Images For Good Quotes & Sayings

For years, my master had done his utmost to pollute my mind with foul images, and to destroy the pure principles inculcated by my grandmother, and the good mistress of my childhood. — Harriet Ann Jacobs

Poetry is good for unleashing images. — Paula Rego

You know," he said, "this design begins to appeal to me after all. Sea slugs aren't the least bit arousing, but logarithms . . . I've always thought that word sounded splendidly naughty." He let it roll off his tongue with ribald inflection. "Logarithm." He gave an exaggerated shiver. "Ooh. Yes and thank you and may I have some more."

"Lots of mathematical terms sound that way. I think it's because they were all coined by men. 'Hypotenuse' is downright lewd."

" 'Quadrilateral' brings rather carnal images to mind."

She was silent for a long time. Then one of her dark eyebrows arched. "Not so many as 'rhombus.' "

Good Lord. That word was wicked. Her pronunciation of it did rather wicked things to him. He had to admire the way she didn't shrink from a challenge, but came back with a new and surprising retort. One day, she'd make some fortunate man a very creative lover. — Tessa Dare

Phones were created as social tools. Smartphones are especially good at being social, integrating text, voice, video and images in an endless number of apps that can serve a user's needs, and all without the need for a web-based social network. — Keith Teare

What we need is a critique of visual culture that is alert to the power of images for good and evil and that is capable of discriminating the variety and historical specificity of their uses. — William J. Mitchell

While patriotism is often lauded as an unquestionable value, the status of patriotism is a problem for many thoughtful people. It is particularly troublesome for people who care about the common good but are alienated by the all too frequent use of patriotism and patriotic symbols to stifle debate, tarnish the images of rival candidates, or arouse popular support for aggressive military policies. — Stephen Nathanson

Words

Be careful of words,
even the miraculous ones.
For the miraculous we do our best,
sometimes they swarm like insects
and leave not a sting but a kiss.
They can be as good as fingers.
They can be as trusty as the rock
you stick your bottom on.
But they can be both daisies and bruises.
Yet I am in love with words.
They are doves falling out of the ceiling.
They are six holy oranges sitting in my lap.
They are the trees, the legs of summer,
and the sun, its passionate face.
Yet often they fail me.
I have so much I want to say,
so many stories, images, proverbs, etc.
But the words aren't good enough,
the wrong ones kiss me.
Sometimes I fly like an eagle
but with the wings of a wren.
But I try to take care
and be gentle to them.
Words and eggs must be handled with care.
Once broken they are impossible
things to repair. — Anne Sexton

Good pictures. Tragedy and violence certainly make powerful images. It is what we get paid for.But there is a price extracted with every such frame: some of the emotion, the vulnerability, the empathy that makes us human, is lost every time the shutter is released. — Greg Marinovich

So far as we feel sympathy, we feel we are not accomplices to what caused the suffering. Our sympathy proclaims our innocence as well as our impotence. To that extent, it can be (for all our good intentions) an impertinent- if not inappropriate- response. To set aside the sympathy we extend to others beset by war and murderous politics for a reflection on how our privileges are located on the same map as their suffering, and may- in ways we might prefer not to imagine- be linked to their suffering, as the wealth as some may imply the destitution of others, is a task for which the painful, stirring images supply only an initial spark. — Susan Sontag

We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images ... Even at the end of the second year of life when word tags exist for a number of objects in the child's life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory. — Selma Fraiberg

Leyner's fiction is, in this regard, an eloquent reply to Gilder's prediction that our TV-culture problems can be resolved by the dismantling of images into discrete chunks we can recombine as we fancy. Leyner's world is a Gilder-esque dystopia. The passivity and schizoid decay still endure for Leyner in his characters' reception of images and waves of data. The ability to combine them only adds a layer of disorientation: when all experience can be deconstructed and reconfigured, there become simply too many choices. And in the absence of any credible, noncommercial guides for living, the freedom to choose is about as "liberating" as a bad acid trip: each quantum is as good as the next, and the only standard of an assembly's quality is its weirdness, incongruity, its ability to stand out from a crowd of other image-constructs and wow some Audience. — David Foster Wallace

Mothers of America
let your kids go to the movies!
get them out of the house so they won't know what you're up to
it's true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by silvery images
and when you grow old as grow old you must
they won't hate you — Frank O'Hara

For better or worse, a lot of people's images are based on the first things that are written about them. You can't control what people write about you, so - good or bad - I have never lost sleep about it. — Andrew Luck

Disappointment, when it involves neither shame nor loss, is as good as success; for it supplies as many images to the mind, and as many topics to the tongue. — Samuel Johnson

Under the 1998 Digital Millennium Copyright Act, Tumblr, YouTube, Reddit, WordPress, and Facebook aren't responsible for the copyright infringement of each of their millions of users, so long as they take down specific posts, videos, or images when notified by copyright holders. But copyright holders thought that wasn't good enough. — Marvin Ammori

The past haunts me. The images are burned into my brain. I'm no good for him because I'm utterly broken. Emily — A.M. Guilliams

The more isolated the dynasty became, and the more unsheltered the autocrat felt, the more he needed some help from the other world. Certain savages, in order to bring good weather, wave in the air a shingle on a string. The tsar and tsarina used shingles for the greatest variety of purposes. In the tsar's train, there was a whole chapel full of large and small images, and all sorts of fetishes, which were brought to bear, first against the Japanese, then against the German artillery. The — Leon Trotsky

Dostoevsky does not exist for me. Virginia Woolf does not exist for me. Her essays are quite good, but her novels are not of much interest for me. And Joyce. His stories are wonderful, but his novels are too artificial, even pompous. I have heard some writers say, When I read Kafka or Flaubert or Dostoevsky, I think, why should I write? He is so good. For me, writers like Kafka are so closed they don't allow you to follow them, whereas someone like Shakespeare leaves many paths unexplored, many things just announced, strong images unexplained - these invite you not to follow him but to be inspired. He inspires me. — Javier Marias

Writing about memories is an elusive process. It often begins with a good intention: to convey the truth. What happens in reality is that we only write down what passes through the censors' eyes. The censors here are the ambient time and space, social and political conditions, and the psychological changers the writer herself. What one writes now is certainly not what actually happened. It is but a vague indicator of what might have happened, a mixture of illusive and contracted images, a dream, or an act conditioned by either a denial or a desire to see past events shaped by what is yearned for in the present. p. 153 — Haifa Zangana

I love you. Why it worked right then, why the webbing of my godmother's spell frayed as though the words had been an open flame, I don't know. I haven't found any explanation for it. There aren't any magical words, really. The words just hold the magic. They give it a shape and a form, they make it useful, describe the images within. I'll say this, though: Some words have a power that has nothing to do with supernatural forces. They resound in the heart and mind, they live long after the sounds of them have died away, they echo in the heart and the soul. They have power, and that power is very real. Those three words are good ones. — Jim Butcher

Watching a scene from a film in slow motion is possible, but there's an unreal air to it; reading a passage from a book slowly does nothing to rob the words of their power. A film presents images; a book creates images inside the reader, with the reader's active participation. Books are good for your brain. — Lewis Buzbee

Is it possible for the rose to say, "I will give my fragrance to the good people who smell me, but I will withhold it from the bad?" Or is it possible for the lamp to say, "I will give my light to the good people in this room, but I will withhold it from the evil people"? Or can a tree say, "I'll give my shade to the good people who rest under me, but I will withhold it from the bad"? These are images of what love is about. — Anthony De Mello

You live in a society that has made it more comfortable to read a book about the ten ways to get a guy or girl to fall in love with you, or to obsess about your romantic love life, than to share your self-love journey with your friends and family. You're bombarded with images and media, like reality TV shows, whose underlying message tells you it's normal to look to outside sources for confirmation that you are good enough, rather than to unapologetically stand for self-respect and self-worth. — Christine Arylo

[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape. — Martin Scorsese

...The happy Warrior... is he... whose powers shed round him in the common strife, or mild concerns of ordinary life, a constant influence, a peculiar grace; but who, if he be called upon to face some awful moment to which Heaven has joined great issues, good or bad for human kind, is happy as a lover; and attired with sudden brightness, like a man inspired; and, through the heat of conflict, keeps the law in calmness made, and sees what he foresaw; or if an unexpected call succeed, come when it will, is equal to the need: he who, though thus endued as with a sense and faculty for storm and turbulence, is yet a soul whose master-bias leans to homefelt pleasures and to gentle scenes; sweet images! which, wheresoe'er he be, are at his heart; and such fidelity it is his darling passion to approve; more brave for this, that he hath much to love:- — William Wordsworth

Let's be honest. You let yourself be pulled in because it felt good to be wanted, needed. But then it went too far, as projected images always do. If it's not a real image, but one that has been projected on to you, then you can keep up the masquerade for only so long before the mask cracks and the paint on the mask peels away. — Tori Amos

All comparison is based on memory, and memory is an image based on engrams. It follows that all judgement, evaluation, is an interpretation of images, for even the present is already a memory by the time we have seized it.
Therefore the unending process of finding things "good" or "not so good" is a work of imagination. Would in not be futile indeed to suppose that such judgments, that is any and all judgments, could have any absolute existence or value? — Wei Wu Wei

A lot of the lyrics I write involve images that just swing the song in a way that feels really good to me and there isn't a literal explanation. They're not riddles for the listener to solve. — Matt Berninger

For my own good, I want to hang out with people who want to find out what it would be like to live in such a way as to leave no unspoken words, no unfinished business; I want to be with people who are hungry for the truth, who want to spend time learning and sharing what they have learned rather than defending their images or reputations. — Brad Blanton

As a society, our collective understanding of racism has been powerfully influenced by the shocking images of the Jim Crow era and the struggle for civil rights. When we think of racism we think of Governor Wallace of Alabama blocking the schoolhouse door; we think of water hoses, lynchings, racial epithets, and "whites only" signs. These images make it easy to forget that many wonderful, good-hearted white people who were generous to others, respectful of their neighbors, and even kind to their black maids, gardeners, or shoe shiners - and wished them well - nevertheless went to the polls and voted for racial segregation. — Michelle Alexander

Has given it life? Why do you allow some of the earliest images to which your child is exposed to be images of violence? Who told you this was good for your children? And why do you hide images of love? Why do you teach your children to be ashamed and embarrassed of their own bodies and their functions by shielding your own body from them, and telling them not to ever touch themselves in ways which pleasure them? What message do you send them about pleasure? And what lessons about the body? Why do you place your children in schools where competition is allowed and encouraged, where being the "best" and learning the "most" is rewarded, where "performance" is graded, and moving at one's own pace is barely tolerated? What does your child understand from this? — Neale Donald Walsch

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

The core symbols we use for God represent what we take to be the highest good ... These symbols or images shape our worldview, our ethical system, and our social practice
how we relate to one another.
For instance, [Elizabeth A.] Johnson suggests that if a religion speaks about God as warrior, using militaristic language such as how "he crushes his enemies" and summoning people to become soldiers in God's army, then the people tend to become militaristic and aggressive.
Likewise, if the key symbol of God is that of a male king (without any balancing feminine imagery), we become a culture that values and enthrones men and masculinity. — Sue Monk Kidd

I stand for My Vision of all Good Images
in Love and Life.
An image you won't Delete :
Petra Cecilia Maria Hermans
Religion of Blue Circle
September 15, 2016
Amen — Petra Hermans

I could Google image search 'the sky' and I would probably see beautiful images to knock my socks off. But I can't Google, you know, 'What does my friend look like today?' For you to be able to take a picture of yourself that you feel good enough about to share with the world - I think that's a great thing. — Ezra Koenig

We are images of Adonai, and are responsible for one another, and for taking care of all on earth created by Adonai: just as Adonai is responsible for everything created. We learned to differentiate between good and evil. We can even create order out of chaos, as Adonai did on day one. We not only procreate, but also teach the next generations. (Deuteronomy 6:7). All of these abilities and responsibilities, we inherited when created in the image of Adonai. Every person also has a spark of Adonai within. We can choose to ignore this, or to embrace this. We have the power of choice. With this great power, comes great responsibility. You see, not only were we given the ability to reason, but also, we have the ability to create a new and different future, because we have the ability to change, both ourselves, and the world. — Laura Weakley

After 1909, Monet drastically enlarged his brushstrokes, disintegrated his images, and broke through the taming constraints and delicacy of Impressionism for good. Nineteen gnarly paintings, starting in 1909 and carrying through his final seventeen years, finish off the notion that Monet went happily ever after into lily-land. — Jerry Saltz

There is good reason for supposing that the archetypes are the unconscious images of the instincts themselves, in other words, that they are patterns of instinctual behaviour. — C. G. Jung

For anyone who devours the web on a daily basis, the biggest problem is too much of a good thing. There's so much extraordinary content - from articles to images, videos and Tweets - that it's almost impossible to keep track of it. — Ryan Holmes

Yes, it's good to be able to block things out. But maybe the terrible images persist for a reason: to tell the truth. Which is a terrible and terribly important thing. — Margaret Ajemian Ahnert

A film presents images; a book creates them inside the reader, with the reader's active participation. Books are good for your brain. Neurologists have found that, when watching television or film, the viewer's eyes remain idle, straight ahead, but when reading, the actual physical movement of scanning the page from left to right (or right to left, or up and down, depending) stimulates and conditions the brain, a Stairmaster of the mind. — Lewis Buzbee

We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art. — Salvador Dali

Whenever you want to cheer yourself up, consider the good qualities of your companions, for example, the energy of one, the modesty of another, the generosity of yet another, and some other quality of another; for nothing cheers the heart as much as the images of excellence reflected in the character of our companions, all brought before us as fully as possible. Therefore, keep these images ready at hand. — Marcus Aurelius

For a long time, she sat and saw.
She had seen her brother die with one eye open, on still in a dream. She had said goodbye to her mother and imagined her lonely wait for a train back home to oblivion. A woman of wire had laid herself down, her scream traveling the street, till it fell sideways like a rolling coin starved of momentum. A young man was hung by a rope made of Stalingrad snow. She had watched a bomber pilot die in a metal case. She had seen a Jewish man who had twice given her the most beautiful pages of her life marched to a concentration camp. And at the center of all of it, she saw the Fuhrer shouting his words and passing them around.
Those images were the world, and it stewed in her as she sat with the lovely books and their manicured titles. It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words. — Markus Zusak

Philosopher Jean Baudrillard made a similar observation about the use of material goods as symbols of immaterial values. He noted that any given material object has two kinds of value: it has use value (the amount of utility which can be derived from the good), and it has sign value (a value based on what the object means to the person who owns it.) Advertisers constantly attempt to increase the amount that people will pay for products by infusing them with artificial sign value. Emotional branding, for example, is the practice of using images to link a product with a positive emotional state, so that people will unthinkingly purchase the product when they crave the emotion. — Melinda Selmys

The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development. — Flannery O'Connor

Depression is awful beyond words or sounds or images ... it bleeds relationships through suspicion, lack of confidence and self-respect, the inability to enjoy life, to walk or talk or think normally, the exhaustion, the night terrors, the day terrors. There is nothing good to be said for it except that it gives you the experience of how it must be to be old, to be old and sick, to be dying; to be slow of mind; to be lacking in grace, polish and coordination; to be ugly; to have no belief in the possibilities of life, the pleasures of sex, the exquisiteness of music or the ability to make yourself and others laugh. — Kay Redfield Jamison

Your heart, mind and body - and all your sixty trillion cells - work as a team. When you carefully choose your thoughts and mental images, and focus on what feels comfortable and good for your heart, you shift to a higher level of vibration, which, in turn, bolsters your immune system. — Susan Barbara Apollon

When people think about 'thinking,' they often think 'academia;' they think 'threat.' They think 'coldness.' I want to reverse all those images and say, 'No, the brain God gave you is intended to throw fuel on the fire of your affections for God. It's really good at it if you let it.' — John Piper

For a hundred dead stories there still remain one or two living ones. I evoke these with caution, occasionally, not too often, for fear of wearing them out, I fish one out, again I see the scenery, the characters, the attitudes. I stop suddenly: there is a flaw, I have seen a word pierce through the web of sensations. I suppose that this word will soon take the place of several images I love. I must stop quickly and think of something else; I don't want to tire my memories. In vain; the next time I evoke them a good part will be congealed. — Jean-Paul Sartre

There is a mental fear, which provokes others of us to see the images of witches in a neighbor's yard and stampedes us to burn down this house. And there is a creeping fear of doubt, doubt of what we have been taught, of the validity of so many things we had long since taken for granted to be durable and unchanging. It has become more difficult than ever to distinguish black from white, good from evil, right from wrong. — Edward R. Murrow

The Americans were understandably on hair triggers. There was a good reason for all of this security. For despite TV images of quick victory, much of Baghdad certainly had not fallen and firefights with die-hard Ba'athists loyal to Saddam Hussein were raging all over the city. — Lawrence Anthony

The writers I most enjoy reading, even in gritty, down-to-earth genres, have a touch of the poet in them; they can create original, evocative images and make words do things they hadn't known they could. Writing my first novel left me feeling that the most important quality for a writer is empathy, the ability to see the world through the eyes of someone from a vastly different background. Especially, to create engaging villains, you have to see how the world makes sense from their point of view, even if it's the polar opposite of yours. For me, a good villain is one who makes the reader ask, "If I had the same experience as this person, can I be absolutely sure I wouldn't have done the same things? — Charles Kowalski