How To Write Own Quotes & Sayings

It's easier to write about heartbreak after you've had your heart broken. You have more material to draw from, you can extrapolate from your own experiences and make reasonable assumptions about how your characters would feel and act. — Patrick Rothfuss

I'd set out to write a book about how we learn to trust our own experience in the face of confusion, doubt, and anxiety. What I ended up with is the story of how we love each other in spite of immense limitations — Heather Sellers

You can still live with grace and wisdom thanks partly to the many people who write about how to do it and perhaps talk overmuch about riboflavin and economy, and partly to your own innate sense of what you must do with the resources you have, to keep the wolf from snuffing to hungrily through the keyhole. — Mary Francis Kennedy Fisher

The hand that once wielded both sword and axe now aches after an evening of the quill. When I wipe the tip of one clean, I often wonder how many buckets of ink I have used in a lifetime. How many words have I set down on paper or vellum, thinking to trap the truth thereby? And of those words, how many have I myself consigned to the flames as worthless and wrong? I do as I have done so many times. I write, I sand the wet ink, I consider my own words. Then I burn them. Perhaps when I do so, the truth goes up the chimney as smoke. Is it destroyed, or set free in the world? I do not know. I — Robin Hobb

Set goals for yourself and put actionable steps in place to ensure that you achieve them. Whether you aim to get a promotion at work or set up your very own business, these ideas will only remain dreams until you write plan out how you are going to reach them by writing down realistic steps towards hitting your targets. — Kelly Hoppen

I just believe that young people need to be able to learn how to write in their own voice. Just like a musician, you pride yourself on having your own distinct sound. — Terry McMillan

Whenever one of you guys says people deal with bad stuff in their own way, it means you don't deal with it at all. You just wait for it to go away. You don't help. You don't listen. You don't call. You don't write. WE deal with it in our own way. WE deal with it. We girls. We make the meals and clean up the messes and take the crap and listen to you talk about how you're dealing with it in your own way. What way? No way! — Anna Quindlen

We are made for art ... The moment Maddy took up the tendril phrase, Els knew she was as dear to him as his own life. Talons gripped his ribs, and he felt a joy bordering on panic. He needed to know how this woman would unfold. He needed to write music that would settle into her range like frost on fields. They'd spend their years together, grow old, get sick, die in shared bewilderment. — Richard Powers

A dear and long-time friend, ... asked me, "Jack, how long does it usually take you to write a book?" I replied, "Of course it depends on the project and its requirements, each book has its own rules. But for a statement to the world at large, once I've thought a book through and written it in my mind, it takes me around a week or so, depending on this and that, ordinarily at the rate of a chapter a day, but I've had some two-chapters day and some chapters have taken two days. And then of course there is revision, but around a week is about right." He seemed surprised, and I was surprised by his surprise, so I thought, maybe I'm wrong. I went home and wrote this book, at the perfectly normal pace of a chapter a day, as usual ... — Jacob Neusner

It couldn't have been Eric. I'm pretty sure he couldn't even find a computer's on switch, let alone write actual emails on a regular basis. It took him forever just to learn how to spell his own name." Eric — Kylie Scott

One has to go away, leave the self. How far must one not arrive in order to write, how far must one wander and wear out and have pleasure? One must walk as far as the night. One's own night. Walking through the self toward dark. — Helene Cixous

I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags. — Haruki Murakami

Writing is learned by imitation. I learned to write mainly by reading writers who were doing the kind of writing I wanted to do and by trying to figure out how they did it. S. J. Perelman told me that when he was starting out he could have been arrested for imitating Ring Lardner. Woody Allen could have been arrested for imitating S. J. Perelman. And who hasn't tried to imitate Woody Allen? Students often feel guilty about modeling their writing on someone else's writing. They think it's unethical - which is commendable. Or they're afraid they'll lose their own identity. The point, however, is that we eventually move beyond our models; we take what we need and then we shed those skins and become who we are supposed to become. But — William Zinsser

The reason I'm here today, the reason I own a brand new Harley-Davidson motorcycle and the reason I have a big log cabin and I got cars and all kinds of stuff is because I'm a writer and writers own everything. So you learn how to write. — Dan Aykroyd

The way to write is well, and how is your own business. — A.J. Liebling

Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own. — Megan Amram

I, too, am deeply concerned with an overarching idea that dramaturgs are now authors ... I am not taking the position that all dramaturgs own copyright, deserve special billing credit, or should receive remuneration akin to that of the playwright. I know from my ears at the Dramatists Guild that almost everyone a writer encounters has suggestions of how to write and rewrite the play or musical to make it work. — Dana Rosemary Scallon

Suppose I should say to a wrestler, 'Show me your muscle'. And he should answer me, 'See my dumb-bells'. Your dumb-bells are your own affair; I want to see the effect of them.
Take the treatise 'On Choice', and see how thoroughly I have perused it.
I am not asking about this, O slave, but how you act in choosing and refusing, how you manage your desires and aversions, your intentions and purposes, how you meet events
whether you are in harmony with nature's laws or opposed to them. If in harmony, give me evidence of that, and I will say you are progressing; if the contrary, you may go your way, and not only comment on your books, but write some like them yourself; and what good will it do you? — Epictetus

I have a really hard time writing my own lyrics for this record, because one, I had to write so many and also I was kind of perplexed by the idea of how I was going to sing and play ... because at that time, we hadn't really thought about asking someone else. — Kim Gordon

Can we really put Ben (hereby representing all men) on such a pedestal? Having tamed those beasts set aside for him, is it not like Ben to seek out that which has historically (regardless of how brief a history) been set aside for women? Woolf criticizes the masculine in her work with the repetition of the phrases uttered by that inconsiderate individual who makes the claim that women cannot paint or write. Is Ben not committing the same crime as that unfortunate character?
In stating "[b]etter like this, bitch," Ben employs a word that I would consider to be demasculinizing, rather than feminine. In using the word bitch, he seizes this scholarly investigation and, if you will, pisses on it, claiming it as his own. His statement is an outright challenge. This is a book I stole from women, and I urinated on it. You'd better appreciate my conquest or I will also urinate on you. — Caris O'Malley

Your life isn't some prerecorded movie where, no matter how many times you watch it, the ending remains the same. Your life is a book in progress, and you are the author. So if you don't care for the main character or the gloomy scenery or how the twisted plot is unfolding, then do something to change it. You write your own story. — Richelle E. Goodrich

Writers make everybody nervous but we terrify Silly Service workers. Our apartments always look like a front for something, and no matter how carefully we tidy up for guests we always seem to miss the note card that says, "Margaret has to die soon." We own the kind of books that spies use to construct codes, like The Letters of Mme. de Sevigne, and we are the only people in the world who write oxymoron in the margin of the Bible. Manuscripts in the fridge in case of fire, Strunk's Elements in the bathroom, the Laramie City Directory explained away with "It might come in handy," all strike fear in the GS-7 heart. Nobody really wants to sleep with a writer, but Silly Service workers won't even talk to us. — Florence King

I'm releasing a single. It's called 'Live it Up.' It was based on my Euro trip. I only write my own music. I don't let other people write it at all. So I've been working on that a lot. There's three singles coming out. The producer of The Fray who did their double-platinum album 'How to Save a Life,' I'm working with him. He's producing me. — Alexander Ludwig

These motivational tapes have really inspired me! I'm going to make a million dollars, buy my own company and retire early. Then, I'm going to write a novel and a symphony and give all the profits to charity. Then next month, I'll figure out how to do it. — Randy Glasbergen

I feel strongly against professionalism, against someone's feeling he has to write a book every year to keep his name before the public. I see people processing themselves, torturing themselves, for that, rather than writing out of a compulsion some story from their own experience, their own feelings. That's the way you should write, unless you are just practicing. I tell young writers to steal a plot or an idea or whatever, just to get going. See how a character comes out, how you fit it into your life . . . You see great writers doing it too. — Peter Taylor

You cannot teach a person how to write songs. It's about being your own person and following your instincts. — Kiesza

Art's power of persuasion resides in the small personal details of one's own story, and if it weren't for my struggle with dyslexia, I doubt I'd ever have become a writer or known how to teach others to write. — Philip Schultz

column writing is an act of chemistry - precisely because you must conjure it up yourself. A column doesn't write itself the way a breaking news story does. A column has to be created. This act of chemistry usually involves mixing three basic ingredients: your own values, priorities, and aspirations; how you think the biggest forces, the world's biggest gears and pulleys, are shaping events; and what you've learned about people and culture - how they react or don't - when the big forces impact them. When — Thomas L. Friedman

I don't get boy bands these days. Thye don't write their own songs and everything is choreographed from their dance moves to how they have sex with each other after the show. — Tom DeLonge

When we read, another person thinks for us: we merely repeat his mental process. In learning to write, the pupil goes over with his pen what the teacher has outlined in pencil: so in reading; the greater part of the work of thought is already done for us. This is why it relieves us to take up a book after being occupied with our own thoughts. And in reading, the mind is, in fact, only the playground of another's thoughts. So it comes about that if anyone spends almost the whole day in reading, and by way of relaxation devotes the intervals to some thoughtless pastime, he gradually loses the capacity for thinking; just as the man who always rides, at last forgets how to walk. This is the case with many learned persons: they have read themselves stupid. — Arthur Schopenhauer

Andrew Carnegie, the poverty-stricken Scotch lad who started to work at two cents an hour and finally gave away $365 million, learned early in life that the only way to influence people is to talk in terms of what the other person wants. He attended school only four years; yet he learned how to handle people. To illustrate: His sister-in-law was worried sick over her two boys. They were at Yale, and they were so busy with their own affairs that they neglected to write home and paid no attention whatever to their mother's frantic letters. Then Carnegie offered to wager a hundred dollars that he could get an answer by return mail, without even asking for it. Someone called his bet; so he wrote his nephews a chatty letter, mentioning casually in a postscript that he was sending each one a five-dollar bill. He neglected, however, to enclose the money. Back came replies by return mail thanking "Dear Uncle Andrew" for his kind note and - you can finish the sentence yourself. — Dale Carnegie

I don't think we have ever had real democracy in this country. Anyone who studies adoption of the constitution will understand quite clearly that; democracy - as we understand that on today; was the last thing the founding fathers had in mind when they wrote the constitution ....it was: to establish strong central authority responding the elitist interests in United States. That's private property. And those men who wrote the constitution were representatives of the elites. They were the lawyers, bankers, merchants, the land owners, slave owners and so forth. And they write the constitution for their own private interest$. That is how government has served ever since. And that is why we have so little democracy in United States. — Philip Agee

There's a Good Book about goodness and how to be good and so forth, but there's no Evil Book about how to be evil and how to be bad. The Devil had no prophets to write his Ten Commandments, and no team of authors to write his biography. His case has gone completely by default. We know nothing about him but a lot of fairy stories from our parents and schoolmasters. He has no book from which we can learn the nature of evil in all its forms, with parables about evil people, proverbs about evil people, folklore about evil people. All we have is the living example of people who are least good, or our own intuition. — Ian Fleming

I write my books to challenge my own feelings and theories. Perhaps most surprising was what I learned about rice farming. It was really interesting to think of how different Asian and Western cultures are as a result of the kinds of agricultural practices that our ancestors used for thousands of years. The life of a Chinese peasant in the Middle Ages was so dramatically different from the life of a European peasant - night and day different. — Malcolm Gladwell

There is a new wave of interest in exploring how to frame choices so that people make better decisions. Richard Thaler and Cass Sunstein, professors of economics and law, respectively, teamed up to write Nudge: Improving Decisions About Health, Wealth, and Happiness, which advocates using defaults to nudge us to make better choices.9 Even when we are choosing in our own interests, we often choose unwisely. When employees have the option of participating in a retirement-savings scheme, many do not, despite the financial advantages of doing so. If their employer instead automatically enrolls them, giving them the choice of opting out, participation jumps dramatically — Peter Singer

If we can't forget, how can we forgive? I believe that forgiving can't be done by willpower alone. I can will myself to write out my own memories and feelings. I can will myself to imagine onto the page how someone else may have felt. I can will myself to research someone else's life in order to better understand what happened. But I don't think I can forgive by simply willing to forgive. Forgiving happens to us when our hearts are ready. Sometimes it takes the form of working on our own story until quietly, often surprisingly, we simply let go of the hurt. Sometimes forgiving makes it possible to pick up the pieces of a broken relationship and begin again. Sometimes it means letting a relationship go. We can't forgive through willpower. What we can do is work toward readiness of heart. Writing as a spiritual practice can be that kind of work.
When our heart is ready, we often don't even know it until forgiveness happens within us. It is a gift. — Pat Schneider

I'm also old ... and my own gift for writing fantasy grows out of very literal-minded, pragmatic soil: the things I do when I'm not telling stories have always been pretty three-dimensional. I used to say that the only strong attraction reality ever had for me was horses and horseback riding, but I've also been cooking and going for long walks since I was a kid (yes, the two are related), and I'm getting even more three dimensionally biased as I get older - gardening, bell ringing ... piano playing ... And the stories I seem to need to write seem to need that kind of nourishment from me - how you feed your story telling varies from writer to writer. My story-telling faculty needs real-world fresh air and experiences that create calluses (and sometimes bruises). — Robin McKinley

I think trying to write is a religious exercise. You are trying to understand life, and you can only get the illusion of doing it fully by writing. That is, it's the only way I can come to understand things fully. When I create, when I put my own mark on something and form it, I begin to know the whole truth about it, how it was put together. Then you can begin to change things around. You know all this after you have written a lot. You really know. And it has become the most important thing in your life. It has nothing to do with craft, or even art, in a way. It is making sense of life. It is coming to understand yourself. — Peter Taylor

How often do you think we write our own ending before the story is even finished? How often do we give up on ourselves when our lives are just starting? Things get hard and we immediately back away and assume that means we're going in the wrong direction, doing the wrong thing. If anything, when the waters get thick, that's our sign to keep going. — Rachel Van Dyken

... no matter how we go about it, we are never poorer for the experiences that teach us how to write our own manuals. — Tania Aebi

If Readers have prejudices, that's the writing world we live in. We must decide how to navigate it. We can't please all the Readers all the time and we shouldn't try. but we don't get to create our Readers in our own image, either. We don't get to tell them what to value or enjoy. We can write in a way true to our own voice and our own ideas of beauty and substance, and we can hope that some readers appreciate it. But, even when we aim to serve the narrowest cross section of Readers, we're still working for the Readers we have. We should be grateful that we have them. — June Casagrande

We have the ability to write the blueprint for our own goals, and decide how we want to pursue them. If we allow others to do it for us, we won't achieve our full potential to be the best we can be. — Ellen J. Barrier

How to Write a Thesis," then, isn't just about fulfilling a degree requirement. It's also about engaging difference and attempting a project that is seemingly impossible, humbly reckoning with "the knowledge that anyone can teach us something." It models a kind of self-actualization, a belief in the integrity of one's own voice. — Anonymous

But the real fun of writing, for me at least, is the experience of making a set of givens yield. There's an incredibly inflexible set of instruments - our vocabulary, our grammar, the abstract symbols on paper, the limitations of your own powers of expression. You write something down and it's awkward, trivial, artificial, approximate. But with effort you can get it to become a little flexible, a little transparent. You can get it to open up, and expose something lurking there beyond the clumsy thing you first put down. When you add a comma or add or subtract a word, and the thing reacts and changes, it's so exciting that you forget how absolutely terrible writing feels a lot of the time. — Deborah Eisenberg

So I am led to one or two choices! Can I write? Will I write if I practice enough? How much should I sacrifice to writing anyway, before I find out if I'm any good? Above all, CAN A SELFISH, EGOCENTRIC, JEALOUS, AND UNIMAGINATIVE FEMALE WRITE A DAMN THING WORTHWHILE? Should I sublimate (my how we throw words around!) my selfishness in serving other people- through social or other such work? Would I then become more sensitive to other people and their problems? Would I be able to write honestly? Then of other beings besides a tall, introspective adolescent girl? I must be in contact with a wide variety of lives if I am not to become submerged in the routine of my own economic strata and class. — Sylvia Plath

I've always been sort of entrepreneurial ... I felt that I needed to learn how to write and produce so I could write my own thing and not worry about Hollywood finding me. — Larry Wilmore

I read it, too," Komatsu said after a short pause. "Right after you called me. The writing is incredibly bad. It's ungrammatical, and in some places you have no idea what she's trying to say. She should go back to school and learn how to write a decent sentence before she starts writing fiction." "But you did read it to the end, didn't you?" Komatsu smiled. It was the kind of smile he might have found way in the back of a normally unopened drawer. "You're right, I did read it all the way through - much to my own surprise. I never read these new writer prize submissions from beginning to end. I even reread some parts of this one. Let's just say the planets were in perfect alignment. I'll grant it that much." "Which means it has something, don't you think? — Haruki Murakami

I asked him how he came to be writing for the popular American weekly. How did he know what to write about or what to say? 'Oh...they have somehow got the idea that I am an unaccountably paradoxical dog, and they name the subject on which they want me to write; and they pay generously.' 'And so you set to work and invent a few paradoxes?' Not a bit of it. What I do is to recall, as well as I can, what my mother used to say on the subject, eke it out with a few similar thoughts of my own, and so produce what would have been strict orthodoxy in about 1900. And this seems to them outrageously paradoxical, avant garde stuff. — Jocelyn Gibb

As we all saw in grade school, once you learn how to read a book, somebody is going to want to write one - that's how authors are made. Once we know how to read our own genetic code, someone is going to want to rewrite that 'text,' tinker with traits - play God, some would say. — Gregory Benford

That's how you write novels actually. You suddenly hit upon something and you realize this is the path you were meant to take. You'd be a fool if you didn't follow it. Perhaps it's like solving a difficult question in pure mathematics. There must be a moment when the solution is so simple and evident that you wonder why you hadn't come upon it before. When you do come upon it, you know it in the deepest part of your being. It carries its own logic. — Don DeLillo

Well, I think every film student goes into film school thinking they want to write and direct their own movies, and they don't realize how much goes into it, and what a process it is. — Alexis Bledel

MANIFESTO OF THE BRAVE AND BROKENHEARTED There is no greater threat to the critics and cynics and fearmongers Than those of us who are willing to fall Because we have learned how to rise With skinned knees and bruised hearts; We choose owning our stories of struggle, Over hiding, over hustling, over pretending. When we deny our stories, they define us. When we run from struggle, we are never free. So we turn toward truth and look it in the eye. We will not be characters in our stories. Not villains, not victims, not even heroes. We are the authors of our lives. We write our own daring endings. We craft love from heartbreak, Compassion from shame, Grace from disappointment, Courage from failure. Showing up is our power. Story is our way home. Truth is our song. We are the brave and brokenhearted. We are rising strong. — Brene Brown

The only way to write is well and how you do it is your own damn business. — A.J. Liebling

And so too, in later years, when I began to write a book of my own, and the quality of some sentences seemed so inadequate that I could not make up my mind to go on with the undertaking. I would find the equivalent in Bergotte. But it was only then, when I read them in his pages, that I could enjoy them; when it was I myself who composed them, in my anxiety that they should exactly reproduce what I had perceived in my mind's eye, and in my fear of their not turning out "true to life," how could I find time to ask myself whether what I was writing was pleasing! — Marcel Proust

Self-slaughter is an extravagant enactment of feeling sorry for oneself. Suicide is stingy act, because no matter how wretched our life may currently be, a person can always rise tomorrow and perform some small act of kindness for other people, care for a pet, or perform some other caring act that works towards preserving nature's graciousness. To die of their own hand is to cheat other people and shortchange Mother Nature; it is taking without giving back in kind. What combats suicide is a sense of gratitude, a willingness to give to other people, and to cease living life as a taker. Without a profound appreciation for all that is living and devoid of a sincere willingness to contribute to the flourishing of all life forms, one can callously write off the value of their own life. — Kilroy J. Oldster

Whatever happened to me in my life, happened to me as a writer of plays. I'd fall in love, or fall in lust. And at the height of my passion, I would think, 'So this is how it feels,' and I would tie it up in pretty words. I watched my life as if it were happening to someone else. My son died. And I was hurt, but I watched my hurt, and even relished it, a little, for now I could write a real death, a true loss. My heart was broken by my dark lady, and I wept, in my room, alone; but while I wept, somewhere inside I smiled. For I knew I could take my broken heart and place it on the stage of The Globe, and make the pit cry tears of their own. — Neil Gaiman

Harry Emerson Fosdick could write a book called On Being a Real Person, which translated literally is, "How to be a genuine fake," because in the old sense, the person is the role, the part played by the actor. But if you forget that you are the actor, and think you are the person, you have been taken in by your own role. You are "en-rolled," or bewitched, spellbound, enchanted. — Alan W. Watts

It came to me, as I walked, how bitter the irony of the Book had been which had said: Herein the Truth. For it had a truth of its own in its bleached barrenness. What was truth except something which faded, lost its shape, grew unreadable and indistinguishable, at last a blank page for men to write on what they wished. — Tanith Lee

A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history. — Natasha Trethewey

After a childhood reading fairy tales and myths, is it any wonder that when I began to write my own stories I included fairy tales? Fairy tales are storytelling at its most basic. They've been with mankind for as long as people have told stories to each other. Fairy tales speak to something intrinsic in humans - they touch our most primitive selves. How else to explain that the Cinderella story is told in nearly every society on earth? To think of fairy tales as merely stories for children is to ignore thousands of years when fairy tales were used to teach morality, to warn, and to entertain both children and adults. — Elizabeth Hoyt

She explained why all the normal acts of life had become small acts of rebellion and political insubordination to her and to other young people like her. All her life she was shielded. She was never let out of sight; she never had a private corner in which to think, to feel, to dream, to write. She was not allowed to meet any young men on her own. Her family not only instructed her on how to behave around men - they seemed to think they could tell her how she should feel about them as well. What seems natural to someone like you, she said, is so strange and unfamiliar to me. — Azar Nafisi

Each of our passions, even love, has a stomach that must not be overloaded. We must in everything write the word 'finis' in time; we must restrain ourselves, when it becomes urgent; we must draw the bolt on the appetite, play a fantasia on the violin, then break the strings with our own hand. The Wise man is he who knows when and how to stop. — Victor Hugo

None of the etiquette books he studied addressed this situation. Maybe he could write one: How to Behave When the Girl You Adore Runs Away from You at Your Own Royal Ball. — Elisabeth Brown

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay

My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages. — Jeffery Taylor

If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you. Candor is like a skein being produced inside the belly day after day, it has to get itself woven out somewhere. You could whisper down a well. You could write a letter and keep it in a drawer. You could inscribe a curse on a ribbon of lead and bury it in the ground to lie unread for thousands of years. The point is not to find a reader, the point is the telling itself. Consider a person standing alone in a room. The house is silent. She is looking down at a piece of paper. Nothing else exists. All her veins go down into this paper. She takes her pen and writes on it some marks no one else will ever see, she bestows on it a kind of surplus, she tops it off with a gesture as private and accurate as her own name — Anne Carson

Don't you want it?"
"Want what?"
"The engagement ring."
"Oh, is that what's in the box? You threw my engagement ring at me?" Boy, this was such a big transgression I would have to write it in block letters on its own page, and show it to our children when they grew up as an example of how not to do something. — Linda Howard

Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course, everyone wants to own copyrights. — Hal David

We'd all like to see our poems walking alone in the world. Like children reared to be independent adults. Some parents raise a child conservatively (that is, with no exposure to the darker things awaiting them beyond the door), but you can see how that's a mistake right? There's no way to know how best to prepare a child for the future. No way to know how to write a publishable poem -- I'm not saying safe poems don't get published. Or that sheltered children can't succeed. Just that you write the best poems you can and send them out. Sometimes they return home weeping. Sometimes they make their own way. — Terrence K. Hayes

Is not the poet bound to write his own biography? Is there any other work for him but a good journal? We do not wish to know how his imaginary hero, but how he, the actual hero, lived from day to day. — Henry David Thoreau

I always write things that entertain me, and one of the things that I find really enjoyable to explore is the idea of love. I like looking at my own life and my friends and family and how love changes who you are. It fascinates me. — Stephenie Meyer

Grigoryevich...Not that he had any real talent himself - but what a lot of deaths of talented people he had witnessed. Young physicists and historians, specialists in ancient languages, philosophers, musicians, young Russian Swifts and Erasmuses - how many of them he had seen put on their "wooden jackets." Prerevolutionary literature had often lamented the fate of serf actors, musicians, and painters. But who was there today to write about the young men and women who had never had the chance to write their books and paint their paintings? The Russian earth is indeed fertile and generous. She gives birth to her own Platos, to her own quick-witted Newtons - but how casually and terribly she devours these children of hers. — Vasily Grossman

The usual run of children's books left me cold, and at the age of six I decided to write a book of my own. I managed the first line, 'I am a swallow.' Then I looked up and asked, 'How do you spell telephone wires? — Bruce Chatwin

Motherhood is exactly the kind of "special circumstance" that lends itself to memoir. It is a time of transition and sometimes a period of intense identity struggle: Who am I if I spend all day shirtless, trying to nurse a colicky baby? What happened to my former life, my former self? How do I balance my own needs with those of my family? I am drawn to all kinds of motherhood memoirs because I am interested in the different ways that women process the challenges and joys of motherhood, and how they write about life in general through their mother eyes. — Kate Hopper

What drove me? I think most creative people want to express appreciation for being able to take advantage of the work that's been done by others before us. I didn't invent the language or mathematics I use. I make little of my own food, none of my own clothes. Everything I do depends on other members of our species and the shoulders that we stand on. And a lot of us want to contribute something back to our species and to add something to the flow. It's about trying to express something in the only way that most of us know how-because we can't write Bob Dylan songs or Tom Stoppard plays. We try to use the talents we do have to express our deep feelings, to show our appreciation of all the contributions that came before us, and to add something to that flow. That's what has driven me. — Walter Isaacson

When I wanted to quit smoking cannabis a few years ago and found that I couldn't do it under my own steam I went in search of a self-help book to show me the way. Annoyingly all I could find were books on how to cultivate the damn stuff. So to exact my revenge on the world of publishing I decided to one day write that book myself. — Chris Sullivan

Identifying as a writer is a matter of self-acceptance. It's not a thing that can be given to you, or bestowed upon you. You are a writer if you write. That's it. If what you are seeking is to be acknowledged as a writer by other people, many of them strangers, you're in for a demoralizing journey. It is a silly club where those who have been 'accepted' are loathe to permit others into. It's sort of like how we Americans love denying our own immigrant origins while railing against immigration. — Vincent Louis Carrella

Am I sure that there is no mind behind our existence and no mystery anywhere in the universe? I think I am. What joy, what relief there would be, if we could declare so with complete conviction. If that were so I could wish to live for ever. How terrifying and glorious the role of man if, indeed, without guidance and without consolation he must create from his own rituals the meaning for his existence and write the rules whereby he lives. — Thornton Wilder

At the end of the day, the circumstances of your life
what you look like,where you come from, how much money you have, what you've got going on at home
none of that is an excuse ... where you are right now doesn't have to determine where you'll end up. No ones written your destiny for you, because here in America, you write you own destiny.You make your own future. — Barack Obama

Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?' — James Thurber

I try not to write songs in which men glamorize their own need for approval from women. That's kinda a bogus way to go out. But I try to do this quietly. I'm not about to go around telling people how they should or shouldn't think. My feminism is for me. — John Darnielle

I am an idealist who believes in reality, and who, therefore, in all i write strive to be real, to keep both my own feet and the feet of my readers on the ground so that no matter how high we dream our dreams will be based on reality — Jack London

A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also. — Dorothy L. Sayers

(...) this first-approximation reification of language very easily passes over unnoticed into a harder idealization, especially in everyday parlance. It is this idealization that, for instance, leads people to say that "the language" is degenerating because teenagers don't know how to talk anymore (they were saying that in the eighteenth century too!). It is also behind seeing the dictionary as an authority on the "correct meanings" of words rather than as an attempt to record how words are understood in the speech community. Even linguists adopt this stance all the time in everyday life (especially as teachers of students who can't write a decent paragraph). But once we go inside the heads of speakers to study their own individual cognitive structure, the stance must be dropped. — Ray S. Jackendoff

When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt. — Brian Eno

I shall be so glad if you will tell me what to read. I have been looking into all the books in the library at Offendene, but there is nothing readable. The leaves all stick together and smell musty. I wish I could write books to amuse myself, as you can! How delightful it must be to write books after one's own taste instead of reading other people's! Home-made books must be so nice. — George Eliot

You can't write, yet you learned to hunt, to survive. How?"
I paused with my foot on the threshold. "That's what happens when you're responsible for lives other than your own, isn't it? You do what you have to do."
He was still sitting on the table, still straddling that inner line between the here and now and wherever he'd had to go in his mind to endure the fight with the Bogge. I met his feral and glowing stare.
"You aren't what I expected - for a human. — Sarah J. Maas

Communication is the most important skill in life. We spend most of our waking hours communicating. But consider this: You've spent years learning how to read and write, years learning how to speak. But what about listening? What training or education have you had that enables you to listen so that you really, deeply understand another human being from that individual's own frame of reference? — Stephen R. Covey

I think that every one whom you may ask how to write a play will reply, if he really can write one, that he doesn't know how it is done. It is a little as if you were to ask Romeo what he did to fall in love with Juliet and to make her love him; he would reply that he did not know, that it simply happened.
Well, my dear friend, if you want me to be quite frank, I'll own up that I don't know how to write a play. One day a long time ago, when I was scarcely out of school, I asked my father the same question. He answered: It's very simple; the first act clear, the last act short, and all the acts interesting. — Alexandre Dumas-fils

I believe that there are people who think as I do, who have thought as I do, who will think as I do. There are those who will live, unconscious of me, but continuing my attitude, so to speak, as I continue, unknowingly, the similar attitude of those before me. I could write and write. All it takes is a motion of the hand in response to a brain impulse, trained from childhood to record in our own American brand of hieroglyphics the translations of external stimuli. How much of my brain is wilfully my own? How much is not a rubber stamp of what I have read and heard and lived? Sure, I make a sort of synthesis of what I come across, but that is all that differentiates me from another person? - - - That I have banged into and assimilated various things? That my environment and a chance combination of genes got me where I am? — Sylvia Plath

I could see why someone would want to make a website about me, and my quotes. They are all gold. How many people have written, directed AND starred in their own movies. I just don't know why they would want to put words into my mouth, I mean I did write, direct AND star in a critically acclaimed movie. — Zach Braff

From the place by the railing at the edge of the tracks on the summer evening I return across the city to my own room. I am vividly aware of my own life that escaped the winter on the boat. How many such lives I have lived. Then I only made a dollar and a half a day and now I sometimes make more than that in a few minutes. How wonderful to be able to write words ... Again I begin the endless game of reconstructing my own life, jerking it out of the shell that dies, striving to breathe into it beauty and meaning ... I wonder why my life, why all lives, are not more beautiful. — Sherwood Anderson

I continued for too long to do things that I already knew how to do, or to write stories that I was assigned instead of fighting for stories that I couldn't get, or doing ones that I thought were important on my own. The wasting of time is the thing I worry about the most. Because time is all there is. — Gloria Steinem

I dream my poems
and write my dreams.
We can only write our own dreams,
not the dreams of others,
for our dreams speak from our hearts.
For those who do not dream poems,
how can they know what dreams
their hearts want to write? — Jeffrey A. White

If you look at the body of any writers' work, you can figure out the questions that animate them. I think that is what real writers do. They don't tell people how to live or what to think. They write in order to try to answer their own deepest questions. — Isobelle Carmody

I would like to encourage you to stop thinking of what you're doing as ministry. Start realizing that your ministry is how much of a tip you leave when you eat in a restaurant; when you leave a hotel room whether you leave it all messed up or not; whether you flush your own toilet or not. Your ministry is the way that you love people. And you love people when you write something that is encouraging to them, something challenging. You love people when you call your wife and say, 'I'm going to be late for dinner,' instead of letting her burn the meal. You love people when maybe you cook a meal for your wife sometime, because you know she's really tired. Loving people - being respectful toward them - is much more important than writing or doing music. — Rich Mullins

People ask me when I decided to become a playwright, and I tell them I decide to do it every day. Most days it's very hard because I'm frightened - not frightened of writing a bad play, although that happens often with me. I'm frightened of encountering the wilderness of my own spirit, which is always , no matter how many plays I write, a new and uncharted place. Every day when I sit down to write, I can't remember how it's done. — Suzan-Lori Parks

Every day I create a new color study using an online or mobile app. So, I decided to write a book on Applying Color Theory to Digital Media and Visualization to teach others how easy it is and the joy in doing their own color studies. — Theresa-Marie Rhyne

Cal: "I'm not presuming. I know exactly what you think about me. You think I'm an anal-retentive Armrest Nazi ... an arrogant Modelizer. You can't stand the way I talk, any of the subjects I choose to talk about, the imperious manner I order food in restaurants or tell cab drivers how much we owe them. You find my taste in women odious, the fact that I don't own a television an unforgivable sin, and the fact that I would choose to write a book about Saudi Arabia completely unfathomable. And you're also totally in love with me. If you weren't you wouldn't have pushed me into the pool earlier today when you saw Grazi walk in."
Every Boy's Got One — Meg Cabot

Without a doubt, if I had it to do all over again, I would do whatever it takes to be a one-person studio. You need to learn how to write so you can control the material. If you own the material, you can do it all. — James Woods