Is A Short Story In Quotes & Sayings

Mother in my first short story is dead, nobody knows how but she is dead and the father somehow madness or who knows from what he decides to start and play with the dead body. It's really a difficult moment. — Deyth Banger

I think sometimes the bits of your life happen in the wrong order, or all at the same time and you waste time feeling angry about it, but that's the way it is, it's real life. You meet the person who you think could make you happy the rest of your life, but at the same time your ex-girlfriend who's told you umpteen times she never wants to see you again tells you you're going to be a dad.'
Elle took up the story.
'And then you move to another country and then the next time you see that person, even though its like no time has passed, you sleep together and then - your mum dies'
She gave a short, sad laugh.
'Yep that's rubbish timing — Harriet Evans

That so much of our experience, or the stereotype which passes for it should be dealt with by means of the short story is perhaps a symptom not unnoticeable elsewhere in the public domain of an unlovely cynicism about human character. — Howard Nemerov

So why is Chinese social networking booming despite the censorship? Part of the reason is the Chinese language. Posts on Twitter and Twitter clones such as Weibo are limited to 140 characters. In English that comes to about 20 words or a sentence with a short link - in effect, a headline. But in Chinese you can write a whole paragraph or tell a whole story in 140 characters. One Chinese tweet is equal to 3.5 English tweets. In some ways, Weibo (which means "microblog" in Chinese) is more like Facebook than Twitter. As far as the Chinese are concerned, if something is not on Weibo, it does not exist. — Michael Anti

I read lots of local newspapers and particularly the shortest articles in them, and most particularly any articles that are full of words in combinations that are arresting. In the case of the orchid story I was interested to see the words 'swamp' and 'orchids' and 'Seminoles' and 'cloning' and 'criminal' together in one short piece. Sometimes this kind of story turns out to be something more, some glimpse of life that expands like those Japanese paper balls you drop in water and then after a moment they bloom into flowers, and the flower is so marvelous that you can't believe there was a time when all you saw in front of you was a paper ball and a glass of water. — Susan Orlean

Have you ever done something so far out of your normal behavior that it was freeing?" She wouldn't plead, but she wasn't above a little coercion. She whispered into his ear and gave the lobe a quick nibble. "I mean. We're stuck here together. I like you a lot and have talked to you more than anyone else in a long time. If this was a date I'd be thinking of letting you into my apartment for a nightcap or whatever it is people call it now. Want to throw morals and all that out the window for a little bit? — Lea Barrymire

I've never been a believer in fate. I like to think I'm in control, that my life hasn't been plotted out ahead of time. Sometimes all it takes is one wild thought, one brave decision to change everything. This must be one of those times. — Kyle Richardson

Mrs. B's story is well-known but worth telling again. She came to the United States 77 years ago, unable to speak English and devoid of formal schooling. In 1937, she founded the Nebraska Furniture Mart with $500. Last year the store had sales of $200 million, a larger amount by far than that recorded by any other home furnishings store in the United States. Our part in all of this began ten years ago when Mrs. B sold control of the business to Berkshire Hathaway, a deal we completed without obtaining audited financial statements, checking real estate records, or getting any warranties. In short, her word was good enough for us. Naturally, I was delighted to attend Mrs. B's birthday party. After all, she's promised to attend my 100th. — Warren Buffett

How, in so short a time, she had passed from intoxication to disgust we will only seek to explain by supposing that this mysterious composition which we call society, is nothing absolutely good or bad in itself, but has a spirit in it, volatile but potent, which either makes you drunk when you think it, as Orlando thought it, delightful, or gives you a headache when you think it, as Orlando thought it, repulsive. That the faculty of speech has much to do with it either way, we take leave to doubt. Often a dumb hour is the most ravishing of all; brilliant wit can be tedious beyond description. But to the poets we leave it, and so on with our story. — Virginia Woolf

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

I have before suggested that a genuine blackguard is never without a pocket-handkerchief. — Edgar Allan Poe

Every day, a piece of music, a short story, or a poem dies because its existence is no longer justified in our time. And things that were once considered immortal have become mortal again, no one knows them anymore. Even though they deserve to survive. — Elfriede Jelinek

She held out a small voice recorder. 'By the way, could you describe exactly how you felt at the moment of impact? I'm writing this short story
'
'Put that away, Hazel,' hissed Mam. 'The poor boy is in pain.'
Hazel persisted. 'Would that be a white-hot pain? Or more of a dull throbbing pain? — Eoin Colfer

A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the pa — Ambrose Bierce

Finally I do like best of all stories whose necessity is in the implied recognition that someplace out there there exists an urgency - a chaos - , an insanity, a misrule of some dire sort which can end life as we know it but for the fact that this very story is written, this order found, this style determined, the worst averted, and we are beneficiaries of that order by being readers. — Richard Ford

Read poetry every day of your life. Poetry is good because it flexes muscles you don't use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.
What poetry? Any poetry that makes your hair stand up along your arms. Don't force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don't understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day. — Ray Bradbury

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

He's been looking at my file. So the question has to be right there on the tip of his tongue right about now, waiting to be spoken. But he keeps up the 'act professional' charade, makes it feel like he sees this kind of thing all the time, but in reality he's having a little fun with it. I'm the story he's going to tell at a bar after making my name anonymous. I'm the case study that's going to become dinner conversation when he takes some rich bitch out next week. He's going to do it to make himself look well-balanced, prove how normal he is in a world full of weirdoes. In short, he's going to look 'normal' at my expense. — Cyma Rizwaan Khan

In short, a premise is any single image, moment, feeling, or belief that has enough power and personal meaning for the author to set her story on fire, and propel it like a rocket for hundreds of pages. — Donald Maass

A short story is something that you can hold in your mind. You can really analyze how the entire thing works, like a machine. — Chuck Palahniuk

What draws me to roles, I think, are moments - moments that define character, where so much more of the story is told in just a moment - a look, a line, a short scene, but something that speaks a volume, something that speaks to me. — Nathan Fillion

The novella is at once the most elegant and demanding form: a writer must balance the looseness of a novel with the concision of a short story, a feat that only the bravest and most talented of us can manage. In Brazil, Jesse Lee Kercheval proves, yet again, that she is exactly the right writer for the job. A wild American picaresque, Brazil snaps along briskly, yet feels full-fleshed, and brims with a sly wit and grace. — Lauren Groff

I regret that there aren't more short stories in other magazines. But in a certain way, I think the disappearance of the short-story template from everyone's head can be freeing. Partly because there's no mass market for stories, the form is up for grabs. It can be many, many things. So the anthology is very much intended for students, but I think we're all in the position of writing students now. Very few people are going around with a day-to-day engagement with the short story. — Lorin Stein

Language is therefore "both the medium and the object of representation" (Fludernik 2009:64), and while we have direct access to the medium (i.e. the language(s) on the level of text), the latter (i.e. the language(s) on the level of narration and on the level of story) can only be constructed from the former. As pointed out in the introduction, this distinction between language as medium and language as object and the relationship between the two has so far not been awarded a significant role in scholarly writing about the linguistic hybridity typical for cross-cultural writing. Differentiating between the language(s) as medium and the language(s) as object becomes necessary, as the relation between medium and object is not one-to-one. The same medium can represent different objects. Two short — Susanne Klinger

Life is too short to be anything but real with the cast of characters God has placed in the story of your life. Love well, laugh often, and find your life in Christ. Don't hide away or be a follower. Be the wonderful unique person God made you to be, and know that your purpose will always be best when defined by your faith in him — Karen Kingsbury

One study proved just how powerful exercise can be: Three groups of depressed patients were assigned to different coping strategies - one group took antidepressant medication, one group exercised for 45 minutes three times a week, and one group did a combination of both.33 After four months, all three groups experienced similar improvements in happiness. The very fact that exercise proved just as helpful as anti-depressants is remarkable, but the story doesn't end here. The groups were then tested six months later to assess their relapse rate. Of those who had taken the medication alone, 38 percent had slipped back into depression. Those in the combination group were doing only slightly better, with a 31 percent relapse rate. The biggest shock, though, came from the exercise group: Their relapse rate was only 9 percent! In short, physical activity is not just an incredibly powerful mood lifter, but a long-lasting one. — Shawn Achor

The Rogue Film School is not for the faint-hearted. It is for those who have travelled on foot, who have worked as bouncers in sex clubs or as wardens in a lunatic asylum, for those who are willing to learn about lock picking or forging shooting permits in countries not favoring their projects. In short: for those who have a sense of poetry. For those who are pilgrims. For those who can tell a story to four year old children and hold their attention. For those who have a fire burning within. For those who have a dream. — Werner Herzog

Composition is interesting because, in a sense, you always have to let it go. Unless you're a true composer/performer, you're always sending a PDF and then someone else makes it. It's like instructions for a short story, faxed to every English student who's studying it. — Nico Muhly

Always in the short story there is this sense of outlawed figures wandering about the fringes of society ... As a result there is in the short story at its most characteristic something we do not often find in the novel
an intense awareness of human loneliness. — Frank O'Connor

In its silence, a book is a challenge: it can't lull you with surging music or deafen you with screeching laugh tracks or fire gunshots in your living room; you have to listen to it in your head. A book won't move your eyes for you the way images on a screen do. It won't move your mind unless you give it your mind, or your heart unless you put your heart in it ... To read a story well is to follow it, to act it, to feel it, to become it
everything short of writing it, in fact. Reading is not interactive with a set of rules or options, as games are; reading is actual collaboration with the writer's mind. No wonder not everyone is up to it. — Ursula K. Le Guin

This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. — Miranda July

I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins. — Jill McCorkle

It is the illusion of magic and the magic of illusion that we are primarily interested in- not the privy tricks or the key to the secrets themselves. We seek the bafflement, the contradictions, the amusements, and the innumerable emotions that ripple uneasily through the audience. It is not knowledge we are after, but mystery and disguises. We want to gaze at the impossible. We are hungry for surprises, astonishment. In short, we are looking for a true story, but one impossible to explain in all its complexity. When we discover that story, we shall have found- magic. — Edward Claflin

We didn't see any statistically significant relationship between our buzz and our short-term sales ... Is that the end of the story? I would say no. This is one study on a set of brands in a particular company within a certain segment of the consumer-packag ed-goods industry. It is by no means a generalized result that applies to all industries. — Eric Schmidt

For one ... If you shoot me and your boss realizes it was without good reason, you'll have fucked up your trial period. And trust me; I know you're still in it." Ian pulled open a drawer in a small brown cabinet.
"Secondly, it could end very badly for me and I'd rather prevent that. Getting shot is not on my list of things to do today." He wrapped his hand around the steel grip of his own weapon and removed it from the drawer.
"And last but not least, if you plan to shoot me ... Well, it'll be a matter of which of us is quicker and has better aim." A pleasant smile crossed his features and he casually waved the gun from side to side. "Do you want to risk it? — Natasha McNeely

A short story is not a portrayal of life. When life becomes disconsolate and the fear for the unknown seeps through the holes on the walls that we thought could protect us, telling a story could greatly help. The tradition of storytelling was oral, once. It's history. The wisdom in this history was the possibility to abide. Stories were medicines to drive away the ghosts of loneliness, boredom and ignorance. — Anu Lal

A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist
ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage. — Jonathan Carroll

Short stories are designed to deliver their impact in as few pages as possible. A tremendous amount is left out, and a good short story writer learns to include only the most essential information. — Orson Scott Card

In Murakami's short story 'The Kidney-Shaped Stone That Moves Every Day,' the main character is a writer. In describing the act of writing to a tightrope walker, he says, 'What a writer is *supposed* to do is observe and observe and observe again, and put off making judgments to the last possible moment.' I think that is a beautiful description of writing; it lets the world be, but also there is a moment, finally, of some kind of opinion. There is that moment, but to hold it off is a lovely and worthwhile goal. — Aimee Bender

A short story is like a kiss in the dark. — Stephen King

All that history, the love & laughter, is designed for youth. It is what keeps the story of who we are alive from one generation to the next. It ensures our indelible mark in the souls of generations we will never have the pleasure of holding in a warm embrace. Life is short people. Before you know it, another decade will pass, people you love will be lost to this world, and all that will be left of them is what we carry in our hearts." 2011 — E.B. Loan

A poet can feel free, in my estimation, to write a poem for himself. Or a painter can paint a painting for himself. You can write a short story for yourself. But for me, comedy by its nature is communal. If other people don't get it, I'm not sure why you are doing it. — Keegan-Michael Key

For the biographer, the final clue to character lies in the yet unread - the scribbled note, the diary page, a notation in the margin of a draft - until the day when even the most devoted portraitist of the dead says, "Enough!" Working in the service of the dead, biographers quit their labors only when the sole remaining task is the impossible - resurrection. — Laura Furman

But even more than her diary, Shimamura was surprised at her statement that she had carefully cataloged every novel and short story she had read since she was fifteen or sixteen. The record already filled ten notebooks.
"You write down your criticisms, do you?"
"I could never do anything like that. I just write down the author and the characters and how they are related to each other. That is about all."
"But what good does it do?"
"None at all."
"A waste of effort."
"A complete waste of effort," she answered brightly, as though the admission meant little to her. She gazed solemnly at Shimamura, however.
A complete waste of effort. For some reason Shimamura wanted to stress the point. But, drawn to her at that moment, he felt a quiet like the voice of the rain flow over him. He knew well enough that for her it was in fact no waste of effort, but somehow the final determination that it had the effect of distilling and purifying the woman's existence. — Yasunari Kawabata

The short story and the truth is that I was taking vocal lessons here in New York ... One day, instead of my lesson, the piano player and I went into a studio ... and we put down some demos ... Those demos got to Quincy Jones through an agent ... He listened to them, he called me, and we started to record. — Lesley Gore

In Hollywood if you're good looking, tall, have okay teeth and nice skin, the odds of being successful are great. If you're short and fat, it's a different story. But as long as you look like a leading man type, half your job is done already. — John Corbett

I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application. — George Saunders

I don't think I would ever want to be a writer of detective stories - but I would like to be a detective and there is a large deal of detection in the short story. — Mary Lavin

I began to meditate upon the writer's life. It is full of tribulation. First he must endure poverty and the world's indifference; then, having achieved a measure of success, he must submit to a good grace of its hazards...But he has one compensation, Whenever he has anything on his mind, whether it be a harassing reflection, grief at the death of a friend, unrequited love, wounded pride, anger at the treachery of someone to whom he has shown kindness, in short any emotion or any perplexing thought, he has only to put it down in black and white, using it as a theme of a story or the decoration of an essay, to forget all about it. He is the only free man. — W. Somerset Maugham

To make a long story short, there is no way to devise an objective and non-arbitrary measure for comparing the overall complexity of any two given languages. It's not simply that no one has bothered to do it
it's inherently impossible even if one tried. So where does all this leave the dogma of equal complexity? When Joe, Piers, and Tom claim that "primitive people speak primitive languages," they are making a simple and eminently meaningful statement, which just happens to be factually incorrect. But the article of faith that linguists swear by is even worse than wrong
it is meaningless. The alleged central finding of the discipline is nothing more than a hollow mouthful of air, since in the absence of a definition for the overall complexity of a language, the statement that "all languages are equally complex" makes about as much sense as the assertion that "all languages are equally cornflakes". — Guy Deutscher

The short story can be hot and sweet or hot and fierce. You get it in one sitting or you don't get it. It's like a shore break. It happens quickly, and is right there in front of you, menacing you. First you're looking at the shore break, and then if you don't back up, it's on you. The novel is the long, low wave that you ride south from the Arctic Circle. It's powerful, but its power accumulates over a very long time as it rolls towards the reef. — Stephanie Vaughn

Small nose and huge mouth

Once upon a time, there was an old couple who have problems with their appearance. The man has got a small nose, woman has got a huge mouth. Someday, their neighbor invited them to have dinner. They really wanted to go and have a good time with neighbors but they were nervous what they show their face. they got good idea.
He made fake nose by candle, she sewed her mouth. in the party, they talked near the stove. Then his nose began to melt. His wife laughed to see him and her mouth became huge. they were nervous and put they heads down. The neighbor said appearance is not important, we like you because you are so kind. Since then they didn't care so much about their face and lived happily after.
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Korean Short Story — Korean Folklore

'Deadline' is the story of a young man forced to discover who he is, and what's important in life, during the short span of his senior year in high school. — Chris Crutcher

There can't be much development of action or theme in such stories, but at least there is some. By contrast, in the short short the very idea of character seems to lose its significance, seems in fact to drop out of sight. We see human figures in a momentary flash. We see them in fleeting profile. We see them in archetypal climaxes which define their mode of existence. Situation tends to replace character, representative condition to replace individuality.
("Introduction") — Irving Howe

I did everything wrong," he said. "I misunderstood everything. Moon Child gave me so much, and all I did with it was harm, harm to myself and harm to Fantastica."
Dame Eyola gave him a long look.
No," she said. "I don't believe so. You went the way of wishes, and that is never straight. You went the long way around, but that was your way. And do you know why? Because you are one of those who can't go back until they have found the fountain from which springs the Water of Life. And that's the most secret place in Fantastica. There's no simple way of getting there."
After a short silence she added: "But every way that leads there is the right one. — Michael Ende

Jorge Luis Borges understood this. In a fantasy short story published in 1942, "Funes the Memorious," he described a man, Ireneo Funes, who found after an accident that he could remember absolutely everything. He could reconstruct every day in the smallest detail, and he could even later reconstruct the reconstruction, but he was incapable of understanding. Borges wrote, "To think is to forget details, generalize, make abstractions. In the teeming world of Funes there were only details. — Stephen M. Stigler

If you are working in an office, where do you find the time to write a novel? But you can finish a short story in five pages. Furthermore, a short story is a perfect place to learn the craft. — Ben Okri

I think Willa Cather did a short story called "Paul's Case," and in it, when he finally commits suicide, it says, "He surrendered to the black design of things." And that's what I anticipate death will be: a totally unconscious void in which you float through eternity with no particular consciousness of anything. I think once around is enough. I don't want to start it all over again. — Rod Serling

In the short stories - if I can make a very lumpy contrast - in the short stories I feel like the lives of the people have a kind of prior desperation and a prior need and my longing is for the story and their lives to somehow come together, even if not finally or forever, to face something; and it felt like a lot of the time with the essays I was wading into situations where there was an assumption of finality of understanding, and I felt like I could wade into any understood moment and tear it apart and make it fall apart. — Charles D'Ambrosio

Skill alone cannot teach or produce a great short story, which condenses the obsession of the creature; it is a hallucinatory presence manifest from the first sentence to fascinate the reader, to make him lose contact with the dull reality that surrounds him, submerging him in another that is more intense and compelling. — Julio Cortazar

Utter objectivity ... is not only impossible when judging literature, it's not exactly desirable. Fiction involves trace elements of magic; it works for reasons we can explain and also for reasons we can't. If novels or short-story collections could be weighed strictly in terms of their components (fully developed characters, check; original voice, check; solidly crafted structure, check; serious theme, check) they might satisfy, but they would fail to enchant. A great work of fiction involves a certain frisson that occurs when its various components cohere and then ignite.
(Source: "Letter from the Pulitzer Fiction Jury: What Really Happened This Year" in The New Yorker.) — Michael Cunningham

Far back in the impulses to find this story is a storyteller's belief that at times life takes on the shape of art and that the remembered remnants of these moments are largely what we come to mean by life. The short semihumours comedies we live, our long certain tragedies, and our springtime lyrics and limericks make up most of what we are. they become almost all of what we remember of ourselves. — Norman Maclean

Long fiction is wonderful and you can lose yourself in it as a reader and as a writer, but short stories don't allow the same kind of immersion. Often the best stories hold you back and make you witness them. This may be one of the reasons some people reject the form. That and the fact that they are harder work to read. A story will not let you get comfortable and settle in. It is like a stool that is so small that you must always be aware of sitting. — Isobelle Carmody

To all those whom seek the iron words of the community: if your book is good, it will stand on its own. Be it a short story, a novel, a novella, a chapter book, a poetry book, a chapbook, a manga or a graphic novel ... it will seek reviews by itself. You need to do nothing with it. Do nothing but write. Give up review seeking and focus on writing, for that is what becomes you in the end. — L'Poni Baldwin

Parenthood offers many lessons in patience and sacrifice. But ultimately, it is a lesson in humility. The very best thing about your life is a short stage in someone else's story. — Michael Gerson

The writing process for a short story feels more like field geology, where you keep turning the thing over and over, noting its qualities in detail, hammering at it, putting it near flame, pouring different acids on it, and then finally you figure out what it is, or you just give up and mount it on a ring and have an awkward chunky piece of jewelry that seems weirdly dominating but that you for some reason like. I could be wrong about field geology here. — Rivka Galchen

A good short story is a work of art which daunts us in proportion to its brevity ... No inspiration is too noble for it; no amountof hard work is too severe for it. — Elizabeth Stuart Phelps Ward

Well, the whole story is in the book, but the short answer is that I was the first information architect in an organization that was traditionally design-oriented, and I felt I needed a tool to help me gain the trust and support of my colleagues. — Jesse James Garrett

things started getting better when the people of West Point slum starting singing "No one is coming to save us!" It was a turning point. It meant they understood that local leaders were their best hope for surival. The people were finally in charge of their own future. The story turned from being about the failure of outsiders to the success of community resilience. And in the coming months when West Point slum's death toll fell far short of projections, citizens and local leaders could look at each other and say, "We did this ourselves! — Marc Maxmeister

I tend to be more of a novel writer. In fact, some of my novels started out as short stories, and I just got carried away! I think some of my best writing is in the short story form, but novels come more naturally to me. — Bruce Coville

I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public. — O. Henry

A short story is a short prose narrative, requiring from a half hour, to one or two hours in its perusal ... having conceived, with deliberate care, a certain unique or single effect to be wrought out ... — Edgar Allan Poe

It is the form that allows a writer the greatest opportunity to explore human experience ... For that reason, reading a novel is potentially a significant act. Because there are so many varieties of human experience, so many kinds of interaction between humans, and so many ways of creating patterns in the novel that can't be created in a short story, a play, a poem or a movie. The novel, simply, offers more opportunities for a reader to understand the world better, including the world of artistic creation. That sounds pretty grand, but I think it's true. — Don DeLillo

Yes, it would nice for this fifty year period, this cradle of all vampire short stories in the English language, to include a vampire tale by Edgar Allan Poe. But the sad answer is that Poe never penned a vampire story. — Andrew Barger

I never know exactly where I'm going with a story, whether it's a short story or a novel. If I did I'd soon grow bored of it. The fun, for me, is in the finding out and the making sense of it. — Nicholas Royle

Beach houses along short sandy streets. He can feel her bare forarm brushing his, and it's strange she's being so quiet. He glances down at her and she smiles up at him as if, in his silence, he's been telling a long story and she is simply listening to it. — Andre Dubus III

A form wherein we can enjoy simultaneously what is best in both the novel and the short story form. My plan was to create a book that affords readers some of the novel's long-form pleasures but that also contains the short story's ability to capture what is so difficult about being human - the brevity of our moments, their cruel irrevocability. — Junot Diaz

The story of a life can be as long or as short as the teller wishes. Whether the life is tragic or enlightened, the classic gravestone inscription marking simply the dates of birth and death has, in its brevity, much to recommend it. — Michel Houellebecq

A major boom in real stock prices in the U.S. after 'Black Tuesday' brought them halfway back to 1929 levels by 1930. This was followed by a second crash, another boom from 1932 to 1937, and a third crash. Speculative bubbles do not end like a short story, novel, or play. There is no final denouement that brings all the strands of a narrative into an impressive final conclusion. In the real world, we never know when the story is over. — Robert J. Shiller

We are a race of tradition-lovers in a new land, of king-reverers in a Republic, of hero-worshipers in a society of mundane get-and-spend. It is a Country and a Time where any bank clerk or common laborer can become a famous outlaw, where an outlaw can in a very short time be sainted in song and story into a Robin Hood, where a Frontier Model Excalibur can be drawn from the block at any gunshop for twenty dollars. — Oakley Hall

In short, when we read a story, we really do slip into the protagonist's skin, feeling what she feels, experiencing what she experiences. And what we feel is based, 100 percent, on one thing: her goal, which then defines how she evaluates everything the other characters do. If we don't know what she wants, we have no idea how, or why, what she does helps her achieve it. As Pinker is quick to point out, without a goal, everything is meaningless.6 It — Lisa Cron

One more nice thing about short stories is that you can create a story out of the smallest details -an idea that springs up in your mind, a word, an image, whatever. In most cases it's like jazz improvisation, with the story taking me where it wants to. And another good point is that with short stories you don't have to worry about failing. If the idea doesn't work out the way you hoped it would, you just shrug your shoulders and tell yourself that they can't all be winners. Even with masters of the genre like F. Scott Fitzgerald and Raymond Carver -even Anton Chekhov- not every short story is a masterpiece. I find this a great comfort. You can learn from your mistakes (in other words, those you can't call complete success) and use that in the next story you write. — Haruki Murakami

One of the things I tell the writers with whom I work is, man, when you finish a draft of a poem, or short story or novel, you make sure you go out and celebrate all night long because whether the world ever notices or not, whether you get it published or not, you did something most people never do: You started, stuck with, and finished a creative work. And that is a triumph. That is something to celebrate. All the stuff that I'm talking about is really from the point of view of trying to create art - and I don't mean to sound highfalutin when I bring the word "art" in. All I mean is, a work that seeks to illuminate truth in whatever way possible. — Andre Dubus III

One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily. In the first paragraph you solve most of the problems with your book. The theme is defined, the style, the tone. At least in my case, the first paragraph is a kind of sample of what the rest of the book is going to be. That's why writing a book of short stories is much more difficult than writing a novel. Every time you write a short story, you have to begin all over again. — Gabriel Garcia Marquez

The great thing about a short story is that it doesn't have to trawl through someone's whole life; it can come in glancingly from the side. — Emma Donoghue

I decided to make myself a little less precious with my storytelling. I think you can see from the first three pieces in the book that I have a long term relationship with the short story as a form and I really love an elegantly crafted story that has several elements that come together in a way that is emotionally complex and different from when we started. That kind of crystalline, perfect, idealized thing that the short story as a genre has come to represent. — Lucy Corin

A story is about a single moment in a character's life when a definitive choice is made, after which nothing is the same. — John L'Heureux

The pupil of a goat's eye is elongate like a cat's, but if you look closely you'll see that it's in the horizontal position, and if you look closer still you'll see that it's less gracefully shaped, more of a ragged slot, dirty yellow. And you'll see that the white of a goat's eye is all black. — Eugene Marten

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things
a chair, a window curtain, a fork, a stone, a woman's earring
with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine
the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. — Raymond Carver

Other than a short article I read in 2008 when the real story broke, I have not followed the Clark Rockefeller case, and 'Schroder' is not a novelization of that story. — Amity Gaige

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

The short story is an imploding universe. It has all the boil of energy inside it. A novel has shrapnel going all over the place. You can have a mistake in a novel. A short story has to be perfect. — Colum McCann

The first thing we see about a short story is its mystery. And in the best short stories, we return at the last to see mystery again — Eudora Welty

A short story is something that I think can be intuited and envisioned and held in your mind almost at once. — Richard Russo

The times have changed and now the story is old, but yet it all remains the same, a victim in the cold. — Stephen Harker

I don't know what the definition of a short story is, and I don't even care to answer that question. That's something somebody in academia would think about. I just want to tell a story, and if people listen, and if it stays with you, it's a story. — Sandra Cisneros

In the course of this story, and very soon now, it will be necessary to make some disclosures about Mr. Krupper of a nature too coarse to be dealt with very directly in a work of such brevity. The grossly naturalistic details of a life, contained in the enormously wide context of that life, are softened and qualified by it, but when you attempt to set those details down in a tale, some measure of obscurity or indirection is called for to provide the same, or even approximate, softening effect that existence in time gives to those gross elements in the life itself. When I say that there was a certain mystery in the life of Mr. Krupper, I am beginning to approach those things in the only way possible without a head-on violence that would disgust and destroy and which would actually falsify the story.
("Hard Candy") — Tennessee Williams

If there is a lack of specificity in Grossman's description of the town and the walkers, and if the story perhaps sometimes becomes lost and confusing, then it is because the landscape and its inhabitants are really shadows, creatures of an interior world, whose journey and whose quest are within. Falling Out of Time is short, and clearly a deeply personal book, but its importance and impact ought not to be underestimated. — Ian Sansom

'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters. — Susan Minot

Well, as a short-story writer, I don't think there are any weaknesses to the genre itself. I guess I would say that the difficulty of the form is that one must create an entire world in five to 30 pages, as opposed to 300. There is very little room for fat - you must be economical. And you must begin as close to the end as you possibly can. — ZZ Packer