In Too Deep Film Quotes & Sayings

In her eyes was the reflection of everything that mattered: old diners with neon signs, vinyl records, celluloid film, drive-in movies, Pears soap, department stores, her brother's old blue Camaro car and the smell of coal dust in the rainy sky of a summer lightning storm.
... And all the nice bright colors of the past that she thought were gone for good came flowing back into her life like a wave of nostalgia flooding over her, reds, yellows, blues and greens drenching her gray memories in psychedelic ribbons and glittering fireworks.
... She hoped that the world would always hold those miniscule yet beautiful, deep and mysterious traces of memory. — Rebecca McNutt

Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls. — Ingmar Bergman

And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening." — Pierce Brosnan

And, for any performer, to be able to go deep into character is fantastic. In film you only get to do that if you're the leading character. But in television you get 18 hours to really test the audience and take them to the edge of how far they will go with this character. I can step over this line and I love that. — Cillian Murphy

I admire nudity and I like sex, and so did a lot of people in the Thirties. But, to me, overexposure blunts the fun ... Sex as something beautiful may soon disappear. Once it was a knife so finely honed the edge was invisible until it was touched and then it cut deep. Now it is so blunt that it merely bruises and leaves ugly marks. Nudity is fine in the privacy of my own bedroom with the appropriate partner. Or for a model in life class at art school. Or as portrayed in stone and paint. But I don't like it used as a joke or to titillate. Or be so bloody frank about. — Mary Astor

In the case of 'The Deep,' because of the people involved, the talent and the real lives of people who died, I wanted to make the most honest film I could. And sometimes that's the best way to go: Just make the best version of the film you can. — Baltasar Kormakur

You're free to speculate as you wish about the philosophical and allegorical meaning of the film - and such speculation is one indication that it has succeeded in gripping the audience at a deep level - but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point. — Stanley Kubrick

No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. — Ingmar Bergman

The happiness of man is: I will. The happiness of woman is: he wills. 'Behold, just now the world became perfect!' - thus thinks every woman when she obeys out of entire love. And women must obey and find a depth for her surface. Surface is the disposition of woman: a mobile, stormy film over shallow water. Man's disposition, however, is deep; his river roars in subterranean caves: woman feels his strength but does not comprehend it. — Friedrich Nietzsche

I try to dig deep into the well of my subconscious. At a certain moment in that process, the lid is opened and very different ideas and visions are liberated. With those I can start making a film. But maybe it's better that you don't open that lid completely, because if you release your subconscious it becomes really hard to live a social or family life. — Hayao Miyazaki

Um, yeah, it's one of the things that you kind of have to accept at the very beginning, like I'm not going to try and be super [deep?] factor and no, I can only do it this way, because that's just not how this film's going to work. Like it's got to be sort of a mesh of reality and complete unreality and you kind of have to accept that and go with it. — Mary Elizabeth Winstead

I don't think there's much point in putting me a deep, dark, heavy, emotional film because there are people who do it so much better than I do. — Hugh Grant

Years ago I was going to play Chet Baker in another movie and I really felt drawn to that character and the script is good and I met with Robert and we seemed simpatico and we developed. But I had a real passion for that role and that brought me deep into that film 'cause I got the sense that Robert [Budreau] was going to really let me be creative inside this part. — Ethan Hawke

Some Indigenous Elders add lotus seed cakes to their diet in their final years, meditating on a branch continually blossoming, so that in their next reincarnation they'll have to deal with less opaque karmic mud. Thus we hope to gain a longer measure of time to bring our share of Heaven to bear on Earth. — Mary Trainor-Brigham

'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries. — Dario Argento

My family didn't film anything. But then you look deeper and realize, maybe there are photographs, there are things. It's also context: You give something a context, and suddenly it becomes really deep or meaningful footage. — Asif Kapadia

You stand there, braced. Cloud shadows race over the buff rock stacks as a projected film, casting a queasy, mottled ground rash. The air hisses and it is no local breeze but the great harsh sweep of wind from the turning of the earth. The wild country
indigo jags of mountain, grassy plain everlasting, tumbled stones like fallen cities, the flaring roll of sky
provokes a spiritual shudder. It is like a deep note that cannot be heard but is felt, it is like a claw in the gut ...
... Other cultures have camped here a while and disappeared. Only earth and sky matter. Only the endlessly repeated flood of morning light. You begin to see that God does not owe us much beyond that. — Annie Proulx

I don't believe that people are robots. I think you should try to get personal, try to put yourself in the film in a deep way, and try to give that to the viewer, even if some of them will not connect with that kind of universe and surreality. — Miguel Gomes

The key difference between a geek and a critic is that a
critic digs deep and tries to get behind the surface of things,
for better or worse, while a geek is interested in his own hedonism,
the thrill of discovery.A geek is expansive and associative
and doesn't necessarily care what a film or a scene 'means'. It's
the difference between the encyclopaedia and the scholar. A
critic likes an interesting association, a nice phrase; the geek
admires the beau geste, a pulpy story and its codes of honour
taken seriously.
Tarantino rather combines those two roles. He is encyclopaedic
but also interpretive. He is a human Rolodex of
credits. His films are like stuffed overnight bags breaking at the
seams. The Handel of filmmakers, he takes the whole of
cinema as his resource. But he also provides new meanings,
new interpretations of old moments by the way he recontextualizes
them. — D.K. Holm

You love because you want to need someone the way you did when you were a child, and have them need you too. You eat well because the intensity of taste reminds you of a need satisfied, a pain relieved. The finest paintings are nothing more than the red head of a flower, nodding in the breeze, when you were two years old; the most exciting film is just the way everything was, back in the days when you stared goggle-eyed at the whirling chaos all around you. All these things do is get the adult to shut up for a while, to open for just a moment a tiny sliding window in the cell deep inside, letting the pallid child peep hungrily out and drink the world in before darkness falls again. — Michael Marshall Smith

Making a film is a beautiful mystery. You go deep into the wood, and you don't want to come out of that wood. — David Lynch

I'm not saying anything that's unknown, but movies are always cut down and there's a lot of complexity within the film that is not always widely accepted by the general audience, which is just a reality; a movie of a certain size, they don't want people to be too - it's a balance of how deep to keep going with these ideas. — Len Wiseman

Actors are the flowers of the film, of the set, and of the director. The term 'Flowers of the Screen' holds a deep meaning. — Kim Jee-woon

For me, something dangerous would be playing thebabe in a huge studio film. That would be terrifying because I'dstink ... I want to explore human beings on as deep a level as I can. — Jennifer Jason Leigh

One time Allie and I skipped school and went to see this foreign film called Los Diablos, where these villagers found a glowing blue ball and peeled pieces off of it to see what was inside. Only the ball was really radioactive, and they all died from the poison. I think that's what happens when you look too deep inside for the truth. The poison comes out, and you die, even though you have beautiful glowing pieces of blue truth in your fingers. — Michael Thomas Ford

I use my film-making to work through my deep questions and my deep problems. I think I could watch each film and tell you exactly which part of my psyche I'm trying to work out. — George Clooney

'Battle For The Planet Of The Apes', was just a film for kids and didn't have any deep meaning. — J. Lee Thompson

I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses. — David Cronenberg

The film festival measured a mile in length, from the Martinez to the Vieux Port, where sales executives tucked into their platters of fruits de mer, but was only fifty yards deep. For a fortnight the Croisette and its grand hotels willingly became a facade, the largest stage set in the world. Without realizing it, the crowds under the palm trees were extras recruited to play their traditional roles. As they cheered and hooted, they were far more confident than the film actors on display, who seemed ill at ease when they stepped from their limos, like celebrity criminals ferried to a mass trial by jury at the Palais, a full-scale cultural Nuremberg furnished with film clips of the atrocities they had helped to commit. — J.G. Ballard

He was taking Kevin's cherry! The words made him harder and made him feel privileged, masterful, married. He thought how many men would pay unlimited amounts to have this inaugurating experience with this boy. He didn't want to feel like a middle-aged paedophile, he didn't even want to think all this would make a good porn film. He wanted every thrust, every second, to be laden with tenderness, a salute from him to Kevin, a deep recognition. He wanted Kevin to like what was being done to him, to push back for another joyous millimetre of penetration. He didn't want him to label it Guy's First Fuck or Kevin's First Time. He didn't want the idea and the label to crowd out the sensation or to sharpen it; he wanted it to be pure sex, undramatised. — Edmund White

I think that the film Clueless was very deep. I think it was deep in the way that it was very light. I think lightness has to come from a very deep place if it's true lightness. — Alicia Silverstone

Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames a second, darkness in between, the optic nerve incapable of registering darkness. — Ingmar Bergman

If there isn't a deep core reason for a film existing, what is the point? For me to be known as a filmmaker that makes films that have a point, I'm stoked. — Neill Blomkamp

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen. — Marisha Pessl