Herself Movie Quotes & Sayings

There had hung the sense of buffering, insulation, she had noticed the absence of an intensity, as if watching a movie, just perceptibly out of focus, that the projectionist refused to fix. And had also gently conned herself into the curious, Rapunzel-like role of a pensive girl somehow, magically, prisoner among the pines and salt fogs of Kinneret, looking for somebody to say hey, let down your hair. — Thomas Pynchon

It considers not only how we relate to others, but how we relate to our ideas of others so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or people. — Roger Ebert

She hadn't been scared for herself, she'd been frightened for me.
Good. Her A-class horror movie scream earlier had nearly put me in an early grave. When this was over, I could call us even. — Violet Cross

And even if you hate her, can't stand her, even if she's ruining your life, there's something about her, some romance, some power. She's absolutely herself. No matter how hard you try, you'll never get to her. And when she dies, the world will be flat, too simple, reasonable, fair. — Mona Simpson

She'd rather make love to him then watch any movie. "We don't have to. Did I do something wrong?"
That made him turn to her. "Of course not."
"Oh. Then don't you want to ... " She trailed off, a blush rising.
"Are you kidding me? More than anything." His expression softened. "But, Maira, I don't want to rush you, make you do something you aren't ready for."
She stared at him. He was so pretty. Was he also stone-cold stupid?
How could he think she wasn't ready for it? She'd already thrown herself at him. Twice now, if he counted the kitchen disaster. — Alisha Rai

Well, the movie isn't bad. For a while, I even told myself I liked it, even as it missed one mark after another. But in the end, it's shapeless and blandly apolitical, apart from its watered-down feminism. You see, Fey's Kim Baker - changed from Barker - transforms herself from a neophyte reporter, condescended to by male war correspondents, soldiers and Afghan officials, into a hard-charging political animal who speaks the language fluently and parties as hard as men. That's about as edgy as a sitcom. — David Edelstein

Many of us spend our early years in unconscious flight from our true purpose, only to run smack into it at last, like a fleeing movie heroine who backs around a corner - we know what comes next - and turns abruptly to find herself face to face with her nemesis, or, more often, her deliverance. — Carey Harrison

I was pretty impressed during the opening of one of my shows, when the five-year-old daughter of a well-known movie actress took a running jump at one of my paintings, like she was diving into a swimming pool. I preferred to treat her impulse as a compliment rather than insult. Sadly she hurt herself more than the painting. — James Nares

After that, a strange thing happened: Amy couldn't stop her expectations from rising. She imagined herself transformed and beautiful, like Molly Ringwald in Pretty in Pink, with her homemade dress and mysterious lace boots. She pictured her hair in an upsweep of loose curls. In the fantasy, her prom face looked like the one she only wore asleep, loose and relaxed. She imagined a photographer asking her to smile and, for the first time in her life, being able to do it. — Cammie McGovern

Worrying about clothes, though, is easy to understand. When it comes to clothes, people are very competitive, especially if they're movie stars. I think every smart woman devises a look for herself. Margaret Sullivan had a look: romantic, young, pretty, smart. Katharine Hepburn made a look for herself as this wonderful old salty character. Marilyn Monroe had a look; it was like, "Fuck me with sadness"... — Carol Matthau

A movie set, Julia, is a tiny, intimate world, divorced from reality. No, immune to it." She smiled to herself. "Fantasy, however difficult the work, is its own addiction. Which is why so many of us delude ourselves into believing we've fallen desperately in love with another character in that shiny bubble - for the length of time it takes to create a film. — Nora Roberts

Was it possible to love more than one person at the same time? I had always thought it just kind of a convenient notion that authors of novels and screen plays used to amp up intrigue in their stories. I could remember more than a few times while reading a book or watching a movie, I had laughed and rolled my eyes at the heroine for finding herself in such a situation. And yet . . . here I was . . . — D.T. Dyllin

Sam: One day, Mrs. Mandelbaum comes by the store does her usual spiel. Shows me her pictures, tells her lies. "This one's 18, a scholar. This one's 22, a beauty." Some of these pictures were taken before the flashbulb was invented. But it's like this little ritual we have. She has a business and I respect that. I'm a bachelor. She can't help herself.

Izzy: Wait a minute. You mean, you didn't hire her?

Sam: No. But on this particular day she pulled this from her bag.

(Sam pulls Izzy's photo out and shows it to her)

Izzy: Oh, no.

Sam: And I said, "Yes, Mrs. Mandelbaum this one I'll meet."
~Crossing Delancey. Movie. 1988. Peter Regent & Amy Irving. — Susan Sandler

Her heart squeezed hard, her inner asshole chastising her, Stupid, stupid, and then it happened all at once. A bright flash of anger - at herself, at every movie and TV show and magazine, every insidious cultural message that had ever told her that her body sucked. It was all a bunch of lies, and she knew that. She knew it. But here she was, letting it ruin everything. Stop — Ruthie Knox

My mother will emerge with a towel on her head, Nefertiti fashion, and a good terry-cloth robe, and make herself a tall gin-and-tonic and look like a movie star for an hour. Being around her is like being on safari; there is an elusive something we are after, in difficult conditions, and we will look good in the getting there. — Padgett Powell

The place Joanne is building inside [herself] has rooms for all of this. Not just rooms. Beautiful ones. For Karl and Jerry and Karen and Nate in his cowboy hat and the hot-tub guy and movie directors and old-lady healers and people trying to love their asses and people who think they're stupid for it. In these rooms, each thing that looks crazy or stupid will be like a drawing you give your mother, regarded with complete acceptance and put on the wall. Not because it is good but because it is trying to understand something. In these rooms, there will be understanding. In these rooms, each madness and stupidity will be unfolded from its knot and smoothed with loving hands until the true thing inside lies revealed. — Mary Gaitskill

Sometimes I hate the girl I was back then. It's like how, when you see a horror movie, you can't help but feel contempt for the virgin who goes for a walk in the woods after midnight. How can she be so stupid? Doesn't she know she's about to get gruesomely hacked to death?
She should know. That's why it's so hard to watch. Because you want her to know. You want her to defend herself, and you look down on her for not knowing, even though obviously it's the guy who hacks her up who's at fault. — Robin York

Either you couldn't tell by looking at her that she was a bully, or Mia truly had transformed herself. Then later, for someone like Lou who simply didn't enjoy going to a movie on her own, seeing Mia wait to go in by herself had struck another chord with her. Mia had been far from the only person waiting in solitude, but there had been something about her as she stood there with her shoulder leaning against the wall, trying to conceal that she knew Lou was there as well. Something so vulnerable, Lou would never have associated it with Mia. And for a split second, the thought had popped into her brain: maybe Mia was a victim too. — Harper Bliss

Sunny put on eyebrows, eyelashes, makeup, matching pajamas, a silk robe, and then say looking at herself in the vanity mirror in her bathroom. She had experienced moments in her life when she realized that she was actually alive and living in the world, instead of watching a movie starring herself, or narrating a book with herself as the main character. This was not one of those moments. She felt like she was drifting one centimeter above her physical self, a spirit at odds with its mechanical counterpart. She stood up carefully. Everything looked just right. — Lydia Netzer

Stella says when we were kids and things got bad she would go outside herself. She said she would be in a spot near the ceiling in the corner of the room. Watching. Like everything was happening to somebody else. Like you watch a movie on a screen.
Not me. I tuck in. I go into an even deeper place in myself. And I pull the covers in over me. And then I dare you to find me. You have to find me to touch me or hurt me. At least, the part of me that really counts. I go inside and just hold very still. And part of me feels dead. Like it doesn't matter. Whatever it is. It just doesn't matter. — Catherine Ryan Hyde

Dorothy viewed my mother's propensity toward madness not as something to be afraid of, but rather as something to look forward to, like a movie or a newly released color of nail polish.
'Your mother is just expressing herself,' Dorothy would tell me when my mother stopped sleeping, started smoking the filters of her cigarettes and began writing backward with a glitter pen.
No, she's not,' I would say. 'She's going insane again.'
Don't be so mundane,' she would yawn, passing my mother a shoebox filled with cat vertebrae. 'She is a brilliant artist. If you want Hamburger Helper, go find some other mother. — Augusten Burroughs

I just think it's really funny and entertaining. I mean, I don't necessarily take them really seriously - I don't even think a lot of really good films get seen. But I don't think that's what it's about. I mean, how amazing was Ellen Burstyn in Requiem For A Dream ? Especially as she was acting with herself most of the time. I don't understand how a performance like that can't win. I was so affected by that movie that I had to turn it off. I felt as if I was on drugs and my heart was about to leap out of my body. — Liv Tyler

I know some of you must be thinking, This is a preposterous and thinly veiled attempt to obscure the use of relaxers, weaves, and lace fronts. Trust me on this one: Unless she tells you otherwise herself, every black woman's hair, though it may change dramatically from day to day in ways that defy nature, is absolutely her God-given, though possibly magically altered, hair. White people: Do not broach this topic. It doesn't matter that you've seen the Chris Rock documentary Good Hair. Like your favorite movie Frozen suggests, "Let It Go. — Justin Simien

She considered him further and decided he could definitely pass for a pirate. No, she thought, correcting herself. More like a sea captain, a younger version of the captain from that old movie where the pretty woman rents an old sea captain's house only to find the place haunted by the sea captain himself.
She let out a heavy breath. Man, she loved that movie. — Madison Thorne Grey

Blair liked to think of herself as a hopeless romantic in the style of old movie actresses like Audrey Hepburn and Marilyn Monroe. She was always coming up with plot devices for the movie she was starring in at the moment, the movie that was her life. — Cecily Von Ziegesar

Miri forced herself to remain very still. Never run from immortals, she remembered; her favorite line from a favorite movie. Never run. — Marjorie M. Liu

When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door.
I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see. — Mary Gaitskill

She'd just watched Tristan McLean, her cool suave movie star dad, reduced to near insanity. Leo could barely stand to watch that, but for Piper - Wow, Leo couldn't even imagine. He figured that would make her insecure about herself, too. If weakness was inherited, she'd be wondering, could she break down the same way her dad did? "Hey, don't worry," Leo said. "Piper, you're the strongest, most powerful beauty queen I've ever met. You can trust yourself. For what it's worth, you can trust me too." The helicopter dipped in a wind shear, and Leo almost jumped out of his skin. He cursed and righted the chopper. Piper laughed nervously. "Trust you, huh?" "Ah, shut up, already." But he grinned at her, and for a second, it felt like he was just relaxing comfortably with a friend. Then they hit the storm clouds. — Rick Riordan

I hadn't made that movie before and when I ever met the real Joy Mangano, which happened because De Niro insisted we meet her and her father, that's what she felt like to us. She impressed us with her quiet, serene authority with herself — David O. Russell

When I got home I peered down at the lobster to see how he was doing. The inner plastic bag was sucked tight around him and clouded up. It looked like something out of an eighties made-for-TV movie, with some washed-up actress taking too many pills and trying to off herself with a Macy's bag. — Julie Powell

She suddenly realized she was sitting in an apartment by herself late at night, eating an apple and watching a movie on TV that she cared nothing about, and doing it all because it was easier than thinking, thinking was so boring really, when all you had to think about was yourself and your lost love. — Stephen King