Images Of Home Quotes & Sayings

I spent my childhood and youth on the outskirts of the Alps, in a region that was largely spared the immediate effects of the so-called hostilities. At the end of the war I was just one year old, so I can hardly have any impressions of that period of destruction based on personal experience. Yet to this day, when I see photographs or documentary films dating from the war I feel as if I were its child, so to speak, as if those horrors I did not experience cast a shadow over me ... I see pictures merging before my mind's eye - paths through the fields, river meadows, and mountain pastures mingling with images of destruction - and oddly enough, it is the latter, not the now entirely unreal idylls of my early childhood, that make me feel rather as if I were coming home ... — W.G. Sebald

We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost. — Gaston Bachelard

the suit, if there is one, we still lose because of the publicity." I was scarcely hearing a word of it. Horrible images were playing crazily inside my mind. The 911 call, the fact it was aborted, made me see it. I knew what happened. Lori Petersen was exhausted after her ER shift, and her husband had told her he would be in later than usual that night. So she went to bed, perhaps planning to sleep just awhile, until he got home - as I used to do when I was a resident and waiting for Tony to come home from the law library at Georgetown. She woke up at the sound of someone inside the house, perhaps the quiet sound of this person's footsteps coming down the hallway toward the bedroom. Confused, she called out the name of her husband. No one answered. In that instant of dark silence that must have seemed an — Patricia Cornwell

To leave the comforts of home, the mother world, one must have some place to go. Admittedly, the rites of passage of traditional cultures were to initiate the youth into a simpler society, a more homogenous culture than ours. As well, their interest lay not in the individuation of the person but in the integration of the unformed person into the collective definition of tribal masculinity. Still, take away such psychically charged images of identity, take away the wisdom of the elders, take away the community of men, and one has the modern world. — James Hollis

Books and drafts mean something quite different for different thinkers. One collects in a book the lights he was able to steal and carry home swiftly out of the rays of some insight that suddenly dawned on him, while another thinker offers us nothing but shadows - images in black and grey of what had built up in his soul the day before. — Friedrich Nietzsche

In a gradually unsubtlizing progression, within a couple more sales-quarters most consumers were now using masks so undeniably better-looking on videophones than their real faces were in person, transmitting to one another such horrendously skewed and enhanced masked images of themselves, that enormous psychosocial stress began to result, large numbers of phone-users suddenly reluctant to leave home and interface personally with people who, they feared, were now habituated to seeing their far-better-looking masked selves on the phone and would on seeing them in person suffer (so went the callers' phobia) the same illusion-shattering aesthetic disappointment that, e.g., certain women who always wear makeup give people the first time they ever see them without makeup. — David Foster Wallace

One day I am at home, watching dramatic images of Iraqi Yazidis fleeing for their lives being aired nonstop on 24-hour news channels. Days later, I am there, staring at tens of thousands of displaced Iraqis and feeling a 35-millimeter frame cannot capture the scope of devastation and heartbreak before me. — Lynsey Addario

The really painful surprise is that so many people based their hopes on his words, rather than on the record of his deeds. What that means is that, even if we somehow manage to survive this man's reckless economic policies at home and his potentially fatal foreign policy actions and inactions, the gullibility and fecklessness of those voters who put him in the White House will still be there to be exploited by the next master of glib demagoguery and emotional images, who can lead us into another vortex of dangers, from which there is no guarantee that we will emerge as a free people or even as a viable society. — Thomas Sowell

When we concentrate on photography, we make it possible to see the walls of photographs in black homes as a critical intervention, a disruption of white control over black images. — Bell Hooks

When Bill Gates started Corbis we were told that he needed images to fill those digital picture frames in his home, and many found this plausible. But now it's pretty clear that he's set out to control the visual history of the twentieth century. — Philip Jones Griffiths

The more Lord Maccon considered it, the more he grew to like the idea. Certainly his imagination was full of pictures of what he and Alexia might do together once he got her home in a properly wedded state, but now those lusty images were mixing with others: waking up next to her, seeing her across the dining table, discussing science and politics, having her advice on points of pack controversy and BUR difficulties. No doubt she would be useful in verbal frays and social machinations, as long as she was on his side. — Gail Carriger

...The happy Warrior... is he... whose powers shed round him in the common strife, or mild concerns of ordinary life, a constant influence, a peculiar grace; but who, if he be called upon to face some awful moment to which Heaven has joined great issues, good or bad for human kind, is happy as a lover; and attired with sudden brightness, like a man inspired; and, through the heat of conflict, keeps the law in calmness made, and sees what he foresaw; or if an unexpected call succeed, come when it will, is equal to the need: he who, though thus endued as with a sense and faculty for storm and turbulence, is yet a soul whose master-bias leans to homefelt pleasures and to gentle scenes; sweet images! which, wheresoe'er he be, are at his heart; and such fidelity it is his darling passion to approve; more brave for this, that he hath much to love:- — William Wordsworth

The military has been determined to control the images of war since Vietnam. They're convinced that they lost the war because of loss of political support back home, because people saw what was going on. — Bob Simon

Travel was once a means of being elsewhere, or of being nowhere. Today it is the only way we have of feeling that we are somewhere. At home, surrounded by information, by screens, I am no longer anywhere, but rather everywhere in the world at once, in the midst of a universal banality - a banality that is the same in every country. To arrive in a new city, or in a new language, is suddenly to find oneself here and nowhere else. The body rediscovers how to look. Delivered from images, it rediscovers the imagination. — Jean Baudrillard

The beauty myth of the present is more insidious than any mystique of femininity yet: A century ago, Nora slammed the door of the doll's house; a generation ago, women turned their backs on the consumer heaven of the isolated multiapplianced home; but where women are trapped today, there is no door to slam. The contemporary ravages of the beauty backlash are destroying women physically and depleting us psychologically. If we are to free ourselves from the dead weight that has once again been made out of femaleness, it is not ballots or lobbyists or placards that women will need first; it is a new way to see. — Naomi Wolf

To whom do I owe the power behind my voice, what strength I have become, yeasting up like sudden blood from under the bruised skin's blister?
My father leaves his psychic print upon me, silent, intense, and unforgiving. But his is a distant lightning. Images of women flaming like torches adorn and define the borders of my journey, stand like dykes between me and the chaos. It is the images of women, kind and cruel, that lead me home. — Audre Lorde

Julian Street in his book, Abroad At Home: American Ramblings, Observations, and Adventures, painted a grim picture of Western Kansas as he traveled across the area in 1914. Street saw only a drab, treeless wasteland of brown and gray---"nothing, nothing, nothing"--images of incessant wind, violent cyclones, dust storms, and tragic desolation. As the train he was riding approached the small town of Monotony, which he felt was appropriately named, he listened sympathetically to the remarks of a fellow passenger: "God! How can they stand living out here? I'd rather be dead! — Daniel Fitzgerald

That the Old Testament represents God chiefly as angry Judge and vicious Warrior is a false stereotype. While these images are not absent, they are more than balanced by striking portrayals of God as Lover or Husband, infatuated with Israel beyond all reason or deserving. God is not too proud to grieve terribly over Israel's unfaithfulness, nor to be giddy over her return home. ... [This covenant's] primary quality is love at the highest pitch of intensity. (pg. 77) — Ellen F. Davis

When I was in eighth grade, I used a self-timing camera to take nude pictures of myself in various stages of erection. I then exchanged my biology teacher's slides with the images. The teacher, in a state of panic, kept rapidly pressing the 'next' button. It was like a pornographic flip-book. That was the last straw in a very heavy pile of straws. I was expelled, and I ended up transferring mid-year from boarding school to a public school near home. — Dani Alexander

As soon as we confront concrete marriages with other foreign images-such as well-being, happiness, a home for children-marriage appears to be senseless, withered, moribund, and kept alive largely by a great apparatus of psychologists and marriage counselors. Marriage is dead. Long live marriage! — Adolf Guggenbhuhl-Craig

I recount as this journey begins where I rest to gather the tale from this
same old house resting on the hill, leaving me a view of a carnival once seen from just across the tracks. My pallet is dry now. The colors I see no more. The rain has washed away many of the signs that once stood for a prosper
home and family. My grave is waiting. The dreams once filled my head with
images of world unison, hope and companionship for all. The saga spoken
through my canvas drew darker as the years went on to the bitter cold nights.
All that comes to me now are glimpses of faces that graced my soul. — Kris Courtney

Bright were the memories of his childhood at these docks, to which he had been ever drawn by the allure of the stranger traders as they swung into their berths like weary and weathered heroes returned from some elemental war. In those days it was uncommon to see the galleys of the Freemen Privateers ease into the bay, sleek and riding low with booty. They hailed from such mysterious ports as Filman Orras, Fort By a Half, Dead Man's Story, and exile; names that rang of adventure in the ears of a lad who had never seen his home city from outside its walls.
The man slowed as he reached the foot of the stone pier. The years between him and that lad marched through his mind, a possession of martial images growing ever grimmer. If he searched out the many crossroads he had come to in the past, he saw their skies storm-warped, the lands ragged and wind-torn. The forces of age and experience worked on them now, and whatever choices he had made then seemed fated and almost desperate. — Steven Erikson

The traveller in the read-brown clothes that he wears that dust may not show upon him, the girl searching in her bed for the petals fallen from the wreath of her royal lover, the servant or the bride awaiting the master's home-coming in the empty house, are images of the heart turning to God. — Rabindranath Tagore

Before modern man can gain control over the forces that now threaten his very existence, he must resume possession of himself. This sets the chief mission for the city of the future: that of creating a visible regional and civic structure, designed to make man at home with his deeper self and his larger world, attached to images of human nature and love. — Lewis Mumford

Most fathers don't see the war within the daughter, her struggles with conflicting images of the idealized and flawed father, her temptation both to retreat to Daddy's lap and protection and to push out of his embrace to that of beau and the world beyond home. — Victoria Secunda

Home is to be a safe place, a refuge for all who enter, a protection from the harm and storms of the world. Yet often or even daily we open our doors
usually via television or the internet
to ideas and images that can damage our faith, abuse our hearts and minds, sear our psyches, and tear apart our peace. Home should be a place where, behind its doors, one should expect to find protection and safety from all the harms of life, including voices that do not speak truth or wisdom. Only the foolish would invite just anyone to enter the door of their home. — Sally Clarkson

"Maybe it's like this, Max
you know how, when you are working on a long and ordered piece, all sorts of bright and lovely ideas and images intrude. They have no place in what you are writing, and so if you are young, you write them in a notebook for future use. And you never use them because they are sparkling and alive like colored pebbles on a wave-washed shore. It's impossible not to fill your pockets with them. But when you get home, they are dry and colorless. I'd like to pin down a few while they are still wet." ... '
John Steinbeck — John Steinbeck

For a long time, she sat and saw.
She had seen her brother die with one eye open, on still in a dream. She had said goodbye to her mother and imagined her lonely wait for a train back home to oblivion. A woman of wire had laid herself down, her scream traveling the street, till it fell sideways like a rolling coin starved of momentum. A young man was hung by a rope made of Stalingrad snow. She had watched a bomber pilot die in a metal case. She had seen a Jewish man who had twice given her the most beautiful pages of her life marched to a concentration camp. And at the center of all of it, she saw the Fuhrer shouting his words and passing them around.
Those images were the world, and it stewed in her as she sat with the lovely books and their manicured titles. It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words. — Markus Zusak

The magnitude of these shattering changes can perhaps be grasped by imagining that the invasion had been in the reverse direction and that the Aztecs or Incas had arrived suddenly in Europe, imposed their culture and calendar, outlawed Christianity, set up sacrificial altars for thousands of victims in Madrid and Amsterdam, unwittingly spread disease on a scale that virtually matched the Black Death, melted down the golden images of Christ and the saints, threw stones at the stained-glass windows and converted the cathedral aisles into arms or food warehouses, toppled unfamiliar Greek statues and Roman columns, and carried home to the Mexican and Peruvian highlands their loot in precious metals along with slaves, indentured servants and other human trophies. — Geoffrey Blainey

This, too, was like seeing double. This was where my heartaches began.

In combat zones there is no structure, the form of things changes all the time. Safety, danger, control, panic, these and other labels constantly attach and detach themselves from places and people. When you emerge from such a space it stays with you, its otherness randomly imposes itself on the apparent stability of your peaceful home-town streets. What-if becomes the truth, you imagine buildings exploding in Gramercy Park, you see craters appear in the middle of Washington Square, and women carrying shopping bags drop dead on Delancey Street, bee-stung by sniper fire. You take pictures of your small patch of Manhattan and ghost images begin to appear in them, negative phantoms of the distant dead. Double exposure: like Kirlian photography, it becomes a new kind of truth. — Salman Rushdie

Her mind circled Georgia, circled Ebenezer. It called up images and memories and things nearly home but never that final destination itself, as if it existed at the center of her mind, shining like a sun too radiant. She knew there was a face at the center of that radiance. A face too bright. A face she sought and longed for but could no longer bear the light of. She drifted into sleep, circling, circling, circling. — A.S. Peterson

In the artifacts that are conscious, memories of vanished lives still flicker. Tissues that were changed without dying hold the moment that a boy heard his sister was leaving home. They hold multiplication tables. They hold images of sexuality and violence and beauty. They hold the memories of flesh that no longer exists. They hold metaphors: mitochondria, starfish, Hitler's-brain-in-a-jar, hell realm. They dream. Structures that were neurons twitch and loop and burn and dream. Images and words and pain and fear, endless. — James S.A. Corey