Images Things Quotes & Sayings

I won't fatten them in cages, though. I won't ply them with poisoned fruit items. I won't change them into clockwork images or talking shadows. I won't drain out their life's blood. They can do all those things for themselves. — Margaret Atwood

Few things in nature can compare to the long, mournful wail of a loon echoing across water and through the forest. It's an evocative sound that will stick with you for the rest of your life and make you nostalgic for things that never even happened to you. Eerie, yet beautiful, the sound will conjure up images of solitude near mountain lakes and ponds, shrouded in fog during the early morning or late dusk, surrounded by the silhouettes of pine trees. It's a sound that relaxes and submerges you into the tranquility of nature. I don't think there is another sound in the world that reminds me of the wilderness more so than the wail of a loon. — Kyle Rohrig

Much of our suffering is caused by our false perceptions and attachment to mental images. We assume things to be true without really knowing whether they are true or not, then create a world of hurt for ourselves and others. — Joseph P. Kauffman

The population at large is neither 'ordinary' or 'normal'. They seem to be bound together by a collective ignorance of themselves and what they are. They have, every one of them, got their deep dark thoughts with many a skeleton rattling in their secret cupboards. Their fascination with 'types' like myself plagues them with the mystery of why and how a living person can actually do things which may be only those dark images and acts secretly within them. I believe they can identify with these 'dark images and acts' and loathe anything which reminds them of this dark side of themselves. — Dennis Nilsen

In the days that follow, he begins to remember things about Moushumi, images that come to him without warning while he is sitting at his desk at work, or during a meeting, or drifting off to sleep, or standing in the mornings under the shower. They are scenes he has carried within him, buried but intact, scenes he has never thought about or had reason to conjure up until now. — Jhumpa Lahiri

You know," he said, "this design begins to appeal to me after all. Sea slugs aren't the least bit arousing, but logarithms . . . I've always thought that word sounded splendidly naughty." He let it roll off his tongue with ribald inflection. "Logarithm." He gave an exaggerated shiver. "Ooh. Yes and thank you and may I have some more."

"Lots of mathematical terms sound that way. I think it's because they were all coined by men. 'Hypotenuse' is downright lewd."

" 'Quadrilateral' brings rather carnal images to mind."

She was silent for a long time. Then one of her dark eyebrows arched. "Not so many as 'rhombus.' "

Good Lord. That word was wicked. Her pronunciation of it did rather wicked things to him. He had to admire the way she didn't shrink from a challenge, but came back with a new and surprising retort. One day, she'd make some fortunate man a very creative lover. — Tessa Dare

The day drags through though storms keep out the sun;
And thus the heart will break, yet brokenly live on:
Even as a broken mirror, which the glass
In every fragment multiplies; and makes
A thousand images of one that was,
The same, and still the more, the more it breaks;
And thus the heart will do which not forsakes,
Living in shattered guise, and still, and cold,
And bloodless, with its sleepless sorrow aches,
Yet withers on till all without is old,
Showing no visible sign, for such things are untold. — George Gordon Byron

I wanted to escape Small Town U.S.A. To dismiss the boundaries, to explore. My life experience came from watching movies, TV, and reading books and magazines. When your culture comes from watching TV everyday, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities. — Trent Reznor

Here it often imagines things going wrong and negative outcomes; this is called worry. Sometimes this soundtrack is accompanied by visual images or "mental movies." Even if the voice is relevant to the situation at hand, it will interpret it in terms of the past. This is because the voice belongs to your conditioned mind, which is the result of all your past history as well as of the collective cultural mind-set you inherited. So you see and judge the present through the eyes of the past and get a totally distorted view of it. It is not uncommon for the voice to be a person's own worst enemy. Many people live with a tormentor in their head that continuously attacks and punishes them and drains them of vital energy. It is the cause of untold misery and unhappiness, as well as of disease. — Eckhart Tolle

Now the story of Christ is simply a true myth: a myth working on us the same way as the others, but with this tremendous difference that it really happened: and one must be content to accept it in the same way, remembering that it is God's myth where the others are men's myths: i.e., the Pagan stories are God expressing Himself through the minds of poets, using such images as He found there, while Christianity is God expressing Himself through what we call 'real things'. — C.S. Lewis

The kinds of things that poetry can offer are timeless - mainly the kind of compression it offers of powerful language, powerful feelings and images, and, you know, the inner experience becoming outer. — Brenda Hillman

I got an image in my head that never got out. We see a great many things and can remember a great many things, but that is different. We get very few of the true images in our heads of the kind I am talking about, the kind that become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of meaning, and without the image our lives would be nothing except an old piece of film rolled on a spool and thrown into a desk drawer among the unanswered letters. — Robert Penn Warren

Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts
its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things
as the saying goes, Allah is beautiful, and He loves beauty
but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge — G. Willow Wilson

A merrier baby than he had never been seen. Everything he glimpsed around him roused his interest and stirred him to joy. He looked with delight at the threads of rain outside the window, as if they were confetti and multicolored streamers. And if, as happens, the sunlight reached the ceiling indirectly and cast the shadows of the street's morning bustle, he would stare as it fascinated, refusing to abandon it, as if he were watching an extraordinary display of Chinese acrobats, given especially or him. You would have said, to tell the truth, from his laughter, from the constant brightening of his little face, that he didn't see things only in their usual aspects, but as multiple images of other things, varying to infinity. Otherwise, there was no explaining why the wretched, monotonous scene the house offered every day could afford him such diverse, inexhaustible amusement. — Elsa Morante

I shall not find a painting more beautiful because the artist has painted a hawthorn in the foreground, though I know of nothing more beautiful than the hawthorn, for I wish to remain sincere and because I know that the beauty of a painting does not depend on the things represented in it. I shall not collect images of hawthorn. I do not venerate hawthorn, I go to see and smell it. — Marcel Proust

Ah, to build, to build! That is the noblest art of all the arts. Painting and sculpture are but images, Are merely shadows cast by outward things On stone or canvas, having in themselves No separate existence. Architecture, Existing in itself, and not in seeming A something it is not, surpasses them As substance shadow. — Henry Wadsworth Longfellow

I make work that is many things at once: poems that are prose, that are pictures, that are poem and picture. Actions that are images using poems that are umbrellas. My best work is both/and, in-between, occupying several dimensions simultaneously.
(from my Poetics Statement in Troubling the Line) — Jay Besemer

What I find is that the taking, the stealing, the appropriation of images has to do with prior availability, and it sets up a degree where things can be shared ... It's like 50% off ... You can let something of another emotion or another personality sign on your work, or co-sign it. — Richard Prince

May we, as image makers, shapers of the culture, set our sights on things we value, rituals we engage in that heal and serve. May our images honor the ordinary endeavors of common people, and may they make their way to the eyes of the weary - light to the dark, fire to the chill. — Jan Phillips

The Mars rover Curiosity has sent back images of some odd things on the surface of Mars, and some people think they could be UFOs. Here's my question. If we're on the surface of Mars, aren't we the UFO? — Jay Leno

When we make the cerebral state the beginning of an action, and in no sense the condition of a perception, we place the perceived images of things outside the image of our body, and thus replace perception within the things themselves. — Henri Bergson

Few things leave a deeper mark on a reader than the first book that finds it's way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory ... — Carlos Ruiz Zafon

The crowding of children into insufficient, often squalid spaces seems an inexplicable anomaly in the United States. Images of spaciousness and majesty, of endless plains and soaring mountains, fill our folklore and our music and the anthems that our children sing. "This land is your land," they are told; and, in one of the patriotic songs that children truly love because it summons up so well the goodness and the optimism of the nation at its best, they sing of "good" and "brotherhood" "from sea to shining sea." It is a betrayal of the best things that we value when poor children are obliged to sing these songs in storerooms and coat closets. — Jonathan Kozol

Isn't the whole point of things - beautiful things - that they connect you to some larger beauty? Those first images that crack your heart wide open and you spend the rest of your life chasing, or trying to recapture, in one way or another? — Donna Tartt

The mind of a painter should be like a mirror which is filled with as many images as there are things placed before him. — Leonardo Da Vinci

At night when I lie awake I can hear it, quiet but unrelenting, undeniable: a whisper in my head, Slip away. When I close my eyes, my head is filled with images of past and future lives, the things I dreamed I wanted, the things I had and threw away. — Paula Hawkins

Before music videos first came out, you'd listen to a song with headphones on, sitting in a beanbag chair with your eyes closed, and you'd come up with your own visions, these things that came from within. Then all of a sudden, sometimes even the very first time you heard a song, it was with these visual images attached, and it robbed you of any form of self-expression. — Eddie Vedder

For better or worse, a lot of people's images are based on the first things that are written about them. You can't control what people write about you, so - good or bad - I have never lost sleep about it. — Andrew Luck

Art breaks open a dimension inaccessible to other experience, a dimension in which human beings, nature, and things no longer stand under the law of the established reality principle ... The encounter with the truth of art happens in the estranging language and images which make perceptible, visible, and audible that which is no longer, or not yet, perceived, said, and heard in everyday life. — Herbert Marcuse

If there is anything in writing that comes easy for me it's making up metaphors. They just appear. I can't move two lines without all kinds of images. Then the problem is how to make the best of them. In its geological character, language is almost invariably metaphorical. That's how meanings tend to change. Words become metaphors for other things, then slowly disappear into the new image. I have a hunch, too, that the core of creativity is located in metaphor, in model making, really. A novel is a large metaphor for the world. — William Gass

Living in Barcelona, I have my own little ghetto utopia. There are 3,000 ghost towns in Spain, and I've used the images of them a lot in my backdrops for my solo spoken-word stuff. The ghost towns could be from two buildings to 40 - things died out, or there were plagues, the roads don't lead there, whatever. — Lydia Lunch

New York will always seem more real than anything Britain has to offer. It is strange that, although the majority of British people have never seen a skate-boarding body-popper, an exploding fire-hydrant, or anybody dunk a doughnut, these things seem infinitely more immediate and happening images than that jar of Horlicks which has stood in the cupboard for 40 years — Ben Elton

Antonia had always been one to leave images in the mind that did not fade - that grew stronger with time. In my memory there was a succession of such pictures, fixed there like the old woodcuts of one's first primer ... She lent herself to immemorial human attitudes which we recognize by instinct as universal and true ... She was a battered woman now, not a lovely girl; but she still had that something which fires the imagination, could still stop one's breath for a moment by a look or gesture ... All the strong things of her heart came out in her body, that had been so tireless in serving generous emotions. — Willa Cather

He had simply typed the words something beautiful into the Google images box. Up came a picture of some leaves against the sun. A picture of a blonde photoshop-smooth woman and baby sleeping. A picture of a bird. A picture of Mother Teresa. A picture of a modernist building made of shiny metal. A picture of two people sticking knives into their own hands. Google is so strange. It promises everything, but everything isn't there. You type in the words for what you need, and what you need becomes superfluous in an instant, shadowed instantaneously by the things you really need, and none of them answerable by Google — Ali Smith

She had been amazed-and a little relieved-to discover that she was not concealing some private neurosis; almost all imaginative people heard voices. Not just thoughts but actual voices inside their heads, different personae, each as clearly defined as the voices on an old-time radio show. They came from the right side of the brain, the teacher explained-the side which is most commonly associated with visions of telepathy and that striking human ability to create images by drawing comparisons and making metaphors.
There are no such things as flying saucers. — Stephen King

It's funny, because what happens to me when I read a script, when something grabs hold of me, I start getting these flashes of people or places or things or images. — Johnny Depp

(On a personal note, even though I have a professional interest in hazard and risk, I never watch the local television news and haven't for years. Try this and you'll likely find better things to do before going to sleep than looking at thirty minutes of disturbing images presented with artificial urgency and the usually false implication that it's critical for you to see it.) — Gavin De Becker

This, too, was like seeing double. This was where my heartaches began.

In combat zones there is no structure, the form of things changes all the time. Safety, danger, control, panic, these and other labels constantly attach and detach themselves from places and people. When you emerge from such a space it stays with you, its otherness randomly imposes itself on the apparent stability of your peaceful home-town streets. What-if becomes the truth, you imagine buildings exploding in Gramercy Park, you see craters appear in the middle of Washington Square, and women carrying shopping bags drop dead on Delancey Street, bee-stung by sniper fire. You take pictures of your small patch of Manhattan and ghost images begin to appear in them, negative phantoms of the distant dead. Double exposure: like Kirlian photography, it becomes a new kind of truth. — Salman Rushdie

It is every photographer's responsibility to discover new images and a new personal way of looking at things. If he can do this his pictures will command attention and have surprise quality. — Alexey Brodovitch

Desire I think has less to do with possession than with participation, the will to involve oneself in the body of the world, in the principle of things expressing itself in splendid specificity, a handful of images: a lover's irreplaceable body, the roil and shimmer of the sea overshot with sunlight, a handful of cherries, the texture and weight of a word. The word that seems most apt is partake ... We can say we partake of something but we may just as accurately say we take part in something' we are implicated in another being, which is always the beginning of wisdom, isn't it- that involvement which enlarges us, which engages the heart, which takes out of the routine limitations of self? — Mark Doty

Describe your sorrows and desires, passing thoughts and the belief in some sort of beauty-describe all these with loving, quiet, humble sincerity, and use, to express yourself, the things in your environment, the images from your dreams, and the objects of your memory. — Rainer Maria Rilke

A sign of this is what happens (10) in our actions, for we delight in contemplating the most accurately made images of the very things that are painful for us to see, such as the forms of the most contemptible insects and of dead bodies. — Aristotle.

White Hot Concentration is the unappreciated fruit of hard ligting, especially squats. When your in the squat rack, with a serious amount of weight overhead, your life literally depends on maintaining concentration. You learn to block out the swirling images in the mirror, the obnoxious chatter of the people next to you, the fat drop of sweat running down your nose. Once you've mastered this concentration in the weight room, duplicating it on the race course is relatively easy. Champions have only a few things in common. One weapon they all possess is White Hot Concentration. — Brad Alan Lewis

For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real. — Robert Bresson

A bus came. I climbed aboard and sat on the plastic seat while the things of our city turned in the windows like the images in a slot machine. — Denis Johnson

Dreams are composed of many things, my son. Of images and hopes, of fears and memories. Memories of the past, and memories of the future ... — Neil Gaiman

The normal cut in a theatrical film is anywhere from 3 to 6 seconds. That means thousands of images in a film over a couple of hours. In Visitors the cuts come every 70-plus seconds. The point of view is that the stiller one can be the more open to their senses they become. The whole world is quick right now. If things can be slowed down they stay in memory longer. — Godfrey Reggio

Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly. — Alva Noto

I had many things to say, I did not have the words to say them. Painfully aware of my limitations, I watched helplessly and language became an obstacle. It became clear that it would be necessary to invent a new language ... I would pause at every sentence, and start over and over again. I would conjure up other verbs, other images, other silent cries. It still was not right. But what exactly was "it"? "It" was something elusive, darkly shrouded for fear of being usurped, profaned. All the dictionary had to offer seemed meager, pale, lifeless. — Elie Wiesel

In my book "Sound Unbound" we traced the guy who actually came up with the main concept for the graphic design of the record cover sleeve. His name is Alex Steinweiss. And one of the things in my book that we really tried to figure out was the revolution in graphic design that occurred when people put images on album covers. — DJ Spooky

As we know from the work of certain fundamental physicists, people like Einstein were very dependent upon conjuring up visual images in order to imagine things which otherwise were not easily formulated. — Jonathan Miller

The trouble is that when you read criticisms about the other films that I've made you get the impression that they're all about themes, or problems, or ideas. But those are actually things that develop out of characters, out of images and out of other things. These more abstract things develop while working on the material, and out of it. It's not a theoretical exercise from the outset. — Michael Haneke

Hunting in my experience - and by hunting I simply mean being out on the land - is a state of mind. All of one's faculties are brought to bear in an effort to become fully incorporated into the landscape. It is more than listening for animals or watching for hoofprints or a shift in the weather. It is more than an analysis of what one senses. To hunt means to have the land around you like clothing. To engage in a wordless dialogue with it, one so absorbing that you cease to talk with your human companions. It means to release yourself from rational images of what something "means" and to be concerned only that it "is." And then to recognize that things exist only insofar as they can be related to other things. These relationships - fresh drops of moisture on top of rocks at a river crossing and a raven's distant voice - become patterns. The patterns are always in motion. — Barry Lopez

The space between things is important to me. The projections, that darkness between the words or the images is very important. — Robert Barry

Full-color images lack the poignancy of monochrome ... Black-and-white film inherently peels off interesting images from the world; it sees things we do not see, and thus insists on the existence of a phantom presence within reality, a world we cannot perceive. — Peter C Bunnell

There are a lot of companies - not just Sony and Kodak - that have spent a lot of money trying to make the quality of the digital images comparable with film. But when you're sending these things over the Internet, they don't have to be high quality. — Clayton M Christensen

Every true artist does feel, consciously or unconsciously, that he is touching transcendental truths; that his images are shadows of things seen through the veil. In other words, the natural mystic does know that there is something there, something behind the clouds or within the trees; but he believes that the pursuit of beauty is the way to find it; that imagination is a sort of incantation that can call it up. — Gilbert K. Chesterton

Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story. — John Logan

Perhaps the only things he truly loved were his images - those he'd filmed, or then again, perhaps only those he had yet to film. — Han Kang

In societies reduced to blur and glut, terror is the only meaningful act. There's too much everything, more things and messages and meanings that we can use in ten thousand lifetimes. Inertia-hysteria. Is history possible? Is anyone serious? Who do we take serious? Only the lethal believer, the person who kills and dies for faith. Everything else is absorbed. The artist is absorbed, the madman in the street is absorbed an processed and incorporated. Give him a dollar, put him in a TV commercial. Only the terrorists stand outside. The culture hasn't figured out how to assimilate him. It's confusing when they kill the innocent. But this is precisely the language of being noticed, the only language the West understands. The way they determine how we see them. The way they dominate the rush of endless streaming images. — Don DeLillo

It's amazing to me that not only can we put a probe around Saturn and get images of its moons, but our math and physics are so freaking accurate we can say, "Hey, you know what? On this date at this time if we turn Cassini that way we'll see a moon over 2 million kilometers away pass in front of another one nearly 3 million kilometers away."Every morning, I have a 50/50 chance of finding my keys. That kinda puts things in perspective. — Phil Plait

If I have an unusual gift, it's not that I draw particularly better than other people - I've never fooled myself about that. Rather it's that I remember things other people don't recall: the sounds and feelings and images - the emotional quality - of particular moments in childhood. Happily an essential part of myself - my dreaming life - still lives in the light of childhood. — Maurice Sendak

One of the things about comics is people can linger on images and words as long as they want. — Kelly Sue DeConnick

I do not wish to die- There is such contingent beauty in life: The open window on summer mornings Looking out on gardens and green things growing, The shadowy cups of roses flowering to themselves- Images of time and eternity- Silence in the garden and felt along the walls. — A. L. Rowse

I say things, but I say them indirectly. At the same time, I try to make my images as direct as possible. — Andres Serrano

The ultimate test is always your own serenity. If you don't have this when you start and maintain it while you're working you're likely to build our personal problems right into the machine.
The machine responds to your personality. It's just that the personality that it responds to is your real personality, the one that genuinely feels and reasons and acts, rather than any false, blown up personality images your ego may conjure up. These false images are defaulted so rapidly and completely you're bound to be very discouraged very soon if you've derived your gumption from ego rather than Quality.
The real machine you're working on is a cycle called yourself. The machine that appears to be out there and the person that appears to be in here are not 2 separate things. They grow toward Quality or fall away from Quality together. — Robert M. Pirsig

I know that every interpretation of a myth impoverishes and suffocates it; with myths, it's better not to rush things, better to let them settle in memory, pausing to consider their details, to ponder them without moving beyond the language of their images. The lesson we can draw from a myth lies within the literality of its story, not in what we add to it from without. — Italo Calvino

I think at the end of the day this movie is respecting what we as women go through as we grow up. The experiences, what we deal with, other women, things about images, things that we deal with as women. — Amber Tamblyn

It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life. — Andrei Tarkovsky

Her mind circled Georgia, circled Ebenezer. It called up images and memories and things nearly home but never that final destination itself, as if it existed at the center of her mind, shining like a sun too radiant. She knew there was a face at the center of that radiance. A face too bright. A face she sought and longed for but could no longer bear the light of. She drifted into sleep, circling, circling, circling. — A.S. Peterson

I am not ashamed to own that I believe that the whole universe, heathen and earth, air and seas, and the divine constitution and history of the holy Scriptures, be full of images of divine things, as full as a language is of words; and that the multitudes of those things that I have mentioned are but a very small part of what is really intended to be signified and typified by these things. — Jonathan Edwards

I don't want people to think about one common thing. Coda is non-discursive, just like choreography for the stage. So each audience member's thoughts about it, or better yet, their feelings, will be different. Moreover, images contain so much information that one can see things that the next person won't notice. As a result, people will surely think about Coda in dissimilar ways. — Martine Epoque

. Only - if you care for a thing enough, it takes on a life of its own, doesn't it? And isn't the whole point of things - beautiful things - that they connect you to some larger beauty? Those first images that crack your heart wide open and you spend the rest of your life chasing, or trying to recapture, in one way or another? Because, I mean - mending old things, preserving them, looking after them - on some level there's no rational grounds for it - "
"There's no 'rational grounds' for anything I care about — Donna Tartt

God wants to reveal things to us through our imagination, and the enemy wants to prevent us from receiving them. The goal of the enemy is to so pollute the flow of revelation we receive through our imagination that we'll decide we don't want to see anything at all. Because the imagination is part of the soul, and the soul is controlled by our will, we can willingly choose to do whatever we want with our imagination. Because much of the imagery in this part of the mind is painful, in order to avoid the pain associated with these images, some people have exercised their free will and chosen to completely shut down the flow of revelation that comes through their imagination. — Praying Medic

The fools of this world prefer to look for sages far away. They don't believe that the wisdom of their own mind is the sage ... the sutras say, "Mind is the teaching." But people of no understanding don't believe in their own mind or that by understanding this teaching they can become a sage. They prefer to look for distant knowledge and long for things in space, buddha-images, light, incense, and colors. They fall prey to falsehood and lose their minds to insanity. — Bodhidharma

It's not that I'm being shy. It's just that
well, for one, I don't even remember the event. It's a blank: a white slate, a black hole. I have vague images, half-impressions: of being, or having been
or, more precisely, being about to be
hit; blue light; railings; lights of other colours; being held above some kind of tray or bed. But who's to say that these are genuine memories? Who's to say my traumatized mind didn't just make them up, or pull them out from somewhere else, some other slot, and stick them there to plug the gap
the crater
that the accident had blown? Minds are versatile and wily things. Real chancers. — Tom McCarthy

Well, far be it for me to cause you to conjure mental images of shit without panties."
"Can we not talk about shit and panties in the same sentence?"
"You're the one that was talking about panties and lack thereof."
"Oh my God! I can barely remember that far back. Too many traumatic things have been said since then. — M. Leighton

The future rushes in and all we can do is take our memories and move forward with them. Memory keeps only what it wants. Images from memories are sprinkled throughout our lives, but that does not mean we must believe that our own or other people's memories are of things that really happened. When someone stubbornly insists that they saw something with their own eyes, I take it as a statement mixed with wishful thinking. As what they want to believe. Yet as imperfect as memories are, whenever I am faced with one, I cannot help getting lost in thought. Especially when that memory reminds me of what it felt like to be always out of place and always a step behind. Why was it so hard for me to open my eyes every morning, why was I so afraid to form a relationship with anyone, and why was I nevertheless able to break down my walls and find him? — Kyung-Sook Shin

When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don't make it. So I tried to make it more refined. I tried to find images, allegorical images, that I could use to express things that I didn't want to say or didn't want to show or I was not able to find how to show. — Agnes Varda

I was a book lover from the beginning. I loved, love, words and images and ideas, the ways a book can make you feel things deeply or help you understand something you never even knew there were words for. — Deb Caletti

It's hurtful somehow to admit this thing and anyway that doesn't mean i'm losing my faith in this beautiful world. But these days now is the time where people have become so much more-excuse me-shallow. When all of the fancy things and outer beauty are demanded, and those who are lost enough to chase and manage to get those things, they will happen to get very nice response from social and able to expand their images and get famous and be seen as someone who has value. Meanwhile those who could see deeper and their souls are insecure of this mad world, they will have smaller space in width but they will dig deeper and deeper into their self, making space in height, finding the true meaning of their souls, the true essential unshakable truth that's beyond the fragile material worldly things. — Reza Rusandi

The earliest impetuses for writing, for me, were simply the strange things I happened to notice in my everyday life, stuff I read about in the grocery store tabloids my mom bought, situations that struck me as compelling, anecdotes I'd heard, images, words, metaphors. — Dan Chaon

I hated the things they believe in, the things they so innocently and charmingly pretended. I hated the sanctimonious piety that let people hurt helpless creatures. I hated the prayers and the hymns - the fountains and the red images that coloured their drab music, the fountains filled with blood, the sacrifice of the lamb. — Ellen Glasgow

Everything that we see in our daily lives is more or less distorted by acquired habits and this is perhaps more evident in an age like ours when cinema posters and magazines present us every day with a flood of ready-made images which are to the eye what prejudices are to the mind. The effort to see things without distortion demands a kind of courage; and this courage is essential to the artist, who has to look at everything as though he were seeing it for the first time. — Henri Matisse

Digital books are still painfully ugly and weirdly irritating to interact with. They look like copies of paper, but they can't be designed or typeset in the same way as paper, and however splendid the cover images may look on a hi-res screen, they're still images rather than physical things. — Nick Harkaway

It is commonplace to say that silent films are more "dreamlike," but what does that mean? In Nosferatu, it means that the characters are confronted with alarming images and denied the freedom to talk them away. There is no repartee in nightmares. Human speech dissipates the shadows and makes a room seem normal. Those things that live only at night do not need to talk, for their victims are asleep, waiting. — Roger Ebert

In 3-D filmmaking, I can take images and manipulate them infinitely, as opposed to taking still photographs and laying them one after the other. I move things in all directions. It's such a liberating experience. — George Lucas

I don't do my best work while I'm in therapy. I'm too onto myself immediately seeing meanings in things and more likely to censor myself. I'd rather find images I don't understand. That's what generates the work. — Ellen McLaughlin

I did all the stuff that people do - film, performance, photography, pictures and words, words and pictures. In retrospect, I was trying to find some way to put things - meaning images and forms - together that highlighted some idea of what was underneath the surface of an image, what determined how something was seen. — David Salle

I want to make portraits and images. I don't know how. Out of despair, I just use paint anyway. Suddenly the things you make coagulate and take on just the shape you intend. Totally accurate marks, which are outside representational marks. — Francis Bacon

When we give up our images of self-importance and our ideas of what should be, we can help things become what they need to be. — Benjamin Hoff

Depict your sorrows and desires, your passing thoughts and beliefs in some kind of beauty- depict all that with heartfelt, quiet, humble sincerity and use to express yourself the things that surround you,the images of your dreams and the objects of your memory. If your everyday life seems poor to you, do not accuse it; accuse yourself, tell yourself you are not poet enough to summon up its riches; since for the creator there is no poverty and no poor or unimportant place. — Rainer Maria Rilke

Yes, it's good to be able to block things out. But maybe the terrible images persist for a reason: to tell the truth. Which is a terrible and terribly important thing. — Margaret Ajemian Ahnert

The only thing I can hope the viewer will get from the work is something about the structure of the work. It would be asking too much, I think, for them to get my exact intention. But if - through the construct of language, the way things are juxtaposed - there is some sort of disruption of the way you would normally go about reaching photographic images ... if that is happening, that's fine. — Lorna Simpson

The human mind is a complicated place ... We hold on to things, images, words, ideas, histories that we don't even know we're holding on to. — Corey Ann Haydu

It has to be absolutely believable. It's also going between images and scenes with nudity and sexuality that would be seen, in conventional terms, as kind of sexually exciting. It's up against things that are much more medical and gynecological, and notoriously we, as a culture and a society, have some issues with that kind of thing. — Michael Sheen

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. — Tom Robbins

But I had no mind for these smooth things; instead, fear worked like yeast in my thoughts, and the fermentation brought to the surface, in great gobs of scum, the images of disaster; a loaded gun held carelessly at a stile, a horse rearing and rolling over, a shaded pool with a submerged stake, an elm bough falling suddenly on a still morning, a car at a blind corner; all the catalogue of threats to civilized life rose and haunted me; I even pictured a homicidal maniac mouthing in the shadows, swinging a length of lead pipe. — Evelyn Waugh

I love Tumblr, I love it, it's like collaging and collecting images, it's such a fun thing to do, it's something that's really therapeutic and I don't really know why. — Lizzy Plapinger

Because there are innumerable things beyond the range of human understanding, we constantly use symbolic terms to represent concepts that we cannot define or fully comprehend. This is one reason why all religions employ symbolic language or images. But this conscious use of symbols is only one aspect of a psychological fact of great importance: Man also produces symbols unconsciously and spontaneously, in the form of dreams. — C. G. Jung