I Love You Watermelon Quotes & Sayings
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Top I Love You Watermelon Quotes

It is said that the Queen has come to love the Commonwealth, partly because it supplies her with regular cheering crowds of flag-waving picaninnies; and one can imagine that Blair, twice victor abroad but enmired at home, is similarly seduced by foreign politeness. They say he is shortly off to the Congo. No doubt the AK47s will fall silent, and the pangas will stop their hacking of human flesh, and the tribal warriors will all break out in Watermelon smiles to see the big white chief touch down in his big white British taxpayer-funded bird. — Boris Johnson

Please go" he said. "Just take my money - take anything - and go"
I didn't get why he wanted me to take something, but he seemed really worried about it. So I looked around, and he had a bowl of fruit on the side, so I grabbed an apple, 'cause I always get hungry after I've been drinking.
"I'll take this, okay?" Then I left him there, but I took the knives and I hid them in the hall cupboard, just in case. — J.L. Merrow

A few minutes after discovering we had a goal but no plan, Brent was laughing heartily at a pathetic joke I had made. It reminded me of the first
day on campus when I had thought his laughter sounded like a melody. It did now, even more so. It was music, beautiful, in a manly way, like a
sensual, slow jazz. I loved jazz.
"Jazz, huh?" Brent asked, his voice suddenly husky.
"Uh ... what?"
"My laugh reminds you of jazz? Is there anything about me you don't find attractive?" He rubbed his hand over his lips trying to cover his smirk.
"So tell me, how much do you love jazz?"
I'm sure my face was pinker than the inside of a watermelon. "I didn't say any of that."
"You didn't have to say it, Yara, I could hear it." Brent tapped the side of his head. "I can hear your thoughts."
"You're not serious."
"Oh, but I am," he said, completely straight-faced. — Lani Woodland

My grin tipped up on one side. "I'm sorry. Who asked about the television screens in my truck?"
Her lush lips thinned. "And how long did it take you to pick out the watermelon? Thirty minutes?"
"Twenty-nine," I shot back. "And it's the best fucking watermelon I've ever had. Worth every minute."
A single brow quirked. "You want a medal?"
I leaned over the counter and she met my stare. I wasn't sure what was happening, but it seemed like the air cracked with electricity, heating my skin, quickening my pulse. This couldn't be normal. Maybe I was getting sick. I'd overheated in all of the seventy-eight degrees outside. Yeah, that had to be it.
"I'd love one."
It was so fast, I almost missed it. Her gaze dipped to my mouth before dropping to the island again. "There isn't any more room on your shelf for one more medal."
"I'll just put up another shelf."
"I'm sure you would. — Ashlan Thomas

I love her bare legs from a distance. When she's standing by a pool. When she's facing the water, thinking. Her legs are white as watermelon rind, veined blue from cold. There's that 'H' shape behind her knees. The H trembles softly with the swimming-water cold. — Jaclyn Moriarty

A lot of people think jugglers defy gravity or do stuff. Well, I kind of, from my childhood and golf and all that, it's a process of joining with forces. — Michael Moschen

I don't care that much about rote memorization. An old boyfriend of mine used to get into lacerating arguments with his parents over facts, and I used to watch on in mute astonishment. How could anyone actually argue about something that could be looked up? — Susan Orlean

I don't know if this is an illusion but I would love to be able to take my card-throwing skills and be able to puncture a watermelon. Now I know I can take this question and say, "I would want to solve the economic problems in the world" - but I want to stick that card in that watermelon. — Dave Franco

The evil genius of terrorism is that that maximizes unfamiliarity, imaginability, suffering, scale of destruction, unfairness. It's really important to understand why terrorism is so frightening because it is a psychological war and until you understand it and try to reduce the dread, until then you become like a force multiplier for the terrorists inadvertently because you'll tend to overreact to terrorist attacks because the dread factor is so high. — Amanda Ripley

As for sex. Well, of course I could've had sex. Guys will have sex with a watermelon if they're desperate enough. Lots of girls try to prove their love by having sex. It only proves they're having sex. — Carol Matas

Why do you want to die?'
I shivered. For a second I couldn't breathe.
'You knew ... ?'
She gave a sad smile.
'I'm your mother. — Mitch Albom

Look ... at ... me ... he whispered. The green eyes found the black, but after a second, something in the depths of the dark pair seemed to vanish, leaving them fixed, blank, and empty. The hand holding Harry thudded to the floor, and Snape moved no more. — J.K. Rowling

What shall we do? All of us passionate girls who fear crushing the boys we love with our mouths like caverns of teeth, our mushrooming brains, and watermelon hearts? — Francesca Lia Block

We make our own monsters, then fear them for what they show us about ourselves. — Mike Carey

What am I in most people's eyes? A nonentity or an eccentric and disagreeable man ... I should want my work to show what is in the heart of such an eccentric, of such a nobody. — Vincent Van Gogh

In recent decades, Ireland in general and Dublin in particular, have been very fortunate in the quality of the historical attention they have received. During the extensive research required to write this book, I have been privileged to work with some of Ireland's most distinguished scholars, who have generously shared their knowledge with me and corrected my texts. Their kind contributions are mentioned in the Acknowledgements. Thanks to the scholarly work of the last quarter century, there has been a reevaluation of certain aspects of Ireland's history; and as a result, the story that follows may contain a number of surprises for many readers. I have provided a few additional notes in the Afterword at the end of this volume for those curious to know more. — Edward Rutherfurd

Given that you're meeting a sloth, that feeling is generally joy, excitement, warmth, and love. What do those feelings smell like, you ask? Like laundry, watermelon rind, the top of a baby's head, boiling water, and fresh cut grass all mixed together. — Ann Burton

I may as well have told him I'd carried a watermelon — Lindsey Kelk

I really can't complain about actresses who get paid to be dumb. Most of us can't get paid to be smart. — Aaron Allston

Good writing should help us see the world in new ways, it should crack open our generosity towards each other. That's what I hope my work does anyway. I want someone to read it and know that they aren't alone in the universe. I want my words to act as connective tissue. — Patrick Hicks

I love watermelon!
Chomp! Chomp! Chomp! — Greg Pizzoli

Thinking from the end causes me to behave as if all that I'd like to create is already here. My credo is: Imagine myself to be and I shall be, and it's an image that I keep with me at all times. — Wayne Dyer

Insistence on truth can come into play when one party practices untruth or injustice. Only then can love be tested. True friendship is put to the test only when one party disregards the obligation of friendship. — Mahatma Gandhi

I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness. — Nicolas Cage

A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves. — Jane Hirshfield

What shall we do, all of us? All of us oassionate girls who fear crushing the boys we love with our mouths like caverns of teeth, our mushrooming brains, our watermelon hearts? — Francesca Lia Block