a crush on, and then have to excuse herself to go trap the pissed-off ghosts of the Triangle Shirtwaist Factory fire or something. In my imagination, I am, of course, one of the ghostbusters, with the likes of say, Emily Blunt, Taraji Henson, and Natalie Portman. Even if I'm not the ringleader, I'm definitely the one who gets to say "I ain't afraid a no ghost." At least the first time. — Mindy Kaling

I want to know what your five-dollar wish was for."
"Is that all?" He smiled beneath her exploring fingertips. "I wished you would find someone who wanted you as much as I did. But I knew it wouldn't come true."
The candlelight slid over Daisy's delicate features as she raised her head to look at him. "Why not?"
"Because I knew no one could ever want you as much as I do."
Daisy levered herself farther over him until her hair tumbled in a dark curtain around them both.
"What was your wish?" Matthew asked, combing his fingers through the fall of shimmering hair.
"That I could find the right man to marry." Her tender smile stopped his heart. "And then you appeared. — Lisa Kleypas

But what we have here is not a nice girl, as generally understood. For one thing, she's not beautiful. There's a certain set to the jaw and arch to the nose that might, with a following wind and in the right light, be called handsome by a good-natured liar. Also, there's a certain glint in her eye generally possessed by those people who have found that they are more intelligent than most people around them but who haven't yet learned that one of the most intelligent things they can do is prevent said people ever finding this out. — Terry Pratchett

She didn't understand that. "How can anyone be afraid of love?"
"How can they not?" His face was completely aghast. "When you love someone ... truly love them, friend or lover, you lay your heart open to them. You give them a part of yourself that you give to no one else, and you let them inside a part of you that only they can hurt - you literally hand them the razor with a map of where to cut deepest and most painfully on your heart and soul. And when they do strike, it's crippling - like having your heart carved out. It leaves you naked and exposed, wondering what you did to make them want to hurt you so badly when all you did was love them. What is so wrong with you that no one can keep faith with you? That no one can love you? To have it happen once is bad enough ... but to have it repeated? Who in their right mind would not be terrified of that? — Sherrilyn Kenyon

She is all I could ever ask for, she is perfect, and right now, with those big, green eyes and pillowy lips and alabaster thighs, the idea of doing this for the rest of our lives doesn't seem all that daunting. She's the last reprieve. The stay of execution. She gives me hope. But times are tough for dreamers. And even if my dream is a simple one - all I want is for Her to be in love with me forever - I know it's still a long shot. Life ruins everything. — Pete Wentz

I'm afraid of committing myself," she thought to herself.

"When you find your path, you must not be afraid. You need to have sufficient courage to make mistakes. Disappointment, defeat, and despair are the tools God uses to show us the way."

"Don't bother trying to explain your emotions. Live everything as intensely as you can and keep whatever you felt as a gift from God. The best way to destroy the bridge between the visible and invisible is by trying to explain your emotions."

"But how will I know who my Soulmate is?" Brida felt that this was one of the most important questions she had ever asked in her life.
"By taking risks" she said to Brida. ' By risking failure, disappointment, disillusion, but never ceasing in you search for Love. As long as you keep looking, you will triumph in the end."

Nothing is completely wrong. Even a broken watch is right twice a day. — Paulo Coelho

I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene.I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take. — Anthony Hopkins

You're one crazy S.O.B. You stole her right from under the guy she was with," he whispered in awe. "I can't believe you got her to go out with you. How'd you do that?"
"I paid attention to what was going on around me, which is what you need to do. Then you'll start seeing the things you're missing."
"I have no idea what you mean, but feel free to teach me, Master Obi-Wan."
I snorted and Cami looked at me. I smiled and she gave me a shy one back before turning toward the screen again. — Lacey Weatherford

Why do you continue your... charade? Your current position would seem to be a good one for revealing the truth'.
'A few people know, sir. Bobby, Jane, some of the Leatherbacks. For the rest... it just seems easier to keep things as they are.' Winter thought of Novus and his tirade. 'It would be one thing if I had just joined up, but it's been so long. People might be upset that they'd been fooled. And...'
Janus raised an eyebrow. Winter hesitated.
'It's all right for the Girl's Own,' she said. 'They joined up because Vordan needs them, and when the war's over they'll go home. I... I haven't anywhere to go.' She tugged the collar of her uniform. 'This is who I am now, for better or worse. This is my home. After the war, maybe it will be all right for a woman to keep this on, but... maybe not.'
Winter found her throat getting thick. She'd never put it that way before, never even thought it so bluntly. This is my home. — Django Wexler

You were right the first time, Cathy. It was a stupid, silly story.
Ridiculous! Only insane people would die for the sake of love. I'll
bet you a hundred to one a woman wrote that junky romantic trash!"
Just a minute ago I'd despised that author for bringing about such a
miserable ending, then there I went, rushing to the defense. "T. M.
Ellis could very well have been a man! Though I doubt any woman writer
in the nineteenth century had much chance of being published, unless
she used her initials, or a man's name. And why is it all men think
everything a woman writes is trivial or trashy-or just plain silly
drivel? Don't men have romantic notions? Don't men dream of finding
the perfect love? And it seems to me, that Raymond was far more
mushy-minded than Lily! — V.C. Andrews

I'm not here to solve your problems. I'm here to support you in your own decisions. I'm not going to walk away, Amy. Not now, not when the going gets tough, not ever. I'm right here at your back."
"For how long?"
"For as long as you'll have me. I love you, Amy."
Staggered, she stared at him. "But you don't do love."
"I never said that. I said love hasn't worked out for me. But all it takes is the right one. You're the right one."
No one had ever said such a thing to her before, and it made her heart swell hard against her ribcage. "I love you, Matt. So much."
He smiled like she'd just given him the best gift he'd ever had. She settled against his good side, and they stared up at the star-laden sky. "I knew I'd find something on this journey," she said. "I wasn't sure what, but I knew it'd be something special. — Jill Shalvis

Why, if you were not interested in me as anything more than a"-she stumbled, trying to find the right terminology-"momentary plaything, you might at least have just told me outright afterward." She crossed her arms and sneered at him. "Why didn't you? You think I was not strong enough to take it without causing a scene? I assure you, no one is better used to rejection than I, my lord. I think it very churlish of you not to inform me to my face that your breach in manners was an unfortunate impulse of the moment. I deserve some respect. We have known each other long enough for that at the very least. — Gail Carriger

How... is she?" "She? I'm the one who's been shot. You're aware of that, right?" "Welcome to the full metal jacket club, counselor. I'll, uh, get you a membership card." "Get right on that. — Nathan Edmondson

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

Fine. I don't have the time or the inclination to edit erotica, even good erotica, if there is such an animal. I'm not the only editor here. Give it to Thomas Finley." Zach named his least favorite coworker, the one who'd given him his nickname. "Or Angie Clark even."

"Finley? That pansy? He'd make a pass at Sutherlin, and she'd eat him alive. If you punched him in the face, he wouldn't even know how to bleed right."

Zach nearly laughed in agreement before remembering he was fighting with J.P. — Tiffany Reisz

The bullet hit Lady right between her eyes, in the middle of her white star, exactly where we hoped it would. She bolted so hard her leather halter snapped into pieces and fell away from her face, and then she stood unmoving, looking at us with a stunned expression.
"Shoot her again," I gasped, and immediately Leif did, firing three more bullets into her head in quick succession. She stumbled and jerked, but she didn't fall and she didn't run, though she was no longer tied to the tree. Her eyes were wild upon us, shocked by what we'd done, her face a constellation of bloodless holes. In an instant I knew we'd done the wrong thing, not in killing her, but in thinking that we should be the ones to do it. I should have insisted Eddie do this one thing, or paid for the veterinarian to come out. I'd had the wrong idea of what it takes to kill an animal. There is no such thing as one clean shot. — Cheryl Strayed

What do we want from our mothers when we are children? Complete submission. Oh, it's very nice and rational and respectable to say that a woman has every right to her life, to her ambitions, to her needs, and so on--it's what I've always demanded myself--but as a child, no, the truth is it's a war of attrition, rationality doesn't come into it, not one bit, all you want from your mother is that she once and for all admit that she is your mother and only your mother, and that her battle with the rest of life is over. She has to lay down arms and come to you. And if she doesn't do it, then it's really a war, and it was a war between my mother and me. Only as an adult did I come to truly admire her--especially in the last, painful years of her life--for all that she had done to claw some space in this world for herself. — Zadie Smith

Sunny laughed. "It's okay. You're right, Emma. My name is unusual, but I like to think of it as ... special also."
Special?
Sam cocked his head as he studied Sunny. Almost all of her hair had escaped out of her ponytail now. She wore a baggy pink sweatshirt and had on the kind of drawstring plaid pants that would've set Bozo the Clown's heart pitter-pattering with envy. Her yellow tennis shoes were covered with dog hair.
Yeah, special was one word for her. — Jennifer Shirk

Rachel's the first one to speak. "So - he told you."
"Told me what?"
"Come on, Hal. What's changed since yesterday?" Rachel sneaks one arm out of her jacket cocoon to give Hallelujah a soft punch in the shoulder. "I may not be at my best right now, but I'm not blind." She pauses. "Or deaf."
Hallelujah feels her face get hot. "Oh. What did you hear?"
"Bits and pieces. I was really out of it last night, after . . . whatever that was. After almost freezing to death." Rachel shudders. "I have to say, it was totally obvious from the get-go that Jonah liked you."
"It was?" Hallelujah is still surprised. She still doesn't quite believe it.
"Um, yeah. Or did you think he's out here for me?" Rachel says slowly, as if to a child, "You followed me. He followed you. — Kathryn Holmes

Do you believe in God?" Her small hand grips onto my larger one. "Yeah, baby girl," I say, looking down and watching her smile at my answer. "Do you think God will let me see you again?" She continues to ask questions that keep breaking me. "I know he will," I say, believing it more than anything. My faith has now been shaken, but I can't lose hope that where she is going will be somewhere beautiful and amazing. "When I go to God, will I see Charlie the goldfish?" She yawns, almost drifting off as the hospital machines beep around us. I nearly smile at her question, but I can't, because at the end of the day we're talking about death, and the inevitable end that's fast approaching. "I don't know, baby girl," I tell her, wishing I had the right answers for her. — River Savage

Nor I. There was a time that I would have given my right hand to wield a sword like that. Now it appears I have, so the blade is wasted on me. Take it." Before she could think to refuse, he went on. "A sword so fine must bear a name. It would please me if you would call this one Oathkeeper. One more thing. The blade comes with a price. — George R R Martin

Isabel never despaired, even though I think she knew everything that was going to happen, right from the beginning. There was a Walt Whitman poem she liked, especially the part that went - 'All goes onward and outward,/Nothing collapses/And to die is different from/What anyone supposes/And Luckier.' She tried to believe that, and it gave her some comfort, I know. She was very brave. Always. She hid her anguish and sadness, although I know she felt them. Because she wasn't losing only one person she loved - as we have. She was losing all of them. — Patricia Gaffney

Let me remind you right now though of this one thing: your wife is not a child. Your wife is your equal, your partner, your peer, and a whole host of other things, none of which give her any less rank in the home and marriage than you have. So, though your natural inclination when she makes a mistake may be to judge, correct, and/or reprove her, you may NOT do so. ... You've been tasked to be many, many things to your Queen, my son, but disciplinarian is not one of them. — Ilya Atani

God of the battlefield, eh? Gods and devils can look much alike to us little people. You went to a ford, and a bridge, and a hill, and what did you do there except kill? What have you made? Who have you helped?" He stood there for a moment, all his bravado slithering out. She is right. And no one knows it better than me. "Nothing and no one," he whispered. "So you love war. I used to think you were a decent man. But I see now I was mistaken." She stabbed at his chest with her forefinger. "You're a hero. — Joe Abercrombie

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

She is often the broken-winged one, who does everything all wrong until people realize she's been doing it ... pretty right all along. She's the poor girl who never dressed right, who had torn hose, and they were all baggy around her ankles. She's the Raggedy Ann of the sophisticated world, who pulls it out at the last minute, flies by the seat of her pants, cackling all the way home. She is the late bloomer, the late start, the autumn bush, the winter holly. She is Baubo, all the classical Greek goddesses. She is the old girl who still blushes, and laughs, and dances. She's the truth teller, maybe that people hate to hear, but they learn to listen to. She is not dumb and in some ways is not shrewd. She works on passion, and the doll in her pocket, and the intuition that leads her into and through all the world. — Clarissa Pinkola Estes

His dark eyes were hot.

"Drink the coffee," he growled.

Coffee. Right. She had to hold the cup with both hands, otherwise she'd spill the hot coffee all over herself and all over this beautiful bed. She tipped her head back against the headboard and sipped.

God, it was delicious. Sharp, yet with a smooth smoky taste. Some outrageously expensive blend, no doubt. She took another sip. Perfect.

His hand continued stroking her breast, movements lazy. "Good?" he asked.

"Wonderful."

"Give me a taste," he said suddenly, stretching over to cover her mouth with is. Oh lord, she could simply sink into his kisses. This one was long, languid, the strokes of his hand on her breast echoed by his tongue in her mouth. He lifted his head for a second, then moved in more closely, tongue deeper in her mouth. He lifted his head again and smiled down at her. "It is delicious. — Lisa Marie Rice

Her skin flushed with anger. "You're a disgrace to her - to everything she's ever stood for. She would risk her life to protect either one of us! She would risk her life for a stranger if it was the right thing to do. But all you care about is yourself. I can't believe you're her son. I can't believe you're my father. — Marissa Meyer

The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known ... "
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate. — Melissa Marr

Do you know my best quality?" she asks.
"Of your many, I could not say, my darling."
"I see the best in people. I fall in love with people when I see a window into their beings, their shining moments. I've fallen in love with so many people but the trouble is I fall out of love so quickly too. I see the worst in them just as easily.
"Do you know I fell in love with you right away? That day at the Trotters' I had noted you because you were new, of course, and then you sat down at the piano, and you played a few notes, but you played them so well, with no self consciousness, and no idea that anyone might be listening. It was in that room off the garden and you were the only one there. I was passing through on the way to the ladies' room and saw you there. I fell in love with you right then, and so I slipped my drink all over myself so I could meet you." — Janice Y.K. Lee

As a consumer an individual expresses "personal or self-regarding wants and interests"; as a citizen she expresses her "judgements about what is right or good". The mistake of market approaches to environmental problems is that they transform an issue that requires public deliberation by citizens into one to be resolved by consumer preferences. The market responds only to those preferences that can be articulated through acts of buying and selling. Hence the interests of the commercially inarticulate, both those who are contingently so (the poor) and those who are necessarily so (future generations and non-humans) cannot be adequately represented. — John O'Neill

I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica."
Dame Eyola gave him a long look.
No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there."
After a short silence she added: "But every way that leads there is the right one. — Michael Ende

The problem with God - or at any rate, one of the top five most annoying things about God - is that he or she rarely answers right away. — Anne Lamott

For me, family means the silent treatment. At any given moment, someone is always not speaking to someone else.'
Really,' I said.
We're passive-aggressive people,' she explained, taking a sip of her coffee. 'Silence is our weapon of choice. Right now, for instance, I'm not speaking to two of my sisters and one brother ... At mine [my house], silence is golden. And common.'
To me,' Reggie said, picking up a bottle of Vitamin A and moving it thoughtfully from one hand to the other, 'family is, like, the wellspring of human energy. The place where all life begins.' ...
Harriet considered this as she took a sip of coffee. 'Huh,' she said. 'I guess when someone else does something worse. Then you need people on your side, so you make up with one person, jsut as you're getting pissed off at another.'
So it's an endless cycle,' I said.
I guess.' She took another sip. 'Coming together, falling apart. Isn't that what families are all about? — Sarah Dessen

Right so, I like girls. And I've liked 'em all my life. I was a marine. I've shot a gun. I own five of them, guns that is. I watch the Nuggets, Avs, Broncos and Rockies. I've never in my life worn a skirt. I wear a sports bra because with these babies," she circled her bosoms with a pointed finger before dropping her hand to the checkout desk, "I got no choice. God saw fit to grant me an A cup, no way. Since I'm a C, I'm fucked. I have never worn mascara. I do not own a blow dryer. And I get off on goin' down on chicks. Now which one, you or me, has more in common with Chace Keaton? — Kristen Ashley

One thing they don't tell you 'bout the blues when you got 'em, you keep on fallin' 'cause there ain't no bottom,' sings Emmylou Harris, and she may be right. Perhaps it would help to be told that there is no bottom, save, as they say, wherever and whenever you stop digging. You have to stand there, spade in hand, cold whiskey sweat beaded on your brow, eyes misshapen and wild, some sorry-ass grave digger grown bone-tired of the trade. You have to stand there in the dirty rut you dug, alone in the darkness, in all its pulsing quiet, surrounded by the scandal of corpses. — Maggie Nelson

I can't say I based [Carla] on anybody I knew. She was so foulmouthed and mean, just said what was on her mind. So I guess Carla is somebody I always wished I could be at the right moment, the one who always has the perfect comeback. — Shelley Long

His fingers gouged into my leg harder. "My sister was in that cafeteria," he said. "She saw her friends die, thanks to you and that puke boyfriend of yours. She still has nightmares about it. He got what he deserved, but you got a free pass. That ain't right. You should've died that day, Sister Death. Everyone wishes you would have. Look around. Where is Jessica, if she wants you here so bad? Even the friends you came here with don't want to be with you."
"Let go of me," I said again, pulling on his fingers. But he only pinched tighter.
"Your boyfriend isn't the only one who can get his hands on a gun," he said. Slowly he eased himself up to standing again. He reached into the waistband of his jeans and pulled out something small and dark. He pointed it at me, and when the moonlight hit it, I gasped and pressed myself against the barn wall. — Jennifer Brown

It does no one any good to say their novel sucks if you don't have an idea how to make it better, how to approach it from different angles and make it work. It's obviously a subjective process, right? But the thing about subjectivity, at least in the classroom, is that you're banking on your professor's subjectivity to be both personal and professional - that he or she has some sense about the world outside the workshop. — Tod Goldberg

Come on,"he said, gesturing toward the exit. "let's take a walk."
"Where?"
"It doesn't matter. We just need you calmed down or you'll be in no shape to fight."
"Yeah? Are you afraid of my possibly insane dark side coming out?"
"No, I'm afraid of your normal Rose Hathaway side coming out, the one that isn't afraid to jump in without thinking when she believes something is right."
I gave him a dry look. "Is there are a difference?"
"Yes. The second one scares me. — Richelle Mead

I don't even have a choice. Rachel thought how that was pretty much true of everything now, that you got one choice at the beginning but if you didn't choose right, and she hadn't, things got narrow real quick. Like trying to wade a river, she thought. You take a wrong step and set your foot on a wobbly rock or in a drop-off and you're swept away, and all you can do then is try to survive. (83) — Ron Rash

What is he doing?" she finally whispered.
Bill appeared behind her and flitted around her shoulders. "Looks like he's sleeping."
"But why? I didn't even know angels need to sleep-"
"Need isn't the right word. They can sleep if they feel like it.Daniel always sleeps for days after you die." Bill tossed his head,seeming to recall something unpleasant. "Okay,not always. Most of the time.Must be pretty taxing,to lose the one thing you love. Can you blame him?"
"S-sort of," Luce stammered. "I'm the one who bursts into flames."
"And he's the one who's left alone. The age-old question.Which is worse? — Lauren Kate

I don't want to know about love.'
'But you should, my child. You need to know about love. The things people will do for love. All truths come down to love, do they not? One way or another, they do. See, there is a difference between love and need. Sometimes, what you feel is immediate and without rhyme or reason.' She sat up a little straighter. 'Two people see each across a room or their skin brushes. Their souls recognize the person as their own. It doesn't need time to figure it. The soul always knows ... whether it's right or wrong. — Jennifer L. Armentrout

Do people look the same when they get to heaven?" "I don't know. I don't think so." "Then how do people recognize each other?" "I don't know, sweetie." She sounded tired. "They just feel it. You don't need your eyes to love, right? You just feel it inside you. That's how it is in heaven. It's just love, and no one forgets who they love. — R.J. Palacio

I have discovered, passionate grief does not link us with the dead but cuts us off from them. This becomes clearer and clearer. It is just at those moments when I feel least sorrow - getting into my morning bath is usually one of them - that H. rushes upon my mind in her full reality, her otherness. Not, as in my worst moments, all foreshortened and patheticized and solemnized by my miseries, but as she is in her own right. This is good and tonic. — C.S. Lewis

What is madness?" she asked, sitting with one leg up against her chest, vaporous skirt flickering around her calves and vanishing into mist. "It's when men don't think right," Kaladin said, glad for the conversation to distract him. "Men never seem to think right." "Madness is worse than normal," Kaladin said with a smile. "It really just depends on the people around you. How different are you from them? The person that stands out is mad, I guess. — Brandon Sanderson

Don't miss out on the love of a good women,son. No matter what that old man of yours tells you,love is real.I'd have never had the success in my life without the women right there.She's been my backbone.She's been my reason for everything I've ever done.One day your drive to make a name for yourself will begin to drift away. It won't be that important anymore.But when you're doing it for someone else, someone you would move heaven and earth for then you never lose the desire to succeed.I can't imagine this world without her in it.I don't ever want to. — Abbi Glines

One time, when we'd been discussing martial arts, Murphy told me that eventually, no-one can teach you anything more about them. Once you reach that state of knowledge, the only way to keep learning and increasing your own skill is to teach what you know to others. That's why she teaches a children's class and a rape-defence course every spring and fall at one of her neighbourhood's community centres.
It sounded kind of flaky-Zen to me at the time, but Hell's bells, she'd been right. Once upon a time, it would have taken me an hour, if not more, to attain the proper frame of mind. In the course of teaching Molly to meditate, though, I had found myself going over the basics again for the first time in years, and understanding them with a deeper and richer perspective than I'd had when I was her age. I'd been getting almost as much insight and new understanding of my knowledge from teaching Molly as she'd been learning from me. — Jim Butcher

What does a woman do as she waits for her man? She may wash her hair, put on makeup, choose the kind of outfit any woman would be eager to try on, spray on perfume, and look at herself one last time in the mirror. If she does these things, it's when she and the man she's waiting for are in love. It's different when a woman waits for a man she still loves but who has broken up with her, because the pure joy of it is missing. Loving someone is like carving words into the back of your hand. Even if the others can't see the words, they, like glowing letters, stand out in the eyes of the person who's left you. Right now, that's enough for me. — Kyung-ran Jo

With all dear Emma's little faults, she is an excellent creature. Where shall we see a better daughter, or a kinder sister, or a truer friend? No, no; she has qualities which may be trusted; she will never lead any one really wrong; she will make no lasting blunder; where Emma errs once, she is in the right a hundred times. — Jane Austen

You prefer thieving to honest work?" "Honest work? How much do you pay your maids annually? Six pounds? Eight? I can make that in a month - in a night, if all goes well. I could make more than that as a beggar. Why do you think so many take to the streets, begging? Because honest work is hardly honest when the only one profiting is the rich man who owns the workplace." She was right. Dane knew it, and he hated to accept — Shana Galen

I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.
But now you are talking as if love were a consolation. Simone Weil warned otherwise. 'Love is not consolation,' she wrote. 'It is light.'
All right then, let me try to rephrase. When I was alive, I aimed to be a student not of longing but of light. — Maggie Nelson

It seems to make a difference to some girls. If you say something that isn't sexist to the right sort ofgirl, she likes you more. Say one of your mates is going on about how all girls are stupid, and you say 'not all girls are stupid,' then it can make you look good. There have to be girls listening, though, obviously. Otherwise it's a waste of time. — Nick Hornby

AGE DIFFERENCE
What if I told you that one day you will meet a girl who is unlike anyone else you've known. She will know all the right things to say, what makes you laugh, what turns you on, what drives you wild and best of all, you will do for her exactly what she does for you.
"When will I meet her?"
Well let's put it this way, she doesn't even exist yet. — Lang Leav

And none of you teenagers have cell phones?"
I wasn't sure what Addie's plan was, but I stepped forward to help her lie her way out of this one. I could tell she wasn't going to answer right. I pointed to all of us in turn, starting with Addie. "She got grounded from hers." Then to Duke. "His fell in the toilet yesterday." Then to Trevor. "His got stolen at a football game." And then pulled mine out. "And mine is out of batteries. — Kasie West

I observed an eighteen-year-old friend of one of our daughters talking to his mother on the telephone. As he hung up the phone in frustration he said, "She makes me so angry, she's always telling me what to think and where to go and how to do things." He was obviously upset and filled with anger. I told him he had one of two choices. He could either continue to practice being right, or practice being kind. If you insist on being right you will argue, get frustrated, angry, and your problem will persist with your mom, I explained. If you simply practice being kind, you can remind yourself that this is your mom, she's always been that way, she will very likely stay that way, but you are going to send her love instead of anger when she starts in with her routine. A simple statement of kindness such as, "That's a good point, Mom, I'll think about it," and you have a spiritual solution to your problem. — Wayne W. Dyer

She looks up. I've caught her by surprise. Her face opens up and all of a sudden it's like that paper mask is transparent. I'm looking right through it, and I get a flash of some kind of life we could've had - barbecues, dogs, kids flopping over us in bed - it rolls through me fast but strong and clear, like one of those cooking smells that blows in the window so sharp you can pick out the ingredients. And then it's gone. It's gone, and Holly's holding my hand. Finally, after that long long wait, her hand is back on mine. Dry cool fingers, slim. The rings loose. I close my eyes. My hand is so hot, I feel my pulse in every finger. I'm afraid she'll let go but she doesn't let go. She keeps her hand around mine and it's like she's holding all of me in her cool sweetness, calming my fever back down. — Jennifer Egan

The worst part is, you know they're not going to be together forever. I mean, come on, she's fifteen. Okay, sixteen. Still. It's not like they're going to get married or anything. Even if they last a couple of years which they won't she'll go to one college and he'll go to another, and pretty soon they'll forget all about each other. That's what always happens. That's why teenage dating is so dumb, because it's doomed to fail. You'd think people would have learned that by now, but I guess they haven't. They go right on falling in love and thinking it's going to survive high school. Allie and Burke, true love always. Whatever.
Anyway, happy birthday, Allie. I hope it was a good one. — Michael Thomas Ford

He thought, in your most secret dreams you cut a niche for yourself, and it is finished early, and then you wait for someone to come along to fill it - but to fill it exactly, every cut, curve, hollow and plane of it. And people do come along, and one covers up the niche, and another rattles around inside it, and another is so surrounded by fog that for the longest time you don't know if she fits or not; but each of them hits you with a tremendous impact. And then one comes along and slips in so quietly that you don't know when it happened, and fits so well you almost can't feel anything at all. And that is it.
"What are you thinking about?" she asked him.
He told her, immediately and fully. She nodded as if he had been talking about cats or cathedrals or cam-shafts, or anything else beautiful and complex. She said, "That's right. It isn't all there, of course. It isn't even enough. But everything else isn't enough without it."
"What is 'everything else'? — Theodore Sturgeon

I only hope that one day I can frighten my daughter this much. Right now, she's not scared of my husband or me at all. I think it's a problem. I was a freshman home from college the first time my dad said, "You're going out at ten p.m.? I don't think so," and I just laughed and said, "It's fine." I feel like my daughter will be doing that to me by age six.
How can I give her what Don Fey gave me? The gift of anxiety. The fear of getting in trouble. The knowledge that while you are loved, you are not above the law. The Worldwide Parental Anxiety System is failing if this many of us have made sex tapes. — Tina Fey

I told you this one's not right in the head. I just show her my killer weapons and all she wants to do is jump my bones. — Stefanie J. Pristavu

One new indulgence was to go out evenings alone. This I worked out carefully in my mind, as not only a right but a duty. Why should a woman be deprived of her only free time, the time allotted to recreation? Why must she be dependent on some man, and thus forced to please him if she wished to go anywhere at night?
A stalwart man once sharply contested my claim to this freedom to go alone. "Any true man," he said with fervor, "is always ready to go with a woman at night. He is her natural protector." "Against what?" I inquired. As a matter of fact, the thing a woman is most afraid to meet on a dark street is her natural protector. Singular — Charlotte Perkins Gilman

Leonie Barrow's voice was quiet but clear. With Marechal's eyes on her, she said, "Cabal is more dangerous then you can believe, Count. Both the angels and the devils fear him. He's a monster, but an evenhanded one. I know he is capable of the most appalling acts of evil." Her glance moved to Cabal, who was listening dispassionately. "I believe he is also capable of great good. But to predict which he will do next isn't easy or safe."
Marechal grimaced. "What is your association with this man? Public relations or something?"
"I loathe him," she said with sudden venom. The, more quietly, "And I admire him. You're right; he didn't have to come back. He's taken a big risk, but I know he's taken bigger. I can't tell you whether he's a monster or playing the hero right now, but I know one thing. You made the biggest mistake of your life when you made an enemy of him. — Jonathan L. Howard

But chains made out of blood and memory were a thousand times more difficult to sever than those made of steel, and the past could overtake a person if she wasn't careful"
"The day had begun, cool and clear and absolutely impossible to avoid"
"Being a physician is like working on a machine that keeps breaking down, time after time"
"Honesty was like a stone, dropped and irretrievable once it was spoken aloud"
"Love was like that, like a dream you didn't quite understand, one in which you didn't necessarily know what you were looking at until it was right in front of you"
"adolescence is what makes the person — Alice Hoffman

But it was above all that fragmentation of Albertine into many parts, into many Albertines, that was her sole mode of existence in me. Moments recurred in which she had simply been kind, or intelligent, or serious, or even loving sport above all else. And was it not right, after all, that this fragmentation should soothe me? For if it was not in itself something real, if it arose from the continuously changing shape of the hours in which she had appeared to me, a shape which remained that of my memory as the curve of the projections of my magic lantern depended on the curve of the coloured slides, did it not in its own way represent a truly objective truth, this one, namely that none of us is single, that each of us contains many persons who do not all have the same moral value, ... — Marcel Proust

There is only one lifemate. She obviously belongs with Jacques."
"We do not know that. If he were not your brother ... " Byron began.
A low snarl stopped him. "I see no reason for you to question my judgment in this matter, Byron. I have had more than one brother, and I have never let fraternity stand in the way of what is just or right."
"It was Gregori who hunted your other brother," Byron pointed out.
Mikhail turned his head slowly, black eyes catching the whip of lightning cracking across the sky. "At my order. — Christine Feehan

The techniques are all means of dealing with one simple idea: She wrote it. (That is, the "wrong" person
in this case, female
has created the "right" value
i.e., art.)
Denial of Agency: She didn't write it.
Pollution of Agency: She shouldn't have written it.
Double Standard of Content: Yes, but look what she wrote about.
False Categorizing: She is not really she [an artist] and it is not really it [serious, of the right genre, aesthetically sound, important, etc.] so how could "she" have written "it"?
Or simply: Neither "she" nor "it" exists (simple exclusion). — Joanna Russ