Images An Quotes & Sayings

You may have seen people praying to an image as if it had special power. Perhaps they're wishing for the well-being of their family, for material prosperity, or to recover from illness. But this way of practicing faith only leads to a dead end. Buddha images should serve as inspirations to cultivate the infinite loving kindness latent in the buddha within us. — Shinjo Ito

We do not merely perceive objects and hold thoughts in our minds: all our perceptions and thought processes are felt. All have a distinctive component that announces an unequivocal link between images and the existence of life in our organism. — Antonio Damasio

Boxing is an American sport - a 'so-called sport' to many - in which images of incalculable beauty and violence, desperation and ingenuity, are routinely entwined; the sport that evokes the most extreme reactions - loathing, revulsion, righteous indigation; a fierce and often inexplicable loyalty. — Joyce Carol Oates

I have closely noted that people who watch a great deal of TV never again seem able to adjust to the actual pace of life. The speed of the passing images becomes the speed the aspire to and they seem to develop an impatience and boredom with anything else. — Jim Harrison

The medium of comics is not necessarily about "good drawing"--"It's just an accident when it makes a nice drawing," Spiegelman explained to a curator at the MoMA--but rather about what Spiegelman calls picture-writing and Satrapies calls narrative drawing: how one person constructs a narrative that moves forward in time through both words and images. — Hillary Chute

Few things in nature can compare to the long, mournful wail of a loon echoing across water and through the forest. It's an evocative sound that will stick with you for the rest of your life and make you nostalgic for things that never even happened to you. Eerie, yet beautiful, the sound will conjure up images of solitude near mountain lakes and ponds, shrouded in fog during the early morning or late dusk, surrounded by the silhouettes of pine trees. It's a sound that relaxes and submerges you into the tranquility of nature. I don't think there is another sound in the world that reminds me of the wilderness more so than the wail of a loon. — Kyle Rohrig

Our growing dependence on technologies no one seems to understand or control has given rise to feelings of powerlessness and victimization. We find it more and more difficult to achieve a sense of continuity, permanence, or connection with the world around us. Relationships with others are notably fragile; goods are made to be used up and discarded; reality is experienced as an unstable environment of flickering images. Everything conspires to encourage escapist solutions to the psychological problems of dependence, separation, and individuation, and to discourage the moral realism that makes it possible for human beings to come to terms with existential constraints on their power and freedom. — Christopher Lasch

Death releases the energy into air. If a true catastrophe is looming, the disturbance becomes such that a sensitive individual may become highly troubled by it. He may be aware exactly when and where it will occur. He may see an aura around people who are soon to die. Or he may see images of the disaster beforehand ... — Jed Rubenfeld

I always collect a bunch of images for every film that I do, that reminds me of an essence of the character, or the time that they live in, or what they're experiencing. — Mia Wasikowska

A great philosopher once said: 'We are what we Contemplate'
And in these modern times when mankind is constantly confronted with images of conflict and world disasters, it seems very important to contemplate the Beautiful.
It has become my personal crusade as an artist, to create images which uplift and nurture the human heart; to create that which serves as a reminder of what is Sacred and Beautiful within the drama of Life....
Ever since I can remember, my innermost nature has always been to do acts of kindness and to create, from saving lost animals, to organizing charitable events; from mothering my four children to now giving birth to the 'Art of Beauty'. — Ginger Gilmour

But then of course I know perfectly well that He can't be used as a road. If you're approaching Him not as the goal but as a road, not as the end but as a means, you're not really approaching Him at all. That's what was really wrong with all those popular pictures of happy reunions 'on the further shore'; not the simple-minded and very earthly images, but the fact that they make an End of what we can get only as a by-product of the true End.
Lord, are these your real terms? Can I meet H. again only if I learn to love you so much that I don't care whether I meet her or not? — C.S. Lewis

An untrained observer will see only physical labor and often get the idea that physical labor is mainly what the mechanic does. Actually the physical labor is the smallest and easiest part of what the mechanic does. By far the greatest part of his work is careful observation and precise thinking. That is why mechanics sometimes seem so taciturn and withdrawn when performing tests. They don't like it when you talk to them because they are concentrating on mental images, hierarchies, and not really looking at you or the physical motorcycle at all. They are using the experiment as part of a program to expand their hierarchy of knowledge of the faulty motorcycle and compare it to the correct hierarchy in their mind. They are looking at underlying form. — Robert M. Pirsig

Photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which it refers in a manner parallel to fingerprints or footprints or the rings of water that cold glasses leave on tables. The photograph is thus generically distinct from painting or sculpture or drawing. On the family tree of images it is closer to palm prints, death masks, the Shroud of Turin, or the tracks of gulls on beaches. — Rosalind E. Krauss

And young people who are learning digital skills discover that the real challenge is coming up with an image that resonates, first of all, with your self and hopefully, with an audience. They can learn all these new techniques and think that they're easier to use, but creating great images isn't about the tools. — Jerry Uelsmann

At 86, I can easily look back to the last eight decades. Though memory often fails me now, so many images of the past are still clearly polished, and I can yet recall not just an abiding sense of place, but the keen smells, the sensory responses to the events of that past. — F. Sionil Jose

A folkish state must therefore begin by raising marriage from the level of a continuous defilement of the race, and give it the consecration of an institution which is called upon to produce images of the Lord and not monstrosities halfway between man and ape. — Adolf Hitler

An image is a bridge between evoked emotion and conscious knowledge; words are the cables that hold up the bridge. Images are more direct, more immediate than words, and closer to the unconscious. Picture language precedes thinking in words; the metaphorical mind precedes analytical consciousness. — Gloria E. Anzaldua

I got an image in my head that never got out. We see a great many things and can remember a great many things, but that is different. We get very few of the true images in our heads of the kind I am talking about, the kind that become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of meaning, and without the image our lives would be nothing except an old piece of film rolled on a spool and thrown into a desk drawer among the unanswered letters. — Robert Penn Warren

Images, whether on paper or in the mind, are not important for themselves. Merely links. Take a parallel from an infinitely higher sphere. Tomorrow morning a priest will give me a little round, thin, cold, tasteless wafer. Is it a disadvantage - is it not in some ways an advantage - that it can't pretend the least resemblance to that with which it unites me? — C.S. Lewis

I've come to realize that I'm a image maker, not an object maker. Images come to me as photographs because I don't have any other way of express them. I have to translate everything into still or moving pictures. I've learned that reality is not important to me. In the end it is the representation of reality that I'm striving to capture. — Gerardo Suter

Like all who are impassioned, I take blissful delight in losing myself, in fully experiencing the thrill of surrender. And so I often write with no desire to think, in an externalized reverie, letting the words cuddle me like a baby in their arms. They form sentences with no meaning, flowing softly like water I can feel, a forgetful stream whose ripples mingle and undefine, becoming other, still other ripples, and still again other. Thus ideas and images, throbbing with expressiveness, pass through me in resounding processions of pale silks on which imagination shimmers like moonlight, dappled and indefinite. — Fernando Pessoa

The instant the atmosphere is illuminated it will be filled with an infinite number of images which are produced by the various bodies and colours assembled in it. And the eye is the target, a lodestone, of these images. — Leonardo Da Vinci

The practical man demands an appearance of reality at least. Always dealing in the concrete, he regards mathematical terms not as symbols or thought but as images of reality. A system acceptable to the mathematician because of its inner consistency may appear to the practical man to be full of contradictions because of the incomplete manner in which it represents reality. — Tobias Dantzig

The crowding of children into insufficient, often squalid spaces seems an inexplicable anomaly in the United States. Images of spaciousness and majesty, of endless plains and soaring mountains, fill our folklore and our music and the anthems that our children sing. "This land is your land," they are told; and, in one of the patriotic songs that children truly love because it summons up so well the goodness and the optimism of the nation at its best, they sing of "good" and "brotherhood" "from sea to shining sea." It is a betrayal of the best things that we value when poor children are obliged to sing these songs in storerooms and coat closets. — Jonathan Kozol

It's said that in the beginning was the word, but for me the beginning is always an image. When I think about a conversation, it always starts with images. And what I love about photography is the inscription of a single moment: it's completely ephemeral. You take the photograph, and one second later, everything has changed. — Abbas Kiarostami

As a relentless gatherer of moments, I find that my favorite images, although grounded in the present, are like spirits shaped by memories. They whisper of fairy tales, poetry, and other lives, as each gesture connects with another and raises yet another from the dead. Shadows flicker on film to an inner melody as I navigate, camera at hand and at the speed of light, through unimaginable worlds - desperately trying to make sense of the joy and suffering before it all disappears. — Sylvia Plachy

I'd probably sleep like an angel but dream like the Devil, if the images of Reed didn't leave my sinful mind. — K.L. Middleton

Many scientists (the most notable being Albert Einstein) think in visual, spatial, and physical images rather than in mathematical terms and words. (N.B.: That the theoretical physicist, Stephen Hawking, used an arboreal term to picture the cosmos [i.e., affirming that the universe "could have different branches,"] is a tribute to his [very visual] primate brain.) — David B. Givens

Of course there always will be darkness but I realize now something inhabits it. Historical or not. Sometimes it seems like a cat, the panther with its moon mad gait or a tiger with stripes of ash and eyes as wild as winter oceans. Sometimes it's the curve of a wrist or what's left of romance, still hiding in the drawer of some long lost nightstand or carefully drawn in the margins of an old discarded calendar. Sometimes it's even just a vapor trail speeding west, prophetic, over clouds aglow with dangerous light. Of course these are only images, my images, and in the end they're born out of something much more akin to a Voice, which though invisible to the eye and frequently unheard by even the ear still continues, day and night, year after year, to sweep through us all. — Mark Z. Danielewski

Comics, which are really best described as an arrangement of images in a sequence that tell a story - an idea - is a very old form of graphic communication. It began with the hieroglyphics in Egypt, it first appeared in a recognizable form in the Medieval times as copper plates produced by the Catholic church to tell morality stories. — Will Eisner

David Gulden captures animals in all their wonder and intrigue, without glorifying or romanticizing them. He knows Kenya's wildlife intimately, and it shows in the depth of his images. He has an artist's eye, which delivers beauty and transport in every picture. — Susan Minot

It's been an adventure just getting out to Saturn, .. Saturn is such an alluring photographic target. It's a joy, really, to be able to take our images and composite them in an artful way, which is one of my cardinal working goals. It's about poetry and beauty and science all mixed together. — Carolyn Porco

It was uncanny. You press a button and a man drops dead a hundred meters away. It seemed hollow and remote, falsifying everything. It was a trick of the lenses. The man is an accurate picture. Then he is upside down. Then he is right side up. You shoot at a series of images conveyed to you through a metal tube. The force of a death should be enormous but how can you know what kind of man you've killed or who was the braver and stronger if you have to peer through layers of glass that deliver the image but obscure the meaning of the act? War has a conscience or it's ordinary murder. — Don DeLillo

Write the words "The FIve Senses" on an index card and tack it to a bulletin board above your desk. You should have a bulletin board above your desk, if at all possible. Some place where you can tack images, quotes, postcards, scraps of thoughts and ideas that will help remind you of you you are and what you're doing. — Dani Shapiro

On a good day, even writing can feel like a form of collecting - of gathering words, images, and ideas and arranging them in an order that feels right. — Amanda Petrusich

A common refrain among theoretical physicists is that the fields of quantum field theory are the "real" entities while the particles they represent are images like the shadows in Plato's cave. As one who did experimental particle physics for forty years before retiring in 2000, I say, "Wait a minute!" No one has ever measured a quantum field, or even a classical electric, magnetic, or gravitational field. No one has ever measured a wavicle, the term used to describe the so-called wavelike properties of a particle. You always measure localized particles. The interference patterns you observe in sending light through slits are not seen in the measurements of individual photons, just in the statistical distributions of an ensemble of many photons. To me, it is the particle that comes closest to reality. But then, I cannot prove it is real either. — Victor J. Stenger

But I had no mind for these smooth things; instead, fear worked like yeast in my thoughts, and the fermentation brought to the surface, in great gobs of scum, the images of disaster; a loaded gun held carelessly at a stile, a horse rearing and rolling over, a shaded pool with a submerged stake, an elm bough falling suddenly on a still morning, a car at a blind corner; all the catalogue of threats to civilized life rose and haunted me; I even pictured a homicidal maniac mouthing in the shadows, swinging a length of lead pipe. — Evelyn Waugh

TR on using extramarital accusations against Wilson: It won't work. You can't cast a man as Romeo who looks and acts like an apothecary's clerk. — David Pietrusza

The ocean stands for God, the sole substance, and individual beings are like waves - which are modes of the sea. Each wave has its own shape that it holds for a certain time, but the wave is not separate from the sea and cannot be conceived to exist independently of it. Of course, this is only a metaphor; unlike an infinite God, an ocean has boundaries, and moreover the image of the sea represents God only in the attributes of extension. But maybe we can also imagine the mind of God - that is to say, the infinite totality of thinking - as like the sea, and the thoughts of finite beings as like waves that arise and then pass away. — Clare Carlisle

I remember the Hunt from ten years ago. How for months afterward I didn't dare fall asleep because of the nightmares that would invade my mind: hideous images of an imagines Hunt, wet and violent and full of blood. Horrific cries of fear and panic, the sound of flesh ripped and bones crushed puncturing the night stillness. — Andrew Fukuda

I have a set of images that go around the world in an art gallery installation. Each of them have different audiences, and they kind of each elucidate the subject in a slightly different way, and they ping off of each other. — Tim Hetherington

If nothing that can be seen can either be God or represent Him to us as He is, then to find God we must pass beyond everything that can be seen and enter into darkness. Since nothing that can be heard is God, to find Him we must enter into silence. Since God cannot be imagined, anything our imagination tells us about Him is ultimately a lie and therefore we cannot know Him as He really is unless we pass beyond everything that can be imagined and enter into an obscurity without images and without the likeness of any created thing. — Thomas Merton

How fantastic that the American ingenuity of NASA scientists got us to Mars. It makes me proud to be an American. I can't get enough of these images from when the probe touched down. These scientists are American heroes. — Jennifer Granholm

Forgers can start with the same photographic images Warhol did, and sometimes knock off silkscreens only an expert can distinguish from the originals. — Michael Shnayerson

Permanence has been swept aside by the rapidity of empty images. The pantheon, we discover to our astonishment, is the doghouse of the burning asylum ... We think our brain is a marble mausoleum, when in fact it's a house made of cardboard boxes, a shack stranded between an empty field and an endless dusk. — Roberto Bolano

Images have their way of dissolving and then abruptly returning, pulling along the joy and pain attached to them like tin cans rattling from the back of an old-fashioned wedding vehicle. — Patti Smith

We inhabit a world so inundated with composite pictorial-verbal forms [...] and with the technology for the rapid, cheap production of words and images that nature itself threatens to become what it was in the Middle Ages: an encyclopedic illuminated book overlaid with ornamentation and marginal glosses, every object converted into an image with its proper label or signature — W. J. T. Mitchell

I shall never find a better document for a phenomenology of a being which is at once established in its roundness and developing in it. Rilke's tree propagates in green spheres a roundness that is a victory over accidents of form and the capricious events of mobility. Here becoming has countless forms, countless leaves, but being is subject to no dispersion: If I could ever succeed in grouping together all the images of being, all the multiple, changing images that, in spite of everything, illustrate permanence of being, Rilke's tree would open an important chapter in my album of concrete metaphysics. — Gaston Bachelard

She strolled between shelves, looking at titles, smiling as she met old friends - books she had read three times or five times or a dozen. Just a title, or an author's name, would be enough to summon up happy images. Strange creatures like phoenixes and psammeads, moving under smokey London daylight of a hundred years before, in company with groups of bemused children; starships and new worlds and the limitless vistas of interstellar night, outer space challenged but never conquered; princesses in silver and golden dresses, princes and heroes carrying swords like sharpened lines of light, monsters rising out of weedy tarns, wild creatures that talked and tricked one another ... — Diane Duane

The Nikon D5100 is clearly an advanced digital SLR, and offers the potential to capture professional quality images in most any situation you wish to use it. — Douglas Klostermann

Verbal imagery (such as a simile or a description of a place or an event) is more physical, more bodily, than thinking or feeling, but less physical, more internal, than the actual sounds of the words. Imagery takes place in "the imagination," which I take to be the meeting place of the thinking mind with the sensing body. What is imagined isn't physically real, but it feels as if it were: the reader sees or hears or feels what goes on in the story, is drawn into it, exists in it, among its images, in the imagination (the reader's? the writer's?) while reading. — Ursula K. Le Guin

In German one of the terms for imagination is the compound word Einbildungskraft: literally, the "power ( Kraft)" of "forming ( Bildung)" into "one (Ein)." Here I want us to reflect about faith as a kind of imagination. Faith forms a way of seeing our everyday life in relation to holistic images of what we may call the ultimate environment. Human action always involves responses and initiatives. We shape our action ( our responses and initiatives) in accordance with what we see to be going on. We seek to fit our actions into, or oppose them to , larger patterns of action and meaning. Faith, in its binding us to centers of value and power and in its triadic joining of us into communities of shared trusts and loyalties, gives forms and content to our imaging of an ultimate environment. — James W. Fowler

One of the concepts I was having trouble illustrating was the concept that administrative systems create narrow categories of gender and force people into them in order to get their basic needs met - what I call "administrative violence." I had images of forms with gender boxes and ID cards with gender markers, but I also wanted an image that would capture how basic services like shelters are gender segregated. — Dean Spade

One who knows how to appreciate color relationships, the influence of one color with another, their contrasts and dissonances, is promised an infinite variety of images. — Sonia Delaunay

[The modern age] knows nothing about isolation and nothing about silence. In our quietest and loneliest hour the automatic ice-maker in the refrigerator will cluck and drop an ice cube, the automatic dishwasher will sigh through its changes, a plane will drone over, the nearest freeway will vibrate the air. Red and white lights will pass in the sky, lights will shine along highways and glance off windows. There is always a radio that can be turned to some all-night station, or a television set to turn artificial moonlight into the flickering images of the late show. We can put on a turntable whatever consolation we most respond to, Mozart or Copland or the Grateful Dead. — Wallace Stegner

Until we walk with despair, and still have hope, we will not know that our hope was not just hope in ourselves, in our own successes, in our power to make a difference, in our image of what perfection should be. We need hope from a much deeper Source. We need a hope larger than ourselves.
Until we walk with personal issues of despair, we will never uncover the Real Hope on the other side of that despair. Until we allow the crash and crush of our images, we will never discover the Real Life beyond what only seems like death. Remember, death is an imaginary loss of an imaginary self, that is going to pass anyway.
This very journey is probably the heart of what Jesus came to reveal. — Richard Rohr

What is being lost is the magic of the word. I am not an image person. Imagery belongs to another civilization: the caveman. Caveman couldn't express himself so he put images on walls. — Elie Wiesel

It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.'
He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet.
'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole? — Milorad Pavic

I am one of those persons who, when sexually immersed, require serious silence, the hush of impeccable concentration. Perhaps it is due to my pubescent training as a Hershey Bar whore, and because I have consistently willed myself to accommodate unscintillating partners - whatever the reason, for me to reach an edge and fall over, all the mechanics must be assisted by the deepest fantasizing, an intoxicating mental cinema that does not welcome lovemaking chatter.
The truth is, I am rarely with the person I am with, so to say; and dependence upon an inner scenery, imagined and remembered erotic fragments, shadows irrelevant to the body above or beneath us - those images our minds accept inside sexual seizure but exclude once the beast has been routed, for, regardless of how tolerant we are, these cameos are intolerable to the meanspirited watchmen within us. — Truman Capote

All things considered, I've learned more from talking to painters than talking to writers. Not that painters are smarter than writers, such is seldom the case, but in conversation writers are inclined to waste an inordinate amount of time either bragging or bellyaching about reviews and royalties, complaining about their publishers, or dissing other authors. Painters, being equally insecure, can likewise come across as boring and bitchy
it's tough being creative in a materialistic society
but since they labor not in vineyards of verbiage but upon ice floes of visual images, they tend to function with fewer inhibitions than the wordsmiths when it comes to vocally exploring and expressing ideas. Since no one judges their speech, comparing it to their written work, they don't feel so acutely the weight of language. — Tom Robbins

My fingers draw up her back and tangle into her hair. "They'll never separate us."
"Never," she repeats.
Our lips crush together, our bodies pressed tight. An inferno of lips and hands and movements that continues to grow in heat. The blanket falls away as Rachel slides her legs so that she straddles me. On the verge of burning up completely, I groan and cling to her small frame. Her hands drift under my shirt, leaving a singeing trail.
We've become a wildfire. Almost unstoppable. I kiss her neck and the beautiful sounds escaping her mouth encourage me further. My hands skim under her shirt, up her back, linger for seconds near her bra, and I gently nip her ear when I feel lace.
Images pour into my mind of what she'd look like with her shirt off, then her jeans. My fist traps strands of her hair. "I want you, Rachel."
And because I do, I kiss her fully on the mouth - nothing left to the imagination. Every fantasy becomes a reality with that one embrace. — Katie McGarry

In the sixties, the recycling of pop culture turning it into Pop art and camp had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures and they use them not as larger-than-life jokes but as altars. — Pauline Kael

There's no reality except the one contained within us. That's why so many people live an unreal life. They take images outside them for reality and never allow the world within them to assert itself. — Hermann Hesse

I myself find the division of the world into an objective and a subjective side much too arbitrary. The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer. But that does not mean that it is not a genuine reality. And splitting this reality into an objective and a. subjective side won't get us very far. — Niels Bohr

Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while "beauty" is generic, boring, and inert. While culture works out moral dilemmas, "beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence
but it is not a moral act. From the "beauties" in male culture, women learn a bitter amoral lesson
that the moral lessons of their culture exclude them. — Naomi Wolf

Malice or desire and intention to harm is often rooted in how we think about the persons concerned: our images of them, the inferences we habitually draw about them, and so forth. Perhaps we see them only as an obstacle to our desires, or as less than "human," as worthless. Perhaps we need to take steps toward seeing them as objects of God's love, or as beings of intrinsic value, like our own children or grandchildren or others we delight in. That will, in turn, require changes in how we think about our world and our self. All of this may be helped along by getting to know them, seeing what their life is like, or serving them. — Dallas Willard

A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships. — Jorge Luis Borges

The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination - and an entertainment - for everybody. — Alexander McQueen

The spiraling flights of moths appear haphazard only because of the mechanisms of olfactory tracking are so different from our own. Using binocular vision, we judge the location of an object by comparing the images from two eyes and tracking directly toward the stimulus. But for species relying on the sense of smell, the organism compares points in space, moves in the direction of the greater concentration, then compares two more points successively, moving in zigzags toward the source. Using olfactory navigation the moth detects currents of scent in the air and, by small increments, discovers how to move upstream. — Barbara Kingsolver

Generally speaking, our minds impose an entirely artificial order on the world. It is the only way that such an inadequate instrument as our brain can function. It cannot deal with the complexity of reality, so simplifies everything until it can, putting events into an artificial order so they can be dealt with one at a time, rather than all at once as they should be. Such a way of interpreting existence is learnt, rather in the way that our brain has to turn the images which hit our retinas upside down in order to make sense of them. Children — Iain Pears

I stand for My Vision of all Good Images
in Love and Life.
An image you won't Delete :
Petra Cecilia Maria Hermans
Religion of Blue Circle
September 15, 2016
Amen — Petra Hermans

Some may be helped by images, some may not. Some require an image outside, others one inside the brain. — Swami Vivekananda

For nature is an image of Grace, and visible miracles are images of the invisible. — Blaise Pascal

The concept of country, homeland, dwelling place becomes simplified as "the environment"
that is, what surrounds us, we have already made a profound division between it an ourselves. We have given up the understanding
dropped it out of our language and so out of our thought
that we and our country create one another, depend on one another, are literally part of one another; that our land passes in and out of our bodies just as our bodies pass in and out of our land; that as we and our land are part of one another, so all who are living as neighbors here, human and plant and animal, are part of one another, and so cannot possibly flourish alone; that, therefore, our culture must be our response to our place, our culture and our place are images of each other and inseparable from each other, and so neither can be better than they other. — Wendell Berry

Natalie Lyalin is writing some of the best poems in the world. There is an evil in her gorgeous poem-hearts. She must have sold her heart to the devil to write like this - so beautiful, so funny and so strange. Her images stack and stack down the page without spilling, each line such a bombshell you'll start reading backward to the first line. These poems are like babies - they will pop out of trees. — Zachary Schomburg

What matters most has an ultimate metallic quality of death. The chasuble and the wagon wheel, the razor and the prickly beards of shepherds, the bare moon, a fly, humid cupboards, rubble piles, the images of saints covered in lace, quicklime, and the wounding edges of the rooflines and watchtowers. — Federico Garcia Lorca

Silence is banished from our screens; it has no place in communication. Media images (and media texts resemble media images in every way) never fall silent: images and messages must follow one upon the other without interruption. But silence is exactly that - a blip in the circuitry, that minor catastrophe, that slip which, on television for instance, becomes
highly meaningful - a break laden now with anxiety, now with jubilation, which confirms the fact that all this communication is basically nothing but a rigid script, an uninterrupted fiction designed to free us not only from the void of the television screen but equally from the void of our own mental screen, whose images we wait on with the same fascination. — Jean Baudrillard

memory is primarily an imaginative process. In fact, learning, memory, and creativity are the same fundamental process directed with a different focus," says Buzan. "The art and science of memory is about developing the capacity to quickly create images that link disparate ideas. — Joshua Foer

I write in order to understand the images. Being what my agent ... somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre. — Ellen McLaughlin

My films are an extension of my poetry, using the white screen like the white page to be filled with images. — James Broughton

Poetry has an immediate effect on the mind. The simple act of reading poetry alters thought patterns and the shuttle of the breath. Poetry induces trance. Its words are chant. Its rhythms drumbeats. Its images become the icons of the inner eye. Poetry is more than a description of the sacred experience; it carries the experience itself. — Ivan M. Granger

The most racking pangs succeeded: a grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death. Then these agonies began swiftly to subside, and I came to myself as if out of a great sickness. There was something strange in my sensations, something indescribably sweet. I felt younger, lighter, happier in body; within I was conscious of a heady recklessness, a current of disordered sensual images running like a millrace in my fancy, a solution of the bonds of obligation, an unknown but innocent freedom of the soul. I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold a slave to my original evil and the thought, in that moment, braced and delighted me like wine. — Robert Louis Stevenson

The reduction of experience to 'a series of pure and unrelated presents' further implies that the 'experience of the present becomes powerfully, overwhelmingly vivid and "material": the world comes before the schizophrenic with heightened intensity, bearing the mysterious and oppressive charge of affect, glowing with hallucinatory energy' (Jameson, 1984b, 120). The image, the appearance, the spectacle can all be experienced with an intensity (joy or terror) made possible only by their appreciation as pure and unrelated presents in time. So what does it matter 'if the world thereby momentarily loses its depth and threatens to become a glossy skin, a stereoscopic illusion, a rush of filmic images without destiny?' (Jameson, 1984b). The immediacy of events, the sensationalism of the spectacle (political, scientific, military, as well as those of entertainment), become the stuff of which consciousness is forged. — David Harvey

Our patriotism comes straight from the Romans. This is why French children are encouraged to seek inspiration for it in Corneille. It is a pagan virtue, if these two words are compatible. The word pagan, when applied to Rome, early possesses the significance charged with horror which the early Christian controversialists gave it. The Romans really were an atheistic and idolatrous people; not idolatrous with regard to images made of stone or bronze, but idolatrous with regard to themselves. It is this idolatry of self which they have bequeathed to us in the form of patriotism. — Simone Weil

Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life. — Rania Attieh

An author must gorge himself on ten thousand images to select the magical one that can define a piece of the world in a way one has never considered before. — Pat Conroy

Every normal human being (and not merely the 'artist') has an inexhaustible store of buried images in his subconscious, it is merely a matter of courage or liberating procedures ... of voyages into the unconscious, to bring pure and unadulterated found objects to light. — Max Ernst

If I have an unusual gift, it's not that I draw particularly better than other people - I've never fooled myself about that. Rather it's that I remember things other people don't recall: the sounds and feelings and images - the emotional quality - of particular moments in childhood. Happily an essential part of myself - my dreaming life - still lives in the light of childhood. — Maurice Sendak

Whereas an art that affects you in the moment, but which you then find hard to remember, is straining to bring you to another level. It offers images or ideas from that other level, that other way of being, which is why you find them hard to remember. But it has opened you to the possibility of growing into what you are not yet, which is exactly what art should do. — Maggie Nelson

[My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one's eye. — Daido Moriyama

The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place. — Gaston Bachelard

True eloquence is irresistible. It charms by its images of beauty, it enforces an argument by its vehement simplicity. Orators whose speeches are "full of sound and fury, signifying nothing," only prevail where truth is not understood, for knowledge and simplicity are the foundation of all true eloquence. Eloquence abounds in beautiful and natural images, sublime but simple conceptions, in passionate but plain words. Burning words appeal to the emotions as well as to the intellect; they stir the soul and touch the heart. — Albert Ellery Bergh

I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion. — Esperanza Spalding

I think of images as an immune system and a transit system. — Lynda Barry

I thought I'd better check this third plate, which is another date, see if there's an image there in the right place that would be consistent with the images on the other plates. That was the final proof. — Clyde Tombaugh

The images evoked by words being independent of their sense, they vary from age to age and from people to people, the formulas remaining identical. Certain transitory images are attached to certain words: the word is merely as it were the button of an electric bell that calls them up. — Gustave Le Bon

But I never looked like that!' - How do you know? What is the 'you' you might or might not look like? Where do you find it - by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the repertoire of its images. — Roland Barthes

When an artist submerges a crucifix in a jar of his own urine, or smears elephant dung on an image of the Virgin Mary, do these works belong in art museums?21 Can the artist simply tell religious Christians, "If you don't want to see it, don't go to the museum"? Or does the mere existence of such works make the world dirtier, more profane, and more degraded? If you can't see anything wrong here, try reversing the politics. Imagine that a conservative artist had created these works using images of Martin Luther King Jr. and Nelson Mandela instead of Jesus and Mary. Imagine that his intent was to mock the quasi-deification by the left of so many black leaders. Could such works be displayed in museums in New York or Paris without triggering angry demonstrations? Might some on the left feel that the museum itself had been polluted by racism, even after the paintings were removed? — Jonathan Haidt

I am not an artist, and I never intended to be one. I hope I have made some good photographs, but what I really hope is that I have done some good photo stories with memorable images that make a point, and, perhaps, even make a difference. — Cornell Capa

In societies reduced to blur and glut, terror is the only meaningful act. There's too much everything, more things and messages and meanings that we can use in ten thousand lifetimes. Inertia-hysteria. Is history possible? Is anyone serious? Who do we take serious? Only the lethal believer, the person who kills and dies for faith. Everything else is absorbed. The artist is absorbed, the madman in the street is absorbed an processed and incorporated. Give him a dollar, put him in a TV commercial. Only the terrorists stand outside. The culture hasn't figured out how to assimilate him. It's confusing when they kill the innocent. But this is precisely the language of being noticed, the only language the West understands. The way they determine how we see them. The way they dominate the rush of endless streaming images. — Don DeLillo