How To Write Fiction Quotes & Sayings

Humans need each other for equilibrium and support. But writers must pull aside to take a quiet walk alone, not just for the sake of serenity but to hear the Voice inside. That is how the storyteller connects with with others--listen, write, share. — Patricia Hickman

The novel had reached its apogee with the marriage plot and had never recovered from its disappearance. In the days when success in life had depended on marriage, and marriage had depended on money, novelists had had a subject to write about. The great epics sang of war, the novel of marriage. Sexual equality, good for women, had been bad for the novel. And divorce had undone it completely. What would it matter whom Emma married if she could file for separation later? How would Isabel Archer's marriage to Gilbert Osmond have been affected by the existence of a prenup? As far as Saunders was concerned, marriage didn't mean much anymore, and neither did the novel. Where could you find the marriage plot nowadays? You couldn't. You had to read historical fiction. You had to read non-Western novels involving traditional societies. Afghani novels, Indian novels. You had to go, literarily speaking, back in time. — Jeffrey Eugenides

Why do I write historical fiction? Johnny Tremain, The Witch of Blackbird Pond, Island of the Blue Dolphins-that's why. I'll never forget how it felt to read those books. I want to write books with the same power to transport readers into another time and place. — Jennifer Armstrong

If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan's request? Couldn't Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion.
Mario Vargas Llosa had not used the term "fire" exactly, but rather had discussed the presence of "seditious roots" that could "dynamite the world" the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling - out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies. — L.L. Barkat

You know, one of the interesting things you find about writing fiction is that any fiction you write has to be political. Otherwise, it goes into the realm of fantasy. So like, if you write about a woman in America in 1910, if you don't write that she can't really control her property, that she can't - doesn't have any say over her children, that she can't vote - if you don't put that in it, then it's a fantasy. Like, well, how is her life informed? That's true about everybody. If you write about black people, you write about white men, I mean, it has to be political. A lot of people don't realize that, it seems. — Walter Mosley

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

Okay, this is Fran Lebowitz. She gave an interview once for the Paris Review about trying to write fiction and saying that fiction writers start talking about how characters are talking to them, and it's crazy, she's never had that. And I also thought, I'm never gonna be able to do this, because I didn't feel that for a really long time. — Sloane Crosley

I know how to write fiction well. — Akhil Sharma

If I have learned how to write fiction it's by working with great writers and getting them to explain their craft to me so that I can do it in English. — Elliott Colla

I've never been very attached to genre labels and never set out intentionally to write historic fiction. Besides, what you consider historic depends on how far back your memory extends. — Charles Frazier

No matter how many books I write, I will eventually get to fiction. That is where I'm going. — Neil Young

The idea of the writer who writes nineteen novels, with various ups and downs and levels of experimentation, isn't around so much now. There's a focus, I think, on fewer books, with more pressure on each book to succeed. With that there comes, I think, a certain pressure towards shapeliness in fiction. Towards neatness. And I think writers feel that, and it can effect how they write. — Chad Harbach

I started writing by doing small related things but not the thing itself, circling it and getting closer. I had no idea how to write fiction. So I did journalism because there were rules I could learn. You can teach someone to write a news story. They might not write a great one, but you can teach that pretty easily. — Amy Hempel

Women have the right to be whatever kind of woman they want to be. Whatever kind of feminist they want to be, or not. I'm a woman writer. Some of my fiction is soft and poetic. Some of my fiction is horrifying and aggressive. My being a woman has no bearing on how I write. Or what I choose to write about. My being a woman is just my gender. It has very little to do with who I am as a person. So don't box me in or tell me how to be GIRL. It's the only thing I've figured out how to do, and I do it my way. — Cheryl Anne Gardner

I don't recall that when I was in high school or college, any novel was ever presented to me to study as a novel. In fact, I was well on the way to getting a Master's degree in English before I really knew what fiction was, and I doubt if I would ever have learned then, had I not been trying to write it. I believe that it's perfectly possible to run a course of academic degrees in English and to emerge a seemingly respectable Ph.D. and still not know how to read fiction. — Flannery O'Connor

Laura thought Bell would have a few things to say to Pynchon. And Laura had a few things to say to Bell, like, How the hell was a writer supposed to know when she was one-fifth through her novel-writing, so she could cut a door into the wall and shove her character out into the forest? — L.L. Barkat

When we write memoir we are re-creating, sorting through the layer of remembering, to put form and shape to our experience through language. By borrowing from the techniques of fiction and poetry, we are able to make the events of our past come alive, creating detailed pictures of time and place and portraits of the people who have come and gone in our lives. We use scene and dialogue, challenging ourselves to recall how someone talked, what they said (or more accurately, what we remember that they said) and how we felt when moving among the people and events of our past. — Janice Gray

The fiction writer is an observer, first, last, and always, but he cannot be an adequate observer unless he is free from uncertainty about what he sees. Those who have no absolute values cannot let the relative remain merely relative; they are always raising it to the level of the absolute. The Catholic fiction writer is entirely free to observe. He feels no call to take on the duties of God or to create a new universe. He feels perfectly free to look at the one we already have and to show exactly what he sees. — Flannery O'Connor

When I began to write, I was surprised at how little London had been used in crime fiction. Places such as Edinburgh or Oxford or L.A. seemed to have stronger identities. — Mark Billingham

If quantum mechanics is how reality structures itself, then the world is far weirder than we think. It is truly a wonderful time to write Science Fiction! — Stavros Halvatzis

My fiction-writing DNA shows in how I think about prose, how I think about the page, how I think nonfiction stories should work. And every piece of nonfiction I write, I want it to have fictional texture. — Tom Bissell

I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this.
[Cormac McCarthy's Venomous Fiction, New York Times, April 19, 1992] — Cormac McCarthy

I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge. — Amy Waldman

I think of myth and magic as the hieroglyphics of the human psyche. They are a special language that circumvents conscious thought and goes straight to the subconscious.
Non-fiction uses the medium of information. It tells us what we need to know.
Science fiction primarily uses the medium of physics and mathematics. It tells us how things work, or could work.
Horror taps into the darker imagery of the psychology, telling us what we should fear.
Fantasy, magic and myth, however, tap into the spiritual potential of the human life. Their medium is symbolism, truth made manifest in word pictures, and they tell us what things mean on a deep, internal level. I have always been a meaning-maker. I have always been someone who strives to make sense of everything and perhaps that is where my life as a storyteller first began. Life doesn't always make sense, but story must. And so I write stories, and the world comes right again. — Ripley Patton

As a writer, I marinate, speculate, and hibernate. — Trisha Sugarek

People write fiction in their minds all the time - every time we read a 'human interest' news story, or a true crime tale, we find ourselves fascinated because we're trying to understand why people behave the way they do, why they make the choices they do, how we become who we become. — Dan Chaon

The first fiction I ever wrote was short stories. I was writing short stories in my late teens and early twenties, and I think it's how you teach yourself to write. — Jess Walter

I read it, too," Komatsu said after a short pause. "Right after you called me. The writing is incredibly bad. It's ungrammatical, and in some places you have no idea what she's trying to say. She should go back to school and learn how to write a decent sentence before she starts writing fiction." "But you did read it to the end, didn't you?" Komatsu smiled. It was the kind of smile he might have found way in the back of a normally unopened drawer. "You're right, I did read it all the way through - much to my own surprise. I never read these new writer prize submissions from beginning to end. I even reread some parts of this one. Let's just say the planets were in perfect alignment. I'll grant it that much." "Which means it has something, don't you think? — Haruki Murakami

If you don't know what those old occupations were, how they were done, and how they interacted with the passersby, you're not prepared to write a historical novel. A historical figure doesn't pass through a blank countryside. That means you, the novelist, must learn by research what the whole place was like in those times. As much as you can, you must be like someone who has lived there, because you're going to be not just the storyteller but also the tour guide taking your readers through the past. — James Alexander Thom

Well, it kind of hurts when the kind of words you write
And kind of turn themselves into knives
And don't mind my nerve you can call it fiction
'Cause I like being submerged in your contradictions, dear
'Cause here we are, here we are
Although you were biased, I love your advice
Your comebacks they're quick and probably
Have to do with your insecurities
There's no shame in being crazy depending on how you take these
Words they're paraphrasing this relationship we're staging
And it's a beautiful mess, yes, it is
It's like we're picking up trash in dresses — Jason Mraz

It's certainly possible to write fiction that isn't trivial and isn't what people would call political, but it is very hard to figure out how, because our ordinary lives have such a strong tincture now of the whole world. — Deborah Eisenberg

When I'm writing, really writing, everything but breathing is an ignorable distraction. — Dennis R. Miller

I don't think humanity just replays history, but we are the same people our ancestors were, and our descendants are going to face a lot of the same situations we do. It's instructive to imagine how they would react, with different technologies on different worlds. That's why I write science fiction
even though the term 'science fiction' excites disdain in certain persons. — Kage Baker

There is poetry in fiction. If you cannot see it and feel it when you write, you need to step back and examine what you are doing wrong. If you have not figured out how to write a simple declarative sentence and make it sing with that poetry, you are not yet ready to write an entire book. — Terry Brooks

You'll have to learn to forgive," he said. "For if you don't, you know what will happen?"
"What, Doctor?" I croaked, for my outburst had exhausted me.
"It will destroy you," he said as he handed me the tea.
A tear came into my eye when he said it for I knew it was true and I would have loved to be able to do it (not because of its destroying me but because it was right, and deep down I knew that) but I couldn't and the more I thought of it the more the blood came coursing to my head so that whenever I'd write I'd find myself clutching the pencil so tight I broke the lead how many times I don't know, hundreds. — Patrick McCabe

That was another thing people used to be able to do, which they can't do anymore: enjoy in their heads events which hadn't happened yet and might never occur. My mother was good at that. Someday my father would stop writing science fiction, and write something a whole lot of people wanted to read instead. And we would get a new house in a beautiful city, and nice clothes, and so on. She used to make me wonder why God had ever gone to all the trouble of creating reality.
Quoth Mandarax:
Imagination is as good as many voyages - and how much cheaper!
- GEORGE WILLIAM CURTIS — Kurt Vonnegut

I wanted to be a writer, but at the time, I spent my days working a retail job, my nights sleeping in my childhood bedroom, and while I had written short stories here and there, I didn't know how to write good fiction anymore than I knew how to perform good brain surgery. — Anthony Marra

What was the difference between Anne Frank and any other 15 year old girl living the same nightmare? Nothing! Aside from the fact that Anne spoke through her writings while others kept silent. Someone very special to me recently asked how can I write such personal things as child abuse, relationship problems, sexual addiction, and not fear how the family will feel about these revealings. I have the audacity to write such things because it's MY story. Not my parents, not my brothers, not my aunts, uncles, cousins, grandparents... MINE. Note to those contemplating writing nonfiction. Write the story. It's yours to tell. Nevermind how your family will feel. Those that love you will not judge you. I promise. Do not let your testimony be in vain. — Katandra Jackson Nunnally

The easiest songs to write are pure fiction. There is no limit to how you can tell the story. I find it difficult when I'm replaying an event through a song. — Jason Mraz

If you're a fiction writer, though, I can tell you how to let people talk through you. Listen. Just be quiet, and listen. Let the character talk. Don't censor, don't control. Listen, and write. — Ursula K. Le Guin

One of the surprising things I hadn't expected when I decided to write crime fiction is how much you are expected to be out in front of the public. Some writers aren't comfortable with that. I don't have a problem with that. — Kathy Reichs

See, I know how they do. White folks like to stay in those books. They carry and they keep and they dig in their books, like nothing matters that don't get written in some book somewhere. Like that's the only way they can know for sure what happened. They'll write down who they are and what they did. And their daddies and theirs too. Put it all in a book, then close it up and put it on the shelf. Just to know it's there so they can sleep at night. Like if they don't get written down somewhere and they shut their eyes for a minute, they might disappear. — Margaret Wrinkle

You are a writer - you write one chapter and go on to the next and the next and so forth. You manage the story, you control the ending, no one else. Think about it. The only difference between life and fiction is you cannot rewrite the beginning, but the ending is always within reach. While you write you think how the story will end. Do you make it an ending with no regrets? — Patrick Timm

How many people make a career out of writing anyway?' Cath snapped. She felt like everything inside her was snapping. Her nerves. Her temper. Her esophagus. 'I'll write because I love it, the way other people knit or ... or scrapbook. And I'll find some other way to make money. — Rainbow Rowell

Hey, we live each day, start each day, as if we had an endless number stretching out ahead of us. We don't, but that's how one has to face the day, right? I see an analogy with writing fiction: the story at hand probably won't come off well, and even if it does, it probably won't get published, but if it does there won't be any payment for it - and even if there is, almost nobody will read it, and most who do won't understand or like it. But you go ahead and write the story. What choices do you have? There's always silence, but that won't do for me." - Gordon Weaver (who is suddenly my hero, even though I don't know who he is). — Gordon Weaver

I don't want to write poems that are just really clear about how I'm aware of all the traps involved in writing poetry; I don't want to write fiction that's about the irresponsibility of writing fiction and I've thrown out a lot of writing that I think was ultimately tainted by that kind of self-awareness. — Ben Lerner

The instruction here is not for every kind of writer - not for the writer of nurse books or thrillers or porno or the cheaper sort of sci-fi - though it is true that what holds for the most serious kind of fiction will generally hold for junk fiction as well. (Not everyone is capable of writing junk fiction: It requires an authentic junk mind. Most creative-writing teachers have had the experience of occasionally helping to produce, by accident, a pornographer. The most elegant techniques in the world, filtered through a junk mind, become elegant junk techniques.) — John Gardner

Are you kidding me?' Shan asked, slightly drunk, slightly dramatic, and now sitting yoga style on the floor. 'You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, not the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race ... ' p.335 — Chimamanda Ngozi Adichie

It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book. — Stephen Graham Jones

Every person has a range. In fiction, you get to be it all. I'm as much the men in my book as I am the women. I write how I write and there is no mission to stake a claim. — Rachel Kushner

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

Please do, however, allow me to deliver one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall: Rather, it is carved into the wall of my mind, and it goes something like this:
"Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg."
Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be? — Haruki Murakami

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

Gina was beautiful like a sunset. You see it and you think of how beautiful it is, and then it's over and you move on. But Trista was beautiful like a song. The kind of song you play over and over and never get sick of hearing. The kind of song he wanted to write for her, but he knew he would never be able to string together the right combination of notes to show her how he really felt. — Christopher Stocking

One Bagatelle, and I'll raise you a novel," Megan had tweeted back.
"Writing for tea? Now that would have been a solution for the British empire," Laura returned.
"Writing for me," Megan had typed.
"I'll write you a tea fortune."
"No deal. I want a novel. September sounds good. — L.L. Barkat

Heroes and heroines OR ... Your lead character doesn't have to leap tall buildings in a single bound, and he doesn't have to stop speeding bullets with his bare hands, but he darn well better know the difference between right and wrong, and he better be kind to animals, and it sure wouldn't hurt any if he brushed his teeth regularly"
Dean Koontz in "How To Write Best Selling Fiction — Dean Koontz

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay

Lester del Rey told me repeatedly that the first and most important part of writing fiction is just to think about the story. Don't write anything down. Don't try to pull anything together right away. Just dream for a while and see what happens. There isn't any timetable involved, no measuring stick for how long it ought to take. For each book, it is different. But that period of thinking, of reflection, is crucial to how successful your story will turn out to be. — Terry Brooks

Even if the past exists as an independent reality outside the minds of those who write about it, we can never know that reality. Historians and writers of historical fiction attempt to fill in the gaps, to say: 'This is how it might have been.' — John Zanetti

The term - 'Fairy-Tales' is so ironical in itself, when I sometimes sit to write love stories with a happy ending, it usually drags me into a dilemma whether, I should even begin with a love story at first place or not? Because honestly, I haven't seen many of them reaching climax, most of them just die out in the mid. Then comes the concept of fairy tales or what we say 'fiction', where nothing is impossible!
But over time, if I've realized something, it is that there's no such term called fiction when it comes to reality! Its harsh, in-your-face-sarcastic, ironical and highly irrational. You can't expect what's coming up next, and how it's going to blow you. In the real life, the entire meaning of fiction ceases to exist. Conclusively, we writers, deal with harsh reality and write lively fictions, this job in itself is so ironical but, that's life ... — Mehek Bassi

Whether or not you discover your talents and passions is partly a matter of opportunity. If you've never been sailing, or picked up an instrument, or tried to teach or to write fiction, how would you know if you had a talent for these things? — Ken Robinson

This isn't a book that I could have written ten years ago. And as much as I'd love to credit that to my growth as a writer, I know it's not really that. Instead it's because of all the people I've met and talked to as an author. And, just as important, it's about all of the things I've been exposed to as a reader, particularly of YA fiction. I am so lucky to be a part of a community of writers that constantly inspires me to write whatever I want to write, no matter how hard it seems. My peers are my role models, and my role models are my peers. Which is extraordinary. Thanks — David Levithan

I think what happens is you write how you grew up. And I was born on the prairie, and so everything is kind of spare on the prairie. And so I'm just used to writing in that way. 'Sarah, Plain and Tall' was that way. And most of my fiction is. I like writing small pieces. Somehow it just suits me. — Patricia MacLachlan

Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched. — Flannery O'Connor

I'd rather let the fiction speak for itself and I don't want to write fiction that tells people how to feel, and I don't want to be judgmental in the fiction. — Bret Easton Ellis

I never did write a biography, and I don't exactly know how to set about it; you see I have to be accurate and keep to the facts, a most difficult thing for a writer of fiction. — Elizabeth Gaskell

Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in.
There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley.
Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that? — Ridley Pearson

A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also. — Dorothy L. Sayers

Maybe you didn't need to know anything special to write a work of fiction. Maybe you didn't need to delve into some kind of life question you knew you'd lived. Perhaps your subconscious would do the job for you, if only you dared to dream. — L.L. Barkat

At the beginning of their work together Arthur Hibbert gave him a piece of advice he never forgot. "You must never write history," Hibbert said, "until you can hear the people speak." He thought about that for years, and in the end it came to feel like a valuable guiding principle for fiction as well. If you didn't have a sense of how people spoke, you didn't know them well enough, and so you couldn't - you shouldn't - tell their story. — Salman Rushdie

She meant you have to live a story for a time.'
'And?'
'And then you can write it, in time. What have you lived?'
'Kind of a personal question for Twitterland.'
'Kind of the perfect question to answer in fiction. — L.L. Barkat

How to write a story, though ignorant or baffled. You take something that is important to you, something you have brooded about. You try to see it as clearly as you can, and to fix it in a transferable equivalent. All you want in the finished print is the clean statement of the lens, which is yourself, on the subject that has been absorbing your attention. Sure, it's autobiography. Sure, it's fiction. Either way, if you have done it right, it's true. — Wallace Stegner