Image This House Quotes & Sayings

I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing - until my older brother's friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It's no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement. — Chet Zar

One open, one closed. It was no wonder that the first image that came to mind when I thought of either of my sisters was a door. With Kirsten, it was the front one to our house, through which she was always coming in or out, usually in mid-sentence, a gaggle of friends trailing behind her. Whitney's was the one to her bedroom, which she preferred to keep shut between her and the rest of us, always. — Sarah Dessen

How could he say all this? It amounted to a lifetime. He could try to find the words, but they would never hold the same meaning for her that they did for him. "My house," he would say; and the image that would spring to her head would be of her own. There was no saying it. — Rachel Joyce

Achilleus started awake, staring, and drove his hands together, and spoke, and his words were sorrowful: Oh, wonder! Even in the house of Hades there is left something, a soul and an image, but there is no real heart of life in it. — Homer

A stranger hurrying as fast as he could over the icy sidewalks looked in. He saw a circle of singing people bathed in the clean white light from a tree, and his heart did a somersault, and the image stayed with him; it merged with him even as he came home to his own children, who were already sleeping in their beds, to his wife crossly putting together the tricycle without the screwdriver that he'd run out to borrow. It remained long after his children ripped open their gifts and abandoned their toys in puddles of paper and grew too old for them and left their house and parents and childhoods, so that he and his wife gaped at each other in bewilderment as to how it had happened so terribly swiftly. All those years, the singers in the soft light in the basement apartment crystallized in his mind, became the very idea of what happiness should look like. — Lauren Groff

I bought a piano once because I had the dream of playing As Time Goes By as some girl's leaning on it drinking a martini. Great image. But none of it worked out. I can't even play Chopsticks. But I've got a nice piano at my house! — George Clooney

For her part in things, Lucille breathed in, held the image of the house and all that it meant to her in the universe of her lungs until she thought she might faint. Then she held it longer, clawing at this moment, this image, this life, this single breath, though she knew she would have to let it go. — Jason Mott

Today I live on an island, in a house that is sad, hard, severe, that I built for myself, solitary on a sheer rock over the sea: a house that is the spectre, the secret image of prison. The image of my nostalgia. Maybe I never desired, not even then, to escape from jail. Man is not meant to live freely in freedom, but to be free inside a prison. — Curzio Malaparte

Not everyone born free and equal, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man. Me? I won't stomach them for a minute. — Ray Bradbury

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. — J.P. Delaney

Surely you remember the boy in your own school class who was exceptionally "bright", did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn't it this bright boy you selected for beatings and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. — Ray Bradbury

returned to the typewriter, angrily erasing and correcting each mistake she'd made, desperately wishing she could as easily wipe out her mental image of the man in her carriage house. — Barbara Delinsky

The image of keys (plural) perhaps suggests not so much the porter, who controls admission to the house, as the steward, who regulates its administration (Is 22:22, in conjunction with 22:15). The issue then is not that of admission to the church (which is not what the kingdom of heaven means; see pp. 45-47) but an authority derived from a delegation of God's sovereignty. — Craig S. Keener

Hence, when some members of the Iranian diaspora, especially women at the moment, use different tropes including the trope of the veil and the issue of gender to construct an image of oppression or to describe the 'silenced' Iranian woman, western intellectuals, policymakers, and publishing houses are all quick to introduce them as presenters of the authentic Iranian experience. — Mohammad Marandi

I was trying to match my mental image of the world, rather than the world itself, and mental images of objects aren't full of detail. If you think house, you're going to get something very general ... Dropping detail made the photographs more general, like mental images. — Judy Fiskin

I swear, since seeing Your face,
the whole world is fraud and fantasy
The garden is bewildered as to what is leaf
or blossom. The distracted birds
can't distinguish the birdseed from the snare.
A house of love with no limits,
a presence more beautiful than venus or the moon,
a beauty whose image fills the mirror of the heart. — Rumi

Love is the sacrament of life; it sets Virtue where virtue was not; cleanses men Of all the vile pollutions of this world; It is the fire which purges gold from dross, It is the fan which winnows wheat from chaff, It is the spring which in some wintry soil Makes innocence to blossom like a rose. The days are over when God walked with men, But Love, which is his image, holds his place. When a man loves a woman, then he knows God's secret, and the secret of the world. There is no house so lowly or so mean, Which, if their hearts be pure who live in it, Love will not enter; but if bloody murder Knock at the Palace gate and is let in, Love like a wounded thing creeps out and dies. This is the punishment God sets on sin. The wicked cannot love. — Oscar Wilde

Just as an octopus may have his den in some ocean cave, and come floating out a silent image of horror to attack a swimmer, so I picture such a spirit lurking in the dark of the house which he curses by his presence, and ready to float out upon all whom he can injure. — Arthur Conan Doyle

Right. I look fine. Except I don't,' said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust. To that end she had tried banning television in the early years, and never had a lipstick or a woman's magazine crossed the threshold of the Belsey home to Kiki's knowledge, but these and other precautionary measures had made no difference. It was in the air, or so it seemed to Kiki, this hatred of women and their bodies
it seeped in with every draught in the house; people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it. — Zadie Smith

People love buying into a lifestyle and an overall concept. So when they buy a shell-colored lip gloss, they can also buy shells for their house, as well as sunglasses and [items in] other categories [in that shade] to create one consistent image. — Aerin Lauder

You, Beloved, who are all the gardens I have ever gazed at, longing. An open window in a country house
, and you almost stepped out, pensive, to meet me. Streets that I chanced upon,
you had just walked down them and vanished. And sometimes, in a shop, the mirrors were still dizzy with your presence and, startled, gave back my too-sudden image. Who knows? Perhaps the same bird echoed through both of us yesterday, separate, in the evening ... — Rainer Maria Rilke

As Ganin looked up at the skeletal roof in the ethereal sky he realized with merciless clarity that his affair with Mary was ended forever. It had lasted no more than four days - four days which were perhaps the happiest days of his life. But now he had exhausted his memories, was sated by them, and the image of Mary, together with that of the old dying poet, now remained in the house of ghosts, which itself was already a memory — Vladimir Nabokov

You have to have approached a place from all four cardinal points if you want to take it in, and what's more, you also have to have left it from all these points. Otherwise it will quite unexpectedly cross your path three or four times before you are prepared to discover it. One stage further, and you seek it out, you orient your-self by it. The same thing with houses. It is only after having crept along a series of them in search of a very specific one that you come to learn what they contain. From the arches of gates, on the frames of house doors, in letters of varying size, black, blue, yellow, red, in the shape of arrows or in the image of boots or freshly-ironed laundry or a word stoop or a stairway's solid landing, the life leaps out at you, combative, determined, mute. You have to have traveled the streets by streetcar to realize how this running battle con-tinues up along the various stories and finally reaches its decisive pitch on the roofs. — Walter Benjamin

It is important that the decorum and dignity of the House is upheld at all times. The image of Parliament in the public mind should be one where proceedings, debates and discussions take place with a view to resolve issues through a constructive and co-operative approach. — Pratibha Patil

We have the right to rid our houses of ants; but what we have no right to do is to forget to honor the ant as God made it, out in the place where God made the ant to be. When we meet the ant on the sidewalk, we step over him. He is a creature, like ourselves; not made in the image of God, it is true, but equal with man as far as creation is concerned. The ant and the man are both creatures. — Francis Schaeffer

He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies. He was slowly talking himself to sleep and taking me with him, but in the quietness of his foggy island there rose the faded image of gray house with sad brown doors. — Harper Lee

The row of villas which lines Western Avenue is like a row of pink graves in a field of grey; an architectural image of middle age. Their uniformity is the discipline of growing old, of dying without violence and living without success. They are houses which have got the better of their occupants, whom they change at will, and do not change themselves. Furniture vans glide respectfully among them like hearses, discreetly removing the dead and introducing the living. Now and then some tenant will raise his hand, expending pots of paint on the woodwork or labour on the garden, but his efforts no more alter the house than flowers a hospital ward, and the grass will grow its own way, like grass on a grave. — John Le Carre

It was difficult to image quite where this gentleman [a statue] could have come from: he was a little too cheerful for a saint in a church and not quite comical enough for a coffee-house sign. — Susanna Clarke

Her kitsch was the image of home, all peace, quiet, and harmony, and ruled by a loving mother and a wise father. It was an image that took shape in her after the death of her parents. The less her life resembled the sweetest of dreams, the more sensitive she was to its magic, and more than once she shed tears when the ungrateful daughter in a sentimental film embraced the neglected father as the windows of the happy family's house shone out into the dying day. — Milan Kundera

It had begun to be present to him after the first fortnight, it had broken out with the oddest abruptness, this particular wanton wonderment: it met him there
and this was the image under which he himself judged the matter, or at least, not a little, thrilled and flushed with it
very much as he might have been met by some strange figure, some unexpected occupant, at a turn of one of the dim passages of an empty house. The quaint analogy quite hauntingly remained with him, when he didn't indeed rather improve it by a still intenser form: that of his opening a door behind which he would have made sure of finding nothing, a door into a room shuttered and void, and yet so coming, with a great suppressed start, on some quite erect confronting presence, something planted in the middle of the place and facing him through the dusk. — Henry James

That evening we sat in the courtyard of the hotel once more, watching the sun sink below the western isles. I told Alexi what had happened that day. I fancied I could glimpse the grey stone wall of Lismore House on its island hilltop, the red light of the setting sun glinting from the windows, and from there the wasted frame of Jonathan Blake gazing out across the sea, on nothing, his boy waiting for him to die. But it was my fantasy, simply the image on my mind, like the image burned on to your eyes when you have stared too long at the sun, the passing footprint of a creature long gone. — P.B. North

You are never to be alone in a bedroom with a male."
She snorted. "You have no say over who I have in my bedroom. If I want to invite the entire Miami Dolphins team into my bed and have a big orgy while covered in chocolate sauce, you have no say in that whatsoever."
The brief image set fire to his blood, but he kept his temper on simmer, unwilling to let her bait him. Still, he kind of wanted to hunt down every player on the football team and turn them into stains on the Astroturf.
"My house," he gritted out, "my rules. No chocolate NFL orgies in my keep. I think that's a reasonable request. — Larissa Ione

What do you need that for?" he asks about the Jack Daniel's. "We might have to hit her over the head." "Why are you smiling?" "Because this is a happy time," I tell him honestly, even after I push aside the image of knocking Shannon unconscious with a bottle of JD. "This is fun. This is good. When this is all over, we're going to have a baby." He doesn't look all that convinced, but he trots after me as we take our equipment into Shannon's room. She's sitting propped up on the bed with every pillow in my house behind her, blowing out air like a stalled locomotive. "You're going to ruin my pillows," I moan. "I'll buy you new pillows," she spits at me. "I'll buy you a new bed. I'll buy you a new fucking house." "Watch your language," I tell her. "There's a little kid here." "You think I care about a fucking little kid? Why is there a little kid here?" "Can we hit her yet?" Kenny asks. "Not yet." Fanci — Tawni O'Dell

One day, she would live someplace where she could stand outside her house and see only stars, no streetlights, where she could feel as close as she ever got to sharing her mother's gift. When she looked at the stars, something tugged at her, something that urged her to see more than stars, to make sense of the chaotic firmament, to pull an image from it. But it never made sense. She only ever saw Leo and Cepheus, Scorpio and Draco. Maybe she just needed more horizon and less city. The only thing was, she didn't really want to see the future. What she wanted was to see something no one else could see or would see, and maybe that was asking for more magic than was in the world. — Maggie Stiefvater

From a historical point of view, restricting the availability of addictive substances must be seen as a peculiarly perverse example of Calvinist dominator thought - a system in which the sinner is to be punished in this world by being transformed into an exploitable, of his cash, by the criminal/governmental combine that provides the addicitve substances. The image is more horrifying than that of the serpent that devours itself - it is once again the Dionysian image of the mother who devours her children, the image of a house divided against itself. — Terence McKenna

And yet Xiao Li always spoke of her mother as if her image were mounted in a red-and-gold picture frame resting on a shrine in the corner of a tidy house, to be venerated and pleased at all times, like a deceased ancestor ever-present and scrutinizing her progeny. — Victor Robert Lee

After Napoleon's 1815 defeat at Waterloo, Europeans had created nation-states in the image and likeness of Napoleon. The new states became the foci of popular affection, even worship. All organized themselves as Napoleon had France, and as Hegel had prescribed, with every house numbered so that bureaucratic government could pass its science to and collect sustenance from each. The states became the purveyors of education and sources of authority. They fostered the myth that people within their borders formed distinct races with different geniuses and destinies. All partook of Charles Darwin's ideology that life is an evolutionary struggle in which the fittest survive. — Angelo M. Codevilla

And wasn't it this bright boy you selected for beating and tortures after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for their are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me? I won't stomach them for a minute. And so when houses were finally fireproofed completely, all over the world (you were correct in your assumption the other night) there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors. That's you, Montag, and that's me. — Ray Bradbury

In examining witnesses, I learned to ask general questions so as to elicit details with powerful sensory associations: the colors, the sounds, the smells that lodge an image in the mind and put the listener in the burning house. — Sonia Sotomayor

That said, pointing out inaccurate or unrealistic portrayals of women to younger grade school children-ages five to eight-does seem to be effective, when done judiciously:taking to little girls about body image and dieting, for example, can actually introduce them to disordered behavior rather than inoculating them against it. I may be taking a bit of a leap here, but to me all this indicated that if you are creeped out about the characters fromMonster High, it is fine to keep them out of your house. — Peggy Orenstein

If you're a guest [at my $113 million house], you'll be able to call up on screens throughout the house almost any image you like - presidential portraits, reproductions of High Renaissance paintings, pictures of sunsets, airplanes, skiers in the Andes, a rare French stamp, the Beatles in 1965. — Bill Gates

I had always known what I wanted, and that was beauty ... in every form ... a beautiful house, beautiful man, a beautiful life and image. I was ambitious to get the money which would attain all that for me. — Joan Crawford

Sometimes the house of the future is better built, lighter and larger than all the houses of the past, so that the image of the dream house is opposed to that of the childhood home. Late in life, with indomitable courage, we continue to say that we are going to do what we have not yet done: we are going to build a house. This dream house may be merely a dream of ownership, the embodiment of everything that is considered convenient, comfortable, healthy, sound, desirable, by other people. It must therefore satisfy both pride and reason, two irreconcilable terms. — Gaston Bachelard

Book-club night stopped abruptly when Caleb died. For almost a year and a half, as if by some type of tacit agreement, they all knew they couldn't be in the same room at the same time. It was as if their collective grief would multiply, rebounding endlessly within any closed space like an image in a house of mirrors, until the pain would overcome them all. — Francis Guenette

I war running back to the house in Mayaguez with a melting ice cone we called a piraqua running sweet and sticky down my face and arms, the sun in my eyes, breaking through clouds and glinting off the rain-soaked pavement and dripping leaves. I was running with joy, an overwhelming joy that arose simply from gratitude for the fact of being alive. Along with the image, memory carried these words from a child's mind through time: I am blessed. In this life I am truly blessed. — Sonia Sotomayor

Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that's true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? It was the fact that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts - what is man's first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation! — Alexandre Dumas

I still think of myself as a house. Ravan tried to fix this problem of self-image, as he called it. To teach me to phrase my communication in terms of a human body. To say: let us hold hands instead of let us hold kitchens. To say put our heads together and not put our parlors together.
But it is not as simple as replacing words anymore. Ravan is gone. My hearth is broken. — Catherynne M Valente

There was never any peace. There were never any quiet, family moments. They were always working. All of them, all the time. For some reason Michael saw an image of the sitting room at the house in Yorkshire. The TV was on, but there was no one watching it. The terrier was polishing off a plate of dinner that had been abandoned on the arm of the couch. That was the way their lives were. They hadn't sat down to a meal once since they arrived in Scotland. They were a dealer's yard, not a family. — Kate Thompson

However we resolve the issue in our individual homes, the moral challenge is, put simply, to make work visible again: not only the scrubbing and vacuuming, but all the hoeing, stacking, hammering, drilling, bending, and lifting that goes into creating and maintaining a livable habitat. In an ever more economically unequal world, where so many of the affluent devote their lives to ghostly pursuits like stock trading, image making, and opinion polling, real work, in the old-fashioned sense of labor that engages hand as well as eye, that tires the body and directly alters the physical world tends to vanish from sight. The feminists of my generation tried to bring some of it into the light of day, but, like busy professional women fleeing the house in the morning, they left the project unfinished, the debate broken off in mid-sentence, the noble intentions unfulfilled. Sooner or later, someone else will have to finish the job. — Barbara Ehrenreich

As long as you hold an improved self-image as a future possibility, you simultaneously hold the image of yourself as inadequate and incomplete. You are, in effect, a house divided. — J. Douglas Bottorff

I've gone through stages where I hate my body so much that I won't even wear shorts and a bra in my house because if I pass a mirror, that's the end of my day. — Fiona Apple

That image of Joan of Arc burning up in a fire burned inside me like a new religion. Her face skyward. Her faith muscled up like a holy war. And always the voice of a father in her head. Like me. Jesus. What is a thin man pinned to wood next to the image of a burning woman warrior ablaze? I took the image of a burning woman into my heart and left belief to the house of father forever. — Lidia Yuknavitch

In the depth of my soul there are songs unwilling to take the garb of words, songs living as seed in my heart. They will not flow with ink onto paper. Like a translucent veil, they are wrapped about emotions that can never flow sweetly on my tongue.
Yet how can I even whisper them when I fear what the particles of air may do to them? To whom shall I sing them when they have become accustomed to live in the house of my soul and fear the harshness of other ears?
Were you to look into my eyes, you would see the image of their image. Were you to touch my fingertips, you would feel their quick movements. The works of my hands reveal them as the lake reflects the twinkling of the stars.
My tears disclose them as the mystery of the rose petal is disclosed at the moment the heat dissolves the drops of dew when that rose withers.
... Who can combine the roaring of the sea and the warbling of the nightingale? Who can link the crashing thunder with the baby's sigh? — Kahlil Gibran

Jim was the one who told me that my emotional life made him dangle his stethoscope like a snake charmer: my moods weren't hard to see but they were hard to read, and even harder to diagnose. It was ostensibly a complaint, but I think he liked his metaphor, and liked that our moments of distance were subtle enough to require this kind of formulation. Meaning that I was a complex creature and so was he; that he became even more complex in his attempt to bridge the gap between our complexities; that he could create a complicated image to house this complex of complications. This is how writers fall in love: they feel complicated together and then they talk about it. — Leslie Jamison

The image by Barry Blitt of Barack Obama and Michelle in the White House with him dressed as a terrorist, her dressed as an Angela Davis character, a flag burning in the chimney, a portrait of Bin Laden on the wall is an image I'm extremely proud of. — Francoise Mouly

Waternish Estate was sold to a Dutchman in the 1960s when Bad-tempered Donald died. In turn, the Dutchman sold a part of the estate to the Scottish singer-songwriter Donovan. Donovan was the first of the British musicians to adopt the flower-power image. He is most famous for the psychedelically fabulous smash hits "Sunshine Superman," "Season of the Witch" and "The Fat Angel," and for being the first high-profile British pop star to be arrested for the possession of marijuana. Donovan has a history of being deeply groovy and of being most often confused with Bob Dylan, which reportedly annoys Donovan quite a lot. "Sometime in the early seventies, Bob Dylan bought part of the estate," Mum tells me. "But he put a water bed on the second floor of the house for whatever it is these hippies get up to, and it came crashing through the ceiling." "Not Bob Dylan," I say. "Donovan." "Who?" Mum says. — Alexandra Fuller

And if there is water there let it be from a river. And if there is peace let it be from silence and forgetting. From the slow settle of dust on a house worn down, on a history lost, on a woman buried quietly into geography. And if there is memory let it be disjointed and nonsensical, let it disturb understanding and logic, let it rise like birds or hands into the blood blue bone of the sky, whispering its nothing beyond telling. ( ... ) Let someone lose the captions to all of the photographs; let them pile into new logics and forms that outlive us.
- "Siberia: Still Life of a Moving Image" (6. Representation) — Lidia Yuknavitch

I have this image in my head of me in the house I grew up in, and hearing this incredible music on the television show, going over to it, and there's Jon Hendricks, Dave Lambert, and Annie Ross. It knocked me out of my socks, and I'm still in flight. — Al Jarreau

...he could feel hot tears coming to his eyes as the image of that night, outside the house as the November wind blew black leaves up off the ground and the sky turned colors like bruised flesh. — David Nickle

I look down at the picture in my hand. It's home, the image slightly dog-eared after two years in various grab bags and holdalls. There's the house, white walls covered in the blue flowers she loves, red poppies stretching away in the background. There's my mother, small and fair, hair falling out of its bun as usual, glasses - one of her many eccentricities - perched on her nose. — Amie Kaufman

I've been a skinny girl my whole life. I just don't sit down - I'm always on the go. It must be down to the genes. We have a healthy body image in my house and great appetites. It'd be hard for you to find a food I don't love. — Donna Air