Images For Quotes & Sayings

Art is personal, originating from dreams, ideas, neuroses; art is shared, harkening back to the humans around the fire; art imbues pleasure and power by enabling people to know reality ... Art is a necessity because it is a way of knowing ... Is the need for truth physiological? Art exists out of time ... images may be different bu there is always a repetition- a thread. — Zelda Fichandler

You may have seen people praying to an image as if it had special power. Perhaps they're wishing for the well-being of their family, for material prosperity, or to recover from illness. But this way of practicing faith only leads to a dead end. Buddha images should serve as inspirations to cultivate the infinite loving kindness latent in the buddha within us. — Shinjo Ito

The point is that no matter what you choose to do with your body when you die, it won't, ultimately, be very appealing. If you are inclined to donate yourself to science, you should not let images of dissection or dismemberment put you off. They are no more or less gruesome, in my opinion, than ordinary decay or the sewing shut of your jaws via your nostrils for a funeral viewing. — Mary Roach

The unconscious sends all sorts of vapors, odd beings, terrors, and deluding images up into the mind - whether in dream, broad daylight, or insanity: for the human kingdom, beneath the floor of the comparatively neat little dwelling that we call our consciousness, goes down into unsuspected Aladdin caves. — Joseph Campbell

Few things in nature can compare to the long, mournful wail of a loon echoing across water and through the forest. It's an evocative sound that will stick with you for the rest of your life and make you nostalgic for things that never even happened to you. Eerie, yet beautiful, the sound will conjure up images of solitude near mountain lakes and ponds, shrouded in fog during the early morning or late dusk, surrounded by the silhouettes of pine trees. It's a sound that relaxes and submerges you into the tranquility of nature. I don't think there is another sound in the world that reminds me of the wilderness more so than the wail of a loon. — Kyle Rohrig

Our growing dependence on technologies no one seems to understand or control has given rise to feelings of powerlessness and victimization. We find it more and more difficult to achieve a sense of continuity, permanence, or connection with the world around us. Relationships with others are notably fragile; goods are made to be used up and discarded; reality is experienced as an unstable environment of flickering images. Everything conspires to encourage escapist solutions to the psychological problems of dependence, separation, and individuation, and to discourage the moral realism that makes it possible for human beings to come to terms with existential constraints on their power and freedom. — Christopher Lasch

The day drags through though storms keep out the sun;
And thus the heart will break, yet brokenly live on:
Even as a broken mirror, which the glass
In every fragment multiplies; and makes
A thousand images of one that was,
The same, and still the more, the more it breaks;
And thus the heart will do which not forsakes,
Living in shattered guise, and still, and cold,
And bloodless, with its sleepless sorrow aches,
Yet withers on till all without is old,
Showing no visible sign, for such things are untold. — George Gordon Byron

My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself. — David Starkey

It is better to be a fool than to be dead. It is better to emit a scream in the shape of a theory than to be entirely insensible to the jars and incongruities of life and take everything as it comes in a forlorn stupidity. Some people swallow the universe like a pill; they travel on through the world, like smiling images pushed from behind. For God's sake give me the young man who has brains enough to make a fool of himself! — Robert Louis Stevenson

Outside the window of the balcony room, three
metal guys were building a new patio for the
defunct pool. The pool was slowly filling with
red dust carried across the highway by intermittent
breezes. At some point I stood up from the table
and pulled back the curtain a bit and watched the
half naked bodies of the guys climbing in and out
of their trucks for tools or to turn up the volume
of the music. I felt like a detective with only the window
glass and the curtains camouflaging my desire. For a
moment I was afraid the intensity of my sexual fantasies
would become strangely audible; the energy of
the thought images would become so loud that
all three guys would turn simultaneously like
witnesses to a nearby car crash. — David Wojnarowicz

Books and drafts mean something quite different for different thinkers. One collects in a book the lights he was able to steal and carry home swiftly out of the rays of some insight that suddenly dawned on him, while another thinker offers us nothing but shadows - images in black and grey of what had built up in his soul the day before. — Friedrich Nietzsche

I got an image in my head that never got out. We see a great many things and can remember a great many things, but that is different. We get very few of the true images in our heads of the kind I am talking about, the kind that become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of meaning, and without the image our lives would be nothing except an old piece of film rolled on a spool and thrown into a desk drawer among the unanswered letters. — Robert Penn Warren

For the images of the gods are much easier to misuse for human purposes than the gods themselves. Images have no will and no desires. Statues stand for nothing but the goals of the rulers. ... The word of a god is, in truth, only the word of the one who erected his statue. — Kai Meyer

Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals.
Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead. — Kirby Howell

Images, whether on paper or in the mind, are not important for themselves. Merely links. Take a parallel from an infinitely higher sphere. Tomorrow morning a priest will give me a little round, thin, cold, tasteless wafer. Is it a disadvantage - is it not in some ways an advantage - that it can't pretend the least resemblance to that with which it unites me? — C.S. Lewis

Ernst Dwinger in his Siberian Diary
mentions a German lieutenant - for years a prisoner in a camp where cold and hunger were almost
unbearable - who constructed himself a silent piano with wooden keys. In the most abject misery,
perpetually surrounded by a ragged mob, he composed a strange music which was audible to him alone.
And for us who have been thrown into hell, mysterious melodies and the torturing images of a vanished
beauty will always bring us, in the midst of crime and folly, the echo of that harmonious insurrection
which bears witness, throughout the centuries, to the greatness of humanity. — Albert Camus

When was the last time you looked at anything, solely, and concentratedly, and for its own sake? Ordinary life passes in a near blur. If we go to the theatre or the cinema, the images before us change constantly, and there is the distraction of language. Our loved ones are so well known to us that there is no need to look at them, and one of the gentle jokes of married life is that we do not. — Jeanette Winterson

It's said that in the beginning was the word, but for me the beginning is always an image. When I think about a conversation, it always starts with images. And what I love about photography is the inscription of a single moment: it's completely ephemeral. You take the photograph, and one second later, everything has changed. — Abbas Kiarostami

Hyacinth, who wept before sleep, had wept that night; he had wept too - had wept in joy and pain, and in joy at his pain. When tears were done and their heads rested on one pillow, she had said that no man had ever wept with her before. Two floors below them, their reflected images knelt in the fishpond at Thelxiepeia's feet, subsistent but invisible. There she would weep for him longer than they lived. He lowered his naked body into a rising pool, warm and scarcely less romantic. Ermine — Gene Wolfe

You usually get one or the other, you get someone who knows how to tell a story but they don't necessarily know about light and camera and rhythm, or you get someone who can make beautiful images but they can't necessarily tell a great story. He[Mark Webb] does both and I think he's going to be one of the film-makers that our time is remembered for. — Joseph Gordon-Levitt

Her mind circled Georgia, circled Ebenezer. It called up images and memories and things nearly home but never that final destination itself, as if it existed at the center of her mind, shining like a sun too radiant. She knew there was a face at the center of that radiance. A face too bright. A face she sought and longed for but could no longer bear the light of. She drifted into sleep, circling, circling, circling. — A.S. Peterson

The Conscious mind is a maelstrom of fleeting thoughts , images, sensations, feelings , conflicting desires , and doubts ; barely able to confine its attention to a single clear objective for a microsecond before secondary thoughts begin to adulterate it and provoke yet further trains of mental discourse. If you do not believe this, then attempt to confine your conscious attention to the dot at the end of this sentence without involving yourself in any other form of thinking, including thinking about the dot. — Peter J. Carroll

For me, nudity and strong language have never been huge loadbearing elements of how I like to tell a story. Graphic images certainly are. — Bryan Fuller

My job is to take the pictures, communicate a message, to bring those images to the greater public through whatever publication I'm working for. My job is really to be a messenger, and that's what I've been doing. — Lynsey Addario

These students of mine, like the rest of their generation, were different from mine in one fundamental aspect. My generation complained of a loss, the void in our lives that was created when our past was stolen from us, making us exile in our own country. Yet we had a past to compare with the present; we had memories and images of what had been taken away. But my girls spoke constantly of stolen kisses, films they had never seen and the wind they had never felt on their skin. This generation had no past. Their memory was of a half-articulated desire, something they had never had. It was this lack, their sense of longing for the ordinary, taken-for-granted aspects of life, that gave their words a certain luminous quality akin to poetry. — Azar Nafisi

We are images of Adonai, and are responsible for one another, and for taking care of all on earth created by Adonai: just as Adonai is responsible for everything created. We learned to differentiate between good and evil. We can even create order out of chaos, as Adonai did on day one. We not only procreate, but also teach the next generations. (Deuteronomy 6:7). All of these abilities and responsibilities, we inherited when created in the image of Adonai. Every person also has a spark of Adonai within. We can choose to ignore this, or to embrace this. We have the power of choice. With this great power, comes great responsibility. You see, not only were we given the ability to reason, but also, we have the ability to create a new and different future, because we have the ability to change, both ourselves, and the world. — Laura Weakley

This kind of pragmatism has become a hallmark of our psychological culture. In the mid-1990s, I described how it was commonplace for people to "cycle through" different ideas of the human mind as (to name only a few images) mechanism, spirit, chemistry, and vessel for the soul.14 These days, the cycling through intensifies. We are in much more direct contact with the machine side of mind. People are fitted with a computer chip to help with Parkinson's. They learn to see their minds as program and hardware. They take antidepressants prescribed by their psychotherapists, confident that the biochemical and oedipal self can be treated in one room. They look for signs of emotion in a brain scan. Old jokes about couples needing "chemistry" turn out not to be jokes at all. — Sherry Turkle

But I never looked like that!' - How do you know? What is the 'you' you might or might not look like? Where do you find it - by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the repertoire of its images. — Roland Barthes

Stories," she blurted. "The mosaic told stories, didn't it?"
"Yes, old ones."
"I'll tell them to you."
His eyes cracked open. He didn't remember closing them. "You know those tales?"
"Yes."
She didn't. This became clear as she began to tell them. She knew bits and pieces, cobbled together in ways that would have made him smile if smiling didn't hurt. "You," he breathed, "are such a faker."
"Don't interrupt."
Mostly pure invention. She remembered the images--it pleased him, how vividly she knew the temple floor's details. Which god curled around which, or how the snake's tongue forked into three. But the stories she told had little to do with his religion. Sometimes they didn't even make sense.
"Do this again," he said, "when I have strength to laugh."
"As bad as that?"
"Mmm. Maybe not. For a Valorian. — Marie Rutkoski

In societies reduced to blur and glut, terror is the only meaningful act. There's too much everything, more things and messages and meanings that we can use in ten thousand lifetimes. Inertia-hysteria. Is history possible? Is anyone serious? Who do we take serious? Only the lethal believer, the person who kills and dies for faith. Everything else is absorbed. The artist is absorbed, the madman in the street is absorbed an processed and incorporated. Give him a dollar, put him in a TV commercial. Only the terrorists stand outside. The culture hasn't figured out how to assimilate him. It's confusing when they kill the innocent. But this is precisely the language of being noticed, the only language the West understands. The way they determine how we see them. The way they dominate the rush of endless streaming images. — Don DeLillo

I remember the Hunt from ten years ago. How for months afterward I didn't dare fall asleep because of the nightmares that would invade my mind: hideous images of an imagines Hunt, wet and violent and full of blood. Horrific cries of fear and panic, the sound of flesh ripped and bones crushed puncturing the night stillness. — Andrew Fukuda

I don't want people to think about one common thing. Coda is non-discursive, just like choreography for the stage. So each audience member's thoughts about it, or better yet, their feelings, will be different. Moreover, images contain so much information that one can see things that the next person won't notice. As a result, people will surely think about Coda in dissimilar ways. — Martine Epoque

Desire is the outcome of sensation - the outcome with all the images that thought has built. And this desire not only breeds discontent but a sense of hopelessness.
Never suppress it, never discipline it but probe into the nature of it - what is the origin, the purpose, the intricacies of it? To delve deep into it is not another desire, for it has no motive; it is like understanding the beauty of a flower, to sit down beside it and look at it. — Jiddu Krishnamurti

. Only - if you care for a thing enough, it takes on a life of its own, doesn't it? And isn't the whole point of things - beautiful things - that they connect you to some larger beauty? Those first images that crack your heart wide open and you spend the rest of your life chasing, or trying to recapture, in one way or another? Because, I mean - mending old things, preserving them, looking after them - on some level there's no rational grounds for it - "
"There's no 'rational grounds' for anything I care about — Donna Tartt

I work a lot; I love to compose, ponder, and take notes when preparing for a role. I cut all the scenes, collate the images, form the character and shape its personality, then I make meticulous notes and transcribe each scene on my notebook. — Julie Gayet

There's no reality except the one contained within us. That's why so many people live an unreal life. They take images outside them for reality and never allow the world within them to assert itself. — Hermann Hesse

Ugh. A club for Prodigium? That conjured up images of way more velvet and dry ice and angst than I was up for. — Rachel Hawkins

True eloquence is irresistible. It charms by its images of beauty, it enforces an argument by its vehement simplicity. Orators whose speeches are "full of sound and fury, signifying nothing," only prevail where truth is not understood, for knowledge and simplicity are the foundation of all true eloquence. Eloquence abounds in beautiful and natural images, sublime but simple conceptions, in passionate but plain words. Burning words appeal to the emotions as well as to the intellect; they stir the soul and touch the heart. — Albert Ellery Bergh

A common refrain among theoretical physicists is that the fields of quantum field theory are the "real" entities while the particles they represent are images like the shadows in Plato's cave. As one who did experimental particle physics for forty years before retiring in 2000, I say, "Wait a minute!" No one has ever measured a quantum field, or even a classical electric, magnetic, or gravitational field. No one has ever measured a wavicle, the term used to describe the so-called wavelike properties of a particle. You always measure localized particles. The interference patterns you observe in sending light through slits are not seen in the measurements of individual photons, just in the statistical distributions of an ensemble of many photons. To me, it is the particle that comes closest to reality. But then, I cannot prove it is real either. — Victor J. Stenger

The quotidian demands of life distract from this resonance of images and events, but some of us feel it always. And who among us, offered the chance, would not relive the day or hour in which we first knew love, or ecstasy, or made a choice that forever altered our future, negating a life we might have had? Such chances are rarely granted. Memory and grief prove Faulkner right enough, but Einstein knew the finality of action. If I cannot change what I had for lunch yesterday, I certainly cannot unmake a marriage, erase the betrayal of a friend, or board a ship that left port twenty years ago. And — Greg Iles

Lord Daldace looked about as if seeing the villa for the first time. "What are dreams? Ordinary experience is a dream. The eyes, the ears, the nose: they present pictures on the brain, and these pictures are called 'reality'. At night, when we dream, other pictures, of source unknown, are impinged. Sometimes the dream-images are more real than 'reality'. Which is solid, which illusion? Why trouble to make the distinction? — Jack Vance

Not setting the 'proper and accepted' religious example for them conjured up images of the bad mother, the worst mother. Yet wouldn't the example of a mother being true to her journey, taking a stand against patriarchy, and questing for spiritual meaning and wholeness, even when it meant exiting circles of orthodoxy, be a worthwhile example? — Sue Monk Kidd

Our patriotism comes straight from the Romans. This is why French children are encouraged to seek inspiration for it in Corneille. It is a pagan virtue, if these two words are compatible. The word pagan, when applied to Rome, early possesses the significance charged with horror which the early Christian controversialists gave it. The Romans really were an atheistic and idolatrous people; not idolatrous with regard to images made of stone or bronze, but idolatrous with regard to themselves. It is this idolatry of self which they have bequeathed to us in the form of patriotism. — Simone Weil

Suffering isn't real to them. War isn't real. It's just a three-letter word for other people that they see in the digital newsfeeds. Just a stream of uncomfortable images they skip past. A whole business of weapons and arms and ships and hierarchies they don't even notice, all to shield these fools from the true agony of what it means to be human. — Pierce Brown

I can write about images from my own childhood for children today. I wasn't sure I could do this, but there was no way out; I had to use the images from my own childhood, because the child I was is the only child I really know. — Ellen Raskin

When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex. — Jaco Van Dormael

It is a mistake to talk about the artist looking for his subject. In fact, the subject grows within him like a fruit and begins to demand expression. It is like childbirth. The poet has nothing to be proud of. He is not master of the situation, but a servant. Creative work is his only possible form of existence, and his every work is like a deed he has no power to annul. For him to be aware that the sequence of such deeds is due and ripe, that it lies in the very nature of things, he has to have faith in the idea; for only faith interlocks the system of images for which read system of life. — Andrei Tarkovsky

With Catty and Patrick's images in he side mirror waving from the steps of that house like Jethro and Ellie Mae, it occurred to me that something extraordinary had happened. I had effortlessly found a place of acceptance
a place where people had taken me for me, not for what I could give them
and I had left it. — Linda Leigh Hargrove

Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. — Sam Abell

Nowadays myths can be practically momentary: transmitted throughout the world by 24-hour news and the internet, they spread virally, entering the minds of tens and hundreds of millions of people in minutes or hours. Are these true myths, or mass-manufactured fantasies? At times they can be both. In recent years images of resistance to tyranny have been relayed around the world by mass media, many of them captured on mobile phones by the resisters themselves. The myths of revolution that moved the resisters were reinforced, for a time, by the media that make the news. But myths survive for only as long as they are enacted by those who accept them. As popular uprisings go through their normal sequence of rebellion, anarchy and renewed — John N. Gray

I find three basic characteristics that fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness.
These three characteristics of the novel are all organically interrelated and have all been powerfully affected by a very specific rupture in the history of European civilization: its emergence from a socially isolated and culturally deaf semipatriarchal society, and its entrance into international and interlingual contacts and relationships. — Mikhail Bakhtin

This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by. — Brian Michael Bendis

If I had the money, I would love to open up a movie theater that just played images and colors and beautiful music. For me, there's nothing like listening to a beautiful opera sometimes - on a record or seeing it live - just to be sleepy and let those beautiful voices take me somewhere I've never been before. — Peter Stormare

But I had no mind for these smooth things; instead, fear worked like yeast in my thoughts, and the fermentation brought to the surface, in great gobs of scum, the images of disaster; a loaded gun held carelessly at a stile, a horse rearing and rolling over, a shaded pool with a submerged stake, an elm bough falling suddenly on a still morning, a car at a blind corner; all the catalogue of threats to civilized life rose and haunted me; I even pictured a homicidal maniac mouthing in the shadows, swinging a length of lead pipe. — Evelyn Waugh

I could Google image search 'the sky' and I would probably see beautiful images to knock my socks off. But I can't Google, you know, 'What does my friend look like today?' For you to be able to take a picture of yourself that you feel good enough about to share with the world - I think that's a great thing. — Ezra Koenig

If you're a teacher, for instance, there are ways to have positive representation of gay people in the classroom. Making sure that, historically, people are noted and archived, and that kids are getting just positive images of people who are gay. — Amy Ray

Unlike the victims of the Jewish Holocaust, who were on the whole literate, comparatively wealthy, and positioned to record for history the horror that enveloped them, Cottenham and his peers had virtually no capacity to preserve their memories or document their destruction. The black population of the United States in 1900 was in the main destitute and illiterate. For the vast majority, no recordings, writings, images, or physical descriptions survive. There is no chronicle of girlfriends, hopes, or favorite songs of the dead in a Pratt Mines burial field. The entombed there are utterly mute, the fact of their existence as fragile as a scent in wind. — Douglas A. Blackmon

I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them. — Mary Ellen Mark

We Californians can watch the Weather Channel for images of winter's brutality unleashed upon our fellow Americans and thank our lucky stars we don't have to contend with it. — Henry Rollins

The core symbols we use for God represent what we take to be the highest good ... These symbols or images shape our worldview, our ethical system, and our social practice
how we relate to one another.
For instance, [Elizabeth A.] Johnson suggests that if a religion speaks about God as warrior, using militaristic language such as how "he crushes his enemies" and summoning people to become soldiers in God's army, then the people tend to become militaristic and aggressive.
Likewise, if the key symbol of God is that of a male king (without any balancing feminine imagery), we become a culture that values and enthrones men and masculinity. — Sue Monk Kidd

When I see a movie, the music often gets in the way for me. It's something that, say, for myself and Claire, we never, ever speak about. We never speak about describing emotion. I think it's about color and movement. And I think it's important to let the images be the melody, as well, a lot of the time - to create a kind of a backing for that, to let it sing. — Stuart A. Staples

The cinema has done more for my spiritual life than the church. My ideas of fame, success and beauty all originate from the big screen. Whereas Christian religion is retreating everywhere and losing more and more influence; film has filled the vacuum and supports us with myths and action-controlling images. — John Updike

No matter what I do, I can't help but feel that I'm under a microscope. Some of it is completely silly, and some of it is meant to be hurtful. For example, a website accumulated all of my music videos to point out perceived Illuminati images. I loved that one. Of course, it was all ridiculous but funny. — Steve Aoki

Years passed. The trees in our yard grew taller. I watched my family and my friends and neighbors, the teachers whom I'd had or imaged having, the high school I had dreamed about. As I sat in the gazebo I would pretend instead that I was sitting on the topmost branch of the maple under which my brother had swallowed a stick and still played hide-and-seek with Nate, or I would perch on the railing of a stairwell in New York and wait for Ruth to pass near. I would study with Ray. Drive the Pacific Coast Highway on a warm afternoon of salty air with my mother. But I would end each day with my father in his den.
I would lay these photographs down in my mind, those gathered from my constant watching, and I could trace how one thing- my death- connected these images to a single source. No one could have predicted how my loss would change small moments on Earth. But I held on to those moments, hoarded them. None of them were lost as long as I was there. — Alice Sebold

Well, far be it for me to cause you to conjure mental images of shit without panties."
"Can we not talk about shit and panties in the same sentence?"
"You're the one that was talking about panties and lack thereof."
"Oh my God! I can barely remember that far back. Too many traumatic things have been said since then. — M. Leighton

The future rushes in and all we can do is take our memories and move forward with them. Memory keeps only what it wants. Images from memories are sprinkled throughout our lives, but that does not mean we must believe that our own or other people's memories are of things that really happened. When someone stubbornly insists that they saw something with their own eyes, I take it as a statement mixed with wishful thinking. As what they want to believe. Yet as imperfect as memories are, whenever I am faced with one, I cannot help getting lost in thought. Especially when that memory reminds me of what it felt like to be always out of place and always a step behind. Why was it so hard for me to open my eyes every morning, why was I so afraid to form a relationship with anyone, and why was I nevertheless able to break down my walls and find him? — Kyung-Sook Shin

Silence is banished from our screens; it has no place in communication. Media images (and media texts resemble media images in every way) never fall silent: images and messages must follow one upon the other without interruption. But silence is exactly that - a blip in the circuitry, that minor catastrophe, that slip which, on television for instance, becomes
highly meaningful - a break laden now with anxiety, now with jubilation, which confirms the fact that all this communication is basically nothing but a rigid script, an uninterrupted fiction designed to free us not only from the void of the television screen but equally from the void of our own mental screen, whose images we wait on with the same fascination. — Jean Baudrillard

One gets the sense that, for Deleuze, the cinema of the movement-image has been fully realized while that of the time-image is emergent. Comparatively speaking, there are few "pure" examples of films where direct images of time predominate. Mixed or hybrid examples are more common. — D. N. Rodowick

We are not encouraged, on a daily basis, to pay careful attention to the animals we eat. On the contrary, the meat, dairy, and egg industries all actively encourage us to give thought to our own immediate interest (taste, for example, or cheap food) but not to the real suffering involved. They do so by deliberately withholding information and by cynically presenting us with idealized images of happy animals in beautiful landscapes, scenes of bucolic happiness that do not correspond to anything in the real world. The animals involved suffer agony because of our ignorance. The least we owe them is to lessen that ignorance. — Jeffrey Moussaieff Masson

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

You must give birth to your images. They are the future waiting to be born. Fear not the strangeness you feel. The future must enter you long before it happens. Just wait for the birth, for the the hour of the new clarity. — Rainer Maria Rilke

If you want to know what it means to be happy, look at a flower, a bird, a child; they are perfect images of the kingdom. For they live from moment to moment in the eternal now with no past and no future. — Anthony De Mello

The musician writes for the orchestra what his inner voice sings to him; the painter rarely relies without disadvantage solely upon the images which his inner eye presents to him; nature gives him his forms, study governs his combinations of them. — Hermann Ebbinghaus

I was a book lover from the beginning. I loved, love, words and images and ideas, the ways a book can make you feel things deeply or help you understand something you never even knew there were words for. — Deb Caletti

The pathologized images have moved the soul in several ways: we are afraid; we feel vulnerable and in danger; our very physical sustance and sanity appear to be menaced; we want to prevent or rectify. Especially this last seizes us. We feel protective, impelled to correct, straighten, repair. For we have confused something sick with something wrong. [ ... ]
affliction reaches us partly through the guilt it brings. Guilt belongs to the experiences of deviation, the the sense of being off, failing, 'missing the mark'. [ ... ]
However the true missing of the mark is taking the guilt literally, where failings becomes faults to be set right. This places the guilt on the shoulders of the ego who 'should not' have failed. Then pathologizing reinforces the ego's style and guilt serves a secondary gain, increasing the ego's sense of importance: ego becomes superego, drivenly busy with repairing wrongs. A guilty ego is no less egocentric than a proud one. — James Hillman

It is commonplace to say that silent films are more "dreamlike," but what does that mean? In Nosferatu, it means that the characters are confronted with alarming images and denied the freedom to talk them away. There is no repartee in nightmares. Human speech dissipates the shadows and makes a room seem normal. Those things that live only at night do not need to talk, for their victims are asleep, waiting. — Roger Ebert

My gift and uniqueness consist in this: I store images of the external world in my head, and out of them I am able to produce new images and arrangements only for myself. I can conceive the entire world in my mind. That is, I can create it anew. — Hermann Hesse

The Americans were understandably on hair triggers. There was a good reason for all of this security. For despite TV images of quick victory, much of Baghdad certainly had not fallen and firefights with die-hard Ba'athists loyal to Saddam Hussein were raging all over the city. — Lawrence Anthony

The spiraling flights of moths appear haphazard only because of the mechanisms of olfactory tracking are so different from our own. Using binocular vision, we judge the location of an object by comparing the images from two eyes and tracking directly toward the stimulus. But for species relying on the sense of smell, the organism compares points in space, moves in the direction of the greater concentration, then compares two more points successively, moving in zigzags toward the source. Using olfactory navigation the moth detects currents of scent in the air and, by small increments, discovers how to move upstream. — Barbara Kingsolver

Images flicker through my mind of sitting here months ago with this achingly handsome man, wondering what in the hell he saw in me. And I get it now. He saw the pieces of me that could make a whole. Accepted the jagged edges that needed to be healed, because he too had the same thing. And here we sit again, in parts and pieces, needing to be put back together.
But this time we have each other to lean on, to look to for help. — K. Bromberg

I think people should know more of Africa in terms of its joie de vivre, its feeling for life. In spite of the images that one knows about Africa - the economic poverty, the corruption - there's a joy to living and a happiness in community, living together, in community life, which may be missing here in America. — Youssou N'Dour

When you have a blueprint for what happiness is, lay it over your life and see what you need to change so the images are more aligned. — Augusten Burroughs

All the images of carnival are dualistic; they unite within themselves both poles of change and crisis: birth and death (the image of pregnant death), blessing and curse (benedictory carnival curses which call simultaneously for death and rebirth), praise and abuse, youth and old age, top and bottom, face and backside, stupidity and wisdom. — Mikhail Bakhtin

As I saw more and more people buying the images that were happy buyers, and people selling the images that were happy with how the market was pricing them, I started to get the sense this could be the go-to place for businesses to get the images they need. — Jon Oringer

Our capacity to move forward as developing beings rests on a healthy relationship with the past. Psychotherapy, that widespread method for promoting mental health, relies heavily on memory and on the ability to retrieve and organize images and events from the personal pastIf we learn not only to tell our stories but to listen to what our stories tell us - to write the first draft and then return for the second draft - we are doing the work of memory. — Patricia Hampl

devastate him. I don't want him to watch me die by degrees. I don't want that for his daughters, either. I know what it is like; some images, once seen, can never be forgotten. I want them to remember me as I am, not as I will be when the cancer has had its way. He leads me into the small living room and gets me settled on the couch. While I wait, he pours us some wine and then sits beside me. I am thinking of how it will feel when he leaves, and I am sure the same thought occupies his mind. With a sigh, he reaches into his briefcase — Kristin Hannah

These galleries are hung, mostly, with images from 'Frog and Toad,' and he moves from each to each, not really seeing them but rather remembering the experience of viewing them for the first time, in JB's studio, when he and Willem were new to each other, when he felt as if he was growing new body parts - a second heart, a second brain - to accommodate this excess of feeling, the wonder of his life. — Hanya Yanagihara

The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination - and an entertainment - for everybody. — Alexander McQueen

Every word he wrote would be strong with that sweet purity and simplicity that was his gift alone, placing him higher than any living poet, secure on his pedestal apart from the world, like a great silent god above the little dwarfs of men tossed hither and thither in the stream of life. From the crystal clearness of his brain the images became words, and the words became magic, and the whole was transcendent of beauty, one thread touching another, alike in their perfection and their certitude of immortality. Thus it seemed to me he was not a living figure of flesh and blood, but a monument to the national pride of his country, his England, and now and then he would bow gravely from his pedestal and scatter to the people a small quantity of his thought, which they would grub for on their poor rough ground, then clasp to their hungry hearts as treasure. — Daphne Du Maurier

We think of 1789 as the date of the French Revolution, and the storming of the Bastille as its defining event. Yet as late as halfway through 1792, most of the familiar images of the revolution had yet to occur. Louis XVI was still king, and the Assembly was negotiating a new constitutional arrangement for the monarchy, not so different from Britain's Glorious Revolution of 1688. — Mike Jay

...While many who have debated the image of female sexuality have put "explicit" and "self-objectifying" on one side and "respectable" and "covered-up" on the other, I find this a flawed means of categorization. [...] There is a creative possibility for liberatory explicitness because it may expand the confines of what women are allowed to say and do. We just need to refer to the history of blues music - one full of raunchy, irreverent, and transgressive women artists - for examples. Yet the overwhelming prevalence of the Madonna/whore dichotomy in American culture means that any woman who uses explicit language or images in her creative expression is in danger of being symbolically cast into the role of whore regardless of what liberatory intentions she may have. — Imani Perry

In America, we have achieved the Orwellian prediction - enslaved, the people have been programmed to love their bondage and are left to clutch only mirage-like images of freedom, its fables and fictions. The new slaves are linked together by vast electronic chains of television that imprison not their bodies but their minds. Their desires are programmed, their tastes manipulated, their values set for them. — Gerry Spence

I stand for My Vision of all Good Images
in Love and Life.
An image you won't Delete :
Petra Cecilia Maria Hermans
Religion of Blue Circle
September 15, 2016
Amen — Petra Hermans

The Australian Aboriginal cave paintings, from this period, are the first hints of religion that humans have as proof of religious behaviour. The caves in which the paintings are found date to 50,000 years ago through forensic geology and carbon dating. Most of the images found in their religious stories and ceremonies are depicted in these caves. We also have confirmation from the aborigines themselves that these images are their religious images. These paintings also are likely to be significant evidence for linking the use of Amanita Muscaria to its use 50,000 years ago. This is because 50,000 years ago was when humanity entered Australia and also because Amanita Muscaria produces religious like experiences. — Leviak B. Kelly

For nature is an image of Grace, and visible miracles are images of the invisible. — Blaise Pascal

The fools of this world prefer to look for sages far away. They don't believe that the wisdom of their own mind is the sage ... the sutras say, "Mind is the teaching." But people of no understanding don't believe in their own mind or that by understanding this teaching they can become a sage. They prefer to look for distant knowledge and long for things in space, buddha-images, light, incense, and colors. They fall prey to falsehood and lose their minds to insanity. — Bodhidharma

It's not that I'm being shy. It's just that
well, for one, I don't even remember the event. It's a blank: a white slate, a black hole. I have vague images, half-impressions: of being, or having been
or, more precisely, being about to be
hit; blue light; railings; lights of other colours; being held above some kind of tray or bed. But who's to say that these are genuine memories? Who's to say my traumatized mind didn't just make them up, or pull them out from somewhere else, some other slot, and stick them there to plug the gap
the crater
that the accident had blown? Minds are versatile and wily things. Real chancers. — Tom McCarthy

It had been a morning of vivid images: the man-made streams, the rats in the butchers' shops, the stacks of new-minted silver pennies, and then the woman's private parts. For a while, he knew, those pictures would come back to him to unsettle his meditations. — Ken Follett

Well right now Slothrop feels himself sliding onto the anti-paranoid part of his cycle, feels the whole city around him going back roofless, vulnerable, uncentered as he is, and only pasteboard images now of the Listening Enemy left between him and the wet sky.
Either They have put him here for a reason, or he's just here. He isn't sure that he wouldn't actually, rather have that reason ... — Thomas Pynchon

it is quite impossible for us men clothed about with this dense covering of flesh to understand or speak of the divine and lofty and immaterial energies of the Godhead, except by the use of images and types and symbols derived from our own life(7). — John Damascene