Quotes & Sayings About Iconography

The idea that any one of our religions represents the infallible word of the One True God requires an encyclopedic ignorance of history, mythology, and art even to be entertained - as the beliefs, rituals, and iconography of each of our religions attest to centuries of crosspollination among them. — Sam Harris

I'm a closet Catholic. I love the iconography of the saints. There was a point in my life when I was going to convert to Catholicism, but I didn't want my grandmother spinning around in her grave like a rotisserie chicken. — Lynda Resnick

Quantification, experimentation, rigor, repetition, prediction - all of these are part of the experimental sciences. There's an iconography also namely man, and I do mean males in white coats who spin dials and wait for numbers to appear. — Richard Lewontin

Iconography becomes even more revealing when processes or concepts, rather than objects, must be depicted for the constraint of a definite "thing" cedes directly to the imagination. How can we draw "evolution" or "social organization," not to mention the more mundane "digestion" or "self-interest," without portraying more of a mental structure than a physical reality? If we wish to trace the history of ideas, iconography becomes a candid camera trained upon the scholar's mind. — Stephen Jay Gould

One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space? — Anish Kapoor

I don't take trouble at all to conform a screenplay to my iconography. I don't say, "We can't do that - the audience wouldn't accept it." I try to take the limitations of what is required to play a leading character and then screw with them. — Harrison Ford

We're creating a different universe with different rules and a different tone and different villains. We were very careful to honor the iconography of Spider-Man, but we wanted to tell it in a new and different way [in the film]. — Marc Webb

Control thought of the theories as "slow death by," given the context: Slow death by aliens. Slow death by parallel universe. Slow death by malign unknown time-traveling force. Slow death by invasion from an alternate earth. Slow death by wildly divergent technology or the shadow biosphere or symbiosis or iconography or etymology. Death by this and by that. Death by indifference and inference. His favorite: "Surface-dwelling terrestrial organism, previously unknown." Hiding where all of these years? In a lake? — Jeff VanderMeer

Between the theme parks and the movies, the Disney iconography was probably the first set of archetypes that I was exposed to. Walt was able to expose me as a child to the full array of emotions, including fear and sorrow. Those movies and attractions haunted my dreams and made a deep impression on me as a child. — Jon Favreau

History - the product, not the raw material - is a bottle with a label. For many years now, the emphasis of historical discussion has been laid upon the label (its iconography, its target-group of customers) and upon the interesting problems of manufacturing bottle-glass. The contents, on the other hand, are tasted in a knowing, perfunctory way and then spat out again. Only amateurs swallow them. — Neal Ascherson

By employing classical concepts of idealized beauty and changes in perspective, icons speak to us of reality transformed and transfigured, both in and through God's presence. They speak of transcendence and mystery. As iconographers, we point to a reality that we have never seen with our own eyes. In fact, all our images of God, heaven, the angels, and the saints, whether in poetry, prose, ritual, music, or icons, represent our limited attempts to speak of the unspeakable. — Peter Pearson

While photographs certainly attest to Nazi crimes, the magnitude of Nazi genocide demands that every trace of the regime be forever remembered. The various symbols devised by the Nazi image-makers for the most sophisticated visual identity of any nation are a vivid reminder of the systematic torture and murder engaged in by this totalitarian state. These pictures, signs, and emblems are not merely clip art for contemporary designers to toy with as they please, but evidence of crimes against humanity. — Steven Heller

It's difficult to choose between these art forms. Iconography is entirely different from the style of the 15th century masters, who were experts in foreshortening and perspective. The technical skill and visual effects of painters like Uccello have to be admired. They achieved a level of artistry that has never been surpassed, in my opinion. — Mary Pope Osborne

I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point. — Quentin Tarantino

Ghosts do not haunt, they regress. Just as when you need to go to sleep you think of threes or lawns, you are taking instant symbolic refugee in a ready-made iconography of early safety and satisfaction. That exact place is where ghosts go. — Max Porter

I am interested in circulating past iconography in the present in order to get to the future. — Mariko Mori

In their simplicity and directness [neon signage is] a kind of urban iconography with which we can identify on many levels. - Rudi Stern — Philip Di Lemme

I drove from New York to California by myself. The iconography of travel and escape is everywhere in my photographs ... So actually becoming a runaway was crucial. I had this idea that I'd make my way across the frontier and find my story as it was actually happening in the landscape. — Justine Kurland

I'm interested in using the iconography of nature and the American landscape as surrogates or metaphors for psychological anxiety, fear or desire — Gregory Crewdson

By sacrificing the public self, by shunning leaders, and especially by refusing to play the game of self-promotion, Anonymous ensures mystery; this in itself is a radical political act, given a social order based on ubiquitous monitoring and the celebration of runaway individualism and selfishness. Anonymous's iconography - masks and headless suits - visually displays the importance of opacity. The collective may not be the hive it often purports and is purported to be - and it may be marked by internal strife - but Anonymous still manages to leave us with a striking vision of solidarity - e pluribus unum. — Gabriella Coleman

I do have a lot of deep religious iconography. I have crosses all over my house, and there's something very attractive about seeing nuns walking down the street. It's not a sexual thing for me; I know it is for some guys. — Rick Springfield

Except in a few well-publicized instances (enough to lend credence to the iconography painted on the walls of the media), the rigorous practice of rugged individualism usually leads to poverty, ostracism and disgrace. The rugged individualist is too often mistaken for the misfit, the maverick, the spoilsport, the sore thumb. — Lewis H. Lapham

Oh my God, you look at all the uniforms in Star Wars, and it's all Nazi iconography. — Christopher McQuarrie

People have a very proprietary relationship with Superman. It's important to respect the iconography and the canon, but at the same time, you have to tell a story. Once you land on who you think the character is and what his conflicts are, you have to let that lead you. — David S.Goyer

There comes a point when you've exhausted your opportunities playing good guys. I've been around long enough, I think I'm entitled to explore a bit. But what I saw there was an opportunity to play a character different from what the audience's expectation was. A chance to take their crude experience of me - of my iconography, if you will - and turn it on its ear at an appropriate juncture in the film to be useful to the process of telling the story. — Harrison Ford

Red. Red, the colour of the Regency, scrawled over with the iconography of the border forts, growing, fluttering. These were the banners of Ravenel. Not only the banners, but men and riders, flowing over the hilltop like wine from an over-full cup, staining and darkening its slopes, and spreading. — C.S. Pacat

My recommendation instead, however, is that we do not surrender questions of value, whether absolute matters of truth, goodness, and beauty or relative judgment of more or less truth, goodness, and beauty. With those questions to the fore, in fact, we can interrogate various other traditions and truly learn something that can improve our own. Perhaps the Presbyterians really do know more than we do about due process in church government. Perhaps the Orthodox really do know some things we do not about iconography. Perhaps the Mennonites really can teach us the meaning of 'enough.' Perhaps the Pentecostals can help liberate us from dull and disembodied worship. Baptists who have learned to improve their procedures from Presbyterians, their art from the Orthodox, their finances from the Mennonites, and their worship from the Pentecostals do not therefore become worse Baptists but better ones. And so around the ecumenical circle, no? — John G. Stackhouse Jr.

Modern man has been in search of a new language of form to satisfy new longings and aspirations - longings for mental appeasement, aspirations to unity, harmony, serenity - an end to his alienation from nature. All these arts of remote times or strange cultures either give or suggest to the modern artist forms which he can adapt to his needs, the elements of a new iconography. — Herbert Read

How do you make any sense of history, art or literature without knowing the stories and iconography of your own culture and all the world's main religions? — Polly Toynbee

David Bowie really played with ideas, and iconography and imagery. He's brilliant man. And a gentleman, too. — Madonna Ciccone

Ulis, he prayed, abandoning the set words, let my anger die with him. Let both of us be freed from the burden of his actions. Even if I cannot forgive him, help me not to hate him. Ulis was a cold god, a god of night and shadows and dust. His love was found in emptiness, his kindness in silence. And that was what Maia needed. Silence, coldness, kindness. He focused his thoughts carefully on the familiar iconography, the image of Ulis's open hands; the god of letting go was surely the god who would listen to an unwilling emperor. Help me not to feel hatred, he prayed, and after a while it became easier to ask that Dazhis find peace, that Maia's anger not be added to the weight against his soul. — Katherine Addison

Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized. — James Wolcott

When something is iconic, if you're very careful and delicate, you can add onto that iconography. It can expand. People have attached so much to it themselves, and connected to it, so the risks are big, but the potential is enormous, at the same time. — Hugh Dancy

Just as when you need to go to sleep you think of trees or lawns, you are taking instant symbolic refuge in a ready-made iconography of early safety and satisfaction. That exact place is where ghosts go.' I — Max Porter

Iconography, good iconography, strives to convey invisible reality in a visible form. — Peter Pearson

My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood. — Natasha Trethewey

The beauty and magnitude of a diva's voice resides, so the iconography suggests, in her deformity. Her voice is beautiful because she herself is not-and her ugliness is interpreted as a sign of moral and social deviance. Reading biographies of divas, I can't ignore the repeated references to physical flaws-for example, Benedetta Pisaroni's "features horribly disfigured by small-pox," prompting spectators to shut their eyes "so as to hear without being condemned to see." Audiences speculated that Maria Malibran was not anatomically a woman, but an androgyne or hermaphrodite-an aberrant physique to match her voice's magic power. — Wayne Koestenbaum

In Celtic Ireland the name Leo was Lugh, another solar hero and mystic. In Wales he was Llew, to the Romans Lugus, to the Sumerians Lughal. Its not the same dude on walkabout, it's the Astrological sign of Leo. In the Christian iconography we have one of the Evangelists represented by a Lion. In the Nativity scenes we see 4 animals around the cradle of the Son/Sun king. One of these is also a Lion. Christians probably believe that there was one in the area and just happened to wander into the inn to take a peek at sleeping Jesus. Good thing it wasn't very hungry. — Michael Tsarion

The whole iconography of ancient science is simply the fruit of wishful thinking. — George Sarton

The idea of decimation as a lottery converts the new iconography of the Burgess Shale into a radical view about the pathways of life and the nature of history ... May our poor and improbable species find joy in its new-found fragility and good fortune! Wouldn't anyone with the slightest sense of adventure, or the most weakly flickering respect for intellect, gladly exchange the old cosmic comfort for a look at something so weird and wonderful - yet so real - as *Opabinia*? — Stephen Jay Gould

I was trying to do like a Spaghetti Western but using World War II iconography. — Quentin Tarantino

Erotic movies - they don't even make it anymore. Even the erotic magazines don't really look like the ones you could find in the '70s. You have much more extreme iconography of what is sexy. It's very cold. There's nothing that links to real life. — Gaspar Noe

Lorenzo de' Medici seeks highly skilled, aesthetically oriented individual to conceive and implement several major public projects. You are a generalist with sound training in structural engineering, synthesis of pigments and Christian iconography. Some climbing involved — Michelangelo

Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream. — James Wolcott

The figure in the icon is not meant to represent literally what Peter or John or any of the apostles looked like, or what Mary looked like, nor the child, Jesus. But, the orthodox painter feels, Jesus of Nazareth did not walk around Galilee faceless. The icon of Jesus may not look like the man Jesus two thousand years ago, but it represents some *quality* of Jesus, or his mother, or his followers, and so becomes an open window through which we can be given a new glimpse of the love of God. — Madeleine L'Engle

The West, for many centuries, has been dominated by a highly rationalistic mindset that presumes to express and explain the nature of God through words. The East has only recently begun to express its understanding of God in those ways. For the most part, Eastern Christianity has always recognized that it can only say so much about God in finite, human ways before it must go silent before the mystery of the Infinite and Unspeakable. Instead of defining ultimate reality in theological concepts, the East has relied upon its artists, musicians, and poets to proclaim what can only be understood in the heart. — Peter Pearson

There is something very unique in American iconography about this notion of the pursuit of happiness. — David Henry Hwang

I dream of flight, not to be as the angels are, but to rise above the smallness of it all. The smallnesss that I am. Against the daily death the iconography of wings. — Jeanette Winterson

In reality, genuine epiphanies are extremely rare. In contemporary adult life maturation & acquiescence to reality are gradual processes. Modern usage usually deploys epiphany as a metaphor. It is usually only in dramatic representations, religious iconography, and the 'magical thinking' of children that insight is compressed to a sudden blinding flash. — David Foster Wallace

Things had changed between them nevertheless. They were children of a time and culture which mistrusted love, 'in love', romantic love, romance in toto, and which nevertheless in revenge proliferated sexual language, linguistic sexuality, analysis, dissection, deconstruction, exposure. They were theoretically knowing: they knew about phallocracy and penisneid, punctuation, puncturing and penetration, about polymorphous and polysemous perversity, orality, good and bad breasts, clitoral tumescence, vesicle persecution, the fluids, the solids, the metaphors for these, the systems of desire and damage, infantile greed and oppression and transgression, the iconography of the cervix and the imagery of the expanding and contracting Body, desired, attacked, consumed, feared. — A.S. Byatt

If geography is prose, maps are iconography. — Lennart Meri

Ritualistic abuse refers to organised abuse that is structured in a ceremonial fashion, often incorporating religious or mythological iconography (McFadyen et al. 1993). The ritualistic activity is typically structured by 'deviant scriptualism', in which abusive groups parody traditional religious symbols and ritual practices (Kent 1993a, 1993b). The majority of cases of ritualistic abuse involve female victims and facilitation by parents (Creighton 1993, Gallagher et al. 1996), although early research on sexual abuse in child-care arrangements emphasised the presence of ritualistic abuse in some cases (Finkelhor and Williams 1988, Waterman et al. 1993). — Michael Salter

To speak plainly and truthfully about the state of our world - to say, for instance, that the Bible and the Koran both contain mountains of life-destroying gibberish - is antithetical to tolerance as moderates currently conceive it. But we can no longer afford the luxury of such political correctness. We must finally recognize the price we are paying to maintain the iconography of our ignorance. — Sam Harris

I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice. — Tom Ford

My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating. — Florence Welch