Hwang Quotes & Sayings

We left our home forty years ago. Despite the unhappy events we faced there, we left because our faith allowed it, because our belief in the Lord taught us that we would find a new place, a place to build a heaven on earth. War was waged in our home as we left. Many, many innocents dies. To live, people killed and were killed. In the book of Deuteronomy, Moses reminds his people of the promise made to their ancestors regarding the land of Canaan. He delivers the law, teaching them how to win a life of victory in the land of promise. They said, Jehovah, let all the enemies of the Lord face this same end. Do not pity them or offer them promises, only annihilate them all. And yet, Jesus taught love and peace. I say again - those left behind in our hometown had souls, just as we do. It is we who must repent first. (2007: 17) — Hwang Sok-yong

And you wonder, what's wrong with me? Will anyone beautiful want me? — David Henry Hwang

Hwang's peacefulness had rendered him incapable of violence. For this to "work," though, the peacefulness must be genuine and deep. The smile must be real. The love must be real. If there is an intent to manipulate, to show the other up, to highlight the brutality by contrasting it with one's own nonviolence, then the power of the smile and the hug is much less strong. — Charles Eisenstein

I suppose the time is ripe for them now, for the people who were there. They're ready now, I think. So ... they appear before us as part of their redemption."
"But you and I, we weren't to blame, were we?"
Suddenly slamming his thick palm down on the table, Uncle Some shouted, "Show me one soul who wasn't to blame!" (2007: 162) — Hwang Sok-yong

I visited a new cultural center in Shanghai in 2005 that was pretty much perfect, except for the really badly translated Chinglish signs: a handicapped restroom that said 'Deformed Man's Toilet,' that kind of thing. — David Henry Hwang

People hated and killed each other back then. Now even those who survived are dying, leaving this world one by one. Unless we find a way to forgive one another, none of us will ever be able to see each other again. (2007: 88) — Hwang Sok-yong

They say God is one and the same everywhere, in all countries. Well, I know everything, everything from the very beginning. Those big noses just came here with their books and spread them all over the place. Our ancestors, the founding father of our race, was Tangun. He came down from the heavens a long, long time ago. They say that's not so. They say that Jesus Christ is our Lord and Savior. People should worship their own ancestors properly if they want to be proper human beings. Our country has gone to the dogs because so many have started worshiping someone else's God. (2007: 40) — Hwang Sok-yong

But mistakes don't define us, they refine us. — Victor W. Hwang

Well, there's no guarantee of failure in life like happiness in high school. — David Henry Hwang

Gallimard: It's ... a pure sacrifice. He's unworthy, but what can she do? She loves him ... so much. It's a very beautiful story.
Song: Well, yes, to a Westerner.
Gallimard: Exuse me?
Song: It's one of your favotite fantasies, isn't it? The submissive Oriental woman and the cruel white man. — David Henry Hwang

There's something about China and its rush to capitalism that I find confusing. At the same time, we live in an America where capitalists oppose any government interference with free markets, while in China you have a very controlled, state-planned market where economic growth is better than ours. — David Henry Hwang

With theatre, we all agree to suspend our disbelief about so many things, but not about race. It's totally OK to have one actor playing five roles - people are willing to believe that. But they won't believe it if there's a black or an Asian kid who has white parents. What does that say about us? — David Henry Hwang

The people your brother killed - well, they all had souls. They weren't Satan. Ryu Yohan wasn't Satan, either. His faith was twisted, that's all. I know now. I know that God is innocent. (2007: 143) — Hwang Sok-yong

I can't say a thing. What is there to say? I have given birth to a son! What more can I possibly hope for? I hear his footsteps crossing the front yard and gradually fading away, off into the distance. As the silence grows, I suddenly realize that hes gone. He's gone to someplace far away, and he's never coming back.(2007: 153) — Hwang Sok-yong

Women are walking around on the streets. From her calf and the hem of her skirt to her hip, from her hair to the high heels on her feet, a young woman is freedom. Especially when you look at her from afar. — Hwang Sok-yong

The scene [Bruegel's 'Landscape with the Fall of Icarus'] is filled with a vast field, and a cow and a farmer plowing. In the left-hand corner is a tiny ocean the size of a palm, and there, I can barely make it out, the two legs of a man who fell headlong into the sea. This is called the Fall of Icarus. Compared to everyday life, the fall of an idealist who flew too high with candle-wax wings is an unremarkable tragedy. — Hwang Sok-yong

I felt pretty good growing up. I didn't feel a lot of prejudice or racism. But I do remember, if there was going to be a movie or a television show with Asian characters, I would go out of my way to avoid them, because they portrayed all Asians as either ridiculously good or ridiculously bad; you know, the whole Charlie Chan-Fu Manchu thing. — David Henry Hwang

If I do a play, it's my vision, and everybody else is working on the production to support that. If I do an opera, I feel like part of my job is to support that composer, to try and create something that allows the composer to do his or her best work. In movies, it's usually the director. — David Henry Hwang

My new play 'Chinglish,' which will go to Broadway, is about a white American businessman who goes to a provincial capital in China, hoping to make a deal there. It's bilingual. And it's about trying to communicate across language and cultural barriers. — David Henry Hwang

I define the American dream as the ability to imagine a way that you want your life to turn out, and have a reasonable hope that you can achieve that. — David Henry Hwang

With a musical, you kind of have to do a mind-meld with the book-writer, the lyricist, the composer, the director - sometimes the producer. I think that's a reason why musicals are the hardest form. — David Henry Hwang

I'm happy. Which often looks like crazy. — David Henry Hwang

For the myths of the East, the myths of the West, the myths of men, and the myths of women - these have so saturated our consciousness that truthful contact between nations and lovers can only be the result of heroic effort. — David Henry Hwang

I've never quite understood the idea of a "season." Whenever an artistic director says to me, 'I have this slot,' I always start to feel we're parking cars or something. — David Henry Hwang

Our first-year list is Sangeeta Bandyopadhyay (translated by Arunava Sinha), Hwang Jung-eun (translated by Jung Yewon), and Khairani Barokka. — Deborah Smith

It suddenly occurred to me that the whole notion of this side, of us and them - it was all over. It was no longer the Lord's Crusade. We were no longer fighting to overthrow Satan. We have been tested, I thought to myself, and we have been found wanting. Our faith was corrupted. My comrades and I - we'd become the endless days, days without light. What does that mean, you ask? We were sick and tired of living. At the least provocation, we would spit out, Fuck it, and kill whoever happened to be involved. (2007: 222) — Hwang Sok-yong

This is the ultimate cruelty, isn't it? That I can talk and talk and to anyone listening, it's only air
too rich a diet to be swallowed by a mundane world. — David Henry Hwang

To me to write well is to battle stereotypes. To write well is to create three-dimensional characters that seem human. — David Henry Hwang

I knew I was Chinese, but growing up, it never occurred to me that that had any particular implication or that it should differentiate me in any way. I thought it was a minor detail, like having red hair. — David Henry Hwang

As soon as a Western man comes into contact with the East
he's already confused. The West has sort of an international rape mentality towards the East ... Basically, 'Her mouth says no, but her eyes say yes.' The West thinks of itself as masculine
big guns, big industry, big money
so the East is feminine
weak, delicate, poor ... but good at art, and full of inscrutable wisdom
the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated
because a woman can't think for herself ... You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men. — David Henry Hwang

Hwang Jung-eun is one of the brightest stars of the new South Korean generation - she's Han Kang's favourite, and the novel we're publishing scooped the prestigious Bookseller's Award, for critically-acclaimed fiction that also has a wide popular appeal. She stands out for her focus on social minorities - her protagonists are slum inhabitants, trans women, orphans - and for the way she melds this hard-edged social critique with obliquely fantastical elements and offbeat dialogue. — Deborah Smith

Tonight, I've finally learned to tell fantasy from reality. And, knowing the difference, I choose fantasy. — David Henry Hwang

But is it possible for a woman to be too uninhibited, too willing, so as to seem almost too... masculine? — David Henry Hwang

I ask for your forgiveness. I feel so miserable that it's difficult even to say sorry. — Hwang Woo-suk

Chinese culture in general is not very religious. Confucianism is more a code of ethics than a religion, and ancestor worship is a way for parents to control you even after they're dead. — David Henry Hwang

The West believes the East, deep down, wants to be dominated, because a woman can't think for herself — David Henry Hwang

Yes, I am one of those people who feels that most of my work is adaptation of one sort or another. For me, it's a way to jump-start the engine. For example, some people use the technique of basing a character on a friend. They start writing with his or her voice, then at a certain point, the character takes off on his or her own. It probably no longer resembles the model, but it helped the author to get going. I find that's true of form, too. For every play I've written, I know what play I was trying to imitate. That helps me get going. — David Henry Hwang

There is an old saying that goes 'Start by plucking a hair, end by killing a man'. It is also said, 'Two hands must meet to make a sound'. The atrocities that happened here weren't carried out by strangers - it was us, the people who'd once lived together harmoniously in the same village."
"They say it was the superstitious freaks who did it."
"No, it was Satan who did it."
"Come now, what sort of a ghost is that?"
Ryu Yosop replied, "It is the black thing that lives in the heart of every man. — Hwang Sok-yong

Back then, I think, both sides were just very young. They needed to grow up enough to realize that thing get quite complicated in the business of living, that a lot of things require mutual understanding and compromise. I mean, when you get right down to it, all business for us men on earth is based on material things - so we've just got to work hard and share the fruits of our labors with one another. Only when that is done righteously can we render our faith honorably to God. Within a generation of adopting a school of thought in the name of New Learning, be it Christianity or socialism, we all became such ardent followers that we forgot the way of life we'd led for so long. (2007: 163) — Hwang Sok-yong

Time flies when you're being stupid. — David Henry Hwang

It's the stories that make my heart beat faster ... those are the ones to write about — David Henry Hwang

Judge: But why would that make it possible for you to fool Monsieur Gallimard? Please
get to the point.
Song: One, because when he finally met his fantasy woman, he wanted more than anything to believe that she was, in fact, a woman. And second, I am an Oriental. And being an Oriental, I could never be completely a man. — David Henry Hwang

Why, in the Peking Opera, are women's roles played by men? ... Because only a man knows how a woman is supposed to act. — David Henry Hwang

Sometimes I hate you, sometimes I hate myself, but always I miss you — David Henry Hwang

I now know that to do a worthwhile family history I must interpret the past without falling into either demonizing or unquestioning acceptance ... As a playwright, what I object to right now is any form of fundamentalism, whether it's nationalistic, religious or ethnic ... I think it is ridiculous - and fundamentalist, by the way - to say that I am not changed by the culture around me. — David Henry Hwang

We must conserve our strengths for the battles we can win. — David Henry Hwang

Don't forget: there is no homosexuality in China! — David Henry Hwang

The blazing sun beat down on the concrete of the museum's front yard- Reverend Ryu Yosop felt as if the heat were sucking up all the moisture in his brain and heart. What different colors he and his brother Yohan must have used as each of them painted their own picture of home, of the carnage. These people have constructed yet a different vision of their own, Yosop thought to himself, but it all stems from the same nightmare, the one we created together. — Hwang Sok-yong

We all deal with failure. If you're lucky to have a long career, it's part of the experience. — David Henry Hwang

That's all there is to it. We look different, so we don't understand each other's inner thoughts, but we cherish each other in our own way. I respect you. — Sun-mi Hwang

For a long time, it was hard for me to get my work done in Chicago. Silk Road gave me opportunities to do shows like 'Golden Child' - shows that nobody else seemed interested in. And they bring an artistic integrity to the work that matches anything you'll find at a bigger theatre. — David Henry Hwang

We are all prisoners of our time and place. — David Henry Hwang

Gallimard: You have to do what I say! I'm conjuring you up in my mind!
Song: Rene, I've never done what you've said. Why should it be any different in your mind? — David Henry Hwang

Their words flitted past, like short sentences typed out on a keyboard, typing away Yosop's past and future. They all said "American troops," but Yosop knew for a fact that the troops had simply been passing through. They were never stationed in Sinchon; they were in a rush to get further north. Both Yosop and his brother Yohan knew for a fact that during those forty-five days, before the arrival of the U.S. troops and after their departure, most of the military strength in the area had consisted of the security forces and the Youth Corps - all Korean. (2007: 99) — Hwang Sok-yong

Just because you're the same kind doesn't mean you're all one happy family. The important thing is to understand each other. That's love! — Sun-mi Hwang

They are like the handful of belongings saved from a burnt-down house. There should be a continuous challenge to authority for change and reform, and groups of ordinary people should form an alliance to reclaim what was taken by the state inch by inch, like a children's game, and enlarge the territory to the level of practical equality. — Hwang Sok-yong

I've studied Chinese in college, but basically, I'm not bilingual. — David Henry Hwang

I am almost famous in China, because I have that Broadway cachet. — David Henry Hwang

My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, everybody feels obligated to make sure that it represents his own point of view. — David Henry Hwang

Even if you're lucky to have a play on Broadway like 'Chinglish,' you don't necessarily earn enough off it to support the years it takes to get there. — David Henry Hwang

I think that plays are probably the most personal, because it's just me in charge, but sometimes it's just really - I think that there's honor in being a good artist, and there's honor in being a good 'craftsperson.' — David Henry Hwang

There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian. — David Henry Hwang

Death with honor is better than life ... life with dishonor. — David Henry Hwang

There is something very unique in American iconography about this notion of the pursuit of happiness. — David Henry Hwang

I'm interested in internationalism. It's the new multiculturalism. How we deal with each other isn't sufficient any more. It's about time we examine how we interact with the rest of the world we live in. — David Henry Hwang

God too, has sinned, that's what I used to think. He looked down on this blazing hell, and he remained silent. (2007: 142) — Hwang Sok-yong

My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out. — David Henry Hwang

'Yellow Face' marks my summation of multiculturalism. — David Henry Hwang

Even if you are alive somewhere, the absence of the other person who used to be there beside you obliterates your presence. Everything in the room, even the stars in the sky, can disappear in a second, changing one scene for another, just like in a dream. — Hwang Sok-yong

You can't be a playwright without believing there's an audience for adventurous work. — David Henry Hwang

As it turns out, the atrocities we suffered were committed by none other than ourselves, and the inner sense of guilt and fear sparked by this incident helped form the roots of the frantic hatred that thrives to this day. (2007: 9) — Hwang Sok-yong

There's a reason why the form was originally silent — David Henry Hwang

Originally the structure was ... a modern narrator who would appear intermittently and talk about his memories of his grandmother, which would then be juxtaposed against scenes from the past. But the stories from the past were always more interesting that the things in the present. I find this almost endemic to modern plays that veer between past and present ... So as we've gone on developing GOLDEN CHILD, the scenes from the past have become more dominant, and all that remains of the present are these two little bookends that frame the action. — David Henry Hwang

Now I see
we are always most revolted by the things hidden within us. — David Henry Hwang

As Asian-Americans, the charge that is often lobbed against us is sort of the least original: the idea that somehow we're perpetual foreigners, that we can't be trusted, and that even my father, who was patriotic to the point that it was kind of a joke among his children, would be accused of being disloyal to America. — David Henry Hwang

My father has always been interested in discarding the past. He's never much liked China or the whole idea behind China or Chinese ways of thinking. He's always been much more attracted to American ways of thinking. He feels Americans are more open - they tell you what they think - and he's very much that way himself. — David Henry Hwang

They were happy to help someone, to succeed at something, even if they weren't to benefit. We'd been trying to touch the sky from the bottom of the ocean. I realised that if we boosted one another, maybe we'd get a little closer. — Hwang Sok-yong

You aren't allowed to ask at auditions, legally, a person's race. — David Henry Hwang

I felt I was finally in a position to affect not only the artistic content of the American theatre, but also its institutional structures. This has been an important goal of mine, as there have always been a variety of issues - artistic freedom, author's rights, access by minority groups - which have concerned me and even influenced my decision to become a playwright in the first place. — David Henry Hwang

I'll live as a courtesan, not as a woman. I'll embrace any man that comes my way. It's not hard giving your body and not your heart. And I'll take revenge. To all those rich nobles, I'll get revenge for all the pain I received. No ... even more. Then I'll get revenge on you, Head Mistress. Breaking my love and making me a courtesan, will not be a good thing for you. — Hwang Jini

Happiness is so rare that our mind can turn somersaults to protect it. — David Henry Hwang