In Order Of Disappearance Quotes & Sayings

Every so often a disappearance is in order. A vanishing. A checking out. An indeterminate period of unavailability. Each person, each sane person, maintains a refuge, or series of refuges, for this purpose. A place, or places, where they can, figuratively if not literally, suspend their membership in the human race. — John Murray

Colonized painting, for instance, is balanced between poles. From excessive submission to Europe resulting in depersonalization, it passes to such a violent return to self that it is obnoxious and esthetically illusory. The right balance not being found, the self-accusation continues. Before and during the revolt, the colonized always considers the colonizer as a model or as an antithesis. He continues to struggle against him. He was torn between what he was and what he wanted to be, and now he is making of himself. Nonetheless, the painful discord with himself continues.
In order to witness the colonized's complete cure, his alienation must completely cease. We must await the complete disappearance of colonization
including the period of revolt. — Albert Memmi

I see, therefore, the rentier aspect of capitalism as a transitional phase which will disappear when it has done its work. And with the disappearance of its rentier aspect much else in it besides will suffer a sea-change. It will be, moreover, a great advantage of the order of events which I am advocating, that the euthanasia of the rentier, of the functionless investor, will be nothing sudden, merely a gradual but prolonged continuance of what we have seen recently in Great Britain, and will need no revolution. — John Maynard Keynes

By sanctifying History in order to discredit God, Marxism has merely rendered Him more peculiar and more haunting. You can stifle every impulse in humanity except the need for an Absolute, which will survive the destruction of temples and even the disappearance of religion on earth. The core of the Russian people being religious, they will inevitably gain the upper hand ... — Emil Cioran

During the fifteen or twenty years in which I tried - it was not always easy with publishers, newspapers, etc. - to forbid photographs, it was not at all in order to mark a sort of blank, absence, or disappearance of the image; it was because the code that dominates at once the production of these images, the framing they are made to undergo, the social implications (showing the writer's head framed in front his bookshelves, the whole scenario) seemed to me to be, first of all, terribly boring, but also contrary to what I am trying to write and to work on. — Jacques Derrida