I Can Explain How I Feel About You Quotes & Sayings

Because - how do you explain that it is never inspiration that drives you to tell a story, but rather a combination of anger and clarity? How do you say: No, we do not find inspiration here, but we find a country that is as beautiful as it is broken, and we are somehow now part of it, so we are also broken with it, and feel ashamed, confused, and sometimes hopeless, and are trying to figure out how to do something about all that. — Valeria Luiselli

The phrase 'I just turn on my monkey and it makes me feel good' sounds very dirty, but I can't explain why. It's great to try to use expressions like that on the comics page. People want to complain but they can't, because they can't figure out quite what they should be complaining about. — Stephan Pastis

Why are you thinking about the common man? Bankson asked me the second night. What does he have to do with the nexus of thought & change? He turns his nose up at democracy. When I tried to explain that my grandmother was my imagined audience for Children of the KK, I think he was embarrassed for me. These conversations with B keep coming back. Perhaps because Fen doesn't enjoy talking about work with me anymore. I feel him withholding, as if he thinks I'll use his ideas in my next book if he says them out loud. — Lily King

Everyone I know is fervently proud to be Welsh but you try not to be preachy about it. It's difficult at times. But when I go home to north Wales, or to somewhere I've never been in south Wales, I still feel at home because I'm in Wales. It's hard to explain. — Gary Speed

I don't quite know... but... something needs to change in my life. The incident earlier today... it's left me in a very odd mood. I'm not sure what needs to occur, or how, or when.. but I can feel it. It's almost... I feel so damned restless. I can't adequately explain it, even to you, because I'm not sure what I'm talking about. But... something's out there, and I need to be ready for it."
Alistair was still, expression strange and unreadable. "And are you?"
"Am I what?"
"Ready for change. And before you reply, let me caution you: fate, or destiny, or God, or whatever you call it, has an uncanny way of supplying what you ask for. But the strangest thing is, often we don't consider the ramifications of our request. There's an old saying that warns some things in life are not for the faint of heart. So, I'll ask again: are you ready for this... this change? Even if it turns your life completely and irrevocably upside down? — D.R. Ranshaw

I wanted the world to sit back, listen up, and let me explain to it that when someone is sad and hopeless, the last thing they need to feel is that they are the only ones in the world with that feeling. So, if you feel sorry for someone, don't pretend to be happy. Don't pretend to care only about their problems. — John Corey Whaley

I've been asked to explain why I don't worry much about the topics of privacy threat ... One reason is that these scenarios seem to assume that there will be large, monolithic bureaucracies ... that are capable of harnessing computers for one-way surveillance of an unsuspecting populace. I've come to feel that computation just doesn't work that way. Being afraid of monolithic organizations especially when they have computers, is like being afraid of really big gorillas especially when they are on fire. — Bruce Sterling

But what if you get nailed?" He said, "I'll explain how I feel about it. You see, I don't have larceny in my heart; I'm not a real crook. I'm not interested in it, so nobody can make a fate of it for me. That's not my fate. I might get into a little trouble, but I never would let them make it my trouble, get it?" I — Saul Bellow

But nobody yet had been able to dig down to what was most captivating about her: this was the mysterious ability of her soul to apprehend in life only that which had once attracted and tormented her in childhood, the time when the soul's instinct is infallible; to seek out the amusing and the touching: to feel constantly an intolerable, tender pity for the creature whose life is helpless and unhappy; to feel across hundreds of miles that somewhere in Sicily a thin-legged little donkey with a shaggy belly is being brutally beaten. Whenever she did come across a creature that was being hurt, she experienced a kind of legendary eclipse - when inexplicable night comes down and ash flies and blood appears on the walls - and it seemed that if at once, at once, she did not help, did not cut short another's torture (the existence of which it was absolutely impossible to explain in a world so conducive to happiness), her heart would not stand it, and she would die. — Vladimir Nabokov

You grab a bit of connection wherever you can to survive. You have no idea how strong the pull to feel worthwhile is. It's more basic than food. You go to these people who make you feel lovely for an hour that one time, and that's all you get. You're probably not compatible with them for anything long term, but right this minute they can make you feel powerful and valuable. It does not matter what will happen in a month. Whatever happens in a month is probably going to be just about as indifferent as whatever happened today or last week. None of it matters. We don't plan long term because if we do we'll just get our hearts broken. It's best not to hope. You just take what you can get as you spot it. I am not asking for sympathy. I am just trying to explain, on a human level, how it is that people make what look from the outside like awful decisions. — Linda Tirado

I just feel so guilty." Her stinging eyes burned with fresh tears. "I don't know why I can't ... I can't..."
"Make love to him?"
She nodded.
"Let him see you?"
She nodded again, tears sliding down her face. She mopped them up with the wet tissue she'd wadded in her fist.
"Are you scared he won't love you anymore, after he's seen how you look now?" her dad asked gently.
"No."
"Are you scared he won't be attracted to you anymore? That he won't want to be your lover?"
"No."
"What are you scared of, Vanka?"
"I don't feel the same way about myself, now. I don't even know how to explain it. I'm not ashamed. I don't feel ugly. But the way I was, who I was when we ... when we fell in love, I'm not that person, now."
"You're not in love with him anymore?"
"I am," her voice broke on a sob. "So in love. Like I never knew it could be. I thought I loved David. I thought I loved Mark. But, god, Dad, the way I love Galen... — Varian Krylov

Let me explain: There are all sorts of reasons why women pick one colorist over another. Some will go to you if you have the same kind of dog or because they like the way you look. Some will only go to a man, because they want to feel a man's hands on them. Then, of course, you have the editorial mongrels, who will go only to whoever is in this month's Elle or Allure. But no matter what brings them to you in the first place, they'll drop you cold if you're not a good colorist. Which means no mistakes. Not ever. Brain surgeons are allowed more mistakes than hair colorists. Don't misunderstand me. I'm not saying that what I do is brain surgery or in any way important. Between you and me, it's just hair. But a certain kind of woman cares about her hair. A lot. — Kathleen Flynn-Hui

The United States is primarily a guilt-based culture. The dominant method of social control in this country involves teaching people to feel guilt about not living up to personal expectations. Contrast this with shame-based cultures like Japan. As researchers Ying Wong and Jeanne Tsai explain in their paper, Cultural Models of Shame and Guilt, shame is "associated with the fear of exposing one's defective self to others. Guilt, on the other hand, is associated with the fear of not living up to one's own standards." In this formulation, guilt is based on failing to achieve personal ideals; shame is based on social exposure ["The Anti-Vaccine Movement Should Be Ridiculed, Because Shame Works," Gizmodo, February 6, 2015]. — Matt Novak

Kate lost a mother," I said, "but I lost a nothing."
Kate doesn't feel that way," Jack assured me.
But what about everybody else besides Kate? How can I ever explain to anyone what she was when she and I had no name? People need names for everything. I wasn't a relative or a friend, I was just an object of her kindness."
He wiped my cheeks, saying Ssshh. I buried my face in his shoulder.
True kindness is stabilizing," I went on. "When you feel it and when you express it, it becomes the whole meaning of things. Like all there is to achieve. It's life, demystified. A place out of self, a network of simple pleasures, not a waltz, but like whirls within a waltz."
You're the one now," Jack said definitively. "That's why you met her. She had something she had to pass on." (p. 95) — Hilary Thayer Hamann

Happiness, she would explain, was when a person felt good, light, creative, content, loving and loved, and free. An unhappy person felt as if there were barriers crushing her desires and the talents she had inside. A happy woman was one who could exercise all kinds of rights, from the right to move to the right to create, compete, and challenge, and at the same time could be loved for doing so. Part of happiness was to be loved by a man who enjoyed your strength and was proud of your talents. Happiness was also about the right to privacy, the right to retreat from the company of others and plunge into contemplative solitude. Or sit by yourself doing nothing for a whole day, and not give excuses or feel guilty about it either. Happiness was to be with loved ones, and yet still feel that you existed as a separate being, that ou were not just there to make them happy. Happiness was when there was a balance between what you gave and what you took. — Fatema Mernissi

I am a clothes maker, and that's all I am. I only want to talk about the making of the clothes. I don't feel the need to go out there and explain that. — Rei Kawakubo

Sophie left the den and wandered about in the large garden. She tried to forget what she had learned at school, especially in science classes.
If she had grown up in this garden without knowing anything at all about nature, how would she feel about the spring?
Would she try to invent some kind of explanation for why it suddenly started to rain one day?
Would she work out some fantasy to explain where the snow went and why the sun rose in the morning? — Jostein Gaarder

I myself cried when I got angry, then became unable to explain why I was angry in the first place. Later I would discover this was endemic among female human beings. Anger is supposed to be "unfeminine" so we suppress it -until it overflows. I could see that not speaking up made my mother feel worse. This was my first hint of the truism that depression is anger turned inward; thus women are twice as likely to be depressed. My mother paid a high price for caring so much, yet being able to do so little about it. In this way, she led me toward am activist place where she herself could never go. — Gloria Steinem

I know now that before I take a picture I have to be sure about how I feel about the subjects. What I don't know is if I should explain to them what I'm doing while I'm photographing them ... — Tina Barney

One sort of optional thing you might do is to realize there are six seasons instead of four. The poetry of four seasons is all wrong for this part of the planet, and this may explain why we are so depressed so much of the time. I mean, Spring doesn't feel like Spring a lot of the time, and November is all wrong for Fall and so on. Here is the truth about the seasons: Spring is May and June! What could be springier than May and June? Summer is July and August. Really hot, right? Autumn is September and October. See the pumpkins? Smell those burning leaves. Next comes the season called "Locking." That is when Nature shuts everything down. November and December aren't Winter. They're Locking. Next comes Winter, January and February. Boy! Are they ever cold! What comes next? Not Spring. Unlocking comes next. What else could April be? — Kurt Vonnegut

I love entertaining people; I strive to make them feel good, and they make me feel wonderful. To explain it simply, I like what I do, and my ambition is to get better as I get older. That's really what I'm all about. — Tony Bennett

All blame is a waste of time. No matter how much fault you find with
another, and regardless of how much you blame him, it will not change
you. The only thing blame does is to keep the focus off you when you
are looking for external reasons to explain your unhappiness or
frustration. You may succeed in making another feel guilty about
something by blaming him, but you won't succeed in changing whatever it
is about you that is making you unhappy. — Wayne W. Dyer

You like or dislike people long before you know much about them; you trust or distrust strangers without knowing why; you feel that an enterprise is bound to succeed without analyzing it. Whether you state them or not, you often have answers to questions that you do not completely understand, relying on evidence that you can neither explain nor defend. — Daniel Kahneman

Visualize the conversations your friends have about how they all knew you'd never be able to make it. Imagine having to explain quitting to every single person who knew you were going to BUD/S. You have to face them. You have to live with many of them. Imagine trying to find a way to overcome the shame of failing. How long is it going to take for them to stop thinking of you as a failure, a quitter, a pussy? How long until anyone takes anything you say seriously again? Visualize being sent to a crappy ship, an undesignated Seaman. Imagine, if you will, a life below deck where you spend 18 hours chipping paint and repainting the spot you chipped. Imagine not seeing the sun for days or weeks at a time. This picture is worse than anything in BUD/S. Experience the shame and humiliation of quitting once in your head. Feel how much you hate yourself for giving up on your dream. Then never, ever, ever experience it in real life. — Mark Owens

Luke James has this mystique about him that's not something you can explain; you can only experience it. He's got a whole D'Angelo feel to him as well. — Estelle

Sometimes I think I shouldn't explain much about my work because people will just feel what they feel when they see it. They'll love it or hate it or enjoy it on their own, like how I've looked at abstract paintings of other artists and cried or felt happy because I've felt, "Wow, I've lived that, I've understood that." — Jose Parla

No bitter complaints about society whatever from this grand and ideal man who really loves me moreover as if I deserve it, but I'm bursting to explain everything to him, not even Big Sur but the past several years, but there's no chance with everybody yakking
And in fact I can see in Cody's eyes that he can see in my own eyes the regret we both feel that recently we haven't had chances to talk whatever, like we used to do driving across America and back in the old road days, too many people now want to talk to us and tell us their stories, we've been hemmed in and surrounded and outnumbered
The circle's closed in on the old heroes of the night
— Jack Kerouac

When you are a reporter, your focus is on digging up facts to explain the visible and the complex and to unearth and expose the impenetrable and the hidden - wherever that takes you. You are there to inform, without fear or favor. Straight news often has enormous influence, but it's always in direct proportion to how much it informs, exposes, and explains. Opinion writing is different. When you are a columnist, or a blogger in Bojia's case, your purpose is to influence or provoke a reaction and not just to inform - to argue for a certain perspective so compellingly that you persuade your readers to think or feel differently or more strongly or afresh about an issue. That — Thomas L. Friedman

A layman will no doubt find it hard to understand how pathological disorders of the body and mind can be eliminated by 'mere' words. He will feel that he is being asked to believe in magic. And he will not be so very wrong, for the words which we use in our everyday speech are nothing other than watered-down magic. But we shall have to follow a roundabout path in order to explain how science sets about restoring to words a part at least of their former magical power. — Sigmund Freud

And I was
this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be 'See, you're leaving after all when you promised you wouldn't.' I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but
wait
just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them. Okay? Can you see that? It's your fear I can't take. It's your distrust and fear I've been trying to fight. And I can't anymore. I'm out of gas on it. If I loved you even a little less maybe I could take it. But this is killing me, this constant feeling that I am always scaring you and never making you feel secure. Can you see that? — David Foster Wallace

At first, I'd try to explain that it's not really negativity or sadness anymore, it's more just this detached, meaningless fog where you can't feel anything about anything - even the things you love, even fun things - and you're horribly bored and lonely, but since you've lost your ability to connect with any of the things that would normally make you feel less bored and lonely, you're stuck in the boring, lonely, meaningless void without anything to distract you from how boring, lonely, and meaningless it is. — Allie Brosh

If you have to explain about how something's supposed to feel, it takes away all the magic. — Susane Colasanti

It's stupidly self-obsessed to try and explain the important moments of your life as something that happened to make you aware of how precious life is, or that someone came into your world to show you how to feel, and I know for certain that Livia Stowe's life whole life was not about making sure I had one perfect summer. Like everyone who has been in love, we just got lucky, but or luck ran out. — Kate Le Vann

You don't have to get a job that makes others feel comfortable about what they perceive as your success. You don't have to explain what your plan to do with your life. You don't have to justify your education by demonstrating its financial rewards. You don't have to maintain an impeccable credit score. Anyone who expects you to do any of those things has no sense of history of economics or science or the arts. — Cheryl Strayed

IT - especially with its role so greatly enlarged by the arrival of the Internet - has changed not only how we work and conduct business, but also how we (and our customers) play, how we consume, and how we educate our next generations. And yet the IT phenomenon, so evident in the expenditures of every organization, has not yet achieved management attention equal to other areas, such as finance, marketing, operations, and human resources. In far too many companies, IT remains a black box that business managers rarely try to see inside. When business managers do engage in IT discussions, often they bring little expertise to bear. Few feel apologetic about their IT inadequacies. But the time is coming when "I'm not an IT person" will be no more adequate as a manager's defense in the aftermath of a major corporate problem than Jeff Skilling's now notorious "I'm not an accountant" - that CEOs effort to explain his failure to foresee or prevent Enron's spectacular implosion. — Robert D. Austin

You cannot explain, with the limitations of language and inexperience, why your body can cause such a sudden, fumbling response in someone else, nor can you put into exact words what you feel about your body, explain the thrum it feels in proximity to another warm-skinned form. What you feel is a tangle of contradictions: power, pleasure, fear, shame, exultation, some strange wish to make noise. You cannot say how those things knit themselves together somewhere in the lower abdomen and pulse. — Marya Hornbacher

I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful. — Franz Kafka

British?" I tried to explain. "We make jokes about uncomfortable topics to feel less awkward about them?" How Hard Can Love Be? chapter 22 — Holly Bourne

Hazel could not explain that she had forgotten, that there was Jack and soul-sucking villains, and sometimes you are too scratchy to remember the things you are supposed to do, even if you do feel really bad about it later. — Anne Ursu

-It's hard to explain, Adders. But I just...I don't feel that way about him. I've tried really hard...believe me I have.
-That's the thing though, if you have to try really hard then it's not meant to be. You shouldn't have to try to love someone. You either do or you don't. — Lisa J. Hobman

There's a power in words. There's a power in being able to explain and describe and articulate what you know and feel and believe about the world, and about yourself. — Tracy Chapman

Can you take me back into town?" I say. "I can't get my voicemails."
"Why don't you calm down, D-Dub. I know you're menstruating, but everything's going to be fine. Once we get inside, I'll explain all about maxi pads, personal hygiene and the feel of a man's penis. — Victoria Scott

Scrabble - The game is available in Braille. That's a nice fact. This makes me feel better about humanity for some reason. I can't really explain why. — A. J. Jacobs

It was sinister, overpowering; it was like a troubled dream conjured by the evil thoughts of a past day. There was no suggestion of ultimate hope, and no possibility of escape. It was a terrible place. I sat up on the deck with my chin in my hands, looking in front of me thinking of nothing, my heart heavy, longing for some nameless thing that I could not explain even to myself. I did not want to feel depressed like this. I wanted to laugh, and not to care about a thought, and to be with people who did not matter, and to have some fun taking that girl ashore. I did not want to be in a lost mood, wretched and distressed. I wished Gudvangen was different, and the mountains wider apart, and the sun shining in a clear sky, and the blue water warm and shallow. — Daphne Du Maurier