Historical Narrative Quotes & Sayings

The primary narrative that forms our ministry models draws from our evangelical success stories. We are presented with triumphalistic narratives that minimize stories of struggle. Our historical reflection reveals an obsession with success and celebration while stories of survival and suffering are ignored. History is often told by the victorious and therefore favors them. In — Soong-Chan Rah

For long, history was mainly political history, and historical narrative was confined to an account of the most important crises in political life, or to an account of wars and great generals. — Michael Rostovtzeff

It doesn't matter whether a sequence of words is called a history or a story: that is, whether it is intended to follow a sequence of actual events or not. As far as its verbal shape is concerned, it will be equally mythical in either case. But we notice that any emphasis on shape or structure or pattern or form always throws a verbal narrative in the direction we call mythical rather than historical.(p.21) — Northrop Frye

There is no master narrative nor realist perspective to provide a background of social and historical facts. — Kathy Acker

With my family, historical facts are subsidiary to narrative, and narrative must always show the narrator in the best light. — Stuart Rojstaczer

It is important to insist on the historical truthfulness of the narrative of the fall of Adam and Eve. Just as the account of the creation of Adam and Eve is tied in with the rest of the historical narrative in the book of Genesis, so also this account of the fall of man, which follows the history of man's creation, is presented by the author as straightforward, narrative history — Wayne Grudem

And it is always the victors who write the historical narrative. — Camilla Lackberg

During the second half of the twentieth century, cross-fertilization among the disciplines of history, literature, sociology, and psychology led to scholarly awareness that historical accounts are not direct representations of actual events; they are, instead, interpretations of the meaning of events and are thus impacted by authorial bias, cultural assumptions, and linguistic frameworks. Historical accounts are conveyed through structures of stories, or in other words through the medium of narrative. This conceptual shift calls into question the assumption that histories recount factual descriptions of real events while stories narrate the literary artifice of imagine events. — Miranda Wilcox

The beauty of nature can only have its value and meaning if it nurtures and inspires the dwellers to live and create history, arts, culture, and language so that its spirit can be told from one generation to the next. The nature is the medium from which the dwellers build their historical lives (structure), and the interconnecting story between nature and people is the final historical form, that is, as a complete historical narrative between the dwelling and the dwellers within a particular time and space in the history of our planet. (Danny Castillones Sillada, Tomorrow's conservationists what we can learn from Danjugan Island) — Danny Castillones Sillada

A central principle underlying Mrs Quinty's Rules for Writing is that you have to have a Beginning Middle and End. If you don't have these your Reader is lost. But what if Lost is exactly where the writer is? I asked her. Ruth, the writer can't be lost, she said, and then knew she'd said it too quickly and bit her lip knowing I was going to say something about Dad. She pressed her knees together and diverted into a fit of dry coughing. This, Dear Reader, is a river narrative. My chosen style is The Meander. I know that in The Brothers Karamazov (Book 1,777, Penguin Classics, London) Ippolit Kirillovich chose the historical form of narration because Dostoevsky says it checked his own exuberant rhetoric. Beginnings middles and ends force you into that place where you have to Stick to the Story as Maeve Mulvey said the night the Junior Certs were supposed to be going to the cinema in Ennis but were buying cans in Dunnes and drinking — Niall Williams

Written history may, in the course of its narrative, use some of the laws established by the various sciences, but its own task remains that of relating the essential sequence of historical action and, qua history, to tell what happened, not why. — Lloyd DeMause

Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world. — Hilary Mantel

They are being offered a narrative, an historical story whose hope of 'salvation' lies not in a flight from history but in a great convulsive change within history, a transformation in which there will be continuity with the present as well as discontinuity. — N. T. Wright

The FMSF achieved prominence partly as a response to increased possibilities for women to institute criminal or civil proceedings that relate to historical abuse, and women do not often take their abusers to court. The foundation's framing of abuse serves an ulterior strategic purpose of constructing a narrative position that isolates the incest survivor in an adversarial setting of interpreter distrust and challenged. — Sue Campbell

The Old Testament contains fabulous elements. The New Testament consists mostly of teaching, not of narrative at all: but where it is narrative, it is, in my opinion, historical. As to the fabulous element in the Old Testament, I very much doubt if you would be wise to chuck it out. — C.S. Lewis

It is wiser, I believe, to arrive at theory by way of evidence rather than the other way around ... It is more rewarding, in any case, to assemble the facts first and, in the process of arranging them in narrative form, to discover a theory or a historical generalization emerging of its own accord. — Barbara Tuchman

I felt in my bones that Alfred Kazin was right to suggest that 'the deepest side of being American is the sense of being like nothing before us in history' - a historical conceit that privileged biography as the narrative of the exceptionalist experience. — David Levering Lewis

A novel takes place over time. It's a historical narrative, and it needs to have a series of peaks and valleys and the move through. You can't just start at the highest pitch and stay there, but you can in a lyric poem. — Edward Hirsch

As a citizen of the world, it's my instinct to keep the fallen and the suffering in my thoughts. The human brain fascinates me; its limitless bounds of empathy. You see, in my mind there is logic to it: do no harm, prevent harm, help, support, care for the harmed, face the harmer. My stupid idealist conscience considers sympathy, not pity, at its worst, the most basic and the least negotiable civil duty. Of course as a citizen of the world, I should strive to do more. That said, I am only a man and so I often do the least. — Asaad Almohammad

Any historical narrative is a bundle of silences. — Michel-Rolph Trouillot

I began writing my nonfiction memoir to explain why women, "don't just leave."
My exciting, narrative-driven memoir aspires to to save others from needless unhappiness: surviving isn't enough.Trauma can be overcome and joy recaptured.The book is written in a fresh, lively voice with lots of humor. The chapters of me growing up in the 50's and 60's and my college years at Penn State provide an intimate, historical trip through some of the most fascinating times in modern history. This is also a family saga depicting mental illness and shows how this could have happened to me: My husband and I were the dance. — Cassi Janzek

But the tale or narrative set in the past may have its particular time-free value; and the candid reader will not misunderstand me, will not suppose that I intend any preposterous comparison, when I observe that Homer was farther removed in time from Troy than I am from the Napoleonic wars; yet he spoke to the Greeks for 2,000 years and more. — Patrick O'Brian

Historical periodization always tells a story. It is a narrative device for putting meaning into the flux of historical process - creating protagonists, heroes, pace, and plot. For this reason, the division of history into periods always carries an ideological load, and it is a methodological imperative to approach questions of broad historical periodization with this in mind. — James Ferguson

Fascinating, often hilarious, always devastatingly truthful, The Inconvenient Indian is destined to become a classic of historical narrative. For those who wish to better understand Native peoples, it is a must read. For those who don't wish to understand, it is even more so. — Joseph Boyden

I had never thought much of genealogy. A lot of wasted time collecting the names of the dead. Then stringing those names, like skulls upon a wire, into an entirely private and thus irrelevant narrative, lacking any historical significance. The narcissistic pastime of nostalgic bores. — Joshua Ferris

For some reason, notwithstanding the alienation and utter rejection, I consider myself a global citizen. They say misery calls for company and I've always been a man of funerals. The companion of the misfortunate, until they are not! — Asaad Almohammad

In his important work on the subject, Stephen Sizer has revealed how Christian Zionists have constructed a historical narrative that describes the Muslim attitude to Christianity throughout the ages as a kind of a genocidal campaign, first against the Jews and then against the Christians.12 Hence, what were once hailed as moments of human triumph in the Middle East - the Islamic renaissance of the Middle Ages, the golden era of the Ottomans, the emergence of Arab independence and the end of European colonialism - were recast as the satanic, anti-Christian acts of heathens. In the new historical view, the United States became St. George, Israel his shield and spear, and Islam their dragon. — Noam Chomsky

But however minimal, however threadbare, it (collective memory) is ballast of a kind. We all need that seven-eighths of the iceberg, the ballast of the past, a general past, the place from which we came.
That is why history should be taught in school. to all children, as much of it as possible. If you have no sense of the past, no access to historical narrative, you are afloat, untethered; you cannot see yourself as a part of the narrative, you cannot place yourself within a context. You will not have an understanding of time, and a respect for memory and its subtle victory over the remorselessness of time. — Penelope Lively

The popular story is that America was built by immigrants and that, therefore, everything about immigration is good and leads to a more successful society. This narrative is so devoid of historical context that it should embarrass anyone beyond a second-grade education. — James Howard Kunstler

The Scripture was given to us to teach and to uplift. To provide a path to God. Occasionally a person fixates on a certain portion, a portion that many of us would consider narrative history
such as the book of Daniel. It is a record of Daniel's experience in exile, in the court of Babylon. We can see God's sovereignty over kings, in this case Nebuchadnezzar." Tate jingled the change in his pocket, unsure where Mitch was headed. "In addition to the historical aspects, there are spiritual lessons to be found within this portion of the Scripture
God's faithfulness to his people and his omnipotence." "But ... " "But when someone fixates on one portion versus the Scripture as a whole, confusion sets in. They pick and choose certain words and use them to justify almost any action." Tate hesitated, then asked, "Even murder?" "Especially murder. — Vannetta Chapman

To speak of "the rise of Protestantism" is to offer a controlling narrative that links these potentially disparate events as part of a greater, more significant movement. So persuasive was this emerging narrative that many of the reforming groups scattered across Europe realigned their sense of identity and purpose to conform to it. As these movements began to locate themselves on a historical and conceptual map, each came increasingly to identify itself in terms of what was perceived as a greater overarching movement. A — Alister E. McGrath

The construction of a new body of knowledge always bears direct connection to the ideology in which it operates. Historical insights that diverge from the narrative laid down at the inception of the nation can be accepted only when consternation about their implications is abated. This can happen when the current collective identity begins to be taken for granted and ceases to be something anxiously and nostalgically clings to a mythical past, when identity becomes the basis for living and not its purpose - that is when historiographic change can take place. — Shlomo Sand

I don't start with a list of historical scenes that I want to include in the book. At a certain point, the narrative totally takes over, and everything that I include I can only incorporate if it answers to the internal terms of the novel. — Rachel Kushner

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. — Grant H. Kester

Now in my opinion it is certainly a complete mistake to suppose that no narrative of events in this type of literature has any significance beyond the purely historical record; but it is equally rash to maintain that every single statement in those books is a complex of allegorical meanings. That — Augustine Of Hippo

Simply raising the theme of animals in the Third Reich means that our narrative is no longer only an account of what human beings have done to one another, but also about our relations with the natural world. If,viewed against the magnitude and terror of historical events, our personal lives appear almost trivial, the lives of animals may seem more so, and even
to raise the subject can at first seem either insensitive or pedantic. At the
same time, this new dimension places the events in an even vaster perspective still, one in which even the greatest battles and horrendous
crimes can begin to fade into insignificance. This is the standpoint of evolutionary time, in which humankind itself may be no more than a
relatively brief episode. Perhaps the focus on animals may help us to find
a more harmonious balance between the personal, historic, and cosmic
levels, on which, simultaneously we conduct our lives. — Boria Sax

Minor segments of earlier history may have been rescued or 'retrieved' -- e.g. Greek 'democracy,' Aristotle, the Magna Carta, etc. -- but these remain subservient, if not instrumental, to the imperatives of the modern historical narrative and to the progress of 'Western civilization.' African and Asia, in most cases, continue to struggle in order to catch up, in the process not only forgoeing the privilege of drawing on their own traditions and historical experiences that shaped who they were and, partly, who they have become but also letting themselves be drawn into devastating wars, poverty, disease and the destruction of their natural environment. Modernity, whose hegemonic discourse is determined by the institutions and intellectuals of the powerful modern West, has not offered a fair shake to two-thirds of the world's population, who have lost their history and, with it, their organic ways of existence. — Wael B. Hallaq

Scientific practice is above all a story-telling practice ... Biology is inherently historical, and its form of discourse is inherently narrative ... Biology as a way of knowing the world is kin to Romantic literature, with its discourse about organic form and function. Biology is the fiction appropriate to objects called organisms; biology fashions the facts "discovered" about organic beings. — Donna J. Haraway

The historical fact is that cinema was constituted as such by becoming narrative, by presenting a story, and by rejecting its other possible directions. The approximation which follows is that, from that point, the sequences of images and even each image, a single shot, are assimilated to propositions or rather oral utterances [ ... ]. — Gilles Deleuze

For I'm neither a submitter nor a hating retaliator, I acknowledge the boundaries of my existence; yet, I still care. I care regardless of the way they choose to reduce me to the brand that is the birthmark of the accident of my conception. I care less about what that brand signifies in terms of my character, potential, and intentions. For the harmed I care. For the real victims. It's the most basic of my mandatory civil duties. Only in caring, am I a citizen of the world. — Asaad Almohammad

The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist 'cultural revolution', is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form. — Fredric Jameson

I've been told that I cannot change shit, so I might as well stop torturing myself. My emotions are ridiculed and branded as childish. I have been told that the world has given up on my people. I have been told, and realise that on many occasions, I myself am viewed as an outcast by some of those suffering. I've been confronted and my answer is always the same: I care even in my most fucked-up moments. I care even when gates of shit pour open to drown me; I care because I am a citizen of the world. — Asaad Almohammad

Jung Chang was the first person to tell a grand historical, political story through a personal narrative. — Aminatta Forna

Ida was a natural historian who knew how to throw in enough fiction to keep up dramtic tension. And she was replete with details, like a big fat colorful nineteenth-century historical novel, inching forward slowly ... Ida's narrative line, like her waistline, was ample. — Marissa Piesman