Quotes & Sayings About Him Moving On

Even before Laurent had hit the ground,
the man had drawn his sword.
Damen was too far away. He was too far
to get between the man and Laurent, he
knew that, even as he
drew his sword--even as he wheeled his
horse, felt the powerful bunch of the
animal beneath him. There was only one
thing he could do. As the spray of water
sheared up from under his horse, he
hefted his
sword, changed his grip, and threw.
It was, emphatically, not a throwing
weapon. It was six pounds of Rabatian
steel, forged for a two-handed grip. And
he was on a moving horse, and many feet
away, and the man was moving too,
towards
Laurent.
The sword drove through the air and
took the man in the chest, ramming into
the ground and pinning him there. — C.S. Pacat

It meant nothing to him any longer, only a faint tinge of sadness
and somewhere within him, a drop of pain moving briefly and vanishing, like a raindrop on the glass of a window, its course in the shape of a question mark. — Ayn Rand

She nagged him for years about moving into the empty downstairs guest room, but Ove refused. After a decade or so she realized that this was his way of showing her that he had no intention of giving up. That God and the universe and all the other things would not be allowed to win. That the swine could go to hell. So she stopped nagging. On — Fredrik Backman

Moving on was always the end plan.
New York,he remembered, was a fair distance away.It should be far enough. As for tonight, he was going to have a shot of whiskey in his tea to help smooth out the edges. Then by God, he was going to sleep if he had to bash himself over the head to accpmplish it.
And he wasn't going to give Keeley another thought.
The knock on the door had him cursing under his breath.Though she'd been doing well,his first worry was that the mare with bronchitis had taken a bad turn.He was already reaching for the boots he'd shed when he called out.
"Come in,it's open.Is it Lucy then?"
"No,it's Keeley." One brow lifted, she stood framed in the door. "But if you're expecting Lucy,I can go."
The boots dangled from his fingertips, and those fingertips had gone numb. "Lucy's a horse," he managed to say. "She doesn't often come knocking on my door. — Nora Roberts

We moved in bursts, with me on point and Marcus at the rear, everyone moving quietly except Sebastian, who was about as stealthy as a giraffe.

"Get quiet and low," I whispered to him.

He ducked his head, taking him to an almost invisible six-foot-two. — Veronica Rossi

It's them!" screamed Hermione.
Tonks landed in a long skid that sent earth and pebbles everywhere.
"Remus!" Tonks cried as she staggered off the broom into Lupin's arms. His face was set and white: He seemed unable to speak. Ron tripped dazedly toward Harry and Hermione.
"You're okay," he mumbled, before Hermione flew at him and hugged him tightly.
"I thought--I thought--"
"'M all right," said Ron, patting her on the back. "'M fine."
"Ron was great," said Tonks warmly, relinquishing her hold on Lupin. "Wonderful. Stunned one of the Death Eaters, straight to the head, and when you're aiming at a moving target from a flying broom--"
"You did?" said Hermione, gazing up at Ron with her arms still around his neck.
"Always the tone of surprise," he said a little grumpily, breaking free. — J.K. Rowling

This is me. Despite our long separation, I know you. You may pretend to be fine, but I don't buy it." He stopped her from moving by putting his hands on her shoulders. He pulled her closer to him. She didn't resist that much this time. He slid his arms around her and was surprised when she wrapped her arms around him as well. "I miss you," he whispered in her hair, dropping a light kiss there. She smelled so good. Her scent reminded him of all the things he missed about her. How had he ever been so stupid to let her go? — Nikki Lynn Barrett

It all seemed to him to have disappeared as if behind a curtain at a theater. There are such curtains that drop in life. God is moving on to the next act. — Victor Hugo

[Anna] In February, I woke up from a nap. A bouquet of flowers gathered from the various bushes and shrubs scattered around the island lay on the blanket beside me, a small length of rope wound around their stems.
I found T.J. down at the shore. "Someone's been checking the calendar."
He grinned. "I didn't want to miss Valentine's Day."
I kissed him. "You're sweet to me."
Pulling me closer, he said, "It's not hard, Anna."
I stared into T.J.'s eyes, and he started to sway. My arms went around his neck and we danced, moving in a circle, the sand soft and warm under our feet.
"You don't need music, do you?"
"No," T.J. said. "But I do need you. — Tracey Garvis-Graves

But it doesn't happen that way, I keep telling myself knowingly and sadly. Only in our fraternity pledges and masonic inductions, our cowboy movies and magazine stories, not in our real-life lives. For, the seventeenth-century humanist to the contrary, each man is an island complete unto himself, and as he sinks, the moving feet go on around him, from nowhere to nowhere and with no time to lose. The world is long past the Boy Scout stage of its development; now each man dies as he was meant to die, and as he was born, and as he lived: alone, all alone. Without any God, without any hope, without any record to show for his life.
("New York Blues") — Cornell Woolrich

He ducked down under the wooden slats used to separate the stalls in the barn and crawled into the adjacent stall where he began rubbing the belly of the chestnut mare.
"Lay down, Lady. Please ... it's awful cold tonight. Please lay down."
The mare complied as she always did to the soothing tone in his voice. Drawing the blanket up tightly around him, he lay down beside the horse, moving in close to her side. He was careful to place his frozen feet near enough to her for warmth, but not so near that she'd protest.
"They had a real purty tree, Lady, with candles. Bet it didn't look as purty from the inside, though. Weren't no snow on the inside."
He snuggled in closer to the warm beast. "Merry Christmas, Lady," he whispered.
The mare nickered and moved her head in closer to the boy as he drifted off to sleep, the scent of hay and livestock surrounding them. — Lorraine Heath

He was past the jitters about her age, her uncle. He was moving on this. And when it was over, he was going to be shot, he was pretty sure. But he was into her; she had him. He hoped his death would be quick and painless. — Robyn Carr

At first we had so much to catch up on we were talking a hundred words a second, barely even listening to the ends of one another's sentences before moving onto the next. And there was laughing. Lots of laughing. Then the laughing stopped and there was this silence. What the hell was it?
It was like the world stopped turning in that instant. Like everyone around us had disappeared. Like everything at home was forgotten about. It was as if those few minutes on this world were created just for us and all we could do was look at each other. It was like he was seeing my face for the first time. He looked confused but kind of amused. Exactly how I felt. Because I was sitting on the grass with my best friend Alex, and that was my best friend Alex's face and nose and eyes and lips, but they seemed different. So I kissed him. I seized the moment and I kissed him, — Cecelia Ahern

What a type of happy family is the family of the Sun! With what order, with what harmony, with what blessed peace, do his children the planets move around him, shining with light which they drink in from their parent's in at once upon him and on one another! — Augustus William Hare

Lucas had no doubt Helen could erase his love for her, but he also knew he'd only fall in love with her again the next he laid eyes on her. There was no "moving on" for him. No matter what else Lucas did in his life, his love for Helen would always define him. He was the Lover. — Josephine Angelini

If Christianity is true, this changes EVERYTHING. Christ's very last words to us in scripture were: "Behold, I make all things new." (Rev. 21:5) I hope you remember that most moving line in the most moving movie ever made, The Passion Of The Christ, when Christ turns to His mother on the way to Calvary, explaining the need for the Cross and the blood and the agony: "See, Mother, I make all things new." I hope you remember that line with your tear ducts, which connect to the heart, as well as with your ears, which connect to the brain. Christ changed every human being he ever met. In fact, He changed history, splitting it open like a coconut and inserting eternity into the split between B.C. and A.D. If anyone claims to have met Him without being changed, he has not met Him at all. When you touch Him, you touch lightning. — Peter Kreeft

Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened.
Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah. — Christine Feehan

I meet Daniel Day-Lewis. He's just sitting in a chair on the set. Now, I had been told that Daniel Day-Lewis was kind of an intense person. And he's really not. He's really THE MOST INTENSE PERSON THAT HAS EVER EXISTED ON THE PLANET OF EARTH. He's not doing anything, he's just sitting in a chair, and I am terrified of him as if a jungle cat has wandered onto the set, like- WHOA! What do we do! Are we supposed to move around a lot or stay perfectly still?! What are the rules of Daniel Day-Lewis?! — Paul F. Tompkins

She walked down the basement steps. She saw an imaginary framed photo seep into the wall - a quiet-smiled secret. No more than a few meters, it was a long walk to the drop sheets and the assortment of paint cans that shielded Max Vandenburg. She removed the sheets closest to the wall until there was a small corridor to look through. The first part of him she saw was his shoulder, and through the slender gap, she slowly, painfully, inched her hand in until it rested there. His clothing was cool. He did not wake.
She could feel his breathing and his shoulder moving up and down ever so slightly. For a while, she watched him. Then she sat and leaned back.
Sleepy air seemed to have followed her.
The scrawled words of practice stood magnificently on the wall by the stairs, jagged and childlike and sweet. They looked on as both the hidden Jew and the girl slept, hand to shoulder.
They breathed.
German and Jewish lungs. — Markus Zusak

Nothing could exceed his energy when the working fit was upon him: but now and again a reaction would seize him, and for days on end he would lie upon the sofa in the sitting- room, hardly uttering a word or moving a muscle from morning to night. On these occasions I have noticed such a dreamy, vacant expression in his eyes, that I might have suspected him of being addicted to the use of some narcotic, had not the temperance and cleanliness of his whole life forbidden such a notion. — Arthur Conan Doyle

The art of war is simple enough. Find out where your enemy is. Get at him as soon as you can. Strike him as hard as you can, and keep moving on. — Ulysses S. Grant

For his lunch break, Alex decided to sit outside for a smoke. There was no break room to speak of, just a backdoor that led to a neglected parking lot and an old payphone. There was an upturned crate by the door used to hold the door open or to sit on if one so desired. But Alex couldn't sit down, even though he had been standing for the past four hours, his anxious mind kept his feet moving.
He paced back and forth, smoking his cigarette with the speed of an anxious drug addict. The cool but faint breeze pushed the smoke away from him and dissipated it into nothing. He still felt angry about the run-in with Gonzalez. It had consistently poked at him like a curious sadist with a pointed stick ever since he walked away from the door slammed in his face. — J.C. Joranco

Come on, Seregil, let's show him how it's done."
"I'm busy," replied Seregil, working on a tricky bit of fingering.
Moving to stand over him, Micum groweled, "Put away that twopenny toy, you tit-sucking coistril, and show me the length of your blade!"
Seregil laid his harp aside with a sigh. "Dear me, that sounds rather like a challenge-"
Lunging swiftly past Micum, he sprang to his feet and drew his sword, then swung a flat-bladed attack at Micum's forearm. — Lynn Flewelling

There's no winning or losing in this game, only playing, endless playing, you want your adversary to be strong not weak, smart not dumb, you're delighted to trick him and delighted to be tricked by him, boy learns from girl, white learns from black, old learns from young, the teaching is the doing is the beauty is the grace is the humor, endlessly you go on learning, smiling, moving, feinting, never missing a beat. Gingare, the dance of life: the controlled, prolonged, sustained, ineffable excitement of capoeira is like an endless climax. — Nancy Huston

Arturo Vega: I always thought the ONLY way to really conquer evil is to make love to it. My favourite dream is always the one where I face the devil. I'm in the nude and the devil appears, and he is a beautiful blue. He looks like a mannequin, he looks like a robot. He doesn't have any clothes on, of course, and he's blue and shiny. I keep hearing voices that say, "It's him! It's him!" And I go, "Okay."
So he comes and faces me and I look at him and he's a little taller than me, not much taller, but a little taller, and I say, "I like you." And he says, "I like you too." But he starts beating me up, RA RA RA RA, and I'm down on the floor - and then all of the sudden, he turns into a little baby, like a baby, just a few months old, and then I fuck him, ha ha ha ha. And while I'm fucking him, he's moving his hands, he's moving them like a helpless baby.
So I always thought that to conquer evil, you have to make love to it. You have to understand it. — Legs McNeil

I'd like to build a house there someday. One with a big plate-glass window in the front so I can sip my tea and watch the flowers grow. Eden leaned into his side as she stepped around a hole dug by a ground squirrel or some other burrowing creature, and Levi couldn't help but picture himself behind that same window, moving up behind Eden to touch his lips to the sensitive skin along her neck. She'd smile and ask about his day. He'd wrap his arms around her and say that the best part of it was coming home. Then perhaps a little girl with reddish curls and moss-green eyes would run into the room, call him Daddy, and latch on to his leg. He'd swing her high into the air and laugh at her delighted squeals. — Karen Witemeyer

Wait! It's too heavy," Elizabeth called after him. Nick kept right on walking until he reached the carriage and deposited the trunk on the rack in the back. When he returned to her side, he smiled at her. "Not much bigger than a hay bale, Miss Hamilton." Before Elizabeth could respond, Nick stooped down, lifted the second trunk, and carried it to the carriage. In tired bemusement, Elizabeth watched Nick's broad shoulders and the muscles moving beneath his faded striped shirt. She felt a stirring in her breast and wondered at the unexpected feeling. — Debra Holland

If I could," he went on, "I would remain like this indefinitely - clasped by you, held inside you, a part of you - without moving at all. When we make love, I fight climax with everything I have. I don't want to come; I do not want it to end. No matter how long I make it last, it isn't nearly long enough. I am furious when I cannot hold back any longer. Why, Jess? If all I seek is the physical relief of natural lust, just as I would seek sleep or food, why would I deny myself?"
She turned her head and caught his mouth with hers, kissing him desperately.
"Tell me you understand," he demanded, his lips moving beneath hers. "Tell me you feel it, too."
"I feel you," she breathed, as intoxicated by his ardency as she was by the finest claret. "You have become everything to me. — Sylvia Day

God is not needed to create guilt or to punish. Our fellow men suffice, aided by ourselves. You were speaking of the Last Judgement. Allow me to laugh respectfully. I shall wait for it resolutely, for I have known what is worse, the judgement of men. For them, no extenuating circumstances; even the good intention is ascribed to crime. Have you at least heard of the spitting cell, which a nation recently thought up to prove itself the greatest on earth? A walled-up box in which the prisoner can stand without moving. The solid door that locks him in the cement shell stops at chin level. Hence only his face is visible, and every passing jailer spits copiously on it. The prisoner, wedged into his cell, cannot wipe his face, though he is allowed, it is true. to close his eyes. Well, that, mon cher, is a human invention. They didn't need God for that little masterpiece. — Albert Camus

Kathleen doesn't look like you," Henry said suddenly, staring at me.
"Uh, no. She doesn't. Not really," I stammered, not knowing what else to say. Without another word, Henry turned and left the kitchen. I heard him run up the stairs and looked at Georgia who met my gaze with bafflement.
"Did you hear that, woman?" I asked Georgia. "Henry doesn't think Kathleen looks like me. You got something to tell me?"
Kathleen shrieked again. Georgia wasn't moving fast enough with the jar of bananas she'd produced.
Georgia smirked and stuck out her tongue at me, and Kathleen bellowed. Georgia hastily dipped the tiny spoon into the yellow goo and proceeded to feed our little beast, who wailed as she inhaled.
"She may not look like you, Moses. But she definitely has your sunny disposition," Georgia sassed, but she leaned into me when I dropped a kiss on her lips. It didn't hurt my feelings at all that my dimpled baby girl looked more like her mother. — Amy Harmon

I grieved three thousand times. Then I grieved for myself, a lonely woman without the honor given to the wives of the fallen. The reverence for their loss, for their children's loss. It was eloquent and grand. So moving and charged with solidarity ... On September eleventh, I faced the last moments of your father's life. I saw him in every person who tried to jump and every body they pulled from the rubble. And I saw myself as I was never allowed to be, consoled, understood, and loved. — Susan Abulhawa

His mouth is on me, his hands, I can't wait and he's moving, already, love, it's been so long, I'm alive in my skin, again, arms around him, falling and water softly everywhere, never-ending. — Margaret Atwood

Well, well. Lucinda Hutton. One flexible little gal." He is reclining in his chair again. Both feet are flat on the floor and they point at me like revolvers in a Wild West shootout.

"HR," I clip at him. I'm losing this game and he knows it. Calling HR is virtually like tapping out. He picks up the pencil and presses the sharpened tip against the pad of his thumb. If a human could grin without moving their face, he just did it. — Sally Thorne

Outside the basement door was a covered pen that housed a rooster and a seagull. The rooster had been on his way to Colonel Sanders' when he fell off a truck and broke a drumstick. Someone called Carol, as people often do, and she took the rooster into her care. He was hard of moving, but she had hopes for him. He was so new there he did not even have a name. The seagull, on the other hand, had been with her for years. He had one wing. She had picked him up on a beach three hundred miles away. His name was Garbage Belly. --John McPhee, Travels in Georgia (1973) — David Remnick

You were many wonderful things to many people before you met him
don't let this one event define who you are. — Mary Esselman

For the record," I do not desire your body. Not that you're hideous or anything, far from it. Even with those scars, your chest is really nice, and I like your legs because they aren't scrawny, and you have nice shoulders and naughty bits, but I've never been one to put physical attributes ahead of more important things."
"Such as?" He had his hands on his hips when he asked the question, which just made me want to giggle again.
"Intelligence, a sense of humor, and oh yes, not being a mythical creature." I swallowed another giggle. "Not that it wasn't a cool form, but still. I like my men without the sort of baggage that must go with being a shape-shifter."
"Is that so?" One eyebrow lifted.
"Yes."
"Then you will not like this." He pulled me against him, his mouth moving into place on mine, his breath hotter than I could have imagined. And then he kissed the very wits right out of my brain. — Katie MacAlister

Fright is something one can never get over. When a warrior is caught in such a tight spot he would simply turn his back to the ally without thinking twice. A warrior cannot indulge thus he cannot die of fright. A warrior allows the ally to come only when he is good and ready. When he is strong enough to grapple with the ally he opens up his gap and lurches out, grabs the ally, keeps him pinned down and maintains his stare on him for exactly the time he has to, then he moves his eyes away and releases the ally and lets him go. A warrior, my little friend, is the master at all times — Carlos Castaneda

Jay Wexler is my kind of writer
a weird one, and a wry one, and one who isnt afraid to act silly in a sort of bait-and-switch that, to the readers surprise, moves him as much as it makes him laugh. Like all the best comedians, Wexler is clearly nursing a heart that the world broke a long time ago. Ed Tuttle is a book that cant decide what it wants to be when it grows up, but as with most cases of arrested development, theres something very serious going on behind all the antics. Plus, there are pictures. — Ron Currie Jr.

What trunk?" Velkan
"My trunk. I'm moving in" Esperetta
"In where?" Velkan
"My room. Here." Esperetta
Completely stunned and flabbgausted, he opened and closed his mouth, unable to speak.
Esperetta walked over to him and placed her finger on his chin before she closed his mouth. "I know you dont trust me, but tough shit."
"This is my home and you're my husband. I made a mistake and for that I'm sorry, but I'm through being an idiot." Esperetta
"Dark-Hunters can't be married." Velkan
"Well then, someone should have told Artemis before she made her bargain with you and brought me back to life, huh? You were created as a married Dark-Hunter. I hardly think they can complain now." Esperetta
She did have a point about that
"But
" Velkan
She ended his words with a kiss. — Sherrilyn Kenyon

Is there a reason you are here?" he finally demanded.
With complete nonchalance she replied, "Well,I've brought my trunks. I do believe I'm moving in."
"The hell you are!"
"Nice of you to welcome me in your usual boorish manner" was all she said to that.
A muscle ticked in his jaw. It made not a jot of difference that he'd just gone to Norford and back this morning to bring her here himself. That had been his idea.Her coming here on her own was her idea,and it make him suspicious.
"Don't start your manipulations already," he warned her. "Answer my question."
"Why am I still here? Shall we start with the obvious reason? Because I really am pregnant and once my pregnancy starts to show,I do not want to be in a position to have people ask me who my husband is and not believe me when I tell them that it's you."
"And the not-so-obvious answer?"
"Because you make me so furious that I spite myself to spite you! — Johanna Lindsey

He should stop, but the intoxicating sensation of Eliza's hot breath on Thomas's face dominated him and he could think of nothing else. Nothing but kissing her. The world around him stopped and he moved both hands to cup her smooth cheeks as he continued to taste her lips. She pressed into his kiss, moving her own delicate hands to his face. Sampling the sweetness her mouth was the biggest mistake he'd ever made. Just one would never be enough. Reluctant, — Amber Lynn Perry

The person who hurt you
who raped you or killed your family
is also here. If you are still angry at that person, if you haven't been able to forgive, you are chained to him. Everyone could feel the emotional truth of that: When someone offends you and you haven't let go, every time you see him, you grow breathless or your heart skips a beat. If the trauma was really severe, you dream of revenge. Above you, is the Mountain of Peace and Prosperity where we all want to go. But when you try to climb that hill, the person you haven't forgiven weighs you down. It's a personal choice whether or not to let go. No one can tell you how long to mourn a death or rage over a rape. But you can't move forward until you break that chain. — Leymah Gbowee

Sometimes I'd see my father, walking past my building on his way to another nowhere. I could have given him a key, offered a piece of my floor. A futon. A bed. But I never did. If I let him inside I would become him, the line between us would blur, my own slow-motion car wreck would speed up. The slogan on the side of a moving company truck read TOGETHER WE ARE GOING PLACES
modified by a vandal or a disgruntled employee to read TOGETHER WE ARE GOING DOWN. If I went to the drowning man the drowning man would pull me under. I couldn't be his life raft. — Nick Flynn

Why is it so important for me to forgive that son-of-a-bitch? I'm not the one at fault here. It shouldn't be about me. He's the one that did wrong. Screw his feelings. He should feel like he's hated for what he did." Lisa added another used tissue to the growing pile on the table.
Lyn warmly smiled. "Forgiving Byron isn't for his sake, it's for yours. The block in your life's road can only be removed if you forgive him for what he did. If you don't, you'll just keep bumping into that block again and again. The life you live will be miserable. You'll never be able to break the chains of the past."
Lisa listened and let the words sink into her subconscious. She realized the only way to get to the end of the road was to take the first step. There was a block preventing her from moving forward in life. She had to find a way past it. — Dane Hatchell

Every faculty you have, your power of thinking or of moving your limbs from moment to moment, is given you by God. If you devoted every moment of your whole life exclusively to His service you could not give Him anything that was not in a sense his own already ... It is like a small child going to its father and saying, 'Daddy, give me sixpence to buy you a birthday present.' It is all very nice and proper, but only an idiot would think that the father is sixpence to the good on the transaction. — C.S. Lewis

She looked in the mirror and her hopes fell. "Our friend is behind us again and he's coming up fast. Closing the distance."
Then he knows we're on to him."
Christ! He's got a gun, Red! He's stuck his arm out the window."
Don't worry," Red told her. "Shooting a pistol left-handed from a moving car at another moving car at sixty miles an hour at this distance? Hell, he'd be lucky to hit that mountain."
There was a sharp crack and the rear window disintegrated into flashing shards. Something buzzed in the air between them and smashed into the tapedeck. Fee howled and ducked into his console.
Unless," Red continued thoughtfully, "that's Orvid Crayle behind us. He's very good. — Michael Flynn

I drift off for a while. I don't know how long, but when I open my eyes, the Oscars are still on and Alex tells me that Sid has gone and this makes me a little sad. Whatever the four of us had is over. He is my daughter's boyfriend now, and I am a father. A widower. No pot, no cigarettes, no sleeping over. They'll have to find inventive ways to conduct their business, most likely in uncomfortable places, just like the rest of them. I let him and my old ways go. We all let him go, as well as who we were before this, and now it's really just the three of us. I glance over at the girls, taking a good look at what's left. — Kaui Hart Hemmings

I wouldn't call and tell anybody on him, but I'd probably move. But I'm not gonna call and be like, 'The serial killer's in 4E.' — Cam'ron

Curtis peeked over to the side. God had his arm over Day's shoulder holding him close to him, both their heads lowered with their eyes closed. He could just see God's thumb lightly moving back and forth on Day's shoulder. They were such an awesome couple, two more of the greatest men he'd ever - . Curtis' thoughts skidded to a halt in his mind. His eyes widened and his body tensed in response to the sight. Both his dads must've felt it, because each one kept their eyes closed but moved in closer to him. Oh — A.E. Via

Rupert yanked Rebecca off her seat to the floor! If that weren't bad enough, he dropped down on top of her, not with his full weight,, but enough to make it uncomfortable.
Rebecca had,of course, heard the gunfire that had prompted Rupert's actions. She wasn't deaf. Still, annoyed, she asked, "Do you really think a shot is going to get through the back panel of a coach this sturdily built? And fired from a moving vehicle? Anyone aiming isn't likely to hit us a'tall."
"They're on horseback," was all he said.
"Even worse.Have you ever hit what you aimed at while racing along on a horse?"
"Yes."
She snorted,but believing him at all. — Johanna Lindsey

How did you meet him?" I asked her.
She smiled. "Here, actually. During a dinner rush. He was sitting at the counter and Isabel knocked a cup of coffee in his lap."
"Ouch," I said.
"No kidding. She was so slammed she just kept moving, so I cleaned it up and made all the apologies. He said it was okay,, no problem, and I laughed and said pretty girls get away with anything." She looked down, twisting her ring a bit so the diamond sat in the centre of her finger, "And he smiled, and looked at Isabel, and said she wasn't his type."
There was a faint cheer from the stadium, and I saw a ball whiz over the far fence and out of sight.
"And so," she went on, "I said, "Oh really? What is your type, exactly?" and he looked up at me and said, "You. — Sarah Dessen

The ants were busy on the ground, big black ones with shiny bodies and the little dusty quick ants. Kino watched with the detachment of God while a dusty ant frantically tried to escape the sand trap an ant lion had dug for him.
He watched the ants moving, a little column of them near to his foot, and he put his foot in their path. Then the column climbed over his instep and continued on its way, and Kino left his foot there and watched them move over it. — John Steinbeck

She sank with an enormous sigh that carried all rigidity like a mythical fluid from her, down next to him; so weak she couldn't help him undress her; it took him 20 minutes, rolling, arranging her this way and that, as if she thought, he were some scaled-up, short-haired, poker-faced little girl with a Barbie doll. She may have fallen asleep once or twice. She awoke at last to find herself getting laid; she'd come in on a sexual crescendo in progress, like a cut to a scene where the camera's already moving. Outside a fugue of guitars had begun, and she counted each electronic voice as it came in, till she reached six or so and recalled only three of the Paranoids played guitars; so others must be plugging in. — Thomas Pynchon

Close your eyes," Marcus said, his hand moving to her bottom in a circling caress. He brushed his mouth over her forehead and her fragile eyelids. "Rest. You'll need to regain your strength ... because once we're married, I won't be able to leave you alone. I'll want to love you every hour, every minute of the day." He nestled her more closely against him. "There is nothing on earth more beautiful to me than your smile ... no sound sweeter than your laughter ... no pleasure greater than holding you in my arms. I realized today that I could never live without you, stubborn little hellion that you are. In this life and the next, you're my only hope of happiness. Tell me, Lillian, dearest love ... how can you have reached so far inside my heart?" He paused to kiss her damp silken skin ... and smiled as the wisp of a feminine snore broke the peaceful silence. — Lisa Kleypas

For me the most moving moment came when I first started working on 2001. I was already in awe of him, and he had very much already become Stanley Kubrick by the time the film started. — Keir Dullea

I think we need to find a way to provide people with a reason that the average man on the street can grasp and embrace, that would cause him to move away from the centuries-old idea of the individual and individualism, and move toward a different concept of what it means to be human in a collective society. Unless he has that reason, unless he has a fundamental reason to do that, it's going to be very difficult to cause him to make that shift, in my view. — Neale Donald Walsch

So she retreated into herself, rebuilt the damaged pathways of her mind, explored long-unvisited memories, wandered among the trillions of human lives that were open to her observation, read over the libraries of every book known to exist in every language human beings had ever spoken. She created out of all this a self that was not utterly linked to Ender Wiggin, though she was still devoted to him, still loved him above any other living soul. Jane made herself into someone who could bear to be cut off from her lover, husband, father, child, brother, friend. — Orson Scott Card

I run my fingers along the thick, fabric wallpaper to steady myself. Putting one foot in front of another feels like learning to walk all over again. My body's still working. Heart's still beating. Lungs still moving. But not because I want them to. They do those things on their own, without me even asking. So why didn't they do it for Eamon ? How could his body just give up on him like that ? Fall apart. It made him seen so fragile, and I don't want to remember him that way. He was the strongest guy I knew. How could he break so easily ? It seems like our bodies would be built better. It just doesn't fucking seem real. — Jolene Perry

We're not going to argue about this, Al. That's what he wants. Won't let him do it."
"Do what?"
He wraps the hair I'm playing with around his wrist and tugs me close, bowing his head so our brows touch. "Come between us."
My entire body goes soft and warm at the gruff possessiveness in his voice, but he doesn't have a right to it. "Did you forget? There's already someone between us. You're moving with her to London."
"I was an idiot. To think for one second that being on the other side of the ocean could give me any control. — A.G. Howard

The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history (Geoffrey Jellicoe, Landscape of man) — Tom Turner

After a long time, one small hand moved, slowly, tentatively, tracing the feathers falling around her, stroking the black slashes along one huge wing. She didn't ask where he'd gotten them, didn't ask why they mimicked the marks on his shoulder. She didn't ask, just kept running her soft fingers through the down, along the spines ...
"How long will they last?"
"A few hours," he said hoarsely. He should tell her, he thought, that the feathers weren't just a projection. That for the moment for however long the Irin's essence held out, they were an innate, physical part of him. And that her fingers stroking along the marks felt just like they once had, moving over his scars. He ought to tell her, ought to ask her to stop. It's what a gentleman would do, he knew that. But then he was half demon. And tonight, he thought maybe he'd just go with that.
"They're nice," she murmured, pulling one around her.
"Yes." One hand tightened in her thick soft hair. "Yes. — Karen Chance

Do not worry about the formula.I allowed one of the members to inject me with it,so we know its components and are working on an antidote now."
"It didn't work?" Gary was appalled. He had spent a tremendous amount of time on that formula.Althought Morrison and his crew had perverted it, he was still disappointed.
"You cannot have it both ways,Gary." Exasperated, Gregori gave him a little shove toward the entrance to the hotel. "You should not want the damn thing to work."
"Hey,my reputation is on the line."
"So was mine.I neutralized the poison." Gregori nudged him again. "Get moving. — Christine Feehan

Can I tell you something?" He tilted his head, moving in closer still, so close that she could feel his breath against her cheek. "Do you want to know what my grandma used to say about kisses on the forehead?"
He pressed his lips to her brow, holding the silk soft kiss for a long moment while Isobel stood in place, unable to bring herself to shove him away.
"She told me it's the kind of kiss we save for the dead. — Kelly Creagh

As for the river, it just kept moving,as river do
as rivers do. Under the logs, the body of the young Canadian moved with the river, which jostled him to and fro
to and fro. If, at this moment in time Twisted River also appeared restless, even impatient, maybe the river itself wanted the boy's body to move on, too, move on, too. — John Irving

He takes her hand and they leave. There's a taxi outside and they go to her room without saying anything. Behind the door, she unties the dress, and then reaches for his belt. He pushes her hands away. He'll do it all himself, though his right hand is bleeding. He sits on a small wooden chair and pulls her down on top of him and feels how rough and silky she is straddling him. He is the one moving her, as if she's a doll, and he knows it has to be this way because it makes him feel that he won't die, at least for tonight. — Paula McLain

He longed for the years when it was enough to simply be in his room with his hand moving over a piece of graph paper, before the years of decisions and identities, when his parents made his choices for him, and the only thing he had to concentrate on was the clean blade stroke of a line, the ruler's perfect knife edge. — Hanya Yanagihara

That night, Zalmai wakes up coughing. Before Laila can move, Tariq swings his legs over the side of the bed. He straps on his prosthesis and walks over to Zalmai, lifts him up into his arms. From the bed, Laila watches Tariq's shape moving back and forth in the darkness. She sees the outline of Zalmai's head on his shoulder, the knot of his hands at Tariq's neck, his small feet bouncing by Tariq's hip.
When Tariq comes back to bed, neither of them says anything. Laila reaches over and touches his face. Tariq's cheeks are wet. — Khaled Hosseini

Yesterday you were riding on my shoulders," he murmured. "The house was full of noise. Clomping up and down the steps,doors slamming. Scattered toys. I don't know how many times I stepped on one of those damned little cars of Brady's/"
Turning back, he ran a hand over her hair. "I miss that.I miss all of you."
"Daddy." In one fluid movement she rose and slid her arms around him.
"It's the way it's supposed to work. Three of you off at college, Brendon moving around to get a handle on the busines of things.It's what he wants. And you, building your own.But..I miss the crowd of you."
"I promise to slam the door the very first chance I get."
"That might help."
"Sentimental softie.I love that about you."
"Lucky for me. — Nora Roberts

Keith felt huge inside of him, remained still for only a long moment, didn't seem to care about giving Shane time to adjust, just seemed intent on moving. Fucking. Rutting. His — S.E. Jakes

Often nothing keeps the pupil on the move but his faith in his teacher, whose mastery is now beginning to dawn on him ... How far the pupil will go is not the concern of the teacher and master. Hardly has he shown him the right way when he must let him go on alone. There is only one thing more he can do to help him endure his loneliness: he turns him away from himself, from the Master, by exhorting him to go further than he himself has done, and to "climb on the shoulders of his teacher." — Eugen Herrigel

It was strange, really. A couple months ago, I had thought I couldn't live without him. Apparently I could. — Gabrielle Zevin

The poet must be free to love or hate as the spirit moves him, free to change, free to be a chameleon, free to be an enfant terrible. He must above all never worry about this effect on other people. — May Sarton

Little girl," Cain begins, moving in close and speaking deliberately. "I know exactly what I want, but as long as you insist on continuing this charade, I will not claim you as mine again until you beg to hear those words from me." I stare at him, stunned at how the same cocksure attitude that floods my mind with contempt floods my body with excitement as he leans back, a satisfied smirk on his face.
"I don't beg," I hiss.
"Not yet," is all he says. — Lilly Black

All of the sports have a safety net, but boxing is the only sport that has none. So when the fighter is through, he is through. While he was fighting his management was very excited for him, but now that he is done, that management team is moving on. — Gerry Cooney

A sense of peace and contentment filled him. He loved music, and he loved to dance. Teaching Tess to waltz was going to be a pleasure.
A half an hour later, he had revised his opinion drastically, as she stepped on his foot again. Instantly, they both stopped moving and glared at each other.
"Young lady, you are not an elephant," he told her. "Kindly refrain from imitating one. — Thea Harrison

Tuon looked at him, squatting there by the map, moving his fingers over its surface, and suddenly she saw him in a new light. A buffoon? No. A lion stuffed into a horse-stall might look like a peculiar joke, but a lion on the high plains was something very different. Toy was loose on the high plains, now. She felt a chill. What sort of man had she entangled herself with? After all this time, she realized, she had hardly a clue. — Robert Jordan

his left shoulder. As Ramirez started in that direction, Jabawski called after him, laughing, "Watch out for the big bad wolf, he's got a mouth on him, too." ### Everything was moving in slow motion. Or at least it appeared to be. Police officers and crime scene technicians swarmed like worker bees from the hive, scouting out their surroundings meticulously, in hope of finding even the most minuscule of clues. I'd spoken to several officers and carefully detailed my actions before finding — Harley Christensen

For a moment nothing happens. The figure stands still and I stand cold and alive and-
He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass-
And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss. — Ally Condie

Yet Frodo began to hear, or to imagine that he heard, something else: like the faint fall of soft bare feet. It was never loud enough, or near enough, for him to feel certain that he heard it; but once it had started it never stopped, while the Company was moving. But it was not an echo, for when they halted it pattered on for a little all by itself, and then grew still. — J.R.R. Tolkien

He'd missed dogs. Dogs added something that even people didn't, and one of the dogs was sitting by his feet, here in the darkness and the gentle rain. It wasn't bothered much about the rain or what might be out there on the unseen sea, but Mau was a warm body moving about in a sleeping world and might at any moment do something that called for runnung around and barking. Occasionally it looked up at him adoringly and made a slobbery gulping noise which possibly meant "Anything you say, boss! — Terry Pratchett

What? No heartbeat? Huh. Funny. Moving on, the bigger problem is why do I have circles under my eyes?' "And he'd say, 'Wait a second. Did you hear me? No heart!' And we'd be all 'Yes, yes, we heard you. But other than missing a major organ, what's wrong with me?' And then he'd go on and on about the whole no-heart thing, and then I would try to distract him by doing that dance I do - you know, the one that looks like the running man. . . . But before I finish my entire routine, the doctor would be texting the CIA to tell them about my lack of heart, and the rounds of involuntary government testing would begin. — Brodi Ashton

Furi feverishly jerked his own cock. His hand moving so fast on his length, it was a blur. Syn wished he could see his lover's face, see him in the throes of passion. His head was too heavy to lift and Furi's face was buried in his damp pubic hair, his red, swollen mouth still hovering near Syn's sensitive dick, panting hot breaths on him as he howled his own release into the red-lit room, coating Syn's thigh with wet heat. Furi dropped between his thighs and rested his head on his groin, his chest rapidly rising and falling as his orgasm left him weak as well. Syn absently ran his hand through Furi's long tresses, while they both came back down to earth. Syn — A.E. Via

Their bodies lay flatly on the rocks, and their eyes regarded him with evil interest: but it does not appear that Mr. Fison was afraid, or that he realized that he was in any danger. Possibly his confidence is to be ascribed to the limpness of their attitudes. But he was horrified, of course, and intensely excited and indignant at such revolting creatures preying upon human flesh. He thought they had chanced upon a drowned body. He shouted to them, with the idea of driving them off, and, finding they did not budge, cast about him, picked up a big rounded lump of rock, and flung it at one.
And then, slowly uncoiling their tentacles, they all began moving towards him - creeping at first deliberately, and making a soft purring sound to each other. — H.G.Wells

Honestly, I didn't expect anything. I didn't plan on standing in your penthouse kitchen this morning."
A grin splits his face.
"But you are." Keeping the smile, he sticks his tongue through his teeth.
"Yeah, I am." I beam up at him.
"You stay'n in my kitchen?" he asks, his face moving closer.
"I thought we are seeing how things go?"
I press my hands to his chest, sliding my arms up to his shoulders.
"I'll just take that as a yes. — Sadie Grubor

How many boys like him were out there in the ether, holding on to their big brothers and sisters who were still alive? How many husbands were floating between life and death, clinging to their wives in this world? And how may millions and millions of people were there in the world like Charlie who wouldn't let go of their loved ones when they're gone? — Ben Sherwood

Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on. — Matt Damon

Man!" he snapped. "A man's cub. Look!" Directly in front of him, holding on by a low branch, stood a naked brown baby who could just walk - as soft and as dimpled a little atom as ever came to a wolf's cave at night. He looked up into Father Wolf's face, and laughed. "Is that a man's cub?" said Mother Wolf. "I have never seen one. Bring it here." A Wolf accustomed to moving his own cubs can, if necessary, mouth an egg without breaking it, and though Father Wolf's jaws closed right on the child's back not a tooth even scratched the skin as he laid it down among the cubs. "How little! How naked, — Rudyard Kipling

Oh shit, I can see Gomez," Alex said over the comm. "He's down. Aw, you goddammed bastards! They're shootin' him while he's down! Son of a bitch!" The ship stopped moving, and Alex said in a quiet voice, "Suck on this, asshole." The ship vibrated for half a second, then paused before continuing toward the lock. "Point defense cannons?" Holden asked. "Summary roadside justice," Alex grunted back. Holden — James S.A. Corey

This was a part he didn't like. It made him feel like a jailer, or a kidnapper.
"Another sin, another string of Hail Marys," he said, sitting on the edge of the bed. So much was riding on this. It could all blow up in their faces. If he was still a betting man, that's where he'd lay his money. Too many moving parts that weren't in line with one another.
Praying wasn't an option. God didn't have time for deceivers. — Hunter Shea

When you see a condemned man on his way to the gallows, it moves you to pity. If you could do something to free him, you would do it. Well, brothers and sisters, when I see a person in mortal sin, I see someone drawing nearer with every step to the gallows of hell. And seeing him in this unhappy state, I happen to know the way to free him: that he be converted to God, ask God's pardon, and make a good confession. Woe betide me if he does not. — Anthony Mary Claret

Sure, occasionally a certain sappy song or romantic movie would come on, and you'd wonder what he or she was up to, but there was no way to know. Of course, you could always pick up the phone (and more recently, text or e-mail), but that would require that person's knowing you were thinking of him or her. Where's the fun in that? You never want them to know you're thinking of them, so you refrain. Before long the memories start to fade. One day, you realize you can't quite remember how she smelled or the exact color of his eyes. Eventually, without ever knowing it, you just forget that person altogether. You replace old memories with new ones, and life goes on. It was the clean break you needed to move forward. — Brandi Glanville

Every man, wherever he goes, is encompassed by a cloud of comforting convictions, which move with him like flies on a summer day. — Bertrand Russell

Nothing feebler than a man does the earth raise up, of all the things which breathe and move on the earth, for he believes that he will never suffer evil in the future, as long as the gods give him success and he flourishes in his strength; but when the blessed gods bring sorrows too to pass, even these he bears, against his will, with steadfast spirit, for the thoughts of earthly men are like the day which the father of gods and men brings upon them. — Homer

Xcor lunged at her, moving so fast he wasn't aware of making the decision to get on her. And he was rough, shoving her hand out of the way and sealing his mouth on her sex, taking what he wanted, what she had teased him with. Now — J.R. Ward

If you want some advice - which I'm sure you don't - you guys should lay off on the magic. Christian still thinks you're moving in on Lissa."
"What?" he asked in mock astonishment. "Doesn't he know my heart belongs to you?"
"It does not. And no, he's still worried about it, despite what I've told him."
"You know, I bet if we started making out right now, it would make him feel better."
"If you touch me," I said pleasantly, "I'll provide you with the opportunity to see if you can heal yourself. Then we'd see how badass you really are. — Richelle Mead

The traveling world is parallel to the world of those rooted to one spot; it is the other end of the telescope, so to speak. Things that are taken by most people to have solidity and permanence become relative and subject to time. The church spire, the town hall or courthouse that watches over your days and is an ever-fixed mark to the merchant or the laborer, is to the traveling man only one among many such. The cherished touchstones of your daily life are to him a set of fresh opportunities for passing adventure, a source of profit to be extracted quickly, like gold from a small mountain, before moving on to the next El Dorado. — Tom Piazza

Kissing him is like falling into a river, some great fierce current carrying me outside of my body, and all around us the music of the water rises and rises, and I can hear the wind moving over the sand, the distant singing of the stars veiled behind their curtain of blue sky, the slow, resonant chords of the earth turning on its axis. — Sarah McCarry

There was the sun, letting down great glowing masses of heat; there was life, active and snarling, moving about them like a fly swarm - the dark pants of smoke from the engine, a crisp "all aboard!" and a bell ringing. Confusedly Maury saw eyes in the milk train staring curiously up at him, heard Gloria and Anthony in quick controversy as to whether he should go to the city with her, then another clamor and she was gone and the three men, pale as ghosts, were standing alone upon the platform while a grimy coal-heaver went down the road on top of a motor truck, carolling hoarsely at the summer morning. CHAPTER — F Scott Fitzgerald

Sylvie's sort of pregnant. Well not sort of. She is. Pregnant. Actually pregnant with a baby.'
'Oh Dexter! Do you know the father? I'm kidding! Congratulations, Dex. God, aren't you meant to space your bombshells out a bit. Not just drop them all at once?'
She held his face in both hands, looked at it.
'You're getting married?-'
'Yes'
-'And you're going to be a father?'
'I know! Fuck me a father!'
'Is that allowed? I mean will they let you?'
'Apparently'
'I think it's wonderful. Fucking hell, Dexter, I turn my back for one minute ... !'
She hugged him once again her arms high round his neck. She felt drunk, full of affection and a certain sadness too, as if something was coming to an end. She wanted to say something along these lines, but thought it best to do this through a joke.
'Of course you've destroyed any chance I had of future happiness, but I'm delighted for you, really. — David Nicholls

With a calmness born from exhaustion and terror, the shaking of his body stilled, his heart slowing. The cougars were burnished gold in the moonlight, their shapes bright against the damp grey cliff. The two cubs moved across the ragged edge of the rocky outcrop, their mother a stone's throw below. Rich gasped as the female in front jumped to a lower ledge, balancing on the small precipice. She watched him warily, her head moving back and forth as if trying to ascertain what he was, and whether he was worth the bother. — Danika Stone