Image To Write Quotes & Sayings

When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image. — Kleber Mendonca Filho

I had no particular image of Chicago in mind when I wrote 'My Kind of Town.' All I wanted to do was write a song in praise of Chicago, and that's what I did. — Sammy Cahn

This is the Manifesto of Little Monster
There is something heroic about the way my fans operate their cameras. So precisely, so intricately and so proudly. Like Kings writing the history of their people, is their prolific nature that both creates and procures what will later be percieved as the kingdom. So the real truth about Lady Gaga fans, my little monsters, lies in this sentiment: They are the Kings. They are the Queens. They write the hisory of the kingdom and I am something of a devoted Jester. It is in the theory of perception that we have established our bond, or the lie I should say, for which we kill. We are nothing without our image. Without our projection. Without the spiritual hologram of who we percieve ourselves to be or rather to become, in the future.
When you are lonely,
I will be lonely too.
And this is the fame. — Lady Gaga

And when you write a poem within the accepted poem-form, making it sound like a poem because a poem is a poem is a poem, you are saying "good morning" in that poem, and well, your morals are straight and you have not said SHIT, but wouldn't it be wonderful if you could ... instead of sweating out the correct image, the precise phrase, the turn of a thought ... simply sit down and write the god damned thing, throwing on the color and sound, shaking us alive with the force, the blackbirds, the wheat fields, the ear in the hand of the whore, sun, sun, sun, SUN!; let's make poetry the way we make love; let's make poetry and leave the laws and the rules and the morals to the churches and the politicians; let's make poetry the way we tilt the head back for the good liquor; let a drunken bum make his flame, and some day, Robert, I'll think of you, pretty and difficult, measuring vowels and adverbs, making rules instead of poetry. — Charles Bukowski

I quarreled with every word, every phrase and expression, every image and letter as if they were the last I was ever going to write. I wrote and rewrote every line as if my life depended on it, and then rewrote it again. — Carlos Ruiz Zafon

Since human beings first began to write, they have recorded their wish for an idealized ending some call the "good death," as if any of us can ever be sure of it or have any reason to expect it. There are pitfalls of decision-making to be sidestepped and varieties of hope to seek, but beyond that we must forgive ourselves when we cannot achieve some preconceived image of dying right. — Sherwin B. Nuland

Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them. — Lady Starlight

Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion. — Jack Kerouac

The widest, most open, most accepting aperture, the one providing the narrowest, most demanding depth of field. She and Naomi had joked about the sexuality of camera apertures, that they needed to write a woman's monograph on the symbolism and cultural relevance of the mechanics of image-making as it related to sex, so that, for example, stopping down the fixed 35mm lens's diaphragm - elegantly composed of nine leaf-shutter blades - to a tight f/16 would be the equivalent of executing a Kegel pelvic floor exercise. — David Cronenberg

Because I write intuitively and image-by-image and moment-by-moment, my writing has to be powered by feelings and emotions. — Fred D'Aguiar

What had happened was this. When still young, I had gotten the idea from somewhere that I might be able to write ... Maybe the deadly notion came from liking to read so much. Maybe I was in love with the image of being a writer. Whatever. It had been a really bad idea. Because I couldn't write, at least not by the bluntly and frequently expressed standards of anyone in a position to offer any encouragement and feedback. — Paul Di Filippo

I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen. — Dan Chaon

I am asking you all not to be nettled with me for not answering your letter in spanish I read spanish very well but I don't write it. The image of Stanley Dixon sitting and pondering is one of the rewards of sea turtle research, and a thing I shall often sit and ponder. — Archie Carr

I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room ... you stumble around until you find the walls and then inch your way to the light switch. — Dan Chaon

I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it. — Gemma Files

In the rare moments I permitted any stillness, I noted a small fluttering at the pit of my belly, a barely perceptible disturbance. The faint whisper of a word would sound in my head: writing. At first I could not say whether it was heartburn or inspiration. The more I listened, the louder the message became: I needed to write, to express myself through written language not only so that others might hear me but so that I could hear myself. The gods, we are taught, created humankind in their own image. Everyone has an urge to create. Its expression may flow through many channels: through writing, art, or music or through the inventiveness of work or in any number of ways unique to all of us, whether it be cooking, gardening, or the art of social discourse. The point is to honor the urge. To do so is healing for ourselves and for others; not to do so deadens our bodies and our spirits. When I did not write, I suffocated in silence. — Gabor Mate

I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being. — Jane Hirshfield

When I work on a book, I usually start with a question. And I don't sit around and go 'I need to write a book. What's a good question?' It will be a question that's just clanging around in my head. So for 'What It Is,' it was this idea of 'What is an image?' — Lynda Barry

Nothing I force myself to write about ever turns out well, and so I've learned to wait for the voice, the incident, the image that reverberates. — Louise Erdrich

For more than twenty-five years my mind had been deeply troubled by the fact that these mechanical and scientific achievements ofman had outrun his intellectual and spiritual power ... Throughout the Second World War this terrible problem hung in the back of my mind. As I write these words the problem and the danger are as threatening as ever. We hope our nation will survive, but in its effort to survive will it transform itself intellectually and spiritually into the image of the thing against which we fought? — Virginia Gildersleeve

Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience. — Adam Jones

Our task is to implement Jesus' unique achievement. We are like the musicians called to play and sing the unique and once-only-written musical score. We don't have to write it again, but we have to play it. Or, in the image Paul uses in I Corinthians 3, we are now in the position of young architects discovering a wonderful foundation already laid by a master architect and having to work out what sort of building was intended. — N. T. Wright

I don't share your luxury. I believe in karma. I make karma happen. I rain down karma on my enemies."
"We are the progeny of ancient myths, so we attempt to write our own."
"I see the killing fields of the innocents crying out for justice while we hold our ranks."
"You have ventured into deep waters, leaving your wading pool of shallow pragmatism."
"Divine intervention is not without its own pain."
"When all seems lost, don't confuse this with the end, rather this is the beginning."
"Your redemption is at the gate of your conscience. You have been granted the power of a choice."
"What say you, image bearer? Have you come to save us? — Todd D. Boddy

Application when it comes to understanding the mysteries of creation or the fact that light can enter the eye and form an image in the brain and send a poetic tendril down the arm into a clutch of fingers that could write the Shakespearean sonnets. — James Lee Burke

A lot is being said today about the influence that the myths and images of women have on all of us who are products of culture. I think it has been a peculiar confusion to the girl or woman who tries to write because she is peculiarly susceptible to language. She goes to poetry or fiction looking for her way of being in the world, since she too has been putting words and images together; she is looking eagerly for guides, maps, possibilities; and over and over in the 'words' masculine persuasive force' of literature she comes up against something that negates everything she is about: she meets the image of Woman in books written by men. — Adrienne Rich

Jesus didn't speak of hell so that we could study, debate and write books about it. He gave us these passages so that we would live holy lives. Jesus evidently hates it when we tear into our brothers or sisters with demeaning words, words that fail to honor the people around us as the beautiful image-bearing creatures that they are. — Francis Chan

One day while studying a Yeats poem I decided to write poetry the rest of my life. I recognized that a single short poem has room for history, music, psychology, religious thought, mood, occult speculation, character, and events of one's own life. I still feel surprised that such various substances can find shelter and nourishment in a poem. A poem in fact may be a sort of nourishing liquid, such as one uses to keep an amoeba alive. If prepared right, a poem can keep an image or a thought or insights on history or the psyche alive for years, as well as our desires and airy impulses. — Robert Bly

During the fifteen or twenty years in which I tried - it was not always easy with publishers, newspapers, etc. - to forbid photographs, it was not at all in order to mark a sort of blank, absence, or disappearance of the image; it was because the code that dominates at once the production of these images, the framing they are made to undergo, the social implications (showing the writer's head framed in front his bookshelves, the whole scenario) seemed to me to be, first of all, terribly boring, but also contrary to what I am trying to write and to work on. — Jacques Derrida

The piece you have written for us is called "The Gambol of the Caribou." Now, Mr. Steenwilly, I don't mean to be critical. What I know about music could be squeezed into a peanut shell, and there would still be room for the peanut. But I looked up "gambol" in the dictionary, and it means to "skip or jump about playfully." It also means to "caper or frolic." Caribou are large, ponderous, woolly reindeer.
They do not gambol. They do not caper. They do not frolic. And they certainly do not skip. It would be an interesting sight to see a herd of caribou skipping down the tundra, but, Mr. Steenwilly, it would never happen. You could write a piece called "The Caribou Standing Still and Freezing Their Butts Off." Or "The March of the Caribou." Or even "The Stampede of the Caribou." But "The Gambol of the Caribou" is not such a great image to build a piece of music around. — David Klass

When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind. — Anton Chekhov

I don't write from dreams because I don't remember mine, but I had a fragment of an image left about twins, whose father was telling them how their lives were going to go for the next eight years. I wrote a scene about that, and then another and then another and then another, and after five months I had 732 pages. — Tamora Pierce

My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook. — Stephen Dobyns

I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all the time, but I'm not really inside it, inside the writing. — Jayne Anne Phillips

Where did the stereotypical image of the reclusive author in a bathrobe and slippers, indulging in vices and spending hours before a typewriter, even come from? I don't know about you, but most writers don't have the luxury of doing any of this. Otherwise we'd have no life experience and nothing to write about, anyway. — Rebecca McNutt

I have just put my soul as a blank into the hand of Jesus, my Redeemer, and desired Him to write on it what He pleases; I know it will be His image. — George Whitefield

I don't need to write. Madness or suicide are other options, though not nearly as compelling. But I want to create; I hope to create worlds in my own image, admittedly a self-centered plan. I want others to understand me better, pay more attention to me, like or love me for who I am. Maybe that's it. Or maybe I should simply learn to say, Let's have lunch. — Chila Woychik

When I first began to write, I was writing on bass, because I was thinking more Public Image, more dub. — Gavin Rossdale

The romantic hero is also "fatal" because, to the extent that he increases in power and genius, the power of evil increases in him. Every manifestation of power, every excess, is thus covered by this "It is so." That the artist, particularly the poet, should be demoniac is a very ancient idea, which is formulated provocatively in the work of the romantics. At this period there is even an imperialism of evil, whose aim is to annex everything, even the most orthodox geniuses. "What made Milton write with constraint," Blake observes, "when he spoke of angels and of God, and with audacity when he spoke of demons and of hell, is that he was a real poet and on the side of the demons, without knowing it." The poet, the genius, man himself in his most exalted image, therefore cry out simultaneously with Satan: "So farewell hope, and with hope farewell fear, farewell remorse ... Evil, be thou my good." It is the cry of outraged innocence. — Albert Camus

One more nice thing about short stories is that you can create a story out of the smallest details -an idea that springs up in your mind, a word, an image, whatever. In most cases it's like jazz improvisation, with the story taking me where it wants to. And another good point is that with short stories you don't have to worry about failing. If the idea doesn't work out the way you hoped it would, you just shrug your shoulders and tell yourself that they can't all be winners. Even with masters of the genre like F. Scott Fitzgerald and Raymond Carver -even Anton Chekhov- not every short story is a masterpiece. I find this a great comfort. You can learn from your mistakes (in other words, those you can't call complete success) and use that in the next story you write. — Haruki Murakami

Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural. — Melissa Febos

When I think of Emily Dickinson, there's not one particular poem of hers that jumps out, but I do have a very vivid image of an ill woman with giant eyes who wants to write about the sun exploding. — Mallory Ortberg

Be glad that I'm not a horror writer, some people write about it, other make images... but third just create it??? As for me, I have create it from horror up to nightmares! — Deyth Banger

And then, unbidden, seemingly out of nowhere, a thought or image arrives. Some will float into your head like goldfish, lovely, bright, orange, and weightless, and you follow them like a child at an aquarium that was thought to be without fish. Others will step of the shadows like Boo Radley and make you catch your breath or take a step backward. They're often so rich, these unbidden thoughts, and so clear that they feel indelible. But I say write them all down anyway. — Anne Lamott

If I don't write down a thought - or an image or a line of poetry - the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the car, the bicycle basket, on one or two desks in every room including bathrooms and the kitchen. — Floyd Skloot

Sometimes I'll get ideas in the middle of the night. Sometimes at 3 in the morning I'll get up, and I have a notebook by my bed and have to write it down. I'll dream an idea. Sometimes I see an image online, and I think, 'OK, let's make that a three-layer cake!' — Rosanna Pansino

If Readers have prejudices, that's the writing world we live in. We must decide how to navigate it. We can't please all the Readers all the time and we shouldn't try. but we don't get to create our Readers in our own image, either. We don't get to tell them what to value or enjoy. We can write in a way true to our own voice and our own ideas of beauty and substance, and we can hope that some readers appreciate it. But, even when we aim to serve the narrowest cross section of Readers, we're still working for the Readers we have. We should be grateful that we have them. — June Casagrande

When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery. — Jane Hirshfield

God thought and things came to be, in-formed: the divine thought is the complicated womb of all that is. For it's not likely that, like some painter, He conjured up an image from a similar image, having seen beforehand things which His own one mind did not write. — Gregory Of Nazianzus

But how?" my students ask. "How do you actually do it?"
You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind
a scene, a locale, a character, whatever
and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind. — Anne Lamott

Great Britain, for instance, is too big and too diverse to be home to a small-island civilization, but in modern times the English - though not, I think, other peoples of the island - have cultivated what might be called a small-island mentality: all their most tiresome history books stress, sometimes in their opening words, that their history is a function of their insularity. They still write and read histories with such titles as Our Island Story and The Offshore Islanders.4The conviction that their island "arose from the azure main" and is like a gem "set in the silver sea" resounds in national songs and scraps of verse which they hear repeatedly. In the eighteenth and nineteenth centuries, the English invested heavily in naval security. They created the cult of the "English eccentric" - which is a way of idealizing the outcome of isolation. They have projected an image as "a singular race, one which prides itself on being a little mad. — Felipe Fernandez-Armesto

There is no one, and surely no entire people, in whom the image of God has been utterly extinguished. Faith in God means believing that anyone can be transformed, regardless of the past. To write off whole groups of people as intrinsically racist and violent is to accept the very same premise that upholds racist and oppressive regimes. — Walter Wink

I source images and ideas from different parts of my experiences, and sometimes they are things that are made-up, or just appear out of nowhere, like out of a dream or an image that I've seen in a book, or even the title of a book that I'm staring at on a shelf. It's a good way to write songs, just stare at a bookshelf! — Julia Stone

Who isn't crazy sometimes? Who hasn't driven around a block hoping a certain person will come out; who hasn't haunted a certain coffee shop, or stared obsessively at an old picture; who hasn't toiled over every word in a letter, taken four hours to write a two-sentence email, watched the phone praying it will ring; who doesn't lay awake at night sick with the image of her sleeping with someone else? — Jess Walter

There was this one model in French Elle. I can't imagine what it must be like to be her. She was brunette with big lips and was wearing this tight navy dress by Azzedine someone. She was so beautiful; and the choices she must have. and ... Oh, I would give it all up just to have been born that way because her life will be so easy. She won't have to think, and men will fall into her lap and ... It's all unfair and I don't want to even write it.
It will never change, and no one wants to admit it but being thin and pretty is the best thing a woman can be. — Rae Earl

I've had a lot of girls reach out to me about struggling with body image. I've only been able to write back to a few of them, but I've been able to write and have correspondence with a few of them and really talk about what I think they should do or if I think they should ask for help. — Troian Bellisario