Horror For Children Quotes & Sayings

Meeting writers is usually disappointing, at best. Writers who write sexy thrillers aren't necessarily sexy or thrilling in person. Children's book writers might look more like accountants, or axe murderers for that matter. Horror writers are very rarely scary looking, although they are frequently good cooks. — Kelly Link

Why do grown-ups think it's easier for children to bear secrets than the truth? Don't they know about the horror stories we imagine to explain the secrets? — Cornelia Funke

Lionel was filled with awful remorse. He asked where had Thomas been last seen, and the boy told him he was headed for the church. Lionel nodded and went home to fetch his shotgun. Throughout the crisis he had done no violence, preferring to preach the sanity of pacifism to the flock. This was different. This was a requirement of the father to the son. He prayed over the shotgun while Darla wailed with the children in the living room. He got in his truck and drove to the church. -- From "The South Fork Penance — L. Joseph Shosty

What's happening here? What's going on? Then you hear yourself mumbling: "Dogs fucked the Pope, no fault of mine. Watch out! ... Why money? My name is Brinks; I was born ... born? Get sheep over side ... women and children to armored car ... orders from Captain Zeep." Ah, devil ether - a total body drug. The mind recoils in horror, unable to communicate with the spinal column. The hands flap crazily, unable to get money out of the pocket ... garbled laughter and hissing from the mouth ... always smiling. Ether is the perfect drug for Las Vegas. — Hunter S. Thompson

It had seemed to me an elegant nightmare concoction made by adults for adults, to further the aims and fantasies of adults, and what have children to do with such things? — Joyce Carol Oates

For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less. — David Nicholls

You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there's no visible emotion at all. They look so blank it would be easy to imagine that they weren't feeling much.
And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me
others as well, but mostly Matt
and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldn't feel a thing. It was like being at the bottom of the sea. — Mary Lawson

Like many doctors, I was frankly traumatized by some of the experiences I had early on in my career. When you lean over a patient in an emergency room, trying to bring a dead body back to life, you are entirely focused on the job at hand. On the other side of a thin curtain, you can hear that person's husband or wife howling and wailing, knowing that the person they loved and lived with for fifty years is dying, begging the staff to do all they can, phoning their children, struggling to speak through tears to form the words and communicate the horror, telling them to come, quickly. I have memories from cubicles that I will never be able to deal with, and they upset me even now. — Ben Goldacre

The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it? — Neil Jordan

"You don't believe in God," I said to Stein. "God is a word banging around in the human nervous system. He exists about as much as Santa Claus." "Santa Claus has had a tremendous influence, exist or not." "For children." "Lots of saints have died for God with a courage that's hardly childish." "That's part of the horror. It's all a fantasy. It's all for nothing." — Peter De Vries

Finally, I want to come to the question of sex. If anything proves that religion is not just man-made but masculine-made, it is the incessant repetition of rules and taboos governing the sexual life. The disease is pervasive, from the weird obsession with virginity and the one-way birth canal through which prophets are "delivered," through the horror of menstrual blood, all the way to the fascinated disgust with homosexuality and the pretended concern with children (who suffer worse at the hands of the faithful than any other group). Male and female genital mutilation; the terrifying of infants with hideous fictions about guilt and hell; the wild prohibition of masturbation: religion will never be able to live down the shame with which it has stained itself for generations in this regard, anymore than it can purge its own guilt for the ruining of formative periods of precious life. — Christopher Hitchens

If I wrote at all, I must throw myself headlong into the great political maelstrom, and would of course be swallowed up like a fishing-boat in the great Norway horror which decorated our school geographies; for no woman had ever done such a thing, and I could never again hold up my head under the burden of shame and disgrace which would be heaped upon me. But what matter? I had no children to dishonor; all save one who had ever loved me were dead, and she no longer needed me, and if the Lord wanted some one to throw into that gulf, no one could be better spared than I. — Jane Swisshelm

I never got over the horror of watching their graduation ceremonies, performed before their parents. After a demonstration of 'military prowess' and personal courage the ceremony ended with their biting off the heads of snakes. As the blood dripped down their chins, they roasted the dead animals for a victory feast. Other schools had the children strangle puppies and drink their blood. — Leon Uris

I want to tell the rebels that I am alive. That I'm right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women and children. There will be no survivors." The shock I've been feeling begins to give way to fury. "I want to tell people that if you think for one second the Capitol will treat us fairly if there's a cease-fire, you're deluding yourself. Because you know who they are and what they do." My hands go out automatically, as if to indicate the whole horror around me. "This is what they do and we must fight back!"
"President Snow says he's sending a message. Well I have one for him. You can torture us and bomb and burn our districts to the ground, but do you see that?" One of the cameras follows where I point to the planes burning on the roof of a warehouse across from us. "Fire is catching!" I am shouting now, determined he will not miss a word of it, "And if we burn, you burn with us! — Suzanne Collins

My brothers' faces haunt me. I hear their children, my nieces and nephews, asking me why I came home without their daddies. I think of their wives, imagine their questions. Our parents, forever seeing the faces of their lost sons when they look at me. They will want answers, demand to know how I survived. And what do I tell them? That I huddled like a baby inside my tent while their killer beckoned me forth for one last stand? — Kevin Wallis

I ask why your Omnipotent God does not hold a man back when he is about to commit a sin or offence. It is child's play for God. Why did He not kill war lords? Why did He not remove the fury of war from their minds? In this way God could have saved humanity from great calamity and horror. — Bhagat Singh

Let me tell you a story, Alix. This ship ... the Talia? It's named after my father's older sister. She killed herself when she was fourteen because she couldn't stand living the horror of her life for another day. With her death she both condemned and freed my father from his monster of a father. I never knew the pain of her life or his. But I named this ship after her to remind me of all the children out there like her and Omari ... the children out there like your sister who are silent in their pain. They have no voice and no hope. But I hear them. Every time I think of my parents. Every time I see Omari, I hear the sobs that are kept inside for fear of it making their lives worse, and I will not stand by and see your sister torn apart by an animal. You help me nail him and I swear to you, I will lay Merjack down at your feet and hold him there while you take your revenge. (Devyn) — Sherrilyn Kenyon

Eli snorted, her eyes narrowed.
- Because I am like you.
- What do you mean like me? I..
Eli thrust her hand through the air as if she was holding a knife, said:
- What are you looking at, idiot? Want to die, or something? - Stabbed the air with empty hand. - That what happens if you look at me.
Oskar rubbed his lips together, dampening them.
- What are you saying?
- It's not me that's saying it. It's you. That was the first thing I heard you say. Down on the playground.
Oskar remembered. The tree. The knife. How he had held up the blade of the knife like a mirror, seen Eli for the first time. — John Ajvide Lindqvist

Todd's wife was one of those women with a forced smile perpetually cemented on her face. Even after being chased by a mob of homicidal maniacs and attempting to barricade doors with barstools she kept up appearances, practicing for the days when her husband would be running for public office. When she saw her son poking at their former mail carrier's dead body a look of utter horror came across her face for the slightest instant. She caught herself and put that smile back on so quickly Will wondered if she might have pulled a few cheek muscles.
"Trevor!" she hissed through clenched teeth. "Trevor, you get away from that this instant! You don't know what kind of diseases that man had. Children shouldn't play with dead things."
Will looked at Todd and smirked. "Cute kid. How many of those things do you think are out there? — Ian McClellan

My favorite time of year is October, Halloween is my favorite holiday, and I know that watching horror movies was such a special thing to me as a child and my only dream is that I get to make it feel like Halloween all year round for other kids, for other weirdos like me. — Matthew Gray Gubler

Chapter 4,'Organised abuse and the pleasures of disbelief', uses Zizek's (1991) insights into cite political role of enjoyment to analyse the hyperbole and scorn that has characterised the sceptical account of organised and ritualistic abuse. The central argument of this chapter is that organised abuse has come to public attention primarily as a subject of ridicule within the highly partisan writings of journalists, academics and activists aligned with advocacy groups for people accused of sexual abuse. Whilst highlighting the pervasive misrepresentations that characterise these accounts, the chapter also implicates media consumers in the production of ignorance and disdain in relation to organised abuse and women's and children's accounts of sexual abuse more generally. — Michael Salter

Why is Santa an anagram for Satan? I mean, besides the fact that both have the same amounts of the same letters. Just consider the many other similarities between the two figures: both of them are red, both of them like to laugh, both of them give presents to children and both of them are kings of an ungodly underworld of unspeakable horror and suffering. Coincidence? I THINK NOT. — Sam Logan

Trolls have existed on this planet for as long as humans. This is what I was told and what I translated to Tub. The first mention of them in recorded history is from ninth-century Norway, when the nefarious creatures began showing up in song, verse, and bedtime stories to keep misbehaving children in line. According to Norse folklore, trolls are one of the Dark Beings, the purest embodiments of evil, and they scurried from between the toes of Ymir, the mythic six-headed Frost Giant whose murdered body became the universe in which we live; his bones became the mountains, his teeth boulders, and so forth. — Guillermo Del Toro

And perhaps, Mrs. Morgan on Lanypwll Farm put all this much better in the speech of symbolism, when she murmured about the children of the pool. For if there is a landscape of sadness, there is certainly also a landscape of a horror of darkness and evil; and that black and oily depth, overshadowed with twisted woods, with its growth of foul weeds and its dead trees and leprous boughs, was assuredly potent in terror. To Roberts, it was a strong drug, a drug of evocation; the black deep without calling to the black deep within, and summoning the inhabitant thereof to come forth. — Arthur Machen

To return to their 'native soil,' as they say, to the bosom, so to speak, of their mother earth, like frightened children, yearning to fall asleep on the withered bosom of their decrepit mother, and to sleep there for ever, only to escape the horrors that terrify them. — Fyodor Dostoyevsky

I notice young girls picking flowers off her gravestone; their clean hearts are soapstone. Their small sorrows are for children alone. And all of their stories will never be told. — Nicholaus Patnaude

The museums in children's minds, I think, automatically empty themselves in times of utmost horror - to protect the children from eternal grief.
For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.
Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died - to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere. — Kurt Vonnegut

I really liked it." She covers her mouth in horror.
"If I like sex, do you think it means I can't be a feminist?"
"No." I shake my head. "Because being a feminist
I think it means being in charge of your sexuality. You decide who you want to have sex with. It means not trading your sexuality for ... other things."
"Like marrying some gross guy who you're not in love with just so you can have a nice house with a picket fence."
"Or marrying a rich old geezer. Or a guy who expects you to cook him dinner every night and take care of the children," I say, thinking of Samantha.
"Or a guy who makes you have sex with him whenever he wants, even if you don't," Miranda concludes.
We look at each other in triumph, as if we've finally solved one of the world's great problems. — Candace Bushnell

Chili is one of those marvelous-simple, elemental, all-important, and fundamental concepts that has been elaborated out of all recognition: rather like justice, or objective reality, or 'being' (ens) in Aquinas. Lean closer and I will whisper to you a horrific, soul-shattering secret: there are actually people so lost to any sense of decency that they put beans in chili. (I hope you sent the children of tender years out of the room before we discussed that horror, lest they be warped for life). — Markham Shaw Pyle

Our patriotism comes straight from the Romans. This is why French children are encouraged to seek inspiration for it in Corneille. It is a pagan virtue, if these two words are compatible. The word pagan, when applied to Rome, early possesses the significance charged with horror which the early Christian controversialists gave it. The Romans really were an atheistic and idolatrous people; not idolatrous with regard to images made of stone or bronze, but idolatrous with regard to themselves. It is this idolatry of self which they have bequeathed to us in the form of patriotism. — Simone Weil

Dolls, perhaps more than any other object, demonstrate just how thin the line between love and fear, comfort and horror, can be. They are objects of love and sources of reassurance for children, coveted prizes for collectors, sources of terror and horror in numerous movies, television shows, books, and stories. — Ellen Datlow

The Vale is not real.

It's a lie told by mothers and fathers to give their starving children a reason for the horror. There is no reason.

There is nothing but this world. It is our beginning and our end. Our one chance at joy before the dark. — Pierce Brown