Heraldic Quotes & Sayings

The bartender's smile widened. His ugliness was the stuff of legend. In an age of affordable beauty, there was something heraldic about his lack of it. — William Gibson

Giraffes are fairytale animals, almost heraldic - as if from the land of fables. They have extremely beautiful faces, huge eyes, very sensitive nostrils and oh, blue tongues! — Joanna Lumley

Garth on naming characters "I spend lots of time on all the names in the books... Sabriel herself, I tried many different combinations of different words, trying to create a new name. In fact, her name comes from trying to combine the heraldic term for black which is Sable, because I wanted something that felt dark and mysterious, with the "iel" ending that you find in angels' names. — Garth Nix

It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets. — Cormac McCarthy

The plain of Bedegraine was a forest of pavilions. They looked like old-fashioned bathing tents, and were every colour of the rainbow ... There were heraldic devices worked or stamped on the sides ... Then there were pennons floating from the tops of the tents, and sheaves of spears leaning against them. The more sporting barons had shields or huge copper basins outside their front doors, and all you had to do was to give a thump on one of these with the butt-end of your spear, for the baron to come out like an angry bee and have a fight with you, almost before the resounding boom had died away. Sir Dinadain, who was a cheerful man, had hung a chamber-pot outside his. — T.H. White

FROM A WILD NIGHT'S BRIDE by Victoria Vane:
His gaze glued to the bed, Ned made a mechanical backward retreat to the center of the room where he had a clearer prospect of its crowning glory. His vision rose to the top of the headboard, to the heraldic shield seated betwixt the carved figures of a lion and a unicorn. His gaze slid with dread to the engraved scroll beneath. Dieu Et Mon Driot. God and my right, the motto of the king. His chest seized. The room began to spin. He looked to Phoebe, aware that the blood was draining from his face, and that his voice emerged as a strangled sound. "May the same God save me ... for I'm going to be hung, drawn, and quartered for spending last night rutting in the King of England's bed!" coming April 27, 2012 from Breathless Press — Emery Lee

Gibreel, the tuneless soloist, had been cavorting in moonlight as he sang his impromptu gazal, swimming in air, butterfly-stroke, breast-stroke, bunching himself into a ball, spreadeagling himself against the almost-infinity of the almost-dawn, adopting heraldic postures, rampant, couchant, pitting levity against gravity. Now he rolled happily towards the sardonic voice. 'Ohe, Salad baba, it's you, too good. What-ho, old Chumch.' At which the other, a fastidious shadow falling headfirst in a grey suit with all the jacket buttons done up, arms by his sides, taking for granted the improbability of the bowler hat on his head, pulled a nickname-hater's face. 'Hey, Spoono,' Gibreel yelled, eliciting a second inverted wince, 'Proper London, bhai! Here we come! Those bastards down there won't know what hit them. Meteor or lightning or vengeance of God. Out of thin air, baby. — Salman Rushdie

She was the first to discover that wood, gone green with decay, can be made, at some expense, into little boxes; she went into the question of funguses; she painted on china; emblazoned heraldic arms, and, attaching whistles to the tails of pigeons, produced wonderful effects "as of an aerial orchestra" when they flew through the air. To the Duchess of Somerset belongs the credit of investigating the proper way of cooking guinea pigs; but Lady Dorothy was one of the first to serve up a dish of these little creatures at luncheon in Charles Street. — Virginia Woolf

The term "bend sinister" means a heraldic bar or band drawn from the left side (and popularly, but incorrectly, supposed to denote bastardy). This choice of title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life, a sinistral and sinister world. The title's drawback is that a solemn reader looking for "general ideas" or "human interest" (which is much the same thing) in a novel may be led to look for them in this one. — Vladimir Nabokov

The confused (yet adamant) Aryan Jews -whose Osirian progenitors were deprived of the possession of horses- tried to culturally plagiarize the Semitic heritage by assigning the phonetic spelling (soos) to the newly-introduced animal, i.e., the horse. That very same word, however, had its roots in the heraldic emblem (plant) of the predynastic kings of Upper Egypt (David Rohl connects the foreign pharaohs with this emblem); and in an attempt to completely annex that southern predynastic foreign heritage, the Aten cult at the end of the 18th Dynasty substituted (as DR tells us) that emblem with the lotus. — Ibrahim Ibrahim

It was snowing. In the lamplight, blades of ice were growing on the outside of the blue-tinged window-panes and the hoarfroast, like melted sugar, glittered on the gold-spangled bottle-glass of the windows. Absolute silence enveloped the little house as it slumbered in the shadows.
Des Esseintes let his mind wander ... Like some great hanging of reverse ermine, the sky rose before him, black and dappled with white. An icy wind gusted, intensifying the wild scudding of the snow, inverting the proportions of black and white. The heraldic hanging of the sky turned itself over, becoming true white ermine, itself dappled with black by the tiny patches of night strewn among the snowflakes. — Joris-Karl Huysmans

They preferred writing about great men to writing about great hills; but they sat on the great hills to write it. They gave out much less about Nature, but they drank in, perhaps, much more. They painted the white robes of their holy virgins with the blinding snow, at which they had stared all day. They blazoned the shields of their paladins with the purple and gold of many heraldic sunsets. The greenness of a thousand green leaves clustered into the live green figure of Robin Hood. The blueness of a score of forgotten skies became the blue robes of the Virgin. The inspiration went in like sunbeams and came out like Apollo. — G.K. Chesterton

stuff of legend. In an age of affordable beauty, there was something heraldic about his lack of it. The antique arm whined as he reached for — William Gibson

Because the gospel is news, good news ... it is to be announced; that is what one does with news. The essential heraldic element in preaching is bound up with the fact that the core message is not a code of ethics to be debated, still less a list of aphorisms to be admired and pondered, and certainly not a systematic theology to be outlined and schematized. Though it properly grounds ethics, aphorisms, and systematics, it is none of these three: it is news, good news, and therefore must be publicly announced2. — Timothy Keller