Into The Still Blue Quotes & Sayings

I had crossed the yard to him slowly, watching him draw closer, baffled by the way my heart was skittering around my chest. Then he'd picked me up and spun me in a circle, and I'd clung to him, breathing in his sweet, familiar smell, shocked by how much I'd missed him. Dimly, I'd been aware that I still had a shard of the blue cup in my hand, that it was digging into my palm, but I didn't want to let go.
When he finally set me down and ambled off to the kitchen to find his lunch, I stood there, my palm dripping blood, my head still spinning, knowing that everything had changed.
Ana Kuya had scoled me for getting blood on the clean kitchen floor. She'd bandaged my hand and told me it would heal. But I knew it would just go on hurting.
In the creaking silence of the cell, Mal kissed the scar on my palm, the wound made so long ago by the edge of that broken cup, a fragile thing I'd thought beyond repair. — Leigh Bardugo

We followed Mrs. Morton down the High Street. She sailed, like a vessel, along the pavement, skirting around pushchairs and small dogs, and people who had stopped to wipe ice cream from their chins.
July had found its fiercest day yet. The sky was ironed into an acid blue, and even the clouds had fallen from the edges, leaving a faultless page of summer above our heads. Even so, there were those who still nurtured mistrust. We walked past cardigans draped across elbows and raincoats bundled into shopping bags, and one woman who carried an umbrella wedged into her armpit, like artillery. It seemed that people couldn't quite let go of the weather, and felt the need to carry every form of it around with them, at all times, for safekeeping.

The trouble with goats and sheep by Joanna Cannon — Joanna Cannon

THE BLUE DRESS

Her blue dress is a silk train is a river
is water seeps into the cobblestone steps of my sleep, is still raining
is monsoon brocade, is winter stars stitched into puddles
is goodbye in a flooded, antique room, is goodbye in a room of crystal bowls
and crystal cups, is the ring-ting-ring of water dripping from the mouths
of crystal bowls and crystal cups, is the Mississippi river is a hallway, is leaks
like tears from windowsills of a drowned house, is windows open to waterfalls
is a bed is a small boat is a ship, is a currant come to carry me in its arms
through the streets, is me floating in her dress through the streets
is the moon sees me floating through the streets, is me in a blue dress
out to sea, is my mother is a moon out to sea. — Saeed Jones

I looked into the vast dome of blue emptiness that stretched out above me in all directions and the illusion was still there, the size and speed, and what information they were sending to mother earth. — Nelson Mandela

You've got no right to hate the Major. He didn't force you."
"Force me? FORCE me? He's KILLING me, that's all!"
"It's still not-"
"Shut up," Baker said curtly, and Garraty shut. He rubbed the back of his neck briefly and stared up into the whitish-blue sky. His shadow was deformed huddle almost beneath his feet. He turned up his third canteen of the day and drained it.
Baker said, "I'm sorry. I surely didn't mean to shout. My feet-"
"Sure," Garraty said.
"We're all getting this way," Baker said. "I sometimes think that's the worst part. — Stephen King

Consider also the special word they used: survivor. Something new. As long as they didn't have to say human being. It used to be refugee, but by now there was no such creature, no more refugees, only survivors. A name like a number
counted apart from the ordinary swarm. Blue digits on the arm, what difference? They don't call you a woman anyhow. Survivor. Even when your bones get melted into the grains of the earth, still they'll forget human being. Survivor and survivor and survivor; always and always. Who made up these words, parasites on the throat of suffering! — Cynthia Ozick

Who would guess," he teased, "that I'd ever see you on a rooftop with straw in your hair?"
Kit giggled. "Are you saying I've turned into a crow?"
"Not exactly." His eyes were intensely blue with merriment. "I can still see the green feathers if I look hard enough. But they've done their best to make you into a sparrow, haven't they? — Elizabeth George Speare

Vanish.
Pass into nothingness: the Keats line that frightened her.
Fade as the blue nights fade, go as the brightness goes.
Go back into the blue.
I myself placed her ashes in the wall.
I myself saw the cathedral doors locked at six.
I know what it is I am now experiencing.
I know what the frailty is, I know what the fear is.
The fear is not for what is lost.
What is lost is already in the wall.
What is lost is already behind the locked doors.
The fear is for what is still to be lost.
You may see nothing still to be lost.
Yet there is no day in her life on which I do not see her. — Joan Didion

"I'm destined to die a virgin." My own admission shocked me. Had those words left my mouth? I rubbed the smooth material of Noah's jacket. Maybe I should have gone off with him. Not to get high, but to ... well ... not die a virgin.
***
"HOLY CROW, ECHO. You hibernate for a year and a half and wake up with a bang." Lila finished changing out of her church clothes and into a tight pink sweater and blue jeans. "Luke tells you he still loves you - and by the way, told you so. And Noah stinking Hutchins tries to kiss you. And you complained you were going to die a virgin." — Katie McGarry

Three o'clock in the morning.
The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for a humming noise coming up somewhere behind a rise of ground.
Two other, fiercer, whiter moons, set close together, suddenly top the rise, shoot a fan of blinding platinum far down ahead of them. Headlights. The humming burgeons into a roar. The touring car is going so fast it sways from side to side. The road is straight. The way is long. The night is short. (Jane Brown's Body) — Cornell Woolrich

I see the eight of us in the Annexe as if we were a patch of blue sky surrounded by menacing black clouds. The perfectly round spot on which we're standing is still safe, but the clouds are moving in on us, and the ring between us and the approaching danger is being pulled tighter and tighter. We're surrounded by darkness and danger, and in our desperate search for a way out we keep bumping into each other. We look at the fighting down below and the peace and beauty up above. In the meantime, we've been cut off by the dark mass of clouds, so that we can go neither up nor down. It looms before us like an impenetrable wall, trying to crush us, but not yet able to. I can only cry out and implore, 'Oh, ring, ring, open wide and let us out!' Yours, Anne — Anne Frank

As we gather around the rough-hewn farm table made by my grandfather, I am reminded that my family has come together for generations in this same way. Summers were always our favorite times; we would eat outdoors under the shade of a tree - hand-rolled pasta with a sauce of fresh tomatoes and basil from the garden, cheese from my Aunt Carmella, olive oil sent by our cousin in Santa Margherita, and wine from our own jugs. After having our fill of food and laughter, we'd pluck ripe figs right off the trees, peel and eat them until the sun disappeared into the blue. I can still taste those summer days, and will always do everything in my power to re-create them. — Adriana Trigiani

Here is what I do on the first day of snowfall every year: I step out of the house early in the morning, still in my pajamas, hugging my arms against the chill. I find the driveway, my father's car, the walls, the trees, the rooftops, and the hills buried under a foot of snow. I smile. The sky is seamless and blue, the snow so white my eyes burn. I shovel a handful of the fresh snow into my mouth, listen to the muffled stillness broken only by the cawing of crows. I walk down the front steps, barefoot, and call for Hassan to come out and see. — Khaled Hosseini

As I am still on duty at this moment, is there anything else I can do for you?" he continues.
Images of him kissing me, disrobing me and fondling my entire body fill my mind ... I push them away, although I know my face has coloured at the thought.
"I have a few suggestions ... " I murmur quietly, staring into his smouldering blue eyes. "But I am not sure they fall into a butler's remit."
"Perhaps you'd be surprised at the lengths I'm prepared to go to in order to keep you happy, madam," he replies, winking at me. — Felicity Brandon

The connection we feel to other people isn't bound by geography or space," Wells began. Although Clarke could see him trembling, his voice was strong and clear. "Sasha and I grew up in two different worlds, each of us wondering and dreaming about what was out there. I watched from above, never knowing for sure whether humans had survived here on Earth. I didn't know if we'd ever set foot on this planet again or if it would happen in my lifetime. And she looked up" - he pointed at the fading stars, still faintly visible in the dark blue sky - "and wondered if there was anyone up there. Had anyone survived the voyage into space? Had people managed to stay alive up there all these hundreds of years? For both of us, getting answers to our questions seemed so unlikely. But a million tiny forces moved us toward each other, and we got our answers. We found each other, even if it was just for a moment." Wells took a deep breath and exhaled slowly. "Sasha was my answer. — Kass Morgan

Helen opened her eyes and gazed into the luminous blue of the sky. Was it crazy, she wondered, to be as grateful as she felt now, for moments like this, in a world that had atomic bombs in it - and concentration camps, and gas chambers? People were still tearing each other into pieces. There was still murder, starvation, unrest, in Poland, Palestine, India - God knew where else. Britain itself was sliding into bankruptcy and decay. Was it a kind of idiocy or selfishness, to want to be able to give yourself over to the trifles: to the parp of the Regent's Park Band; to the sun on your face, the prickle of grass beneath your heels, the movement of cloudy beer in your veins, the secret closeness of your lover? Or were those trifles all you had? Oughtn't you, precisely, to preserve them? To make little crystal drops of them, that you could keep, like charms on a bracelet, to tell against danger when next it came? — Sarah Waters

To judge God solely by the present world would be a tragic mistake. At one time, it may have been "the best of all possible worlds," but surely it is not now. The Bible communicates no message with more certainty than God's displeasure with the state of creation and the state of humanity. Imagine this scenario: vandals break into a museum displaying works from Picasso's Blue Period. Motivated by sheer destructiveness, they splash red paint all over the paintings and slash them with knives. It would be the height of unfairness to display these works - a mere sampling of Picasso's creative genius, and spoiled at that - as representative of the artist. The same applies to God's creation. God has already hung a "Condemned" sign above the earth, and has promised judgment and restoration. That this world spoiled by evil and suffering still exists at all is an example of God's mercy, not his cruelty. — Philip Yancey

Left alone, I am overtaken by the northern void-no wind, no cloud, no track, no bird, only the crystal crescents between peaks, the ringing monuments of rock that, freed from the talons of ice and snow, thrust an implacable being into the blue. In the early light, the rock shadows on the snow are sharp; in the tension between light and dark is the power of the universe. This stillness to which all returns, this is reality, and soul and sanity have no more meaning than a gust of snow; such transience and insignificance are exalting, terrifying, all at once ... Snow mountains, more than sea or sky, serve as a mirror to one's own true being, utterly still, utterly clear, a void, an Emptiness without life or sound that carries in Itself all life, all sound. — Peter Matthiessen

Begin. Keep on beginning. Nibble on everything.
Take a hike. Teach yourself to whistle. Lie.
The older you get the more they'll want your stories.
Make them up. Talk to stones. Short-out electric
fences. Swim with the sea turtle into the moon. Learn
how to die. Eat moonshine pie. Drink wild geranium
tea. Run naked in the rain. Everything that happens
will happen and none of us will be safe from it.
Pull up anchors. Sit close to the god of night.
Lie still in a stream and breathe water. Climb to the
top of the highest tree until you come to the branch
where the blue heron sleeps. Eat poems for breakfast.
Wear them on your forehead. Lick the mountain's
bare shoulder. Measure the color of days
around your mother's death. Put your hands over
your face and listen to what they tell you. — Ellen Kort

Someday I'll be gone, but I'll still be here every time you look into your children's eyes. We don't have to be related for you to see that. Every time you teach them the things I taught you, I'll be there. Whenever you see the color blue and want to roll your eyes because of how much I loved it, you'll remember me, and remembering means I'm never really gone." Without — Dannika Dark

Each of us is like the waves and also like the water. Sometimes we're excited, noisy, and agitated like the waves. Sometimes we're tranquil like still water. When water is calm, it reflects the blue sky, the clouds, and the trees. Sometimes, whether we're at home, work, or school, we become tired, agitated, or unhappy and we need to transform into calm water. We already have calmness in us; we just need to know how to make it manifest. — Thich Nhat Hanh

Given the existence as uttered forth in the public works of Puncher and Wattmann of a personal God quaquaquaquaquaquaqua with white beard quaquaquaquaquaqua outside time without extension who from the heights of divine apathia divine athambia divine aphasia loves us dearly with some exceptions for reasons unknown but time will tell and suffers like the divine Miranda with those who for reasons unknown but time will tell are plunged into torment plunged into fire whose fire flames if that continues and who can doubt it will fire the firmament that is to say blast hell to heaven so blue still and calm so calm with a calm which even though intermittent is better than nothing but not so fast and considering what is more that as a result of the labors left unfinished — Samuel Beckett

Her hair was well brushed that day and sheened darkly in contrast with the lusterless pallor of her neck and arms. She wore the striped tee shirt which in his lone fantasies he especially liked to peel off her twisting torso. The oilcloth was divided into blue and white squares. A smear of honey stained what remained of the butter in its cool crock.
'All right. And the third Real Thing?'
She considered him. A fiery droplet in the wick of her mouth considered him. A three-colored velvet violet, of which she had done an aquarelle on the eve, considered him from its fluted crystal. She said nothing. She licked her spread fingers, still looking at him.
Van, getting no answer, left the balcony. Softly her tower crumbled in the sweet silent sun. — Vladimir Nabokov

[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue. — Dave Eggers

What I was trying to say," he whispered, "is that I see you in everything. There isn't a word for you that means enough, because you're everything to me. — Veronica Rossi

Asparagus, tinged with ultramarine and rosy pink which ran from their heads, finely stippled in mauve and azure, through a series of imperceptible changes to their white feet, still stained a little by the soil of their garden-bed: a rainbow-loveliness that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare's Dream) at transforming my humble chamberpot into a bower of aromatic perfume. — Marcel Proust

Noon was approaching and the shadows under the sycamores were thin and short. The surface of the blue-tiled fish-pond was glassily still and water splashed monotonously into the fountain's basins. Khaemwaset held his fingers under the glittering flow and found it silky and warm. — Pauline Gedge

It can be hard to remember what one's anticipatory image of something was once you're on the other side. I'm no longer sure exactly what it was I was waiting for, but I do know that it was something wholly unfamiliar and thrilling. Like a new color. Not a mixture, no trace of blue or yellow or red. What would that look like? I have some basic understanding about light
how it can only be broken down and refracted into its seven constituent hues
and even though I know that the physical world makes the existence of such a thing basically impossible, I'd still really like to see that. — David Rakoff

There was Ffloyd, the Human Money Tree: the music would suddenly stop and Ffloyd would run through the room, naked, with a hundred one-dollar bills taped to his body. He ran in one door and out the other. A free-for-all ensued and whatever you grabbed was yours to keep.
That idea proved so popular, it morphed into the $1,000 Drop. Michael would stand on a table and toss a thousand dollar bills to an often violent mob. Of course, he usually pocketed $990 and passed the remaining ten on to tip-challenged friends. But two hundred blue-faced freaks still screamed and cried and clawed and climbed to get to Michael; why, you would have thought the New Kids on the Block were masturbating on stage, the way everybody carried on. — James St. James

But as I aged I realized that I did it every day. My schoolmates and neighbors, my family members, my best friend and the boy I had a crush on, they all changed on a day-to-day basis. People changing skin became so normal to me that I no longer felt like change was horrifying. It was good to change what you were into something better. I even wanted that for myself.
Like androids, we humans change our bodies. Often, we do it so much that some of us are more machine than human, really? What makes me more worthy of experiencing a blue sky with voluptuous clouds than Meems? She has value. She's more valuable to society than I am at this point. Yet I still enjoy an aspect of society that she does not. — A.L. Davroe

Before that, before it was ever a hotel at all, five full centuries ago, it was the home of a wealthy privateer who gave up raiding ships to study bees in the pastures outside Saint-Malo, scribbling in notebooks and eating honey straight from combs. The crests above the door lintels still have bumblebees carved into the oak; the ivy-covered fountain in the courtyard is shaped like a hive. Werner's favorites are five faded frescoes on the ceilings of the grandest upper rooms, where bees as big as children float against blue backdrops, big lazy drones and workers with diaphanous wings - where, above a hexagonal bathtub, a single nine-foot-long queen, with multiple eyes and a golden-furred abdomen, curls across the ceiling. — Anthony Doerr

Tell me what to say. What can I say to make you want me the way I want you? — Veronica Rossi

Yesterday evening Mickey and I and other deluded WAAFs went through the blackout and into the wilds of Hammersmith enduring the journey with the thought of the rollicking, witty West End show, Broadway Follies, studded with stars, to which we WAAFs had been invited free. I might say frightful, I might say terrible, awful, boring, tedious, but they only reveal the inadequacy of words. After the third hour, or so it seemed, I was convinced that I had died and was in hell, watching turn after turn in unending procession, each longer, each less funny, each more unbelievably bad than the last. During the interval, Hendon WAAFs rushed to the bar, scruffy WAAFs, obviously from West Drayton, sat still rollicking with mirth in the Stalls. We tossed back whisky and ginger beer and watched in a stupor the longer, duller, apparently unending second half. After came the journey back in the blackout made blue by our opinions of the evening. — Joan Rice

Summer explodes into Portland. In early June the heat was there but not the color
the green were still pale and tentative, the morning had a biting coolness
but by the last week of school everything is Technicolor and splash, outrageous blue skies and purple thunderstorms and ink-black night skies and red flowers as brights as spots of blood. — Lauren Oliver

But how powerful, how stimulating to the very faculty that produced it, was the invention of the adjective ... The mind that thought of light, heavy, grey, yellow, still, swift, also conceived of magic that would make heavy things light and able to fly, turn grey lead into yellow gold, and the still rock into a swift water. If it could do the one, it could do the other; it inevitably did both. When we can take green from grass, blue from heaven, and red from blood, we have already an enchanter's power. — J.R.R. Tolkien

The snow filled the air with a soft grey-blue mist, softening the wind and gunfire, bringing the earth and sky together into one swaying blur.
The snow fell on Bach's shoulders; it was as though flakes of silence were falling on the still Volga, on the dead city, on the skeletons of horses. It was snowing everywhere, on earth and on the stars; the whole universe was full of snow. Everything was disappearing beneath it: guns, the bodies of the dead, filthy dressings, rubble, scraps of twisted iron.
This soft, white snow settling over the carnage of the city was time itself; the present was turning into the past, and there was no future. — Vasily Grossman

Tate and Marty exchanged indignant looks. Tate pointed to the kitchen door behind Marty, then hooked a thumb at the back door and gave Marty a nod. Before Mel could figure out what they were up to, they were both lying on the floor of the kitchen, blocking the exits.
"What is this? Occupy Fairy Tale Cupcakes?!" Angie asked. "What do you think you're doing?"
"We're in protest mode." Tate said. "We're going to limp and we're going to lie here until you agree to let us come along."
"Are you kidding me?" Mel asked. "What if I don't give in? Are you going to hold your breath until you turn blue?"
She watched Tate lift his head and look at Marty. He raised his eyebrows in silent question, and Marty gave him a small nod.
"Thanks for the idea,"
The kitchen door slammed into his side, and Marty grunted but still held his ground. The kitchen door didn't budge.
"Hey, the door is stuck," Oz yelled from the other side. — Jenn McKinlay

Last-Minute Message For a Time Capsule


I have to tell you this, whoever you are:
that on one summer morning here, the ocean
pounded in on tumbledown breakers,
a south wind, bustling along the shore,
whipped the froth into little rainbows,
and a reckless gull swept down the beach
as if to fly were everything it needed.
I thought of your hovering saucers,
looking for clues, and I wanted to write this down,
so it wouldn't be lost forever - -
that once upon a time we had
meadows here, and astonishing things,
swans and frogs and luna moths
and blue skies that could stagger your heart.
We could have had them still,
and welcomed you to earth, but
we also had the righteous ones
who worshipped the True Faith, and Holy War.
When you go home to your shining galaxy,
say that what you learned
from this dead and barren place is
to beware the righteous ones. — Philip Appleman

When the cold comes to New England it arrives in sheets of sleet and ice. In December, the wind wraps itself around bare trees and twists in between husbands and wives asleep in their beds. It shakes the shingles from the roofs and sifts through cracks in the plaster. The only green things left are the holly bushes and the old boxwood hedges in the village, and these are often painted white with snow. Chipmunks and weasels come to nest in basements and barns; owls find their way into attics. At night,the dark is blue and bluer still, as sapphire of night. — Alice Hoffman

According to the accounts, which we've recorded, there was a motorist driving a blue Ford weaving in and out of the lefthand lane, apparently drunk, and he crashed head-on into your husband's car. But it seems your husband must have seen the accident coming, for he swerved to avoid a head-on collision, but a piece of machinery had fallen from another car, or truck, and this kept him from completing his correct defensive driving maneuver, which would have saved his life. But as it was, your husband's much heavier car turned over several times, and still he might have survived, but an oncoming truck, unable to stop, crashed into his car, and again the Cadillac spun over ... and then ... it caught on fire. — V.C. Andrews

No fainting in the middle of the road," said a voice close to my ear as a heavy arm landed across my shoulders and gave me a squeeze. I looked up to see Mal's familiar face, a smile in his bright blue eyes as he fell into step beside me. "C'mon," he said. "One foot in front of the other. You know how it's done." "You're interfering with my plan." "Oh really?" "Yes. Faint, get trampled, grievous injuries all around." "That sounds like a brilliant plan." "Ah, but if I'm horribly maimed, I won't be able to cross the Fold." Mal nodded slowly. "I see. I can shove you under a cart if that would help." "I'll think about it," I grumbled, but I felt my mood lifting all the same. Despite my best efforts, Mal still had that effect on me. And I wasn't the only one. A pretty blond girl strolled by and waved, throwing Mal a flirtatious glance over her shoulder. "Hey, — Leigh Bardugo

But I know somebody must be thinking about us because if they weren't we'd just disappear just like those Indians who used to climb the pueblos. Those Indians disappeared with food still cooking in the pot and air waiting to be breathed and they turned into birds or dust or the blue of the sky or the yellow of the sun.
There they were and suddenly they were forgotten for just a second and for just a second nobody thought about them and then they were gone. — Sherman Alexie

She remembers blood.
A fine mist which goes deep into her lungs, over her skin and through the air. She remembers a desert at dusk. The sky indigo blue and the fire bright, so bright that she can see everything. Near the fire, in the night, all she knows is chaos wrapped in crimson. All is death and nightmare with a single solitary dancer who smiles cruelly as he moves. He is power and darkness. He is man and beast, silver coin eyes and that face, those claws and the agony of loss.
Time stretches wide; seconds like vast eons swallow up her world. Vince is dead, his mother, his brother and her small son ripped apart and gushing as he/it moves. She is screaming, a howl of agony beyond words, primal and wordless. Still he moves, faster than air, faster than she could ever be. Blood drips from her face as she grunts, running with her lungs on fire and her last remaining hope wrapped in her arms. — Amanda M. Lyons

When my own mother died, there seemed to me to be no answer to anything. For a time the only universality was death. And then I remember walking in the dusk along the quiet little street toward the house now so empty and meaningless. There was light enough from the sky to cast the lattice shadow of leaves on the walk. The sound of the river was steady and swift, and the air smelled of sulphur from the mills beyond it. As I looked up, a delicate petal of moon drifted into the tender blue, and all at once I thought, How beautiful God made the world! How wonderful that the stars still shine! And I was comforted. — Gladys Taber

Her parents, she said, has put a pinball machine inside her head when she was five years old. The red balls told her when she should laugh, the blue ones when she should be silent and keep away from other people; the green balls told her that she should start multiplying by three. Every few days a silver ball would make its way through the pins of the machine. At this point her head turned and she stared at me; I assumed she was checking to see if I was still listening. I was, of course. How could one not? The whole thing was bizarre but riveting. I asked her, What does the silver ball mean? She looked at me intently, and then everything went dead in her eyes. She stared off into space, caught up in some internal world. I never found out what the silver ball meant. — Kay Redfield Jamison

That lame man you saw
is he grateful now? Is it worth it to get on his feet and spend the rest of his life dragging burdens like a mule? ... It's not much of a world, is it? Is it worth trying to bring Leah back into it?"
Thacia stood still in the road. "Oh, Daniel
yes! If only I could make you see, somehow, that it is!"
"All this
" she exclaimed, the sweep of her arm including the deepening blue of the sky, the shining lake in the distance, the snow-covered mountain far to the north. "So much! You must look at it all, Daniel, not just at the unhappy things. — Elizabeth George Speare

I headed downtown right away. It was still early in the evening, glittering with electric, with ice; and trembling in the factories, those nearly all windows, over the prairies that had returned over demolitions with winter grass pricking the snow and thrashed and frozen together into beards by the wind. The cold simmer of the lake also, blue; the steady skating of rails too, down to the dark. — Saul Bellow

When Paxton was a teenager, her friends had even envied her relationship with her mother. Everyone knew that neither Paxton nor Sophia scheduled anything on Sunday afternoons, because that was popcorn-and-pedicures time, when mother and daughter sat in the family room and watched sappy movies and tried out beauty products. And Paxton could remember her mother carrying dresses she'd ordered into her bedroom, almost invisible behind tiers of taffeta, as they'd planned for formal dances. She'd loved helping Paxton pick out what to wear. And her mother had exquisite taste. Paxton could still remember dresses her mother wore more than twenty-five years ago. Imprinted in her memory were shiny blue ones, sparkly white ones, wispy rose-colored ones. — Sarah Addison Allen

What filled the rooms of Grete's cottage so decidedly were woven baskets and wooden boxes and clay pots glazed in red and blue, each with its own mishmash of this and that. Roots and leaves still redolent of dirt. Balls of scratchy wool-purple twining into pink easing into periwinkle fading into gray. At least three boxes held squares and strips of fabric, all colors, and eight pots overflowed with apples.
The walls were lined with shelves, the shelves were lined with books. Wordless spines peered out. As soon as Isabelle saw them, she itched to open it up and read it from cover to cover. — Frances O'Roark Dowell

Out of the blue and into the black is what they called going into a tunnel. Each one was a black echo. Nothing but death in there. But, still, they went. — Michael Connelly

As a teenager I clearly remember mornings when I was getting ready for school when something would -just still me- and
I would lean forward and peer very intensely into the eyes of the girl in that mirror.
who is that? I didn't know . I looked into those eyes as if they had the answer to who I am
or who I could be.
So I would search the depths of those green and blue flecked eyes.
Calmly searching the eyes of this stranger as if I thought that if I looked deep enough, or long enough, I would find the answer to why I was even here.
I didn't know what I know now.
That I could only find out my identity,
who I was
when I stopped looking into my own eyes
and instead searched in the eyes of Jesus. Only He could REALLY tell me who I am. Who I can be. Who I will be ... — Laura A. Diaz

She angled her head to look up at him. Her blue eyes were huge in the moonlight. One tear still clung to her lash, looking like a shining jewel. He touched it with his fingertip and it dissolved, warm and wet into his skin. His gaze shifter to her bowshaped mouth. Her lips trembled, then parted. A soft mew of a sound escaped them.
There was nothing to do but kiss her. — B. J. Daniels

I color your world."
I blinked and my heart stopped.
How did he ... ?
Oh crap! I told him!
Drunk, in the middle of great sex, I told him!
Ohmigod!
"I was right. You were asleep but you were dreamin'. You dream in black and white, babe. I gave you color. Now, you're awake."
"Tack
"
"You admitted it."
"Tack, please
"
"You were drunk, wet, hot and way the fuck turned on but you still admitted it."
I did and the way he was looking at me, his blue eyes drilling into mine, I couldn't deny it.
And also, it was true.
Damn. — Kristen Ashley

Faith, is the road that goes straight past the gravel, and cloud-mesh dirt into a mirage, where still you believe to go straight, and when you finally catch up with it, it ends at a lake where you stretch your eyes across, but unable to glimpse the other side- so you jump in and swim, gliding each stroke with tiredness and swallow of water, you reach the end, put a hand out and pull yourself up on concrete, where the same road continues straight into another blue-white blur. — Anthony Liccione

I see the eight of us in the Annex as if we were a patch of blue sky surrounded by menacing black clouds. The perfectly round spot on which we're standing is still safe, but the clouds are moving in on us, and the ring between us and the approaching danger is being pulled tighter and tighter. We're surrounded by darkness and danger, and in our desperate search for a way out we keep bumping into each other. We look at the fighting down below and the peace and beauty up above. In the meantime, we've been cut off by the dark mass of clouds, so that we can go neither up nor down. It looms before us like an impenetrable wall, trying to crush us, but not yet able to. I can only cry out and implore, Oh, ring, ring, open wide and let us out! — Anne Frank

Childhood is bound like the Gordian knot with my memories of the Black Sea, and I still feel its waters welling up within me today. Sometimes these waters are leaden, as grey as the military ships that sail on their curved expanses, and sometimes they are blue as pigmented cobalt. Then would come dusk, when I would sit and watch the seabirds waver to shore, flitting from open waters to the quiet empty vastlands in darkening spaces behind me, the same birds Ovid once saw during his exile, perhaps; and the same waters the Argonauts crossed searching for the fleece of renewal.

And out in the distance, invisible, the towering heights of Caucasus, where once-bright memories of the fire-thief have transmuted into something weird and many-faceted, and beyond these, pitch-black Karabakh in dolorous Armenia. — Paul Christensen

In Control's dreams it is early morning, the sky deep blue with just a twinge of light. He is staring from a cliff down into an abyss, a bay, a cove. It always changes. He can see for miles into the still water. He can see ocean behemoths gliding there, like submarines or bell-shaped orchids or the wide hulls of ships, silent, ever moving, the size of them conveying such a sense of power that he can feel the havoc of their passage even from so far above. He — Jeff VanderMeer

Later that night, feeling restless, I get out of bed, creep into Linus's room, and watch him sleeping in his crib. He's lying on his back, wearing blue feety pajamas, one arm up over his head. I listen to his deep-sleep exhales. Even years past those fragile newborn months, it still gives my maternal ears relief and peace to hear the sounds of my children breathing when they're asleep. His orange nukie is in his mouth, the silky edge of his favorite blanket is touching his cheek, and Bunny is lying limp across his chest. He's surrounded by every kind of baby security paraphernalia imaginable, and yet none of it protected him from what could have happened today. — Lisa Genova

The street is still shut as we step into the molten-gold atmosphere of mid-afternoon. The houses face each other across the passages like armies of an ancient Arabian battlefield ... .We narrow our eyes against the glare. Beating their wings, the birds too are leaving the trees for the mosque. The leaves hang like limp hands from the branches. We try to think of the cool blue river and, turning around, glance towards where the river wets the horizon. But the river, too, seems helpless before the insanity of the sun, lying like an exhausted lizard at the end of the street — Nadeem Aslam

Cheese runners shouted at it, tried to grab it, and flailed at it with sticks, but the piratical cheese scythed onward, reaching the bottom just ahead of the terrible carnage of men and cheeses as they piled up. Then it rolled back to the top and sat there demurely while still gently vibrating.
At the bottom of the slope, fights were breaking out among the cheese jockeys who were still capable of punching somebody, and since everybody was watching that, Tiffany took the opportunity to snatch up Horace and shove him in her bag. After all, he was hers. Well, that was to say she had made him, although something odd must have gone into the mix since Horace was the only cheese that would eat mice and, if you didn't nail him down, other cheeses as well. — Terry Pratchett

Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you're changing into a hundred other things, but you can't let go. You can only try to match up and never turn into a wolf while he's a rabbit, or a mouse while he's still busy being an owl, a brawny black bull while he's a little blue crab scuttling for shelter. It's harder than it sounds. — Catherynne M Valente

Roar's mouth pulled into a smile - a beautiful smile she hadn't seen in weeks.
"Beautiful, huh?"
She drew her hand away, giving him a small push on the shoulder. "Don't act surprised."
"I'm not. Always nice to be reminded, though. — Veronica Rossi

Where am I?" Magnus croaked.
"Nazca."
So Magnus was still in Peru. That indicated that he had been rather more sensible than he'd feared.
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. She was a weary shade of blue. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information, — Cassandra Clare

Maybe you've been there. You go into a police or sheriff's station after a gang of black kids forced you to stop your car while they smashed out your windows with garbage cans; a strung-out addict made you kneel at gunpoint on the floor of a grocery store, and before you knew it the begging words rose uncontrollably in your throat; some bikers pulled you from the back of a bar and sat on your arms while one of them unzippered his blue jeans. Your body is still hot with shame, your voice full of thumbtacks and strange to your own ears, your eyes full of guilt and self-loathing while uniformed people walk casually by you with Styrofoam cups of coffee in their hands. Then somebody types your words on a report and you realize that this is all you will get. — James Lee Burke

It's such a hopeful, almost utopian word, that word "phase." As if any minute, "we" would suffer some sort of Joad overload, come to "our" senses, and for heaven's sake, do something about our godforsaken shoes. But the book phase never ended. The book phase would bloom and grow into a whole series of seasonal affiliations including our communist phase, our beatnik phase, our vegetarian phase, and the three-year period known as Please Don't Talk to Me. Now that we are finishing up the third decade of the book phase, we ask ourselves if we have changed. Sure, we still dress in the bruise palette of gray, black, and blue, and we still haven't gotten around to piercing our ears. But we wear lipstick now, we own high-heeled shoes. Concessions have been made. — Sarah Vowell

I think Virgin Blue is still a very promising and exciting business.
Now, I know that's not a view that's widely held in the market but I think the market is simply throwing it into the too-hard basket at the present time because of the oil price events.
But we think it is still a very exciting business. — Chris Corrigan

Despite the fact that he no longer dressed like the big dork he did then, despite the fact that he'd swapped the nerd wear for some
much cooler clothes, despite the fact that he'd let his hair go all shaggy and loose to the point where it curved down into his face in that
cool guy, slightly windswept, effortless way, despite the fact that every time I looked into his brilliant blue eyes I was totally reminded of
the Zac Efron poster that used to hang on my old bedroom wall, it still didn't make it okay for him to laugh at me the way he did. — Alyson Noel

Alex!" Brittany yells my name from the front of the gallery.
I'm still smoking and trying to forget that she brought me here because I'm her dirty little secret. I don't want to be a fucking secret anymore.
My pseudo-girlfriend crosses the street. Her designer shoes click on the pavement, reminding me she's a class above. She eyes Mandy and me, the two blue collars, smoking together.
"Mandy here was about to show me her tattoos," I tell Brittany to piss her off.
"I'll bet she was. Were you going to show her yours, too?" She eyes me accusingly.
"I'm not into drama," Mandy says. She throws down her cigarette and smashes it with the tip of her gym shoe. "Good luck, you two. God knows you need it. — Simone Elkeles

It's a wonderful body, he'd whispered the next morning while she was still asleep. Not even the blue silk Loretta Caponi pajamas he'd brought back for her from Florence could disguise its lumpiness. But it was so gorgeously strong. She almost never got sick. She could outswim riptides and ski double diamonds. And even when a wave scraped her into the sand or a patch of ice threw her to the ground, she rarely bruised. He loved that body for taking care of her, for sheltering the one thing he couldn't live without. — Tanya Egan Gibson

The clouds floating white and restless in the sky were those you see only in May or June. They were innocent companions, still young and flighty, who ran playfully across the blue road to hide suddenly behind high mountains, linking arms and running away, sometimes crumpling up like handkerchiefs, sometimes unravelling into streamers, and eventually playing a practical joke by setting themselves down on the mountain like white caps. — Stefan Zweig

I reach for the napkin, and as I do I catch sight of my hands. They are knobby and crooked, thin-skinned, and - like my ruined face - covered with liver spots.
My face. I push the porridge aside and open my vanity mirror. I should know better by now, but somehow I still expect to see myself. Instead, I find an Appalachian apple doll, withered and spotty, with dewlaps and bags and long floppy ears. A few strands of white hair spring absurdly from its spotted skull.
I try to brush the hairs flat with my hand and freeze at the sight of my old hand on my old head. I lean close and open my eyes very wide, trying to see beyond the sagging flesh.
It's no good. Even when I look straight into the milky blue eyes, I can't find myself anymore. When did I stop being me? — Sara Gruen

Tristran tugged and pulled out the stopper of the bottle. He could smell something intoxicating, like honey mixed with wood smoke and cloves. He passed the bottle back to the little man. "It's a crime to drink something as rare and good as this out of the bottle," said the little hairy man. He untied the little wooden cup from his belt and, trembling, poured a small amount of an amber-colored liquid into it. He sniffed it, then sipped it, then he smiled, with small, sharp teeth. "Aaaahhhh. That's better." He passed the cup to Tristran. "Sip it slowly," he said. "It's worth a king's ransom, this bottle. It cost me two large blue-white diamonds, a mechanical bluebird which sang, and a dragon's scale." Tristran sipped the drink. It warmed him down to his toes and made him feel like his head was filled with tiny bubbles. "Good, eh?" Tristran nodded. "Too good for the likes of you and me, I'm afraid. Still. It hits the spot in times of trouble, of which this is certainly one. — Neil Gaiman

Fine. Then I love you, my little Night Crawler. — Veronica Rossi

Heart as collapsed time, as a dug-up grave, as simple machine. Heart as big black bugs bleed blue blood. Heart as MI frozen as seen from airplane, everything still and white and beautiful. Heart as the Day the Music Died. Heart as love being made, as fucking, as a pleasantly haunted house. Heart as a dim memory of a dark room in which you're molded wetasscracked into a beanbag chair, fumbling for wetness. Come hither. Heart as a cunt's supposed to smell like tuna. Heart as the star of the sea. Heart as a pussy in permanent bloom. Heart as doxycycline. Heart as waxwings, as a fudge round, as the phone rings once and then stops. Heart as throw your hands in the air, throw your art at the stars, stutter and stare. Heart as a Stratocaster. Heart as Twin Reverb. Heart as I heart you so much. Heart as all that we thought we knew in the world disappears into vapor. Heart as the rest of your life times the weight of the world squared. — Bryan Charles

I only have one story now.
The story was heroin. It was made out of sensation, not words; it was invisible and murderous and unstoppable. Sam disappeared from her slowly, like a snowman melting, until all Blanca had left of him was a pool of freezing-cold blue water, arctic cold, sorrow colored, evaporating with every year. She did her best to hold onto him, but it was impossible, like carrying ice into the desert or making time stand still. After the final fight when Sam moved out, Blanca saw him less and less often. He no longer had a presence; he was like the outline of a person, an absence rather than a full-fledged human being. — Alice Hoffman

A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face. — James Joyce

Still on speaking terms with the Toilet Paper People, they consented to a box full of Legos that overnight manifested itself into a recording studio. I quickly remembered the power of my hands, my imagination, my will, and my conscience. These were tools I would never let myself get bored with. I would find myself in Blue Ocean Strategy and in other defining ways. — Cherry Tigris

Soon they were all sitting on the rocky ledge, which was still warm, watching the sun go down into the lake. It was the most beautiful evening, with the lake as blue as a cornflower and the sky flecked with rosy clouds. They held their hard-boiled eggs in one hand and a piece of bread and butter in the other, munching happily. There was a dish of salt for everyone to dip their eggs into.

'I don't know why, but the meals we have on picnics always taste so much nicer than the ones we have indoors,' said George. — Enid Blyton

At daybreak, my face still turned to the wall, and before I had seen above the big window-curtains what shade of colour the first streaks of light assumed, I could already tell what the weather was like. The first sounds from the street had told me, according to whether they came to my ears deadened and distorted by the moisture of the atmosphere or quivering like arrows in the resonant, empty expanses of a spacious, frosty, pure morning; as soon as I heard the rumble of the first tramcar, I could tell whether it was sodden with rain or setting forth into the blue. — Marcel Proust

And when I say permanent afternoon, you know, I'm talking like crystal clear, crispy blue sky. All the sudden you didn't need to sleep as much because it just was difficult. And how that translated into my creative process I still am not quite sure, but it made my relationship to sleep a kind of abstract you know bizarre. — DJ Spooky

Strauss! Oh yes, he was so-so. He wrote pretty music- The Blue Danube and Tales from the Vienna Woods. But what is that compared to Mozart?'
Suddenly, Bess and George spotted Nancy coming towards them. 'Nancy!' the cousins chimed simultaneously and raced toward her.
'I see our bus driver is still at it.' Nancy grinned.
'All the way from Salzburg. George groaned.
'Did he run off the road again?'
'Not once but many times,' Bess said. 'It was awful. Once he got so angry because someone compared Beethoven to Mozart that he actually stopped the bus, ran outside, and shouted into the valley, Beethoven is a bore. Mozart is sublime. Over and over. The professor had to go out and drag him back to the bus. — Carolyn Keene

I am often slow in catching up to the times, but even so, I still cannot even grip this idea: With nothing more than pitocin in your IV drip, you can sooner control the date and time of the birth of a human being
the gushing entry into the great blue world of a whole new person
than you can the scheduling of a few line cooks in your operation. — Gabrielle Hamilton

Peregrine," Molly said sometime later, when the group had fallen quiet. Talon snored softly with his head in her lap. "Sable made an announcement to us earlier. He told us this place was going to be called Cape Rim. I think we can do better."
"I know we can," he said. "What would you call it, Molly?"
"I've been thinking about it, and it seems to me we wouldn't be here if it weren't for Cinder."
"Oh ... ," Marron said. "That's lovely."
Aria looked up, her violet scent filling him with steadiness. "What do you think?"
Perry looked down to the waves, and then farther out to the dark horizon, where he saw only stars. "I think it's a great name. — Veronica Rossi

And if there is water there let it be from a river. And if there is peace let it be from silence and forgetting. From the slow settle of dust on a house worn down, on a history lost, on a woman buried quietly into geography. And if there is memory let it be disjointed and nonsensical, let it disturb understanding and logic, let it rise like birds or hands into the blood blue bone of the sky, whispering its nothing beyond telling. ( ... ) Let someone lose the captions to all of the photographs; let them pile into new logics and forms that outlive us.
- "Siberia: Still Life of a Moving Image" (6. Representation) — Lidia Yuknavitch

It's your call," he said softly, "but whatever you decide, I'll help you." He placed a soft, warm hand at the back of her neck and Laurel's breath caught in her chest. "Whatever you need, I'll be. If you need the science geek to give you answers from a textbook, I'm your guy; if you just want a friend to sit by you in bio and help you feel better when you're sad, I'm still your guy." His thumb slowly stroked across her earlobe and down her cheek. "And if you need someone to hold you and protect you from anyone in the world who might want to hurt you, then I am definitely your guy." His pale-blue eyes bore into hers, and for a second she couldn't breath. "But it's all up to you," he whispered. — Aprilynne Pike

He never cried, not even when his alarm went off. Swaddled in his Moses basket, wires trailing out the bottom, his monitor flashing green, green, green, his entire four-pound body motionless except his eyelids, it seemed he understood everything I was working so hard to understand: his mother's love, his brother's ceasless crying: he was alreday forgiving me my shortcomings as a father; he was a distillation of a dozen generations, all stripped into a single flame and stowed still-burning inside the this slip of his ribs. I'd hold him to the window and he's stare out into the night, blue tributaries of veins pulsing his neck, his big eyelids slipping down now and then, and it would feel as if tethers were falling away, and the two of us were gently rising, through the glass, through the trees, through the interweaving layers of atmosphere, into whatever was beyond the sky. — Anthony Doerr

Gansey stepped in then, putting his phone neatly into his pocket, fetching out his keys instead. There was still something stretched thin about his expression. He looked, in fact, like he had in the cave, his face streaked and unfamiliar. It was so strange to see him without his Richard Campbell Gansey III guise on in public that Blue couldn't stop staring at his face. No - it wasn't his face. it was the way he stood, his shoulder shrugged, chin ducked, gaze from below uncertain eyebrows.
"SHE WAS ALL RIGHT," Jesse assured him.
"My head knew that," Gansey said. "But the rest of me didn't. — Maggie Stiefvater

Manage me, I am a mess, swept under the rug of yesterday's home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn't. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing. — Alex Gaskarth