Illuminated Manuscript Quotes & Sayings
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Top Illuminated Manuscript Quotes

Do you like books, Lady Murray?' Lavinia asked.
'Just to read,' Violet said.
'A mistake. A very big mistake. A poorly bound book disintegrates. Where would our learning be then? We need something permanent, solid. We need to treat words with the respect they are due. Treasure them. Adorn the books that contain these words with leather bindings, illuminate their words with gold. We shouldn't treat learning lightly.'
'But I would treat a word scrawled on a scrap of paper with the same respect as one written on an illuminated manuscript. — Alice Thompson

There are no coincidences", Silette wrote. "Only mysteries that haven't been solved, clues that haven't been placed. Most are blind to the language of the bird overheard, the leaf in our path, the phonographic record stuck in a groove, the unknown caller on the phone. They don't see the omens. They don't know how to read the signs.
To them life is like a book with blank pages. But to the detective, it is an illuminated manuscript of mysteries. — Sara Gran

Once you had your man, you let all your accomplishments go. You don't sew or sing any more, you haven't illuminated a manuscript in years - and — Peter S. Beagle

If you look at an illuminated manuscript, even today, it just blows your mind. For them, without all the clutter and inputs that we have, it must have been even more extraordinary. — Geraldine Brooks

In A Life In Books, author and graphic design visionary Warren Lehrer crafts a vivid kaleidoscopic odyssey that frames one man's life through not one, but one hundred different books - and book jackets ... An unmistakably modern evocation of the illuminated manuscript. — Jessica Helfand

To visit Morocco is still like turning the pages of some illuminated Persian manuscript all embroidered with bright shapes and subtle lines. — Edith Wharton

That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains. — Susan Vreeland