Historical Drama Quotes & Sayings

In actual fact, however, the revolt of Ibsen and Shaw against the conventional nineteenth century drama could very well be described as a return to Shakespeare, as an attempt once again to present human beings in their historical and social setting and not, as playwrights since the Restoration had done, either as wholly private or as embodiments of the social manners of a tiny class. Shakespeare's plays, it is true, are not, in the Shavian sense, "dramas of thought," that is to say, not one of his characters is an intellectual: it is true, as Shaw says, that, when stripped of their wonderful diction, the philosophical and moral views expressed by his characters are commonplaces, but the number of people in any generation or society whose thoughts are not commonplace is very small indeed. On the other hand, there is hardly one of his plays which does not provide unending food for thought, if one cares to think about it. — W. H. Auden

A girl never cares who casts the first stone at her
as long as it's a diamond — Evan Esar

I'm a huge fan of Michael Hirst, and I'm a huge fan of historical drama. — Donal Logue

The heavy rain dripped off his thick leather hat and sloshed on the dry hard ground. To someone with a soul, it might have been peaceful, pretty, even to watch the drops bounce and form graceful puddles before they disappeared into the cracks in the Earth.

Daniel Marlin merely cursed. He only saw the weather as another delay before they could rescue their brother from jail. He turned the horse back into the copse of trees, hating to admit defeat. — Grace Willows

In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it. — Oscar Wilde

A nation that does not support and encourage its theater is - if not dead - dying; just as a theater that does not capture with laughter and tears the social and historical pulse, the drama of its people, the genuine color of the spiritual and natural landscape, has no right to call itself theater; but only a place for amusement. — Federico Garcia Lorca

Our dreams of bringing the whole of human history under the control of the human will are ironically refuted by the fact that no group of idealists can easily move the pattern of history toward the desired goal of peace and justice. The recalcitrant forces in the historical drama have a power and persistence beyond our reckoning. — Reinhold Niebuhr

Since history is the drama of genius, its relentless surprise tempts us into designing boundaries for it, searching through it for patterns of repetition. Historians sometimes speak of trends, of cycles, of currents, of forces, as though they were describing natural events. In doing so they must dehistoricize themselves, taking a perspective from the timeless, believing that each observed history is always of others and never of themselves, that each observation is of history but not itself historical. — James P. Carse

Accuracy is paramount in every detail of a work of history. Here's my rule: Ask yourself, 'Did this thing happen?' If the answer is yes, then it's historical. Then ask, 'Did this thing happen precisely this way?' If the answer is yes, then it's history; if the answer is no, not precisely this way, then it's historical drama. — Tony Kushner

It only took one text message to change my life. That's when I discovered my loving husband had been unfaithful. His infidelities ended our marriage. — Garcelle Beauvais

Why did John Wilkes Booth do it? In My Thoughts Be Bloody young historian Nora Titone is one of the few to have genuinely explored this question. In doing so, she has crafted a fascinating psychological drama about one of the central events of the Civil War: the assassination of Abraham Lincoln. This book promises to stimulate lively historical debate, and will be a treat for every Civil War buff who always pondered that haunting question, "what made him pull that trigger?" Bravo on a marvelous achievement. — Jay Winik

It's funny because when I was growing up, I was really into science fiction and fantasy as a kid. And, when I first became a screenwriter, I ended up really just doing historical drama and non-fiction based stuff, like Band of Brothers and stuff that didn't get made, but was also non-fiction. — John Orloff

But the Grateful Dead, as the fanatic fans point out, are a way of life: someone else's. Twentieth-century teenagers, especially American ones, have been brilliant at creating their own culture, their own music, clothes, and point(s) of view. It's sad and fraudulent that the kind of wholesale worship of some historical way of life has settled over so many young people, infecting them like a noxious gas ... I love the dead
grew up in the thrall of Shakespeare and Hank Williams and James Dean. And I adore the Rolling Stones. But there's a difference between cherishing "Satisfaction" and wearing Keith Richards' hair while doing Keith Richards' drugs. I don't want to be Keith Richards. I wanna be me. Not
like the neo-Deadheads
just another extra in an overblown costume drama about something that wasn't that interesting the first time around. — Sarah Vowell

As the bitterroots, necessary for the healing but unpleasant to taste. (What Father Sacco's parishioners say about the man.) — Joseph C. Sciarillo

This is why magic is worse even than quantum physics. Because, while both spit in the eye of common sense, I've never yet had a Higgs bosun turn up and try to have a conversation with me. — Ben Aaronovitch

I am always nervous when I'm auditioning for a part I really want. — Ed Stoppard

I've been sober for so many years. It wasn't like you flick a switch, and you're sober. It takes a while. You have to learn how to do everything all over again. You can measure how long that takes in terms of years. — Joe Walsh

I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material. — Orlando Bloom

I aim to make the fiction flexible so that it bends itself around the facts as we have them. Otherwise I don't see the point. Nobody seems to understand that. Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn't any necessary conflict between good history and good drama. — Hilary Mantel

I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities. — Carter Burwell

The Russian drama began at the end of 1991, when the Soviet Union mercifully ended. Russia and 14 other new countries emerged from the ruins of the Soviet Union. Every one of those 15 new states faced a profound historical, economic, financial, social and political challenge. — Jeffrey Sachs

Americans must outgrow the unbecoming arrogance that leads us to assert that America somehow owns a monopoly on goodness and truth - a belief that leads some to view the world as but a stage on which to play out the great historical drama: the United States of America versus the Powers of Evil. — Feisal Abdul Rauf

Being a parent gives you historical perspective. You have thoughts about how you fit into a larger generational drama - those who came before and those who will come after. — Marianne Williamson

With sci-fi you get these kind of stories in historical drama, and it's just so fabulous. — Mark Sheppard

We win, we loose, we will play like champions. — Endeavor

I am very protective of my family. — Christa Miller

A single collective directed thought is all it takes to change the world. — Lynne McTaggart