Important Themes Quotes & Sayings

The best way to impress a woman is to be the most honest you can. — Jean Reno

Both sex and death are eternal themes. You could make thousands of movies on this theme, and whether you have a human being who is painting, singing, making a film, writing, these are the themes that you will come back to and return to. If you don't have any of these artistic expressions, sex is one of the only gifts that nature gave you for free, so it is very important to celebrate it. And then, with death, we are condemned to that. This is absolutely present in our lives. — Pedro Almodovar

Southern writing is regional: it includes dialect, settings, and cultural traditions from that region. However the themes and story conflicts are universal. My challenge is to write regional fiction without falling into the trap of nostalgia. There are important issues facing the south that I believe should be raised in the stories to make them contemporary, believable, and relevant to today's readers. — Mary Alice Monroe

Reviewer: 'One of your themes was very similar to one of Beethoven's!' Brahms replied, 'Of course it is. Everyone steals - the important thing is to do it brilliantly. — Johannes Brahms

But I learned something from it. From losing him. Even though I found my soulmate, that doesn't mean that I'm incapable of falling in love with someone else. It just means they're going to have to try harder for my attention. — Hollow Ryan

Stories survive not just because of empathetic characters that we can still identify with but because the author has something to say to us and they have the ability to communicate that to the reader in a clear and often amusing way. Jane Austen knows how to hook a reader with her endearing and often infuriating characters but she also keeps us hooked by her wit, her observations, and her unique use of language. Lots of other writers had books published at the same time as Jane Austen and yet they've been lost to us. Austen has survived because she has a unique voice. But the themes she explores are also important. — Victoria Connelly

made more than a century ago? Certain individuals feel that the United States cannot be forgiven for slavery until reparations are made to the descendants of slaves. This belief goes back to Mosaic laws requiring anyone who caused harm to someone else to make reparations to that individual or to the family if the — Ben Carson

When I write what publishers call 'fantasy' I am writing in what I think is the most important tradition of fiction: starting with Homer and up through Shakespeare and Milton, the most important themes to tackle are those of the mythopoeic domain, tales of the body and mind seen through a temperament and a cosmos divorced from current reality so what is said can be more clear. — Janet Morris

I would wish this book could take the form of a plea for everlasting peace, a plea from one who knows ... Or it would be fine to confirm the odd beliefs about war: it's horrible, but it's a crucible of men and events and, in the end, it makes more of a man out of you.
But, still, none of these notions seems right. Men are killed, dead human beings are heavy and awkward to carry, things smell different in Vietnam, soldiers are afraid and often brave, drill sergeants are boors, some men think the war is proper and just and others don't and most don't care. Is that the stuff for a morality lesson, even for a theme?
Do dreams offer lessons? Do nightmares have themes, do we awaken and analyze them and live our lives and advise others as a result? Can the foot soldier teach anything important about war, merely for having been there? I think not. He can tell war stories. — Tim O'Brien

The one thing that is always clear in my mind is that the people, and their stories, and the themes of life that I photograph are always more important to me than the process of photography itself. — Peter Turnley

For me, life and death are very important themes. There is no life without death. That's why it's very important to me. — Tite Kubo

As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective. — Mamoru Hosoda

If you can have a show that has quite strong morals and cover important themes but be able to put them out to a broad audience, that's an interesting thing. — Ed Speleers

When Lady Rawlings first demanded to nurse her baby, she had been repulsed, certainly. The very idea of allowing a child to munch from one's private parts was instinctively revolting. But then she had been in the nursery yesterday while Esme nursed William, and it was hard to reconcile that experience with her own repulsion. — Eloisa James

Life loses its meaning when we are not living in peace. — Debasish Mridha

Adultism leads to a phenomenon of little adults, who are young people who are treated as adults-in-the-making. A non-discriminatory perspective would be to treat children and youth as whole and complete people right now. — Adam Fletcher

In the face of all dangers, in what may seem a godless region, we move forward through the agencies of love and art. — Mark Doty

But it's much more exciting to make Die Hard. One of the reasons that I think that movie is so successful is it deals with those very important blue-collar relationship themes. But it's more visually beautiful to show things blowing up. It just gives you more on the screen. — Penn Jillette

There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. In adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness ... The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. We need stories so much that we're even willing to read bad books to get them, if the good books won't supply them. We all need stories, but children are more frank about it. — Philip Pullman

I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them. — John Boyne

Only by embracing the lessons embedded in our city's history can we avoid repeating the failed policies of both the recent and distant past, and have true clarity about what action is required to correct today's public policies. Recurring themes emerge throughout the history of New York City with regards to public policy. Even though the city has changed immensely, these themes are important for debating policy and giving us an informed perspective on how to move forward. — Ralph Da Costa Nunez

Body', 'soul', and 'spirit' may designate phenomenal domains which can be detached as themes for definite investigations; within certain limits their ontological indefiniteness may not be important. When, however, we come to the question of man's Being, this is not something we can simply compute by adding together those kinds of Being which body, soul, and spirit respectively possess
kinds of being whose nature has not as yet been determined. And even if we should attempt such an ontological procedure, some idea of the Being of the whole must be presupposed. — Martin Heidegger

So one of my core themes in The Myth of Male Power - that history's controlling force was not patriarchy, but survival - is still ignored. Instead, the leading universities' women's studies and "gender studies" courses still emanate from the Marxist and Civil Rights model of oppressor vs. oppressed. We'll see in this book exactly why the dichotomy of oppressor/oppressed is both inaccurate and, more important, undermines love and women's empowerment. In virtually every leading university this leads to a demonizing of men and masculinity that distorts the very essence of traditional masculinity - being socialized to be a hero by being willing to sacrifice oneself in war or in work. The possibility that being socialized to be disposable is not genuine power is, to this day, either considered radical, heretical, or, most frequently, not considered. — Warren Farrell

The themes of Jesus' teaching are important, but of course he was more than a teacher. All the Gospels put the end of his life at the dramatic center of his story. Here all the hopes of Israel come together - he is the king of the Jews, the greatest of all the suffering prophets. Yet Jesus transformed those expectations. He did not lead Israel to victory over Rome. Indeed, one of the remarkable features of the narratives of his last days is that his increasing isolation makes it impossible to identify him with any one 'side' or cause. The Roman governor sentenced him as a Jewish rebel, but the leaders of Judaism also turned against him. He attacked the powerful on behalf of the poor, but in the end the mob too called for his blood. His own disciples ran away; Peter denied him. He did not go to his death agony as a representative of Jews, or of the poor, or of Christians, but alone, and thus, according to Christian faith, as a representative of all. — William C. Placher

Because kids are physically smaller, there's an assumption by people who haven't read a kids' book for a long time that their ideas and themes and problems and ambitions must be commensurately smaller and less important. I would venture that sometimes the opposite is true. — Morris Gleitzman

ECCLESIASTES - NOTE ON 1:2 vanity of vanities! All is vanity. This extremely important thematic word (Hb. hebel, lit., "vapor," taken figuratively as "vanity"; see esv footnote) occurs frequently throughout the book; at this early point, however, the Preacher leaves it unexplained. It is only as the book progresses that its meaning becomes clear (for further discussion of its meaning, see Introduction: Key Themes — Anonymous

I tell myself it does not matter what one reads
favorite authors, particular themes
as long as we read something. It is not even important to own the books. — Helen Simonson

One of the many, many things I hate about war is how it trivializes the personal. The big themes, the broad sweep, the emergency measures, the national identity, all the things that a particular kind of man with a particular kind of power urge adores, these are the things that become important. War gives the lie to the personal, drowns it in meetings, alarms, sacrifices. The personal is only allowed to return as death. — Jeanette Winterson

An emigres artistic problem: the numerically equal blocks of a lifetime are unequal in weight, depending on whether they comprise young or adult years. The adult years may be richer and more important for life and for creative activity both, but the subconscious, memory, language, all the understructure of creativity, are formed very early; for a doctor, that won't make problems, but for a novelist or a composer, leaving the place to which his imagination, his obsessions, and thus his fundamental themes are bound could make for a kind of ripping apart. He must mobilize all his powers, all his artists wiles, to turn the disadvantages of that situation to benefits.
[ ... ] Only returning to the native land after a long absence can reveal the substantial strangeness of the world and of existence. — Milan Kundera

During the first and primitive stages of the history of our species there was a general centrifugal movement of peoples into distance, to all sides, with the various populations becoming increasingly separated, each developing its own applications and associated interpretations of the shared universal motifs; whereas, since we are all now being brought together again in this mighty present period of world transport and communication, those differences are fading. The old differences separating one system from another now are becoming less and less important, less and less easy to define. And what, on the contrary, is becoming more and more important is that we should learn to see through all the differences to the common themes that have been there all the while, that came into being with the first emergence of ancestral man from the animal levels of existence, and are with us still. — Joseph Campbell