Iago Emilia Quotes & Sayings

Right." Sadie looked dazed. "You've got a monkey butler. Why not? — Rick Riordan

For many of us the march from Selma to Montgomery was about protest and prayer. Legs are not lips and walking is not kneeling. And yet our legs uttered songs. Even without words, our march was worship. I felt my legs were praying. — Abraham Joshua Heschel

This is wrong, but holy hell is it erotic — E.L. James

Teaching should be such that what is offered is perceived as a valuable gift and not as hard duty. Never regard study as duty but as the enviable opportunity to learn to know the liberating influence of beauty in the realm of the spirit for your own personal joy and to the profit of the community to which your later work belongs. — Albert Einstein

The bigger your job, the more negative evaluations you must hand out. And the more criticism you must be willing to absorb. — Alan Loy McGinnis

'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to. — Michelle Dockery

Being a teacher is not what I do, it's who I am. — Jill Biden

Let me tell you a little story. You may have heard it before.
It's a story about a butcher named Barry.
Once upon a time, in central city, there was a butcher named Barry. Barry loved to chop up meat more than anything in the world. But one day, when Barry got tired of just chopping up cows and pigs ...
... He found something NEW to chop up
PEOPLE. And so, he went out night after night in search of fresh meat.
Eventually, Barry was caught, but not before he had slaughtered 23 victims!!! For terrorizing the poor people of central city, Barry was sent straight to the gallows ... And everyone else lived happily ever after! — Hiromu Arakawa

As his wife, Emilia must know Iago better than anybody else. She does not know, any more than the others, that he is malevolent, but she does know that her husband is addicted to practical jokes. What Shakespeare gives us in Iago is a portrait of a practical joker of a peculiarly appalling kind, and perhaps the best way of approaching the play is by a general consideration of the Practical Joker. — W. H. Auden