Impression Art Quotes & Sayings
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Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them - the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute. — Rafael Sabatini

Beauty in art is truth bathed in an impression received from nature. I am struck upon seeing a certain place. While I strive for conscientious imitation, I yet never for an instant lose the emotion that has taken hold of me. — Jean-Baptiste-Camille Corot

Observermanship is the art of giving the impression that you are with it even though you don't know Latin very well. — Robert McAfee Brown

To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest, as the lowest, form of criticism is a mode of autobiography. — Oscar Wilde

Anyone who has had actual contact with the making of the inventions that built the radio art knows that these inventions have been the product of experiment and work based on physical reasoning, rather than on the mathematicians' calculations and formulae. Precisely the opposite impression is obtained from many of our present day text books and publications. — Edwin Howard Armstrong

Only the painter who knows his business can create the impression that a picture was done in one stroke. — Auguste Renoir

Here, I could see, was choice matter on which the expert and art critic could exercise their knowledge and judgment. As I had neither, I made an experiment or two, and was able to inform the readers of the paper that if you walked briskly past the picture, winking both eyes as fast as possible, you really got a sort of impression of movement and activity, of ships and boats coming into the harbour and sailing out of it, of sails lowered and hoisted, of an uncertain background, now obscured, now left visible as a ship in full sail passed before it. It struck me that, in my hands, art criticism was in a fair way to become a popular sport. — Arthur Machen

Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression. Art is a human activity- that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are touched by these feelings and also experience them. — Leo Tolstoy

We are sorry about the way things turned out. We gave, in the phrasing of our words if not literally in the words themselves, the false impression that these pages might hold some small fragment, some slight fragrance of a greater truth. That there might be something here to be learned. Before we go any further the author of this cartoon wishes to make an apology. Such an impression was deliberately cultivated. It is a ruse. It is a lie. We are every bit as lost and afraid as children abandoned in a wood: every bit as lost as you. — Anders Nilsen

(Jean) Fautrier's exhibition (in Paris 1945,fh) made an extremely strong impression on me. Art had never before appeared so fully realised in its pure state. The word 'art' had never before been so loaded with meaning for me. — Jean Dubuffet

Art, to me, is the interpretation of the impression which nature makes upon the eye and brain. — Childe Hassam

Employ in everything a certain casualness which conceals art and creates the impression that what is done and said is accomplished without effort and without its being thought about. It is from this, in my opinion, that grace largely derives. — Baldassare Castiglione

Impression - I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it ... and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape. — Claude Monet

Richard occasionally spoke wistfully about the works of art he'd seen at the People's Palace, in D'Hara, where he had been held captive. Growing up in Hartland, he had never before seen statues carved in marble, and certainly none carved on such a grand scale, or by such talented hands. Those works had in some ways opened his eyes to the greater world around him and had made a lasting impression on him. Who else but Richard would remember fondly the beauty he saw while held captive and being tortured? — Terry Goodkind

I may not, perhaps, be forgiven for introducing sober matters with a frivolous notion, but the problem of making sense out of the seeming chaos of experience reminds me of my childish desire to send someone a parcel of water in the mail. The recipient unties the string, releasing the deluge in his lap. But the game would never work, since it is irritatingly impossible to wrap and tie a pound of water in a paper package. There are kinds of paper which won't disintegrate when wet, but the trouble is to get the water itself into any manageable shape, and to tie the string without bursting the bundle.
The more one studies attempted solutions to problems in politics and economics, in art, philosophy, and religion, the more one has the impression of extremely gifted people wearing out their ingenuity at the impossible and futile task of trying to get the water of life into neat and permanent packages. — Alan W. Watts

A city's art must give the impression that art is as indispensable a thing as water, or food. — Pier Giorgio Di Cicco

What else can you tell me?" Dad stares at me. "What have you learned while you were awake?"
I learned that life is so, so fragile. I learned that you can know someone for just days and never forget the impression he left on you. I learned that art can be beautiful and sad at the same time. I learned that if someone loves you, he'll wait for you to love him back. I learned that how much you want something doesn't determine whether you get it or not, that "no" might not be enough, that life isn't fair, that my parents can't save me, that maybe no one can. "Nothing much," I mutter. — Beth Revis

Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation ofthe necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art. — Karl Wilhelm Friedrich Schlegel

The first impression of a work of art is its otherness from reality. — Susanne Katherina Langer

I had no idea what art was. There was one art class in high school, but it didn't make a big impression on me. Then I went to college and thought I'd become a writer. — Claes Oldenburg

I couldn't portray a women in all her natural loveliness.. I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman. — Georges Braque

It is the right of art to consider an impression valid simply as an impression and to accept it as something entire and complete without critical scrutiny. Art is, as Schopenhauer puts it, "everywhere at its goal." But for life, and hence surely also for religion, there is a danger, the romantic danger, in making the impression of an experience all-important. For then the sense for the content and commandment of life must all too soon evaporate together with any sense for reality with its definite tasks; and the place of all aspiration and expectation will be taken over by the sole dominion of the mood of faith which simply feels itself, and then finds it easy to deem itself, complete. This is faith for faith's sake. — Leo Baeck

Impression is not enough. Design, style, technique - these, too, are not enough. Art must reach further than impression or self-revelation . — Ansel Adams

Art is something given, not reproduced ... the painter paints what he sees with his innermost senses, the expression of his being ... for him every other impression becomes an inner expression. — Herwarth Walden

When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting. — Camilla Belle

An impression is for the writer what an experiment is for the scientist, except that for the scientist the work of the intelligence precedes it, and for the writer it comes afterwards. — Marcel Proust

I believe that he knew more what he was doing. I might be absolutely wrong about this, but that was my impression. — Gerhard Richter

I learned that life is so, so fragile. I learned that you can know someone for just days and never forget the impression he left on you. I learned that art can be beautiful and sad at the same time. I learned that if someone loves you, he'll wait for you to love him back. I learned that how much you want something doesn't determine whether you get it or not, that "no" might not be enough, that life isn't fair, that my parents can't save me, that maybe no one can. — Beth Revis

man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the luster of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts: [152] they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when [153] the whole cry of voices is on the other side. Else, to-morrow a stranger will say with masterly good sense precisely what we have thought and felt all the time, and we shall be forced to take with shame our own opinion from another. There — Ralph Waldo Emerson

In those first hours after he drowned, when the catastrophe was still confined to Calabash beach, and to Jake, Joe and me, its speed was impossible to reconcile with its scale. Nothing so big could happen this fast; it defied the laws of physics, it could not be true. Death is too much for the mind to register in a matter of minutes; the incalculable magnitude can only be absorbed by increment, day by day. As each day allows a new glimpse of its immensity, and the aftershock extends beyond the beach to reach hundreds of people all over the world, my comprehension slowly expands until its dimensions resemble a more accurate impression of the truth. But the bigger his death grows, the more inconceivable it becomes. It feels like an ambitious piece of performance art; a work of fiction, not real life. How strange that the truth of my own situation should be so much clearer to everybody else. — Decca Aitkenhead

A novel is in its broadest definition a personal, a direct impression of life: that, to begin with, constitutes its value, which is greater or less according to the intensity of the impression" - from "The Art of Fiction — Henry James

In real life, however, you don't react to what someone did; you react only to what you think she did, and the gap between action and perception is bridged by the art of impression management. If life itself is but what you deem it, then why not focus your efforts on persuading others to believe that you are a virtuous and trustworthy cooperator? — Jonathan Haidt

Of course, it may be that the arts of writing and photography are antithetical. The hope and aim of a word-handler is that he maycommunicate a thought or an impression to his reader without the reader's realizing that he has been dragged through a series of hazardous or grotesque syntactical situations. In photography the goal seems to be to prove beyond a doubt that the cameraman, in his great moment of creation, was either hanging by his heels from the rafters or was wedged under the floor with his lens in a knothole. — E.B. White

We will simply say here that, as a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer art. Rubens so understood it, doubtless, when it pleased him to introduce the hideous features of a court dwarf amid his exhibitions of royal magnificence, coronations and splendid ceremonial.
The universal beauty which the ancients solemnly laid upon everything, is not without monotony; the same impression repeated again and again may prove fatiguing at last. Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful.
On the other hand, the grotesque seems to be a halting-place, a mean term, a starting-point whence one rises toward the beautiful with a fresher and keener perception. The salamander gives relief to the water-sprite; the gnome heightens the charm of the sylph. — Victor Hugo

When I arrived back at Intro to Basic Art again later that week, I thought for a moment we had a new student who didn't know about the assigned seats. Sitting at my table was a girl in a long flowered dress, very vintage-hippie. She actually was wearing real flowers in her hair, and hardly any make up. I sat down, ready to explain to this poor lost soul that the seat was already taken, when I looked again and realized it was the same girl. I ended up not saying anything at all; I couldn't think of anything that wouldn't be rude or just plain stupid. — J.M. Richards

In the end, therefore, money will be the one thing people will desire, which is moreover only representative, an abstraction. Nowadays a young man hardly envies anyone his gifts, his art, the love of a beautiful girl, or his fame; he only envies him his money. Give me money, he will say, and I am saved ... He would die with nothing to reproach himself with, and under the impression that if only he had had the money he might really have lived and might even have achieved something great. — Soren Kierkegaard

Art reaches its greatest peak when devoid of self-conciousness. Freedom discovers man the moment he loses concern over what impression he is making or about to make. — Bruce Lee

The very object of an art, the principle of its artifice, is precisely to impart the impression of an ideal state in which the man who reaches it will be capable of spontaneously producing, with no effort of hesitation, a magnificent and wonderfully ordered expression of his nature and our destinies. — Paul Valery

I think the effective use of quotation is an important point in the art of writing. Given sparingly, quotations serve admirably as a climax or as a corroboration, but when they are long and frequent, they seriously weaken the effect of a book. We lose sight of the writer - he scatters our sympathy among others than himself - and the ideas which he himself advances are not knit together with our impression of his personality. — George Eliot

An artistic impression is substantially the resultant of two components. One what the work of art gives the onlooker - the other, what he is capable of giving to the work of art. — Arnold Schoenberg

You will never make a good impression on other people until you stop thinking about what sort of impression you are making. Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it ... Give up yourself, and you will find your real self. — C.S. Lewis

Art deals with profound and simple moods ... Let us suppose that the artist - in this instance (the artist )Picabia - gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it ... he will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it. — Filippo Tommaso Marinetti

We were astonished by the beauty and refinement of the art displayed by the objects surpassing all we could have imagined - the impression was overwhelming. — Howard Carter

When you go out to paint, try to forget what objects you have before you - a tree, house, a field ... Merely think, here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives your own naive impression of the scene before you. — Claude Monet

We tend to mix genders when we arrange ourselves around a table for meetings. A sort of accommodation is made by the men for the women: they make space for us. they are ever-so-slightly polite, we are ever-so-slightly grateful. When we stand up at the end of a meeting, we all give ourselves a metaphorical shake that is only partly the relief of having concluded our business: we are all released from the effort of fitting ourselves together.
When men speak in these meetings, women relax; when women speak, men grow tense. I have the impression that they never know what a woman is going to say, whereas they are reasonably sure what a man will address himself to and how he will do it. So are the women; for them, too, men tend to be predictable. Women listen to women with a different kind of attention, and part of it may be loyalty to our gender; we want all of us to do well, as if we have the esprit de corps of subalterns among generals. — Anne Truitt

But it is not time constraints alone that produce such fragmented and discontinuous language. When a television show is in process, it is very nearly impermissible to say, "Let me think about that" or "I don't know" or "What do you mean when you say ... ?" or "From what sources does your information come?" This type of discourse not only slows down the tempo of the show but creates the impression of uncertainty or lack of finish. It tends to reveal people in the act of thinking, which is as disconcerting and boring on television as it is on a Las Vegas stage. Thinking does not play well on television, a fact that television directors discovered long ago. There is not much to see in it. It is, in a phrase, not a performing art. But television demands a performing art. — Neil Postman

This new art made a deep impression on me, and I began to study it ardently. — Ruggero Leoncavallo

Only imagination and belief can differentiate from the rest certain objects, certain people, and can create an atmosphere. — Marcel Proust

To me, the lasting impression of any good wine is the thought of its maker. Those whose efforts transformed the fruits of the soil into a finished work of art. Those who pulled from the hectic passage of time an ordered memory. They are immortalized by their wine in my glass. — Dave Chambers

It's exemplification of our moment in American culture and American cultural journalism. It is an accurate document of the discourse of "takes." This movie, that book, this poem, that painting, this record, that show: Make a smart remark and move on. A take is an opinion that has no aspiration to a belief, an impression taht never hardens into a position. Its lightness is its appeal. It is provisional, evanescent, a move in a game, an accredited shallowness, a bulwark against a pause in the conversation. A take is expected not to be true but to be interesting, and even when it is interesting it makes no troublesome claim upon anybody's attention. Another take will quickly follow, and the silence that is a mark of perplexity, of research and reflection, will be mercifully kept at bay. A take asks for no affiliation. It requires no commitment. — Leon Wieseltier

Unlike fashion, art isn't applied. It doesn't have to serve anybody. It doesn't have to be there for any other reason than to give an impression of what the world is about. — Raf Simons

The contradictory experiments of chemists leave us at liberty to conclude what we please. My conclusion is, that art has not yet invented sufficient aids to enable such subtle bodies [air, light, &c.] to make a well-defined impression on organs as blunt as ours; that it is laudable to encourage investigation but to hold back conclusion. — Thomas Jefferson

I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image. — Roz Chast

In a sense, every tool is a machine
the hammer, the ax, and the chisel. And every machine is a tool. The real distinction is between one man using a tool with his hands and producing an object that shows at every stage the direction of his will and the impression of his personality; and a machine which is producing, without the intervention of a particular man, objects of a uniformity and precision that show no individual variation and have no personal charm. The problem is to decide whether the objects of machine production can possess the essential qualities of art. — Herbert Read

The first impression and a natural one is, that the fine arts have risen or declined in proportion as patronage has been given to them or withdrawn, but it will be found that there has often been more money lavished on them in their worst periods than in their best, and that the highest honours have frequently been bestowed on artists whose names are scarcely now known. — John Constable

Surreal fiction is a sophisticated art form. Events happen divorced from conventional logic, as events in a dream may happen. But unlike dreams, everything in the story contributes to an overall coherent point, impression or emotion. — Nancy Kress

Mary thought that the art of love might just be blindness: the willingness not to see the truth of anything, to blur life's sharp edges and drift on an impression of one's own making, to act as if the life you lived was the life you wanted. — Robin Oliveira

The purpose of the painter is simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It does not appeal to the moral sense. Its aim is to instruct, not to edify, but to awaken an emotion. — George Inness

Helen's era was quite different from what most people think of when they hear the words ancient Greece. The Parthenon, the graceful statues, the works of Sophocles, Euripides, Socrates, Aristotle, and Plato, all came nearly a thousand years after Helen's time, during the classical era. In the Bronze Age, no one yet knew how to make brittle iron flexible enough to use for tools and weapons. Art, especially sculpture of the human form, was stiffer and more stylized. Few people could read or write. Instead of signing important papers, you would use a stone seal to leave an impression on clay tablets. The design on the seal would be as unique as a signature. There was a kind of writing in Bronze Age Greece, but it was mostly used to keep track of financial matters, such as royal tax records. Messages, poems, songs, and stories were not written down but were memorized and passed along by word of mouth. — Esther M. Friesner

Light literature, along with light cinema and light art, give the reader and the viewer the comfortable impression that they are cultured, revolutionary, modern and in the vanguard without having to make the slightest intellectual effort. Culture that purports to be avant-garde and iconoclastic instead offers conformity in its worst forms: smugness and self-satisfaction. — Mario Vargas-Llosa

When I got to the hospice I was under the impression it would be a two- or three-week stay. But here I still am, six weeks later, and I've gotten so well Medicare won't pay for me anymore. — Art Buchwald

Art' is the same word as 'artifice,' that is to say, something deceitful. It must succeed in giving the impression of nature by false means. — Edgar Degas

The Picture of Dorian Gray by Oscar Wilde THE PREFACE The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things — Oscar Wilde

The great end of all arts is to make an impression on the imagination and the feeling. The imitation of nature frequently does this. Sometimes it fails and something else succeeds. — Joshua Reynolds