Her Poem Quotes & Sayings

Will and Love practiced
to invoke her Majesty Kundalini
In the world where Adepts die and bloom as Lotuses
The perfection of Union is Silence — Natasa Nuit Pantovic

What about your beloved Epictetus? Or your beloved Emily Dickinson? You want your Emily, every time she has an urge to write a poem, to just sit down and say a prayer till her nasty, egotistical urge goes away? No, of course you don't! But you'd like your friend Professor Tupper's ego taken away from him. — J.D. Salinger

Your gravity, your grace have turned a tide
In me, no lunar power can reverse;
But in your narcoleptic eyes I spied
A sightlessness tonight: or something worse,
A disregard that made me feel unmanned.
Meanwhile, insomniac, I catch my breath
To think I saw my future traced in sand
One afternoon "as still, as carved, as death,"
And pray for an oblivion so deep
It ends in transformation. Only dawn
Can save me, flood this haunted house of sleep
With light, and drown the thoughts that nightly warn:
Another lifetime is the least you'll need, to trace
The guarded secrets of her gravity, her grace. — Jonathan Coe

I couldn't figure out which of these ideas, if any, was at the core of the poem. But thinking about the grass and all the different ways you could se it made me think about all the ways I'd seen and mis-seen Margo. There was no shortage of ways to see her. I'd been focused on what had become of her, but now with my head trying to understand the multiplicity of grass and her smell from the blanket still in my throat, I realized that the most important question was who I was looking for. If "What is the grass?" has such a complicated answer, I thought, so, too, must "Who is Margo Roth Spiegelman?" Like a metaphor rendered incomprehensible by its ubiquity, there was room enough in what she had left me for endless imaginings, for an infinite set of Margos. — John Green

Sleeping Atlantis

Silent cool waters
dancing upon her skin ~
silent cool water
ushering dreams within... — Muse

Believe me, if all those endearing young charms,
Which I gaze on so fondly to-day,
Were to change by to-morrow, and fleet in my arms,
Live fairy-gifts fading away,
Thou wouldst still be adored, as this moment thou art,
Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart
Would entwine itself verdantly still.
It is not while beauty and youth are thine own,
And thy cheeks unprofaned by a tear,
That the fervor and faith of a soul may be known,
To which time will but make thee more dear!
No, the heart that has truly loved never forgets,
But as truly loves on to the close,
As the sunflower turns on her god when he sets
The same look which she turned when he rose! — Thomas Moore

He found himself wanting to write poetry about how her blue eyes were like starlight and her hair like night, because "night" and "starlight" rhymed, but he had a feeling the poem wouldn't turn out that well ... — Cassandra Clare

Gargoyles sat on the battlements- lean they were and the same hideous damp grey as the stone. They looked at her with hollow eyes and rattled their silver chains. They had wings of bats or wings or birds, most of them, and licked their beaks or teeth with forked or double tongues. Two paced restlessly before their platforms; others whined or picked their claws or groomed their mangy fur or feathers or lizard skin or scales. — Meredith Ann Pierce

If the boy who draws
lets you look over his shoulder.
If the poet
smiles
and shows you her words.
If the girl who sings for the shower only,
hums a song
in front of you.
Know that you're no longer a person
but the air
and dust
that fills their lungs.
When the world perishes,
and all things cease to exist,
you'll remain inside an ink stain,
a paint brush,
a song.

Poem N. 8 — Alaska Gold

I saw it, the first time I looked in her eyes. The language that lived within her. It was a language that has no name. It cannot be seen. It cannot be heard. All I can say is, her heart must beat the same rhythm as mine and mine must have known it. She was the greatest poem never written. The greatest song never sung. She was art. Before its creation. After its completion. Forever lovely. Timelessly perfect. This world is divided between feelers and thinkers. Spirits and minds. — Andrea Michelle

I've learned to rely on the strength I inherited from all those who came before me-the grandmothers, sisters, aunts, and brothers who were tested with unimaginable hardships and still survived. 'I go forth alone, and stand as ten thousand,' Maya Angelou proclaimed in her poem 'Our Grandmothers.' When I move through the world, I bring all my history with me-all the people who paved the way for me are part of who I am. — Oprah Winfrey

You do know, right,
that between the no-

longer & the still-
to-come

you are being continually
tattooed, inked

with the skulls of
everyone

you've ever loved - the you
& the you

& the you & the you - you don't
sit in a chair, thumb

through a binder, pick a
design, it simply

happens each time you
bring your fingers to your face

to inhale him back into you . . .
tiny skulls, some of us are

covered. You, love, could

simply tattoo an open
door, light

pouring in from somewhere
outside, you

could make your body a door
so it appears you

(let her fill you) are made
of light. — Nick Flynn

Brahma and Airavata
Long ago in lands of golden sand
Brahma turned to Saraswati
and gently kissed her inked hand ... — Muse

His mind was constantly thinking about her, while he decided to recite a poem that he had written for her long ago. While he narrated, the words conjured memories like ghosts into the room. — Sulaiman Sait

The inextinguishable lesbian spark. You've surely heard about it? The one that was first ignited at Lesbos, because Sappho was so sad every time a young woman left the academy that she wrote her a poem. Fancy being sad because someone leaves! Perverted, that's what I call it. Don't you? — Gerd Brantenberg

The Prodigal

Dark morning rain
Meant to fall
On a prison and a schoolyard,
Falling meanwhile
On my mother and her old dog.

How slow she shuffles now
In my father's Sunday shoes.
The dog by her side
Trembling with each step
As he tries to keep up.

I am on another corner waiting
With my head shaved.
My mind hops like a sparrow
In the rain.
I'm always watching and worrying about her.

Everything is a magic ritual,
A secret cinema,
The way she appears in a window hours later
To set the empty bowl
And spoon on the table,
And then exits
So that the day may pass,
And the night may fall
Into the empty bowl,
Empty room, empty house,
While the rain keeps
Knocking at the front door. — Charles Simic

She is dying because she said.
She is dying for the sake of the word.
It is her body, silent
and fingerless, writing this poem. — Margaret Atwood

THE RIGHT
POEM
FINDS
US
EXACTLY
WHEN IT
NEEDS TO.

- ATTICUS — Atticus Poetry

I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult. — Lydia Davis

The Bane
... where coxswain's dirt
and seaman's shirts
brushed bawdily upon her chest ... — Muse

I know her by heart, and that doesn't make me love her any less. Like a Dante scholar who learns the entire Divine Comedy and then just appreciates the poem even more profoundly. — Fausto Brizzi

I just sit where I'm put, composed
of stone and wishful thinking:
that the deity who kills for pleasure
will also heal,
that in the midst of your nightmare,
the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck
and caress you into darkness and paradise. — Louise Penny

I thought a bit of poetry might be interesting - I even write a few lines myself. I composed a short poem for my mum's 70th birthday recently. When I recited it I saw the glint of a tear in her eye ... although I guess it wasn't the quality of the poetry was that making her cry! — Iain Dowie

My beloved is the sun
And I am the earth that thrives only in her warmth. My beloved is the rain
And I am the grass that thirsts for her quenching kiss. My beloved is the wind
And I am the wings that soar when she fills me with her gentle strength.
My beloved is the rock
Upon which rests the happiness of all my days.
- The Elements of Love, a poem by Aileron v'En Kavali of the Fey — C.L. Wilson

Nobody really knows her
Except the chosen few
Her secrets are kept hidden
Behind that sun-kissed hue.
If I reach out to touch her
She'll just run away
My Forever and Always
Will have to wait another day. — Simone Elkeles

She read on and on, enraptured. She could not understand half, but it excited her oddly, like words in a foreign language sung to a beautiful air. She followed the poem vaguely as she followed the Latin in her missal, guessing, inventing meanings for herself, intoxicated by the mere rush of words. And yet she felt she did understand, not with her eyes or her brain, but with some faculty she did not even know she possessed. — Antonia White

From I Knew a Woman
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain! — Theodore Roethke

Fool brother Filip led blind brother Daret
deep into the black cave.
He knew that inside it, the Queen Crab resided
but that didn't scare him away.

Said blind brother Daret to fool brother Filip,
does Queen Crab no longer reign?
I have heard she is vicious, and likes to eat fishes.
It's best we avoid her domain.

Answered fool Filip to his brother small,
have I not always kept you safe?
I know what I'm doing, for I'm older than you,
and I'll never lead you astray. — Susan Dennard

Taylor sighed. Going head-to-head with Sharpay on a school assignment was really beneath her. But the more Taylor considered it, the more she liked the idea of seeing her own poem in the paper. After all, the words "published poet" would look awfully good on those Ivy League college applications.

"You know what?" Taylor said.

"What?" Sharpay snapped.

Hands on hips, Taylor stepped forward till the girls were nose-to-nose. "Bring it on. — Alice Alfonsi

She was sitting cross-legged on her bed in her white kimono, writing in a notebook with an ink pen she dipped in a bottle. 'Never let a man stay the night,' she told me. 'Dawn has a way of casting a pall on any night magic.' The night magic sounded lovely. Someday I would have lovers and write a poem after. — Janet Fitch

Deep down,
I lay dormant inside her head,
Deep down,
I lay the rules inside her head,
Deep down,
I lay inside inside her heart,
Deep down,
I know she will never move on
Because deep down, I am always there — Tanzy Sayadi

The Garden Under Snow
Now the garden is under snow
a blank page our footprints write on
clare who was never mine
but always belonged to herself
Sleeping Beauty
a crystalline blanket
this is her spring
this is her sleeping/awakening
she is waiting
everything is waiting
the improbable shapes of roots
my baby
her face
a garden, waiting. — Audrey Niffenegger

MASTERED, the Poem Weary of secrets, Of shame and denying, A lifetime of stories, Excuses, and lying, Dark nights lying awake, Frightened and crying, With society's eyes Judgmental and prying. Existing in limbo, No peace in her soul Just shadow and smoke, And a vast gaping hole. Submissive by nature, Now taking its toll, Shan't ever confess, Yearns a Master's control — K.L. Silver

A demon seduced an angel in the middle of the night
and they gave the stars a glimpse.
There was nothing casual about it,
it was tender skin and battle scars
breathless passion under storm clouds
a rapid river stream mirroring the moon light.
Until one day, he left her with nothing,
just a bruised heart and carved memories
iridescent wings chipped on the edges
heat under her skin, like an ember burning low.
I asked her, "What do you do after a love like that?"
She laughed.
And madness danced behind her eyes.
But she flew so high the world was jealous. — M.J. Abraham

What do you think of when you think of mourning?' Jenny asks.
The question snaps me back to attention. I answer without really thinking. "I guess 'Funeral Blues' by W.H. Auden. I think it was Auden. I suppose that's not very original.'
'I don't know it.'
'It's a poem.'
'I gathered.'
'I'm just clarifying. It's not a blues album.'
Jenny ignores my swipe at her intelligence.
'Does your response need to be original? Isn't that what poetry is for, for the poet to express something so personal that it ultimately is universal?'
I shrug. Who is Jenny, even new Jenny, to say what poetry is for? Who am I for that matter?
'Why do you thin of that poem in particular?'
"Stop all the clocks, cut off the telephone, / Prevent the dog from barking with a juicy bone, / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.'
I learned the poem in college and it stuck. — Steven Rowley

If I could fall in love with a girl, it'd be her. Those ifs are dangerous. You try them on in your head like dresses, so easy to slide in and out of. If I kissed girls, I'd kiss her. If we kissed, it'd go like this. At some point I dropped the if like a slip and just wore the feeling, nothing between it and my skin. When I kiss her. When it happens. All of it took place in my head, in silence, locked tight in skull bone and the frantic synaptic whispers between neurons, no clues popping out except the passive-aggressive haircut, the incriminating poem.
That's the problem with writers. Too much imagination.
The greater part of me knew it couldn't be real, but the hopeful part, which is more concentrated and condensed, rich in nine essential delusions, thought: It's not all in your head. — Leah Raeder

Many years before, she had read, and recognized as true, the words of W. B. Yeats: 'A Pity beyond all telling is hit at the heart of love'. She had smiled over the poem, and stroked the page, because she had known both that she loved Colin, and that compassion formed a huge part of her love. — J.K. Rowling

To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the narrator, to desire itself, or to lack? This is a work of complexly, ambiguously layered narratives and identities. The opening poem asserts I want to say what happened / but am suspicious of stories. These lines become an ars poetica for the whole of this painful and exceptional collection in which the unspeakable is stubbornly confronted by a searing eloquence. This is a commanding debut. — Lynn Emanuel

I told her it takes
a lot of solitude to write a poem.
She told me it takes a lot of solitude
to die. — Ronald Baatz

In the forest, I thought I'd made the wrong choice. I thought she had the Tennyson poem because it was a Rising poem, and I'd missed my chance to be in the rebellion with her. — Ally Condie

[On writing her first poem at age eight:] An ode to my dead mother and father, who were both alive and pretty pissed off. — Judith Viorst

One way poetry connects is across time ... Some echo of a writer's physical experience comes into us when we read her poem. — Jane Hirshfield

You keep talking about ego, my God, it would take Christ himself to decide what's ego and what isn't. This is God's universe, buddy, not yours, and he has the final say about what's ego and what isn't. What about your beloved Epictetus? Or your beloved Emily Dickinson? You want your Emily, every time she has an urge to write a poem, to just sit down and say a prayer till her nasty, egotistical urge goes away? No, of course you don't! But you'd like your friend Professor Tupper's ego taken away from him. That's different. And maybe it is. Maybe it is. But don't go screaming about egos in general. In my opinion, if you really want to know, half the nastiness in the world is stirred up by people who aren't using their true egos. Take your Professor Tupper. From what you say about him, anyway, I'd lay almost any odds that the thing he's using, the thing you think is his ego, isn't his ego at all but some other, much dirtier, much less basic faculty. — J.D. Salinger

At sunset, on the river ban, Krishna
Loved her for the last time and left ...
That night in her husband's arms, Radha felt
So dead that he asked, What is wrong,
Do you mind my kisses, love? And she said,
Not not at all, but thought, What is
It to the corpse if the maggots nip? — Kamala Suraiyya Das

Karou was, simply, lovely. Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx. Beyond merely pretty, her face was vibrantly alive, her gaze always sparking and luminous, and she had a birdlike way of cocking her head, her lips pressed together while her dark eyes danced, that hinted at secrets and mysteries. — Laini Taylor

It was an itinerary for an alternate life. If things had gone according to my wife's vision, yesterday she would have hovered near me as I read this poem, watching me expectantly, the hope emanating from her like a fever: *Please get this. Please get me.* — Gillian Flynn

I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time. — Colleen Hoover

DeLois lived up the block on 142nd Street and never had her hair done, and all the neighbourhood women sucked their teeth as she walked by. Her crispy hair twinkled in the summer sun as her big proud stomach moved her on down the block while I watched, not caring whether or not she was a poem. — Audre Lorde

O Earth, lie heavily upon her eyes;
Seal her sweet eyes weary of watching Earth;
Lie close around her; leave no room for mirth
With its harsh laughter, nor for sound of sighs.
She hath no questions, she hath no replies. — Jeffrey Eugenides

Wadsworth Moor
Where the millstone of sky
Grinds light and shadow so purple-fine
And has ground it so long
Grinding the skin off the earth
Earth bleeds her raw true darkness
A land naked now as a wound
That the sun swabs and dabs
Where the miles of agony are numbness
And harebell and heather a euphoria — Ted Hughes

I want her to know that this world is made out of sugar. It can crumble so easily but don't be afraid to stick your tongue out and taste it. — Sarah Kay

Here," Grace said as she opened the book again and tore out the page with the poem on it. I flinched as though I were in actual pain. "You should have it, if you like it. Pretty poetry is wasted on me." I took the paper from her and folded it and slipped it into my pocket, half of me horrified that she'd injured a book, the other half of me elated that she'd so willingly given me something that clearly meant a lot to her. — Krystal Sutherland

her grass seemed
greener until
a drought came
and cracked the earth
beneath you. — K.Y. Robinson

It didn't help when he told David that his mother would always be with him, even if he couldn't see her. An unseen mother couldn't go for long walks with you on summer evenings, drawing the names of trees and flowers from her seemingly infinite knowledge of nature; or help you with your homework, the familiar scent of her in your nostrils as she leaned in to correct a misspelling or puzzle over the meaning of an unfamiliar poem; or read with you on cold Sunday afternoons when the fire — David Nicholls

No more can this Angel teach her,
Yet, this guiding wing shall not forsake ... — E.A. Bucchianeri

BY DISPOSITION OF ANGELS
Messengers much like ourselves? Explain it.
Steadfastness the darkness makes explicit?
Something heard most clearly when not near it?
Above particularities,
these unparticularities praise cannot violate.
One has seen, in such steadiness never deflected,
how by darkness a star is perfected.
Star that does not ask me if I see it?
Fir that would not wish me to uproot it?
Speech that does not ask me if I hear it?
Mysteries expound mysteries.
Steadier than steady, star dazzling me, live and elate,
no need to say, how like some we have known; too like her,
too like him, and a-quiver forever. — Marianne Moore

When the spent sun throws up its rays on cloud
And goes down burning into the gulf below,
No voice in nature is heard to cry aloud
At what has happened. Birds, at least must know
It is the change to darkness in the sky.
Murmuring something quiet in her breast,
One bird begins to close a faded eye;
Or overtaken too far from his nest,
Hurrying low above the grove, some waif
Swoops just in time to his remembered tree.
At most he thinks or twitters softly, 'Safe!
Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be, be. — Robert Frost

loved a man for years who said her eyes looked like the ocean, because she always wanted to be somebody's poem, somebody's simile, somebody's lackluster metaphor. — Trista Mateer

My love lies across linen sheets, snow white beneath cream coloured flesh an expanse of gentle curves,two rosy buds a dimple of a navel a dark thatch of curls I can describe her beauty And spill precious ink to tell of her goodness But to express my love ... Come to my arms, and I'll whisper words I dare not write. How you could damn ore save me with just a word Let me love you with my body the sacred dance of one My Julia — Sylvain Reynard

and Ravn recited a long poem about some ancient hero who killed a monster and then the monster's mother who was even more fearsome than her son, but I was too drunk to remember much of it. And — Bernard Cornwell

There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her when he wrote that poem, only God and Robert Browning knew what it meant, and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment. — Susanna Kearsley

I do believe that a poem needs to remind the reader of his or her own humanity, of what they are, of what they're capable of. Awaken them, in a sense, to the fact that there's a world in front of their eyes, that they have a body, they're going to die, the sky is beautiful, it's fun to be in a grassy field when the sun is shining - those kinds of things. — Charles Simic

Both Fen & Helen needed me to choose, to be their one & only when I didn't want a one & only. I loved that Amy Lowell poem when I first read it, how her lover was like red wine at the beginning and then became bread. But that has not happened to me. My loves remain wine to me, yet I become too quickly bread to them. — Lily King

Someone who accepts that in the world as currently divided war can become inevitable, and even just, might reply that the photographs supply no evidence, none at all, for renouncing war - except to those form whom the notions of valor and sacrifice have been emptied of meaning and credibility. The destructiveness of war - short of total destruction, which is not war but suicide - is not in itself an argument against waging war unless one thinks (as few people actually do think) that violence is always unjustifiable, that force is always and in all circumstances wrong - wrong because, as Simone Weil affirms in her sublime essay on war, "The Iliad, or The Poem of Force" (1940), violence turns anybody subjected to it into a thing. No, retort those who in a given situation see no alternative to armed struggle, violence can exalt someone subjected to it into a martyr or hero. — Susan Sontag

You're a poem?' I repeated.
She chewed her lower lip. 'If you want. I am a poem, or I am a pattern, or a race of people whose whose world was swallowed by the sea.'
'Isn't it hard to be three things at the same time?'
'What's your name?'
'Enn.'
'So you are Enn,' she said. 'And you are a male. And you are a biped. Is it hard to be three things at the same time? — Neil Gaiman

He wrote you a poem?" Evelyn looped her hand around Georgiana's arm and led the way to the chairs lining one side of the room.
"He did." Grateful to see Luxley select one of the debutantes as his next victim, Georgiana accepted a glass of Madeira from one of the footman. After three hours of quadrilles, waltzes, and country dances, her feet ached. "And you know what rhymes with Georgiana, don't you?"
Evelyn wrinkled her brow, her gray eyes twinkling. "No, what?"
"Nothing. He just put 'iana' after every ending word. In iambic trimeter, yet. 'Oh, Georgiana, your beauty is my sunlightiana, your hair is finer than goldiana, your - ' "
Lucinda made a choking sound. — Suzanne Enoch

Isabel never despaired, even though I think she knew everything that was going to happen, right from the beginning. There was a Walt Whitman poem she liked, especially the part that went - 'All goes onward and outward,/Nothing collapses/And to die is different from/What anyone supposes/And Luckier.' She tried to believe that, and it gave her some comfort, I know. She was very brave. Always. She hid her anguish and sadness, although I know she felt them. Because she wasn't losing only one person she loved - as we have. She was losing all of them. — Patricia Gaffney

Edwards's stark presentation of the immanent consciousness of Separation enters the structure of her poems. Each word is a cipher, through its sensible sign another sign hidden. The recipient of a letter, or combination of letter and poem from Emily Dickinson, was forced much like Edwards' listening congregation, through shock and through subtraction of the ordinary, to a new way of perceiving. Subject and object were fused at that moment, into the immediate feeling of understanding. This re-ordering of the forward process of reading is what makes her poetry and the prose of her letters among the most original writing of her century. — Susan Howe

The poem is in my hands, and can run stories through her hands. — Mahmoud Darwish

Do you know who W.H. Auden was, Mr. Iscariot? W.H. Auden was a poet who once said, "God may reduce you on Judgement Day to tears of shame reciting by heart the poems you would have written had your life been good" ... She was my poem, Mr. Iscariot. Her and the kids. But mostly her. You cashed in for silver, Mr. Iscariot. But me? Me ... I threw away gold. That's a fact. That's a natural fact. — Stephen Adly Guirgis

My love has eyes blue as the sky.
Her warm, bright smile makes me want to try
To give her the world,
And when she's curled
Up in my arms where I can feel her touch,
I realize again that I love her so much.
My world has turned from black to white.
Kissing in starlight, basking in sunlight, dancing at midnight.'
~John's poem for Belle — Julia Quinn

She was not a poet. She was a poem. She was about to snap in half. He thought his own poetry had made her la la la la love him. It was unbearable. — Deborah Levy

The Wolf trots to and fro,
The world lies deep in snow,
The raven from the birch tree flies,
But nowhere a hare, nowhere a roe,
The roe -she is so dear, so sweet -
If such a thing I might surprise
In my embrace, my teeth would meet,
What else is there beneath the skies?
The lovely creature I would so treasure,
And feast myself deep on her tender thigh,
I would drink of her red blood full measure,
Then howl till the night went by.
Even a hare I would not despise;
Sweet enough its warm flesh in the night.
Is everything to be denied
That could make life a little bright?
The hair on my brush is getting grey.
The sight is failing from my eyes.
Years ago my dear mate died.
And now I trot and dream of a roe.
I trot and dream of a hare.
I hear the wind of midnight howl.
I cool with the snow my burning jowl,
And on to the devil my wretched soul I bear. — Hermann Hesse

Since she seen Fortune head in that big pot Miss Lydia say that room make her feel ill, sick with the thought of boiling human broth. I wonder how she think it make me feel?
To dust the hands what use to stroke my breast; to dust the arms what hold me when I cried; to dust where his soft lips were and his chest what curved its warm against my back at night.
From the poem "Dinah's Lament" (15) — Marilyn Nelson

Thoughts are such fleet magic things. Betsy's thoughts swept a wide arc while Uncle Keith read her poem aloud. She thought of Julia learning to sing with Mrs. Poppy. She thought of Tib learning to dance. She thought of herself and Tacy and Tib going into their 'teens. She even thought of Tom and Herbert and of how, by and by, they would be carrying her books and Tacy's and Tib's up the hill from high school. — Maud Hart Lovelace

She wore her scars
as her best attire.
A stunning dress
made of hellfire. — Daniel Saint

She drew away
from her shadow,so lightening would pass between the two
like a stranger passes through his poem — Mahmoud Darwish

He could see her planting violets on his grave, a solitary figure in a grey cloak. What a ghastly tragedy. A lump came to his throat. He became quite emotional thinking of his own death. He would have to write a poem about this.
from a Difference in Temperament — Daphne Du Maurier

Natalie Lyalin is writing some of the best poems in the world. There is an evil in her gorgeous poem-hearts. She must have sold her heart to the devil to write like this - so beautiful, so funny and so strange. Her images stack and stack down the page without spilling, each line such a bombshell you'll start reading backward to the first line. These poems are like babies - they will pop out of trees. — Zachary Schomburg

The Garden
En robe de parade.
- Samain
Like a skein of loose silk blown against a wall
She walks by the railing of a path in Kensington Gardens,
And she is dying piece-meal
of a sort of emotional anaemia.
And round about there is a rabble
Of the filthy, sturdy, unkillable infants of the very poor.
They shall inherit the earth.
In her is the end of breeding.
Her boredom is exquisite and excessive.
She would like some one to speak to her,
And is almost afraid that I
will commit that indiscretion. — Ezra Pound

THE MOON was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.
Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.
Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!
And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.
Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue. — Emily Dickinson

Archibald MacLeish affirmed that 'A poem should be equal to / not true'. As a defiant statement of poetry's gift for telling truth but telling it slant, this is both cogent and corrective. Yet there are times when a deeper need enters, when we want the poem to be not only pleasurably right but compellingly wise, not only a surprising variation played upon the world, but a retuning of the world itself. We want the surprise to be transitive, like the impatient thump which unexpectedly restores the picture to the television set, or the electric shock which sets the fibrillating heart back to its proper rhythm. We want what the woman wanted in the prison queue in Leningrad, standing there blue with cold and whispering for fear, enduring the terror of Stalin's regime and asking the poet Anna Akhmatova if she could describe it all, if her art could be equal to it. — Seamus Heaney

Christ, it's embarrassing--I start thinking about this goddam poem I sent her when we first started goin' around together. 'Rose my color is. and white, Pretty mouth and green my eyes.' Christ, it's embarrassing--it used to remind me of her. She doesn't have green eyes--she has eyes like goddam sea shells, for Chrissake. — J.D. Salinger

Her touch is like doing simple math
When she sleeps in the bed, subtracting clothes
There is a red ink, like a sparkling red wine, adding colors
Dividing body, remembering gods, without multiplying — Santosh Kalwar

Then he looked at my T-shirt and saw Byron's picture on it and he quoted "She Walks in Beauty," which is like my favorite poem next to the one by Baudelaire about his girlfriend being nothing but worm food, except that Lily called that one first because Baudelaire is her fave poet and so she got the shirt with him on it, even though Byron is way more scrumptious and I would do him on sharp gravel if I had the chance.
from The Chronicles of Abby Normal — Christopher Moore

Her face collapsed like a bad poem — Marge Simon

Then you are a poet?' she asked, fingering the flyer in her pocket.
'No not at all,' he waved his hand. 'I am merely a character in a poem. — Karen Tei Yamashita

How does a poet know when a poem is ended? Because it lies flat, taut; nothing can be added or subtracted. How does a woman know when a marriage is over? Because of the way her life suddenly shears off in just two directions: past and future. — Carol Shields

The other chief love- and how similar it was to science, and how different- was reading. As soon as she realized the figures on the page meant something- could be strung together as words, and then sentences, and then paragraphs- she was covetous of the whole system. It seemed a new universe to her. And it was. Everything opened up. Some stories were meant to inform, and others were meant to entertain. And then other stories were separate from those- this the young teacher did not tell her, it was something Angelene figured out on her own, the first year, when a man visited and read them a poem out of a tome of poems- that seemed crafted to relay some secret, and even more than that, some secret about herself. Angelene was mesmerized. What was available for her to know? What secrets did the world hold? Which secrets would be revealed to her through the soil, and which through words? — Amanda Coplin

Special thanks to Martha Sharpe and everyone at Anansi; to Mandy Barber, for the use of her stunning visual art; to Karen Mac Cormack, for her advice during the early stages of this project; and to David Bromige (weaver of radhats), for his enthusiasm which encouraged me to develop this piece into a book-length poem. — Darren Wershler-Henry

She cries,
I laugh,
She becomes numb,
I become filled with joy,
She slowly crumbles,
I feel on top of the world,
Yet somehow in the end,
Out of the ashes,
She rose like a Phoenix,
As if nothing had ever touched her — Tanzy Sayadi

The birthing wolf,
Her heart fed with tenderness,
Gave forth from ripe brown nipples,
Food to feed the universe. — Roman Payne

This poem inspired me to write my eBook.

The Miller's Daughter by Alfred Lord Tennyson

It is the miller's daughter,
And she is grown so dear, so dear,
That I would be the jewel
That trembles in her ear;
For hid in ringlets day and night
I'd touch her neck so warm and white. — Ellen Read

What I saw there explained everything
the reason he had stayed away, why he had come to say good-bye. I can only describe what I saw by its effect on me. Every woman should be looked at in such a way, at least once her life. With a longing that cannot be contained
with love that goes beyond mere feeling because it transforms and-like the verse of the poem he had read
it dissolves, as an offering, a gift. I felt my face flush and waves of knowing suffused every pore, every cell of my being. I was loved. And in that love, I felt beauty
my own, unrealized until that moment, suddenly rising to consciousness in a way that made everything in me come alive to the beauty all around me. Nothing more needed to be said. — Nafisa Haji

Nature is a book of many pages and each page tells a fascinating story to him who learns her language. Our fertile valleys and craggy mountains recite an epic poem of geologic conflicts. The starry sky reveal gigantic suns and space and time without end. — A. E. Douglass

You can woo a girl with a poem, but you can't hold onto her with a poem. Not even with a poetry movement. — Roberto Bolano

Sing a song of suspense in which the players die.
Four and twenty ravens in an Edgar Allan Pie.
When the pie was broken, the ravens couldn't sing.
Their throats had been sliced open by Stephen, the new King.
The King was in his writing house, stifling a laugh
While his queen was in a tizzy of her bloody Lovecraft.
When the dead maid got the garden for her rank as royal whore,
King's shovel made it double and he married nevermore. — Jessica McHugh

Shaw ... has a woman ever asked you to write a poem for her?"
"Good God, no," Gideon replied with a snicker. "Shaws don't write poetry. They pay others to write it for them and then take the credit for it. — Lisa Kleypas

With lines that show an unyielding dedication to craft, these poems are not afraid of meaning or the meaningful. More and more every day, the thinking American asks how she is to believe in love when there is war all about her, and in each of her deeply felt lyrics, Elyse Fenton confronts this question with the kind of tenderness one lover reserves for another. If every poem is indeed a love poem,Clamor is indeed a debut worth reading and about which we must make noise. — Jericho Brown

The other Miller was different. Quieter. Sad, maybe, but at peace. He'd read a poem many years before called "The Death-Self," and he hadn't understood the term until now. A knot at the middle of his psyche was untying. All the energy he'd put into holding things together - Ceres, his marriage, his career, himself - was coming free. He'd shot and killed more men in the past day than in his whole career as a cop. He'd started - only started - to realize that he'd actually fallen in love with the object of his search after he knew for certain that he'd lost her. He'd seen unequivocally that the chaos he'd dedicated his life to holding at bay was stronger and wider and more powerful than he would ever be. No compromise he could make would be enough. His death-self was unfolding in him, and the dark blooming took no effort. It was a relief, a relaxation, a long, slow exhale after decades of holding it in. — James S.A. Corey