High Tea Invitation Quotes & Sayings

Most people never listen. — Ernest Hemingway,

A priest? I said.
A monk or some such. One of those worker guys. Liberation theowhateveritis.
Theologian, said the other.
One of those guys who thinks that Jesus was on welfare. — Colum McCann

Tiers of mountains
Cold wind feet
Not need fan
Ice cold through
Moon shines bright
Mist covers everything
Sit all alone
One old man — Hanshan

In a crisis, markets always look to see who is the next-worst off and proactively begin shying away from them. — Jose Ferreira

Exhaustion is temporary. Pain is temporary. But Helene dying because I didn't find a way to get her back on time - that's permanent. — Sabaa Tahir

People should be allowed to marry, and gay marriage should be out there. If a man or a woman has a good partner and they love each other with their heart and soul, let them marry. I am very much for gay marriage. — Pierce Brosnan

Whoo-hoo-hoo, look who knows so much. It just so happens that your friend here is only MOSTLY dead. There's a big difference between mostly dead and all dead. Mostly dead is slightly alive. With all dead, well, with all dead there's usually only one thing you can do. Go through his clothes and look for loose change. — Billy Crystal

Poetry is the ultimate democracy. — Brendan Kennelly

A paradox: The things you don't need to live - books, art, cinema, wine, and so on - are the things you need to live. — Matt Haig

The imitator treads a beaten walk, and with all his diligence can only find a few flowers or branches untouched by his predecessor, the refuse of contempt, or the omissions of negligence. — Samuel Johnson

God is not a symbol of goodness;
goodness is a symbol of God — Gilbert K. Chesterton

When you're older, no matter how good your humor is you don't always feel perky and peppy. But if you sit home all day and brood about it, it gets worse. — Iris Apfel

Case had always taken it for granted that the real bosses, the kingpins in a given industry, would be both more and less than people ... He'd seen it in the men who'd crippled him in Memphis, he'd seen Wage affect the semblance of it in Night City, and it had allowed him to accept Armitrage's flatness and lack of feeling. He'd always imagined it as a gradual and willing accommodation of the machine, the system, the parent organism. It was the root of street cool, too, the knowing posture that implied connection, invisible lines up to hidden levels of influence. — William Gibson