In What Language Quotes & Sayings

Living in Supreme Influence, your language is neutral and/or moving toward your vision rather than moving away. In other words, you speak about what you do want, not about what you don't want. — Niurka

At whatever point one opens Gift from the Sea, to any chapter or page, the author's words offer a chance to breathe and to live more slowly. The book makes it possible to quiet down and rest in the present, no matter what the circumstances may be. Just to read it - a little of it or in its entirety - is to exist for a while in a different and more peaceful tempo. Even the sway and flow of language and cadence seem to me to make reference to the easy, inevitable movements of the sea. — Anne Morrow Lindbergh

Even in the deepest love relationship - when lovers say 'I love you' to each other - we don't really know what we're saying, because language isn't equal to the complexity of human emotions. — Duane Michals

What I try to get beyond is playing music at people and, instead, to play music with people because audience members are constantly part of the experience. What they say in their body language, what they say in their eyes, what they sing with me ... it's an 'us,' and there's a communication that's like ... it's like church, man. — Al Jarreau

The Latin word for sausage was botulus, from which English gets two words. One of them is the lovely botuliform, which means sausage-shaped and is a more useful word than you might think. The other word is botulism.
Sausages may taste lovely, but it's usually best not to ask what's actually in them. Curiosity may have killed the cat, but it was a sausage-maker who disposed of the body. — Mark Forsyth

I speak as an unregenerate reader, one who still believes that language and not technology is the true evolutionary miracle. I have not yet given up on the idea that the experience of literature offers a kind of wisdom that cannot be discovered elsewhere; that there is profundity in the verbal encounter itself, never mind what further profundities that author has to offer; and that for a host of reasons the bound book is the ideal vehicle for the written word. — Sven Birkerts

You don't understand," Mairelon said dully. "Kim doesn't want to marry a toff."
Was that what was bothering him? "Well, of all the bacon-brained, sapskulled, squirish, buffle-headed nod cocks!" Kim said with as much indignation as she could muster. "I was talking about the marquis, not about you!"
Mairelon's eyes kindled. "Then you would?"
"You've whiddled it," Kim informed him.
As he kissed her again, she heard Mrs. Lowe murmur, "Mind your language, Kim," and Shoreham say in an amused tone, "Yes, Your Grace, I believe that
was an affirmative answer. — Patricia C. Wrede

Do you love me?"
There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!"
"What do you mean?" Jonas asked. Amusement was not at all what he had anticipated.
"Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully.
Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory.
"And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said.
"Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'"
"Do you understand why it's inappropriate to use a word like 'love'?" Mother asked.
Jonas nodded. "Yes, thank you, I do," he replied slowly.
It was his first lie to his parents. — Lois Lowry

The heroic books, even if printed in the character of our mother tongue, will always be in a language dead to degenerate times; and we must laboriously seek the meaning of each word and line, conjecturing a larger sense than common use permits out of what wisdom and valor and generosity we have. — Henry David Thoreau

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

I'm an infant with Shakespeare; I'm kind of learning how to walk. I am trying to decipher the code, you know? I do my research. And I get a clear understanding of what the language is. It is a tremendous process I have to go through as I am sure all actors do, finding the gems hidden in his language. — Ruben Santiago-Hudson

What works in a story is very different than what works in cinema. For example, dialogue in books: If you translate it too faithfully, it sounds a little stilted, because we often don't speak the way we speak in novels. Oral language is much punchier, shorter sentences. — Yann Martel

Yeah. She's still just observing though. She's too useless to even carry plates at the moment, so please just think of her as some Russian ornament."
Tom laughed at the owner's blunt response, and asked another question.
"Chief, how do I say something like, 'you're beautiful', in Russian?"
" ... 'Vi ocharovatelny'."
"Err ... Bee, acherabatennen."
However, hearing this, the Caucasian woman looked confused at Tom, and spoke to the owner behind the counter.
" ... What is this man saying? It is unintelligible. I question its relation to the Japanese language."
With a bitter smile, the owner turned his head towards the woman, and spoke to her.
"'Vi ocharovatelny'."
" ... Why do you suddenly speak these social compliments? Please concisely explain your reasoning."
"That's what that young man over there just tried to say to you."
"In which language, exactly?"
Listening to their conversation, — Ryohgo Narita

Art is a means of memorialization of the past, a record of a rapidly vanishing world; a means of exorcising, at least temporarily, the ravages of homesickness. To speak of 'what is past, or passing or to come'-in the most meticulous language thereby to assure its permanence; to honor those we've loved and learned from and must outlive. — Joyce Carol Oates

Tom laughed at the owner's blunt response, and asked another question.
"Chief, how do I say something like, 'you're beautiful', in Russian?"
" ... 'Vi ocharovatelny'."
"Err ... Bee, acherabatennen."
However, hearing this, the Caucasian woman looked confused at Tom, and spoke to the owner behind the counter.
" ... What is this man saying? It is unintelligible. I question its relation to the Japanese language."
With a bitter smile, the owner turned his head towards the woman, and spoke to her.
"'Vi ocharovatelny'."
" ... Why do you suddenly speak these social compliments? Please concisely explain your reasoning."
"That's what that young man over there just tried to say to you."
"In which language, exactly? — Ryohgo Narita

My children were educated in what were then Chinese schools, and they learned English as a subject. But they made up when they went to English-language universities. So they didn't lose out. They had a basic set of traditional Confucian values. Not my grandchildren. — Lee Kuan Yew

When texting begins to take the place of substantive in-person conversations for any of us, we are training the language and speech centers of our brain for a new, unnatural, and superficial model of connection. When that training starts early, as it does now for young texters, they get so used to it at such a young age that, unlike the newborn baby who innately knows something is missing and complains about it, our older tech-trained children don't even know what they have lost. — Catherine Steiner-Adair

There is no excuse for anyone to misunderstand God's Word if he will, like a child, accept the Bible for what it says, and be honest enough to consecrate himself to obey it. He must accept the Bible as God's Word. He must believe that God could not be honest if He sought to hide from man the very things He will judge him by in the end. He must accept the Bible as the final Court of Appeal on its own subjects, and forget man's interpretations and distortion of the Word. He must believe that God knows what He is talking about; that He knows how to express Himself in human language; that He said what He meant, and meant what He said; and that what He says on a subject is more important than what any man may say about it. — Finis Jennings Dake

Like, What is the least often heard sentence in the English language? That would be: Say, isn't that the banjo player's Porsche parked outside? — Jackson Browne

A mind can be overthrown by words; that's the point. What is happening to the brain of a person who uses the passive, who writes, 'Delay should not be allowed to take place' instead of 'Hurry'? The user of the passive verb doesn't want a universe in which responsible agents do their acts. You see? Bad language ultimately is IMMORAL. — Richard Mitchell

Listen to your life. Listen to what happens to you because it is through what happens to you that God speaks ... It's in language that's not always easy to decipher, but it's there, powerfully, memorably, unforgettably. — Frederick Buechner

If a man really has charge of his destiny at all, he should have something to say about getting born; and I only came through by a hair's-breadth. What had I to do with this momentous first step? In the language of the lawyer, I was not even a party of the second part. — Clarence Darrow

I've long suspected that one of the reasons why human beings haven't yet figured out how to carry on a conversation with bottlenosed porpoises, African gray parrots, et al. in their own language is quite simply that we're terrified of what they might say to us - not least because it's entirely possible that they'd be right. — John Michael Greer

Loneliness has little to do with what we do or where we do it, whether we're married or unmarried, optimists or pessimists, heterosexual or homosexual. Loneliness has to do with the sudden clefts we experience in every human relation, the gaps that open up with such stomach-turning unexpectedness. In a brief moment, I and my brother or sister have moved away into different worlds, and there is no language we can share ... It is in the middle of intimacy that the reality of loneliness most dramatically appears. — Rowan Williams

Faith in an afterlife was important to Egyptians: they deliberately made their tombs the most permanent part of their built environment, and we find them in their literature very much concerned with what they could know about life after death, judgement and individual survival. Certainly they preserved their religion for most of the lifespan of their language, and they no more actively preached it abroad than they attempted to spread their language when they enlarged the boundaries of their power. But aspects of their faith did spread without the language none the less: their mother-goddess Isis became one of the most widely revered deities in the Roman empire, and has been seen as a root of the Christian cult of Mary as Mother of God. — Nicholas Ostler

...While many who have debated the image of female sexuality have put "explicit" and "self-objectifying" on one side and "respectable" and "covered-up" on the other, I find this a flawed means of categorization. [...] There is a creative possibility for liberatory explicitness because it may expand the confines of what women are allowed to say and do. We just need to refer to the history of blues music - one full of raunchy, irreverent, and transgressive women artists - for examples. Yet the overwhelming prevalence of the Madonna/whore dichotomy in American culture means that any woman who uses explicit language or images in her creative expression is in danger of being symbolically cast into the role of whore regardless of what liberatory intentions she may have. — Imani Perry

A good many times I have been present at gatherings of people who, by the standards of the traditional culture, are thought highly educated and who have with considerable gusto been expressing their incredulity of scientists. Once or twice I have been provoked and have asked the company how many of them could describe the Second Law of Thermodynamics. The response was cold: it was also negative. Yet I was asking something which is the scientific equivalent of: Have you read a work of Shakespeare's?
I now believe that if I had asked an even simpler question
such as, What do you mean by mass, or acceleration, which is the scientific equivalent of saying, Can you read?
not more than one in ten of the highly educated would have felt that I was speaking the same language. So the great edifice of modern physics goes up, and the majority of the cleverest people in the western world have about as much insight into it as their neolithic ancestors would have had. — C.P. Snow

When Marlee [Matlin] won her Oscar, she said, "and I just want to thank my parents." When I was saying those words for her, I knew my parents were in the audience. I was saying it for her and a little bit for myself, even though I wasn't saying it in sign language and they didn't understand what I was saying. — Jack Jason

One time you mentioned the loneliness inside of marriage and I did not understand what you were saying. Two people are together; they have come from the same place; they share the same values, the same language. Practically speaking, they are the two halves of one consciousness. They eat the same food; they have a child; they sleep in the same bed, how can they be lonely. — Bharati Mukherjee

If you can get the other party to reveal their problems, pain, and unmet objectives - if you can get at what people are really buying - then you can sell them a vision of their problem that leaves your proposal as the perfect solution. Look at this from the most basic level. What does a good babysitter sell, really? It's not child care exactly, but a relaxed evening. A furnace salesperson? Cozy rooms for family time. A locksmith? A feeling of security. Know the emotional drivers and you can frame the benefits of any deal in language that will resonate. — Chris Voss

That's what novels are: They're amalgams of archetypes, collections of random traits one observes in other people through life, blended into fresh characters. — Michael Callahan

Only a handful of Germans in the Reich had the slightest conception of the eternal and merciless struggle for the German language, German schools, and a German way of life. Only today, when the same deplorable misery is forced on many millions of Germans from the Reich, who under foreign rule dream of their common fatherland and strive, amid their longing, at least to preserve their holy right to their mother tongue, do wider circles understand what it means to be forced to fight for one's nationality. — Adolf Hitler

What, playing with cards?" "It's a special kind of playing," said Twoflower. "It's called - " he hesitated. Language wasn't his strong point. "In your language it's called a thing you put across a river, for example," he concluded, "I think. — Terry Pratchett

What seems wrong to you is right for him
What is poison to one is honey to someone else.
Purity and impurity, sloth and diligence in worship,
These mean nothing to Me.
I am apart from all that.
Ways of worshipping are not to be ranked as better
or worse than one another.
Hindus do Hindu things.
The Dravidian Muslims in India do what they do.
It's all praise, and it's all right.
It's not I that's glorified in acts of worship.
It's the worshippers! I don't hear
the words they say. I look inside at the humility.
That broken-open lowliness is the Reality,
not the language! Forget phraseology.
I want burning, burning.
Be Friends
with your burning. Burn up your thinking
and your forms of expression! — Karen Armstrong

I tell you, my friends,' he said one day. 'I tell you that I am the only sane man in the regiment. It's the others that are mad, but they don't know it. They fight a war and they don't know what for. Isn't that crazy? How can one man kill another and not really know the reason why he does it, except that the other man wears a different colour uniform and speaks a different language? And it's me they call mad! — Michael Morpurgo

'm constantly depressed by the Mexican gang members I meet in East L.A. who essentially live their lives inside five or six blocks. They are caught in some tiny ghetto of the mind that limits them to these five blocks because, they say, "I'm Mexican. I live here." And I say, "What do you mean you live here - five blocks? Your granny, your abualita, walked two thousand miles to get here. She violated borders, moved from one language to another, moved from a sixteenth-century village to a twenty-first-century city, and you live within five blocks?" — Richard Rodriguez

What makes a poem a poem, finally, is that it is unparaphrasable. There is no other way to say exactly this; it exists only in its own body of language, only in these words. I may try to explain it or represent it in other terms, but then some element of its life will always be missing.
It's the same with painting. All I can say of still life must finally fall short; I may inventory, weigh, suggest, but I cannot circumscribe; some element of mystery will always be left out. What is missing is, precisely, its poetry. — Mark Doty

What are the precise characteristics of an epigram it is not easy to define. It differs from a joke, in the fact that the wit of the latter dies in the words, and cannot therefore be conveyed in another language; while an epigram is a wit of ideas, and hence, is translatable. Like aphorisms, songs and sonnets, it is occupied with some single point, small and manageable; but whilst a song conveys a sentiment, a sonnet a poetical, and an aphorism a moral reflection, an epigram expresses a contrast. — William Matthews

There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People — Errol Morris

C gives the programmer what the programmer wants; few restrictions, few complaints... C++ maintains the original spirit of C, that the programmer not the language is in charge. — Herbert Schildt

I am not a churchgoing man. Strangled in the vines of form and choked with ritual Christians, Sunday service held no appeal for me as a child. When my parents released me from compulsory attendance, I would never return. In my view, religion is best practiced out of doors, in nature's cathedral of miracles where spirits and the arts of heaven mingle unencumbered. The spirits were present on the tiny unmarked parcel at Mount Vernon that early autumn afternoon.
Hazel and I stood for a long while in complete silence. Words would have marred, much as they misserve this inadequate telling of what we felt. We had been touched by wearied souls calling, in a language ethereal as morning mist, from the near realm that awaits us all.
These were 'our' ancestors and, alone behind an old wooden outbuilding, my wife and I had wordlessly worshiped with them on that clear crisp afternoon. — Randall Robinson

The Psalms show us what healthy spiritual life looks like. You name everything that's happening inside of you. You give it language and expression, You articulate exactly what the desolation feels like. If you don't drag it up and give it words, then it's buried down in your being somewhere. And it will come out in other ways. Unhealthy, destructive ways. You'll keep it bottled up. And you'll be miserable. — Rob Bell

With you, thought Rubashov and looked at the whitewashed wall behind which the other stood - in the meantime he had
probably lit a cigarette and was blowing the smoke against the wall - with you I have no accounts to settle. To you I owe
no fare. Between you and us there is no common currency and no common language. ... Well, what do you want now? — Arthur Koestler

I would love to do a period piece - in the 18th or 17th century. To me, it would be such an incredible challenge because of the way people carried themselves. There are so many incredible stories within those centuries - just the language and the way they carried themselves and what they were going through. — Amy Smart

I know that every interpretation of a myth impoverishes and suffocates it; with myths, it's better not to rush things, better to let them settle in memory, pausing to consider their details, to ponder them without moving beyond the language of their images. The lesson we can draw from a myth lies within the literality of its story, not in what we add to it from without. — Italo Calvino

I did want to become a novelist, but the program at Waseda was pretty intense in terms of language requirements - two hours of English and four hours of Chinese. I thought, what do I need this for? So I stopped going to class. — Hirokazu Koreeda

All through the Torah, God is pictured as having hands, a face. The rabbis say, Of course God doesn't really have hands, but the Torah uses the language of faces and hands and eyes so that we will have an easier time wrapping our minds around this infinite, handless God. That is what you say if you are a rabbi. But if you are a good novelist, you actually give Him hands and eyes by the end of the book, and that is what the Bible does. It says, in Deuteronomy, that God brought us out of Egypt with a mighty hand and an outstretched arm; and then it gives Him an arm in the Gospel of Matthew. — Lauren F. Winner

What then is the conclusion, brothers? Whenever you come together, each one has a psalm, a teaching, a revelation, another language, or an interpretation. All things must be done for edification. 27 If any person speaks in another language, there should be only two, or at the most three, each in turn, and someone must interpret. 28 But if there is no interpreter, that person should keep silent in the church and speak to himself and to God. 29 — Anonymous

In America, even your menus have the gift of language ... The Chef's own Vienna Roast. A hearty, rich meat loaf, gently seasoned to perfection and served in a creamy nest of mashed farm potatoes and strictly fresh garden vegetables. Of course, what you get is cole slaw and a slab of meat, but that doesn't matter because the menu has already started your juices going. Oh, those menus. In America, they are poetry. — Laurie Lee

It is best one should quote what one doesn't understand at all in the language one knows the least — Voltaire

Unlike television or the computer, language appears to be not an extension of our powers but simply a natural expression of who and what we are. This is the great secret of language: Because it comes from inside us, we believe it to be a direct, unedited, unbiased, apolitical expression of how the world really is. A machine, on the other hand, is outside of us, clearly created by us, modifiable by us, even discardable by us; it is easier to see how a machine re-creates the world in its own image. But in many respects, a sentence functions very much like a machine, and this is nowhere more obvious than in the sentences we call questions. — Neil Postman

What conversations! What vulgarity and what dirt! And you have to associate with them, in the office, in the university, in the operating-theatre ... , in the world.
Ask them if they wouldn't mind stopping, and they laugh at you. Look annoyed, and they get worse. Leave them, and they continue.
This is the solution: first pray for them, and offer up some sacrifice; then face them like a man and make use of the 'strong language apostolate'. - The next time we meet I'll tell you - in a whisper - a few useful words. — Josemaria Escriva

The problem with the word "vagina" is that vaginas seem to be just straight-out bad luck. Only a masochist would want one, because only awful things happen to them. Vaginas get torn. Vaginas get "examined.".. No. Let's clear this up right now - I don't actually have a vagina. I never have. I, personally, have a cunt. Cunt is a proper, old, historic, strong word, and it doubles up as the most potent swear word in the English language. Yeah. That's how powerful it is, guys. If I tell you what I've got down there, old ladies and clerics might faint. I like how shocked people are when you say "cunt." Compared to this, the most powerful swear word men have got out of their privates is "dick," which is frankly vanilla. In a culture where nearly everything female is still seen as squeam-inducing and/or weak - menstruation, menopause, just the sheer, simple act of calling someone "a girl" - I love that "cunt" stands on its own, as the supreme, unvanquishable word. — Caitlin Moran

I don't want to be human. I want to see gamma rays, I want to hear X-rays, and I want to smell dark matter. Do you see the absurdity of what I am? I can't even express these things properly, because I have to - I have to conceptualize complex ideas in this stupid, limiting spoken language, but I know I want to reach out with something other than these prehensile paws, and feel the solar wind of a supernova flowing over me. I'm a machine, and I can know much more.
- John Cavil, Cylon Model Number One, No Exit — Patrick Di Justo

What drove me? I think most creative people want to express appreciation for being able to take advantage of the work that's been done by others before us. I didn't invent the language or mathematics I use. I make little of my own food, none of my own clothes. Everything I do depends on other members of our species and the shoulders that we stand on. And a lot of us want to contribute something back to our species and to add something to the flow. It's about trying to express something in the only way that most of us know how-because we can't write Bob Dylan songs or Tom Stoppard plays. We try to use the talents we do have to express our deep feelings, to show our appreciation of all the contributions that came before us, and to add something to that flow. That's what has driven me. — Walter Isaacson

Insanity is the inability to communicate your ideas. It's as if you were in a foreign country, able to see and understand everything that's going on around you but incapable of explaining what you need to know or of being helped, because you don't understand the language they speak there. We've all felt that. And all of us, one way or another, are insane. — Paulo Coelho

The allowance vanished absolutely; and in its place there came into being an arrangement. By this, his lordship was to have whatever money he wished, but he must ask for it, and state why it was needed. If the request were reasonable, the cash would be forthcoming; if preposterous, it would not. The flaw in the scheme, from his lordship's point of view, was the difference of opinion that can exist in the minds of two men as to what the words reasonable and preposterous may be taken to mean. Twenty pounds, for instance, would, in the lexicon of Sir Thomas Blunt, be perfectly reasonable for the current expenses of a man engaged to Molly McEachern, but preposterous for one to whom she had declined to remain engaged. It is these subtle shades of meaning that make the English language so full of pitfalls for the foreigner. — P.G. Wodehouse

What does a word mean? And a life? In the end, it seems to me, the same thing. Just as a word can have many dimensions, many nuances, great complexity, so, too, can a person, a life. Language is the mirror, the principal metaphor. Because ultimately the meaning of a word, like that of a person, is boundless, ineffable. — Jhumpa Lahiri

For Lao-tzu's Taoism is the philosophical equivalent of jujitsu, or judo, which means the way of gentleness. Its basis is the principle of Tao, which may be translated the Way of Nature. But in the Chinese language the word which we render as "nature" has a special meaning not found in its English equivalent. Translated literally, it means "self-so." For to the Chinese, nature is what works and moves by itself without having to be shoved about, wound up, or controlled by conscious effort. Your heart beats "self-so," and, if you would give it half a chance, your mind can function "self-so" - though most of us are much too afraid of ourselves to try the experiment. — Alan W. Watts

We must point out that in what concerns its material the event is not a miracle. What I mean is that what composes an event is always extracted from a situation, always related back to a singular multiplicity, to its state, to the language that is connected to it, etc. In fact, so as not to succumb to an obscurantist theory of creation ex nihilo, we must accept that an event is nothing but a part of a given situation, nothing but a fragment of being. — Alain Badiou

The concept of country, homeland, dwelling place becomes simplified as "the environment"
that is, what surrounds us, we have already made a profound division between it an ourselves. We have given up the understanding
dropped it out of our language and so out of our thought
that we and our country create one another, depend on one another, are literally part of one another; that our land passes in and out of our bodies just as our bodies pass in and out of our land; that as we and our land are part of one another, so all who are living as neighbors here, human and plant and animal, are part of one another, and so cannot possibly flourish alone; that, therefore, our culture must be our response to our place, our culture and our place are images of each other and inseparable from each other, and so neither can be better than they other. — Wendell Berry

But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself,into the pure present, making us sad or teaching us vicariously ... — Julio Cortazar

The core symbols we use for God represent what we take to be the highest good ... These symbols or images shape our worldview, our ethical system, and our social practice
how we relate to one another.
For instance, [Elizabeth A.] Johnson suggests that if a religion speaks about God as warrior, using militaristic language such as how "he crushes his enemies" and summoning people to become soldiers in God's army, then the people tend to become militaristic and aggressive.
Likewise, if the key symbol of God is that of a male king (without any balancing feminine imagery), we become a culture that values and enthrones men and masculinity. — Sue Monk Kidd

The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book. — Yann Martel

What makes it worth it though, is I love drawing. I LOVE IT. I love making comics. I love starting a new page and buying new paper, ink and brushes. I love telling stories! I love the people I work with, I love the people I meet. I love thinking about the syntax and language of comics. I love esoteric discussions about the comic book industry. I love the opportunities I've had in life because of comics. The second I stop loving it I will find something else to do.
Comics are hard work. Comics are relentless. Comics will break your heart. Comics are monetarily unsatisfying. Comics don't offer much in terms of fortune and glory, but comics will give you complete freedom to tell the stories you want to tell, in ways unlike any other medium. Comics will pick you up after it knocks you down. Comics will dust you off and tell you it loves you. And you will look into it's eyes and know it's true, that you love comics back. — Becky Cloonan

Because wanton or venal lips has murmured the same words to him, he only half believed in the sincerity of those he was hearing now; to a large extent they should be disregarded, he believed, because such exaggerated language must surely mask commonplace feelings: as if the soul in its fullness did not sometimes overflow into the most barren metaphors, since no one can ever tell the precise measures of his own needs, of his own ideas, of his own pain, and human language is like a cracked kettle on which we beat out tunes for bears to dance to, when what we long to do is make music that will move the stars to pity. — Gustave Flaubert

On various occasions, especially in trying to think of western American history in the context of the worldwide history of colonialism, it has struck me that much of the mental behavior that we sometimes denounce as ethnocentrism and cultural insensitivity actually derives less from our indifference or hostility than from our clumsiness and awkwardness when we leave the comfort of the English language behind ... [V]enturing outside the bounds of the English language exercises and stretches our minds in ways that are essential for getting as close as we can to the act of seeing the world from what would otherwise remain unfamiliar and alien perspectives. — Patricia Nelson Limerick

Wolf hated the female tailless. He'd hated her from the first moment he'd smelt her, as she pointed the long claw that flies at his pack brother. What a thing to do! As if Tall Tail-less was some kind of prey! ... Didn't she know that he was the lead wolf? She was so sharp and disrespectful when she yipped at him in tail-less talk. Why didn't Tall Tail-less just snarl and chase her away? — Michelle Paver

Why are people are so afraid of death? Why do they avoid talking about it? Maybe it's because there are no words. With my limited knowledge of the English language, there is not a word I have ever heard that accurately describes what "death" is. You can look it up in the dictionary for yourself. I don't believe what they say it is. How can you say death is death when it is not death at all, but life? — Kate McGahan

Cosmetic surgery is not "cosmetic," and human flesh is not "plastic." Even the names trivialize what it is. It's not like ironing wrinkles in fabric, or tuning up a car, or altering outmoded clothes, the current metaphors. Trivialization and infantilization pervade the surgeons' language when they speak to women: "a nip," a "tummy tuck." ... Surgery changes one forever, the mind as well as the body. If we don't start to speak of it as serious, the millennium of the man-made woman will be upon us, and we will have had no choice. — Naomi Wolf

What was the Sapiens' secret of success? How did we manage to settle so rapidly in so many distant and ecologically different habitats? How did we push all other human species into oblivion? Why couldn't even the strong, brainy, cold-proof Neanderthals survive our onslaught? The debate continues to rage. The most likely answer is the very thing that makes the debate possible: Homo sapiens conquered the world thanks above all to its unique language. — Yuval Noah Harari

Half of the time I don't know what they're talking about; their jokes seem to relate to a past that everyone but me has shared. I'm a foreigner in the world and I don't understand the language. — Jean Webster

What they say is, life goes on, and that is mostly true. The mail is delivered and the Christmas lights go up and the ladders get put away and you open yet another box of cereal. In time, the volume of my feelings would be turned down in gentle increments to a near quiet, and yet the record would still spin, always spin. There was a place for Rose so deeply within myself that it was another country, another world, with its own light and time and its own language. A lost world. Yet its foundations and edges were permanent-the ruins of Pompeii, the glorious remnants or the Forum. A world that endured, even as it retreated into the past. A world visited, imagined, ever waiting, yet asleep — Deb Caletti

You cannot explain, with the limitations of language and inexperience, why your body can cause such a sudden, fumbling response in someone else, nor can you put into exact words what you feel about your body, explain the thrum it feels in proximity to another warm-skinned form. What you feel is a tangle of contradictions: power, pleasure, fear, shame, exultation, some strange wish to make noise. You cannot say how those things knit themselves together somewhere in the lower abdomen and pulse. — Marya Hornbacher

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

A translation needs to read convincingly. There's no limit to what can go into it in terms of background research, feeling, or your own interests in form and history. But what should come out is something that reads as convincing English-language text. — Jonathan Galassi

Those in whom the faculty of reason is predominant, and who most skillfully dispose their thoughts with a view to render them clear and intelligible, are always the best able to persuade others of the truth of what they lay down, though they should speak only in the language of Lower Brittany, and be wholly ignorant of the rules of rhetoric; and those whose minds are stored with the most agreeable fancies, and who can give expression to them with the greatest embellishment and harmony, are still the best poets, though unacquainted with the art of poetry. — Rene Descartes

One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain. — Sam Hamill

The good writer, the great writer, has what I have called the three S's: the power to see, to sense, and to say. That is, he is perceptive, he is feeling, and he has the power to express in language what he observes and reacts to. — Lawrence Clark Powell

When the twins asked what cuff-links were for - "To link cuffs together," Ammu told them - they were thrilled by this morsel of logic in what had so far seemed an illogical language. Cuff+link = cuff-link. This, to them, rivaled the precision of logic and mathematics. Cuff-links gave them an inordinate (if exaggerated) satisfaction, and a real affection for the English language. — Arundhati Roy

So he could not be hasty or impatient. If he pushed forward impulsively, he would fail to see the signs and omens left by God along his path.
God placed them along my path. He had surprised himself with the thought. Until then, he had considered the omens to be things of this world, Like eating or sleeping, or like seeking love or finding a job. he had never thought of them in terms of a language used by God to indicate what he should do. — Paulo Coelho

Perhaps, as we say in America, I wanted to find myself. This is an interesting phrase, not current as far as I know in the language of any other people, which certainly does not mean what it says but betrays a nagging suspicion that something has been misplaced. I think now that if I had any intimation that the self I was going to find would turn out to be only the same self from which I had spent so much time in flight, I would have stayed at home. — James Baldwin

The point here is what makes human beings different from other creatures is our ability to use language. We can use words to express ourselves in very eloquent and complex ways. We grow up telling and listening to stories. That's what turns us into the people we are. — Flemming Rose

I love bookshelves, and stacks of books, spines, typography, and the feel of pages between my fingertips. I love bookmarks, and old bindings, and stars in margins next to beautiful passages. I love exuberant underlinings that recall to me a swoon of language-love from a long-ago reading, something I hoped to remember. I love book plates, and inscriptions in gifts from loved ones, I love author signatures, and I love books sitting around reminding me of them, being present in my life, being. I love books. Not just for what they contain. I love them as objects too, as ever-present reminders of what they contain, and because they are beautiful. They are one of my favorite things in life, really at the tiptop of the list, easily my favorite inanimate things in existence, and ... I am just not cottoning on to this idea of making them ... not exist anymore. Making them cease to take up space in the world, in my life? No, please do not take away the physical reality of my books. — Laini Taylor

Pride, ill nature, and want of sense are the three great sources of ill manners; without some one of these defects, no man will behave himself ill for want of experience, or what, in the language of fools, is called knowing the world. — Jonathan Swift

How has it happened that we've lost sight of this ancient woman shaman and what she represents? For despite the proof of language and artifacts, despite pictorial representations, ethnographic narratives, and eyewitness accounts, the importance - no, the primacy - of women in shamanic traditions has been obscured and denied. — Barbara Tedlock

The way in which a faith community shapes language about God implicity represents what it takes to be the highest good, the profoundest truth, the most appealing beauty ... While officially it is rightly and consistently said that God is spirit and so beyond identification with either male or female sex, yet the daily language of preaching, worship, catechesis, and instruction conveys a different message: God is male, or at least more like a man than a woman, or at least more fittingly addressed as male than as female. — Elizabeth A. Johnson

I think it's only in a crisis that Americans see other people. It has to be an American crisis, of course. If two countries fight that do not supply the Americans with some precious commodity, then the education of the public does not take place. But when the dictator falls, when the oil is threatened, then you turn on the television and they tell you where the country is, what the language is, how to pronounce the names of the leaders, what the religion is all about, and maybe you can cut out recipes in the newspaper of Persian dishes. — Don DeLillo

I had to settle for two of the most inadequate words in the English language, words to pale to express what I needed to say. Thank you. — Lilith Saintcrow

What's the trick to remembering that a sandwich is masculine? What qualities does it share with anyone in possession of a penis? I'll tell myself that a sandwich is masculine because if left alone for a week or two, it will eventually grow a beard. — David Sedaris

Twilight,' he said to Yan Tovis, 'that's a Letherii word you use. Would you be surprised if I told you the word for "twilight", in your original language, was "yenander"? And that "antovis" meant "night" or even "dark"? Your own name is your title, and I can see by your expression that you didn't even know it. Yedan Derryg? Not sure what "derryg" is -- we'll need to ask Sandalath -- but "yedanas" is "watch", both act and title. — Steven Erikson

All the time when I speak to you, even now, I'm saying not precisely what I think, but what will impress you and make you respond. That's so even between us - and how much more it's so where there are stronger motives for deception. In fact, one's so used to this one hardly sees it. The whole language is a machine for making falsehoods. — Iris Murdoch

But we shouldn't be concerned about trees purely for material reasons, we should also care about them because of the little puzzles and wonders they present us with. Under the canopy of the trees, daily dramas and moving love stories are played out. Here is the last remaining piece of Nature, right on our doorstep, where adventures are to be experienced and secrets discovered. And who knows, perhaps one day the language of trees will eventually be deciphered, giving us the raw material for further amazing stories. Until then, when you take your next walk in the forest, give free rein to your imagination-in many cases, what you imagine is not so far removed from reality, after all! — Peter Wohlleben

What is that we human beings ultimately depend on? We depend on our words. We are suspended in language. Our task is to communicate experience and ideas to others. — Niels Bohr

If two thousand five hundred languages are to be lost in the course of the twenty-first century, don't be in any doubt about what that means for us: in each of those two thousand five hundreds cases a culture will be lost. — Andrew Dalby

Susan Griffin describes it as a time when "there is no intrinsic authority to my words." "I ... clean off my desk. I make telephone calls. I know I am avoiding the typewriter. I know that in my mind, where there might be words, there is simply a blankness. I may try to write and then my words bore me." But when the time is right, the waiting will have been worth it. "Because each time I write, each time the authentic words break through, I am changed. The older order that I was collapses and dies. I lose control. I do not know exactly what words will appear on the page. I follow language. I follow the sound of the words, and I am surprised and transformed by what I record." Excerpt from "Thoughts on Writing: A Diary," in The Writer on her Work. — Judith Barrington

In the midst of the ubiquitous dealings with prostituted signs, the thing-poem was capable of opening up the prospect of returning to credible experiences of meaning. It did this by tying language to the gold standard of what things themselves communicate. Where randomness is disabled, authority should shine forth. — Peter Sloterdijk

URSKADAMUS TINE SMYORFIN MASACH!" Edme wasn't sure what to believe now - her ears or her eye? There was only one wolf who swore in both the language of bears and that of Old Wolf. "Faolan?" "Who else, for the love of Lupus? One would think you saw a ghost." "But with all that frost - you look like a lochin." Faolan gave a dismissive bark. "You should see yourself," Edme persisted. "You've got icicles hanging from your chin fur. Your belly fur looks as if it's ... " "I know! I know! I can feel it!" he replied crankily. "You look absolutely ancient. I mean older than the Sark." "Thanks a lot," Faolan huffed. "Well, what did you find?" "No meat." His voice dwindled. — Kathryn Lasky

When I was a child, my behavior was far from being what most people would label 'intelligent.' It was often limited, repetitive and anti-social. I could not do many of the things that most people take for granted, such as looking someone in the eye or deciphering a person's body language, and only acquired these skills with much effort over time. — Daniel Tammet

in describing the various writers of his idolatry he more than once lets fall a phrase that could equally apply to himself. 'To read Spenser,' he says, 'is to grow in mental health.' What he values in Addison is his 'open-mindedness.' The moments of despair chronicled in Scott's diary cannot, he claims, counterpoise 'that ease and good temper, that fine masculine cheerfulness' suffused through the best of the Waverly novels. Most of all it was the chiaroscuro of what Chaucer called 'earnest' and 'game' that attracted him. He found it eminently in the poetry of Dunbar, that late-medieval Scottish maker who wrote the greatest religious poetry and the earthiest satire in the language — Jocelyn Gibb