Her Long Hair Quotes & Sayings

She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. — John Fante

He had given work to a nightwalker named Dorothy Evans and gradually became beguiled by her. She was a plump, pretty, cattleman's daughter, pale as a cameo, with the sort of overripe body that always seems four months pregnant. Her long brown hair was braided into figure eights and pinned up over her ears in the English country-girl style. Grim experience was in her eyes, many years of pouting shaped her lips, but everything else about her expression seemed to evince an appealing cupidity, as if she could accept anything as long as it was pleasing. — Ron Hansen

She was a long-necked, long-backed woman, who disciplined her hair and her children. She was never embarrassed, and her anger, though never permitted to be visible, made itself felt the more. — Dorothy L. Sayers

The young woman at his side surveyed Tess in one quick, lethal glance. Tess could almost hear her brain clicking away on the sort of points system that some women used: Taller - 1 point for her. Hippy - 1 point against. Big breasts, long hair - 2 points for. Hair, unstyled, worn in a braid down her back - 2 points against. Older than me - 3 points against. Face, okay. Clothes, not stylish, not embarrassing. Tess wasn't sure of her final score, but apparently it was just a little too high. The woman gave her a terrifyingly fake smile, one that suggested she had little experience with real ones, and held out her hand. — Laura Lippman

Mariama finished her customer's hair, sprayed it with sheen, and, after the customer left, she said, "I'm going to get Chinese." Aisha and Halima told her what they wanted - General Tso's Chicken Very Spicy, Chicken Wings, Orange Chicken - with the quick ease of people saying what they said every day. "You want anything?" Mariama asked Ifemelu. "No, thanks," Ifemelu said. "Your hair take long. You need food," Aisha — Chimamanda Ngozi Adichie

This is me. Despite our long separation, I know you. You may pretend to be fine, but I don't buy it." He stopped her from moving by putting his hands on her shoulders. He pulled her closer to him. She didn't resist that much this time. He slid his arms around her and was surprised when she wrapped her arms around him as well. "I miss you," he whispered in her hair, dropping a light kiss there. She smelled so good. Her scent reminded him of all the things he missed about her. How had he ever been so stupid to let her go? — Nikki Lynn Barrett

But that day it was raining, and since they couldn't very well sit on the rooftop in the rain to watch the flotilla parade, they stayed in the little room that led to the roof. It had just one tiny window through which the gray light of day filtered in. They sat on the floor, and Lorenzo's senses were aroused by the sound of the rain falling outside, the musky smell of his own body, and the fragrant scent of Caterina's hair. A single blonde strand wound down her slim neck.

They kissed, taking off their rain-washed summer clothes so that their bodies pressed, naked, against one another. Long, delicate lovemaking. Caresses, kisses, shivers, and sighs of delight.

Lorenzo would have gladly spend the rest of his life preserved in that single moment, as if in amber, abandoning reality to live in the memory of that one single day. — Riccardo Bruni

When the bald associate had mentioned a sleeping beauty, he was referring to a fairy tale that you have probably heard one thousand times. Like all fairy tales, the story of Sleeping Beauty begins with 'Once upon a time,' and continues with a foolish young princess who makes a witch very angry, and then takes a nap until her boyfriend wakes her up with a kiss and insists on getting married, at which point the story ends with the phrase 'happily ever after.' The story is usually illustrated with fancy drawings of the napping princess, who always looks very glamorous and elegant, with her hair neatly combed and a long silk gown keeping her comfortable as she snores away for years and years. — Lemony Snicket

He sat in the other chair, taking advantage of the opportunity to take another good look at her. Her fawn-colored hair was sun-streaked from long days spent outdoors. Now it was done up copperhead style, the multiple braids decorated with beads and feathers. One braid per kill - wasn't that the rule? — Cinda Williams Chima

Violet says, 'Are you okay now?' Her hair is windblow and her cheeks are flushed. Whather she likes it or not, she seemes happy. I take a good long look at her. — Jennifer Niven

Pansy rolled over and went to sleep, but Petunia stayed awake long after Olga left, and long after Oliver crawled out from under the bed, grabbed some sandwiches, and slipped out the door. She hoped that he was going to Galen and Rose's room, and she hoped, too that he hadn't known she was awake when he had leaned over and kissed her hair. She wanted to savor that touch forever. — Jessica Day George

One large cat bounded up the side of the outcrop to stand in full view on an overhanging boulder. She stared down at them, inside their protective enclosure, tilting her head from side to side. Her scarred yellow-brown coat was immaculately groomed, but the long tufting hair of her snout was matted with the bright red smear of uncongealed blood from a recent kill. Her upper lip curved over the top of foot-long saber teeth. — P.J. Parker

Gary tried not to notice how pale Savannah was as she fixed him a pot of coffee.Her satin skin was almost translucent.He was groggy from the trance-induced sleep and had a hard time waking up, even after a long shower. He had no idea where the change of clothes had come from,but they were lying on the end of the bed when he awakened.
Savannah was beautiful, moving through the house like flowing water, like music in the air.She was dressed in faded blue jeans and a pale turquoise shirt that clung to her curves and emphasized her narrow rib cage and small waist.Her long hair was pulled back in a thick braid that hung below her bottom.Gary tried to keep his eyes to himself.He hadn't seen any evidence of Gregori this evening,but he didn't want to take any chances.He had a feeling the one thing that could change that remote expression fast was to have another man ogling Savannah. — Christine Feehan

Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she'd cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . .
"I smell something sweet," she said. She'd been gazing up at the ceiling. Now her eyes wandered
down and landed on Kell. "Hello, flower boy. — V.E Schwab

A woman's long hair symbolizes that she submits to God's plan and to the family leadership of her husband. It is her glory. It is a sign to the angels of her commitment to God and her power with God. It is a covering so that she can pray and prophesy publicly without being ashamed. Similarly, a man's short hair symbolizes that he submits to God's plan and accepts the family leadership position. For both married and unmarried, this symbol indicates obedience to God's will. — David K. Bernard

Detective Inspector Carver took a picture from the breast pocket of his suit. He handed it to me. 'This is what you did, Michael. Take a good look. See if it jogs your memory.'
I gawped at the mutilated corpse of a naked young girl lying on a blood-soaked double bed. Her hands were bound to the brass headboard with duct tape. Blood covered her upper body, and her long blonde hair was streaked a murderous shade of red. One eye stared at the ceiling as if searching for salvation, the other, a bloody unrecognisable pulp, bore no relation to its sightless counterpart.
'Carla Marie Coombs. Twenty-one years of age. Do you recognise her, Michael? — Mark Tilbury

There is no reason for any of this if we don't survive."
Vince reached out and ran a hand through her long hair. "Ah, love. That's where you're wrong. As long as we do what we're meant to do, it doesn't really matter if we survive or not. — Erin Kellison

She parked and got out of the car, feeling the wind sweep upward over her, lifting the hem of her jacket, ruffling her hair. She walked to the edge of the cliff and for a long time, stood frozen and stared as though mesmerized by the swirling, white-veined swells that gathered like great fists drawn back for a blow, then smashed themselves against the rocks below, exploding into a spray of diamonds. Some of the spray was so fine that a series of rainbows were thrown up, fleeting and blurred, one after another. The pounding of the sea made a strange and compelling music, driving her to surrender to the feelings inside her. — Susan Wiggs

She wore a boiled shirt and a bow-tie, and her hair, though long and bound, was sleek with oil. She was about two- or three-and-thirty, and her waist was thick; but her upper lip, at least, was dark as a boy's. They would have called her terribly handsome, I guessed, in about 1880. — Sarah Waters

She kisses my cheek and slides the panel over the mirror. I think my mother could be beautiful, in a different world. Her body is thin beneath the gray robe. She has high cheekbones and long eyelashes, and when she lets her hair down at night, it hangs in waves over her shoulders. But she must hide that beauty in Abnegation. — Veronica Roth

Who is Justin Bieber, and why is his hair poisonous to small girls?" It was a long time before he could stop laughing hard enough to answer her. — Alyssa Day

And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls. — Charlotte Bronte

She was tall and slender with long dark hair that swung in a shiny ponytail from one shoulder to the other, her dress swirling beneath her cinched waist.
He thought suddenly of watermelon. It was hard to come by back in Scotland but even before he'd ever tasted one in the flesh it had reminded him of summer (which was also hard to come by back in Scotland).
He knew what watermelon tasted like now; it was one of his favorite things. He could almost feel it in his mouth as he stood there, that cold sweet powerful explosion of almost nothing.
He needed to find a slice as soon as possible. — Sarah-Kate Lynch

Graff was floating on his back in the pool when George Wall and I went outside. His brown belly swelled above its surface like the humpback of a Galapagos tortoise. Mrs. Graff, fully clothed, was sitting by herself in a sunny corner. Her black dress and black hair seemed to annul the sunlight. Her face and body had the distinction that takes the place of beauty in people who have suffered long and hard. — Ross Macdonald

Why did you come back? 'Tis not safe." "I came back to finish what we last started." Did he mean their near embrace in the barn? Before Pa came in? His mouth was warm against her ear, his fingers stroking her hair, which frayed at the touch of his callused hand. "I came back to ask you to be my wife." The words, so long wished for, were every bit as sweet as she'd hoped they'd be. But here in this shadowed corner, with Pa so ill ... "Do you love me? Or do you feel pity for me, alone, almost fatherless?" "Not pity, Morrow. Love. The love between a man and a woman." Her lips parted in a sort of wonder. "Have you ever been in love?" "Not till now ... not till you." "Then how can you be ... sure?" "I know my mind, my heart. — Laura Frantz

about to knock again when the inside door is pulled open to reveal a sinewy woman dressed in what appears to be layers of old sweaters and an ankle-length denim skirt. Her long hair held back in an elastic that leaves the ends bunched and brittle as the head of a broom. Brown eyes wide and alive, — Andrew Pyper

Anyone who knew Violet well could tell she was thinking hard, because her long hair was tied up in a ribbon to keep it out of her eyes. Violet had a real knack for inventing and building strange devices, so her brain was often filled with images of pulleys, levers, and gears, and she never wanted to be distracted by something as trivial as her hair. — Lemony Snicket

The dog growled again, long and ferocious. The hair on my neck tingled.
And just when I knew he would attack, a horrible scream split the air, and Darlene passed out and fell over on her side. — Carol Petrie

Last night I dreamed about her," he said. "She had this shawl wrapped around her shoulders with tassels hanging off it, and her hair was long like old times. She said, 'Red, I want to learn every step of you, and dance till the end of the night.' " He stopped speaking. He pulled a handkerchief from his pocket and blew his nose. Denny and Stem stood with a screen balanced between them and looked at each other helplessly.

"Then I woke up," Red said after a minute. He stuffed the handkerchief back in his pocket. "I thought, 'This must mean I miss having her close attention, the way I've always been used to.' Then I woke up again, for real. Have either of you ever done that? Dreamed that you woke up, and then found you'd still been asleep? I woke up for real and I thought, 'Oh, boy. I see I've still got a long way to go with this.' Seems I haven't quite gotten over it, you know? — Anne Tyler

Liv sits in the silent cubicle for as long as she can without someone staging an intervention, listening as several women come in, sometimes in pairs, chattering as they check hair and makeup. She checks for nonexistent e-mail and plays Scrabble on her phone. Finally, after scoring "flux," she gets up, flushes, and washes her hands, staring at her reflection with a kind of perverse satisfaction. Her makeup has smudged beneath one eye. She fixes this in the mirror, wondering why she bothers, given that she is about to sit next to Roger again. — Jojo Moyes

I'd once again see that bob of blonde hair back on my pillow, that pink hot smile beaming toward me as I heroically win her heart in some kind of Count of Monte Cristo or Great Gatsby-esque gesture ... you know minus the long imprisonment or swimming pool death! — Tom Conrad

Eric lifted the long lock of hair that he dyed a different vibrant color every forty-nine days without fail and stared at it. His memory had served him correctly. It was currently cobalt blue - the exact same shade as the under-layer of her hair. What were the chances? It had to be kismet. Destiny. Fate. Providence. All of the above ...
She'd said her name was Rebekah. That was Eric's favorite name. At least, now it was. — Olivia Cunning

Her hair was down. It was real long. He hadn't known that. It hung down the front of her josie and kind of curled around those ... those big round places that he tried not to think about. Her ... her round places were really round. And they had points on the end of them. — Pamela Morsi

The shape of her head and the turn of her neck and bust were peculiarly noble, and the long golden-brown hair that floated like a cloud around it, the deep spiritual gravity of her violet blue eyes, shaded by heavy fringes of golden brown — Harriet Beecher Stowe

The Nigger was a handsome, austere woman with snow-white hair and a dark and awful dignity. Her brown eyes, brooding deep in her skull, looked out on an ugly world with philosophic sorrow. She conducted her house like a cathedral dedicated to a sad but erect Priapus. If you wanted a good laugh
and a poke in the ribs, you went to Jenny's and got your money's worth; but if the sweet worldsadness close to tears crept out of your immutable loneliness, the Long Green was your place. When you came out of there you felt that something pretty stern and important had happened. It was no jump in the hay. The dark beautiful eyes of the Nigger stayed with you for days. — John Steinbeck

It had been a long time since I felt the fragrance of summer: the scent of the ocean, a distant train whistle, the touch of a girl's skin, the lemony perfume of her hair, the evening wind, faint glimmers of hope, summer dreams.
But none of these were the way they once had been; they were all somehow off, as if copied with tracing paper that kept slipping out of place."
-from "Hear the Wind Sing — Haruki Murakami

But she was beautiful, with hair and eyes so dark and long. He imagined she was a reservation eclipse. Full. He needed special glasses to look at her; he could barely survive her reflection. "You're a constellation," he said. — Sherman Alexie

and she smiles at me, my best friend, with her long, tangled blond hair and thick eyelashes and her smile that lights up any room. My other half. The girl who took my hand all those years ago and didn't let go until she had to. — Kristin Hannah

The only way to tell off an asshole was face-to-face and to look fantastic doing it. So, here she was, with perfect makeup, hair done in a riot of waves that had taken a ridiculously long time to create, and a brand new screw you and the horse you rode in on dress laid out on her bed. — Roberta Pearce

The forest smelled fresh here and the ground was soft, carpeted by leaves and fallen pine needles. It was tranquil and enchanting in its way. Ursula was lovely; she just wasn't a naiad. Her hair was dark and sleek, and so long it fell below her waist, swaying this way and that as she walked. Her eyes were a piercing blue, always aware, and she had a keen eye for the smallest details. She may have been a merchant, but she'd also trained as an archer for the city militia, and she could easily spot movement at a distance. That was her intention now; it was just a different kind of movement. — Cailee Francis

Let's say then you've made the decision to tear the life you know asunder in order to be with this person you love. A difficult decision to be sure. Putting it lightly. Because you cannot imagine a life without her, and the alternative left to you is a lifetime of desolation, as you don't intend to don a hair shirt or join a monastery or fling yourself into the ocean and drown. And so you go ahead and do the unthinkable and tear your life asunder ... only to discover the person you love won't have you after all, and she actually has a reason — Julie Anne Long

She stepped closer to him, closer still, until her breasts touched his jacket, watching his eyes all the time. "My darling Jack." She lifted herself up on tiptoe and awkwardly kissed the side of his mouth. "I'm yours. You know that."
His control broke. His hands fisted in her hair and he kissed her hard, almost savagely. He knew he was bruising her mouth but he couldn't stop himself. It was as if her mouth were giving him life. He would stay alive as long as he was kissing her. — Lisa Marie Rice

Only two. Practically an innocent. So unlike all the men she'd known, and he must have known it. And yet the thoughts swelled and crashed and swelled again, a torrent of unprecedented jealousy, raw and unfamiliar: Who? Who knows how it feels to be covered by your body? Who knows the taste of your mouth, the feel of you inside her? Who has tangled her bare legs with yours, seen your eyelashes against your cheek while you sleep, your hair smashed across the pillow, knows the scrape of your morning beard against her cheek?
What are you like when you lose control, Reverend Sylvaine? — Julie Anne Long

Don't be upset," he whispered.
"I couldn't stop it from happening," she said in a plaintive voice.
"You weren't supposed to," he said tenderly. "I was playing with you. Teasing you."
"But I wanted it to last longer. It's our wedding night, and it's already over." Pausing, Beatrix added glumly, "At least my part of it is."
Christopher averted his face, but she could see that he was struggling to contain a laugh. When he had mastered himself, he looked down at her with a slight smile and smoothed her hair back from her face. "I can make you ready again."
Beatrix was quiet for a moment as she evaluated her spent nerves and limp body. "I don't think so," she said. "I feel like a wrung-out kitchen mop."
"I promise to make you ready again," he said, his voice threaded with amusement.
"It will take a long time," Beatrix said, still frowning.
Gathering her into his arms, Christopher crushed his mouth over hers. "I can only hope so. — Lisa Kleypas

That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string I wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And I untightened the next tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss ... — Robert Browning

She began to curl her hair and long for balls — Jane Austen

Not long before, I had stayed up late with my mother and watched Citizen Kane, and I was very taken with the idea that a person might notice in passing some bewitching stranger and remember her for the rest of his life. Someday I too might be like the old man in the movie, leaning back in my chair with a far-off look in my eyes, and saying: You know, that was sixty years ago, and I never saw that girl with the red hair again, but you know what? Not a month has gone by in all that time when I haven't thought of her. — Donna Tartt

I have scars on my hand from touching certain people. Once, in the park, when Frannie was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. — J.D. Salinger

I pushed her shiny blond hair away from her face and leaned down, our faces only inches apart. She inhaled softly, our lips so close I could feel her breath and the scent of her skin, like honeysuckle in springtime. She smelled like sweet tea and old books, like she had always been here.
I pulled my fingers through her hair and held it at the back of her neck. Her skin was soft and warm, like a Mortal girl's. There was no electric current, no shocks. We could kiss for as long as we wanted. If we had a fight, there wouldn't be a flood or a hurricane, or even a storm. I wouldn't find her on the ceiling of her bedroom. No windows would shatter. No exams would catch fire.
Liv held up her face to be kissed.
She wanted me. — Kami Garcia

Two hundred years from now, she had - I will? she thought wildly - stood in front of this portrait in the National Portrait Gallery, furiously denying the truth that it showed. Ellen MacKenzie looked out at her now as she had then; long-necked and regal, slanted eyes showing a humor that did not quite touch the tender mouth. It wasn't a mirror image, by any means; Ellen's forehead was high, narrower than Brianna's, and the chin was round, not pointed, her whole face somewhat softer and less bold in its features. But the resemblance was there, and pronounced enough to be startling; the wide cheekbones and lush red hair were the same. And around her neck was the string of pearls, gold roundels bright in the soft spring sun. — Diana Gabaldon

Ehlena was naturally lovely, with fine small features and that strawberry blond hair and those long, lean limbs.
Her lips were pink because they were pink - not from some eighteen-hour, glossy, frosted grease coat.
And her toffee-colored eyes were luminescent because they were yellow and red and gold all mixed together - not from a whole lot of paint-by-numbers shimmery shadow and slathered-on mascara.
And her cheeks were flushed because he was getting under her skin.

-Rehv's thoughts — J.R. Ward

In the center of the sofa were two oblong companion pillows, shouldered so closely together that they looked like the Decalogue tablets. They were white, or had been white, and painfully stitched upon them with blue thread were companion mottoes, companion pictures. In the left pillow lies a girl, her long blue hair asprawl about her face, her eyes innocently shut, asleep. The motto: I SLEPT AND DREAMED THAT LIFE WAS BEAUTY. But the story continued, and on the next pillow her innocence is all torn away: there she stands, gripping a round broom; her hair now is pinned up severely and behind her sits a disheartening barrel churn. I WOKE AND FOUND THAT LIFE WAS DUTY. The pillows sat, stuffed and stiff as disapproving bishops; they could, he thought, serve as twin tombstones for whole gray generations. — Fred Chappell

Who should turn up but that long-lost schmuck of a Billy, and what did Charis do but rent him the other half of her duplex? It's enough to make you tear your hair out by its tiny grey roots, — Margaret Atwood

Sofi had no idea how long she sat like that. Tucked up beside this boy she despised more than anyone other than her mother while his music overwhelmed her senses and set them all right again. This man who'd used her and hurt her and probably would again, and yet who stayed, soothing her hair and not saying a word. — Mary Weber

Charlotte, dressed in a very short-skirted policewoman's outfit, was leading a dancing brigade, jumping around at the front of the room, her long red hair flapping up and down like a matador's cape. She was head girl, and she would shows us how to party if she had to.
I wasn't really sure why Charlotte had decided to come to the party as a stripper. I found myself at a loss for words as she complimented us on our costumes.
"You're a..." I tried to find the right thing to say. "Really...hot cop?"
"I'm Amy Pond," she said. "From Doctor Who. This is her kissogram outfit. — Maureen Johnson

I would have asked you to let down your hair" turning to regard her with a grin, his teeth a slash of white in his blackened face.
"But it is not quite long enough anymore. — Shelly Thacker

Phyllida's hair was where her power resided. It was expensively set into a smooth dome, like a band shell for the presentation of that long-running act, her face. — Jeffrey Eugenides

Her hair was hidden under a white headdress, like some kind of wimple; she wore a long white tunic and trousers, and her skin had the pale golden hue associated in our world with Orientals. The lines of her cheekbone and jaw reminded him of pictures he had seen of the head of Nefertiti, thought her neck was longer, slightly too long for an ordinary human, and as she turned toward him he realized the planes of her face were subtly different, though it would have been hard to explain in what way. A fraction of an inch here, a fraction of an inch there, and the whole visage was somehow distorted, though its beauty remained undiminished. — Amanda Hemingway

She remembered her fingers threaded through his hair and his kisses in places that made her long for him years later. — Whitney Otto

But the silent stranger could hardly have understood what was passing: she was a German who had not long been in Russia and knew not a word of Russian, and she seemed to be as stupid as she was handsome. She was a novelty and it had become a fashion to invite her to certain parties, sumptuously attired, with her hair dressed as though for a show, and to seat her in the drawing-room as a charming decoration, just as people sometimes borrow from their friends for a special occasion a picture, a statue, a vase, or a fire-screen. — Fyodor Dostoyevsky

I know a girl from whose body sunbeams rose to the clouds as if they'd fallen from the sun.
Her laugh was like a bangle of bells.
"Your hair is wet," I told her one day, "Did you take a bath?"
"It is dew!" she laughed, "I've been lying in the grass. All morning long, I lay here waiting for the dawn. — Roman Payne

You'll call for me. You'll be lonely in your new quarters and will feel out of sorts. I could let you pet my hair until you fell asleep."
He drew in closer and lowered his voice to ask in all seriousness, "You're mad, aren't you?"
"As - a - hatter," she whispered back conspiratorially.
He felt a hint of sympathy for the creature. "How long have you been in here?"
"For four long ... interminable ... days."
He glowered at her.
"Which is why I want you to take me with you. I don't eat much."
The dungeon erupted with laughter again.
(Myst and Nikolai) — Kresley Cole

He couldn't believe it!
He knew her intent before she dove for her sgian dubh. But he couldn't react quickly enough. He wasn't about to allow her to arm herself again. He dropped his sword, needing both hands free and lunged for her, only with his body this time. Tackling her, he took her down, her back cushioned by the wealth of leaves, and planted his body on top of hers.
She grew very still then, and he smiled a little at her. "If you had done just as I asked, we wouldna be like this, now would we lassie?"
Sorcha was fuming mad and scared witless as the braw Highlander pressed his body on top of hers. She felt his staff growing against her belly the longer he remained between her legs. He was beautiful, his dark brown eyes swimming with lust, his long brown hair hanging about her face as she looked up at him, panting for breath, trembling, despite wishing to show he didn't frighten her one bit. But he did. — Terry Spear

A woman with long, blonde hair stood for a moment on the other side of the door. She looked similar to his date. Was she entering or leaving the coffee house?
Before Paul could confirm her identity or stand and run after her, she strode away and disappeared in the crowd. — Cheryl Sterling

I look at Kitty, who's braiding Chris's hair in microbraids. She's being extra quiet so we forget she's here and don't kick her out. 'I think that as long as you're ready and it's what you want to do and you're protecting yourself, then it's okay and you should do what you want to do.'
Margot says, 'Society is far too caught up in shaming a woman for enjoying sex and applauding a man. I mean, all of the comments are about how Lara Jean is a slut, but nobody's saying anything about Peter, and he's right there with her. It's a ridiculous double standard. — Jenny Han

There is no looking-glass here and I don't know what I am like now. I remember watching myself brush my hair and how my eyes looked back at me. The girl I saw was myself yet not quite myself. Long ago when I was a child and very lonely I tried to kiss her. But the glass was between us - hard, cold and misted over with my breath. Now they have taken everything away. What am I doing in this place and who am I? — Jean Rhys

But there were moments when she played songs that made you wonder where she learned them, where indeed she came from. Harsh-tender wandering tunes with words that smacked of pinewoods or prairie. One went: Don't wanna sleep, Don't wanna die, Just wanna go a-travelin' through the pastures of the sky; and this one seemed to gratify her the most, for often she continued it long after her hair hard dried, after the sun had gone and there were lighted windows in the dusk. — Truman Capote

Her insanely high Christian Louboutin stilettos made a click-clacking sound on the airport floor. Amber rolled a small Louis Vuitton luggage bag behind her. She wore a baby-blue Chanel skirt suit, which made her look like an elegant celebrity. Her hair was long and blond today and pinned up into a perfectly smooth up-do. A pair of gold earrings in the shape of four-leaf clovers and a matching pendant completed the outfit. — A.O. Peart

The word "marriage" lingered in Guy's ears, too. It was a solemn word to him. It had the primordial solemnity of holy, love, sin. It was Miriam's round terra cotta-coloured mouth saying, "Why should I put myself out for you?" and it was Anne's eyes as she pushed her hair back and looked up at him on the lawn of her house where she planted crocuses. It was Miriam turning from the tall thin window in the room in Chicago, lifting her freckled, shield-shaped face directly up to his as she always did before she told a lie, and Steve's long dark head, insolently smiling. — Patricia Highsmith

She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat's. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec's, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille. — Cassandra Clare

Chloe had her knees pulled up, one arm wrapped around them. Her other hand was entwined with Derek's. He leaned back against the tree. Slumping, as if it was holding him up. His face glowed with sweat and his eyes were closed.
When I'd seen Derek in wolf form, I figured werewolves grew when they shifted, like the ones in movies. They didn't. He was really that big. Even slumped, he was more than a head taller then Chloe. A huge football player of a guy.
Beside me, Daniel whispered, "I was going to tell him off for bullying you. But I'm having second thoughts."
I smiled at him. "I don't blame you."
Despite his size, Derek was obviously no older than us. His cheeks were dotted with mild acne and I could see the ghosts of fading pocks, as if it had been much worse not too long ago. Dark hair tumbled into his eyes as he rested with his head bent forward. — Kelley Armstrong

I open the orangutan's door and set a pan of fruits, vegetables, and nuts on the floor. As I close it, her long arm reaches through the bars. She points at an orange in another pan.
'That? You want that?'
She continues to point, blinking at me with close-set eyes. Her features are concave, her face a wide platter fringed with red hair. She's the most outrageous and beautiful thing I've ever seen.
'Here,' I say, handing her the orange. 'You can have it.'
She takes it and sets it on the floor. Then she reaches out again. After several seconds of serious misgivings, I hold out my hand. She wraps her long fingers around it, then lets go. She sits on her haunches and peels her orange.
I stare in amazement. She was thanking me. — Sara Gruen

Whit looks like an angel when she sleeps. She's all sweet, full lips, long, curly eyelashes, and a tumble of sleek, dark hair against the pillow.
She also kicks like a mule, snores like a bear, sweats like a hog, and steals the covers like a fat, menacing caterpillar about to cocoon herself before her metamorphosis. - Deo — Liz Reinhardt

Her name is Mackenzie. She's got long blond hair and the biggest blue eyes you'll ever see. She's almost four. See her there? On the other end of the seesaw I'm currently riding. — Emma Chase

Lily's smile was widest of all. She pushed her long hair back as she drew close to him, and her green eyes, so like his, searched his face hungrily, as though she would never be able to look at him enough.
"You've been so brave."
He could not speak. His eyes feasted on her, and he thought that he would like to stand and look at her forever, and that would be enough. — J.K. Rowling

that dressing room for an hour as my mother pretended to be making up her mind about buying that dress she could never afford. And from that day on we never saw her adorn her glorious hair with a single blossom, nor was she ever in our long childhood — Pat Conroy

The first time Raffaele ever saw Adelina, it was a stormy-wracked night that changed her life and, indeed, the world. He recalls looking down from the window in his Dalia lodging to see a girl with silver-bright hair, conjuring an illusion of darkness such that he had never seen. He remembers the day she first came to his chambers in Estenzia, when Enzo was still alive and she was still innocent, and the way she looked up at him with her uncertain, damaged gaze. He remembers her test, and what he said to Enzo that night. How long ago that had been. How he had judged her wrongly. — Marie Lu

As I brush my long, brown hair, the girl in the mirror with blue eyes too big for her head stares back at me. Wait ... I don't have blue eyes! Then I realize I haven't been looking into the mirror. I've been staring at a poster of Kristen Stewart for five minutes. My own hair is actually fine. — Andrew Shaffer

He watched her sleep now, her dark hair fanned out over his arm that she laid on.
Running his free hand over her naked back, he couldn't get enough of touching her.
How had he gone this long without this. — Devona Serenity

No, but I wouldn't turn them down if they both wanted to ravage my body." Candy tossed her long hair over her shoulder. — Melody Snow Monroe

My litter sister looks up at me.
Mom was right. Her eyes are the same as they've always been. Brown eyes fringed with long lashes and steeped with the memory of sweetness and light, laughter and joy - trapped in this mangled corpse-like face.
"It's all right, baby girl," I whisper into her hair as I hug her. "I'm here. I came for you."
Her face crumples and her eyes shine. "You came for me."
I stroke her hair. It's as silky as ever. — Susan Ee

Dig deep, deep, my soul, to find the heart
the blood, the heat, the shrine and resting place. Dig deep, deep into the moist soil all the way to where they lie, those I love
she, Mother, with her dark hair loose and gone, her bones long since tumbled in the back of the vault, as other coffins came to rest in her spot, but in this dream I range them round me to hold as if she were there ... — Anne Rice

At the edge of the still, dark pool that was the sea, at the brimming edge of freedom where no boat was to be seen, she spoke the first words of the few they were to exchange. 'I cannot swim. You know it?"

In the dark she saw the flash of his smile. 'Trust me.' And he drew her with a strong hand until the green phosphorescence beaded her ankles, and deeper, and deeper, until the thick milk-warm water, almost unfelt, was up to her waist. She heard him swear feelingly to himself as the salt water searched out, discovered his burns. Then with a rustle she saw his pale head sink back into the quiet sea and at the same moment she was gripped and drawn after him, her face to the stars, drawn through the tides with the sea lapping like her lost hair at her cheeks, the drive of his body beneath her pulling them both from the shore. They were launched on the long journey towards the slim shape, black against glossy black, which was the brigantine, with Thompson on board. — Dorothy Dunnett

How do you know which one's the queen?'
'She's bigger than the others,' said Mel.
'That doesn't always help,' Petey said, 'I can't always find her.'
'Because she's not that much bigger, said Mel. 'You don't rely on her size as much as you try to use the way she moves. It's hard to describe. It's as if she walks in a more determined way' She pulled off her hat and smoothed her long, straight hair. 'She's got a big job. Babies to bear. Workers to inspire. A colony to manage. She moves like that. Like she's a woman with a plan. The best way to see her is to let your eyes lose their focus, let things get a bit fuzzy on you. See the bees as a whole rather than individuals. When you do that, you understand the entire pattern. The queen's movements will stick out because they're so different from everyone else's. — Laura Ruby

Sometimes he caught a glimpse of a girl with long golden hair running away from him. He always followed, desperate to catch up with her, desperate to explain ... He couldn't remember what he needed to explain. Don't be afraid, he called to her. Please, don't be afraid. But she continued to run, and he continued to follow her through a landscape filled with twisting roads that ended nowhere and caverns that were strewn with bones and splashed with blood. Down, always down. — Anne Bishop

He created waterfalls for her out of the morning dew, and from the colored pebbles of a meadow stream he made a necklace more beautiful than emeralds, sadder than pearls. She caught him in her net of silken hair, she carried him down, down, into deep and silent waters, past obliteration. He showed her frozen stars and molten sun; she gave him long, entwined shadows and the sound of black velvet. He reached out to her and touched moss, grass, ancient trees, iridescent rocks; her fingertips, striving upwards, brushed old planets and silver moonlight, the flash of comets and the cry of dissolving suns. — Robert Sheckley

For a long moment there was only the sound of her soft, half-gasping little breaths, and the thud of his heart, loud in his ears. He had never felt this ... this liberation, this unfettered contentment. Not with another woman, not after a hard day of accomplishment, not after a brilliant business maneuver, not even after beating his brothers at anything. His body was wrung out with physical satisfaction, his mind fely fogged and sluggish, but his head ...
'If this be madness,' came Francesca's weak voice from behind the shining veil of her hair, 'lead me to Bedlam.'
'Perhpas tomorrow. I don't think I can make it further than the bed. — Caroline Linden

She wouldn't look up at him, wouldn't take her hands from her eyes; she didn't want him to see her. So he wrapped his arms around her like armor, making a shelter for her to fall apart ... He surreptitiously rested his cheek against the top of her head. That rich hair was too silky and fine and warm, and her narrow pale part seemed ridiculously pale and vulnerable as a fontanelle. Here, it seemed to say, was proof that Thomasina de Ballesteros could be broken. Cracked like an egg. That she was human.
The rage he felt then toward the duke was almost euphoric. Almost holy.
This is how crusades are born, he thought. With this kind of certainty about right and wrong, good and evil, and the need to avenge. — Julie Anne Long

A bedraggled woman stood on his doorstep in the pouring rain, and his first impulse was to slam the door in her face.
But she had clearly come as far as she could; her pale face was twisted in pain, and she shivered convulsively beneath a denim jacket that was as soaking wet as the rest of her. Long black strands of hair hung down in twisted ribbons like seaweed in the vanishing daylight, reminding him of a sea creature he'd once dated briefly in his more adventurous youth. — Deborah Blake

From the east a spring breeze is touching us,
passing by,
And so in the goblet in the green wine
tiny ripples are formed.
The blossoms stolen by the whirl
are falling to the earth.
My fair girl will be drunken soon
with her blushed cheeks.
Beside the blue pavilion the peach tree -
Do you know, how long it will bloom?
It's a trembling shine, a dream:
it cheats us and steals away.
Rise and dance!
The sun is fading!
Who never was full of demanding live
and crazy in his young days
will vainly - when the hair
is white - sigh and wail. — Li Bai

My best friend Zoe has a perfect rear end and stick legs, and long, silky black hair. She is obviously not descended from William Penn. There are no dowdy pilgrims in her ancestry. Whereas I am grounded and mired in this place, she's like milkweed fluff that will take off with the first strong breeze. Stronger than fluff, though. She's like a bullet just waiting for someone to pull the trigger. — Wendy Wunder

She touched her hand to his cheek, and he turned toward her, his arms coming around her to draw her close, his cheek pressed to the side of her hair. She felt his chest lift against hers as he drew in a ragged breath and held her tight. And then he said the words she'd long thought she'd never hear.
God, how I love you, Hero. So much. So much ... — C.S. Harris

Her armpits were still slightly wet & she examined them one by one. No hair. This was one of her greatest assets over her sister who had underarm hair.Her slender arms & long legs were also free of hair. She had only a little bit of pubic hair, she noticed. It must be terrible to have lots of ugly underarm & thick coarse arm & leg hairs that you had to shave off daily, she thought. A bit more pubic hair, she wouldn't mind, she decided. But they tended to tickle men's nostrils & make them sneeze.[MMT] — Nicholas Chong

You are ours and he should have known not to touch you."
"I'm yours? I thought you hated me."
Kit stepped out of the bathroom. "We don't hate you. You're our pet."
"Kit!" Rusty shook her head. "Don't say that. You'll offend her."
Kit shrugged "She is. She's so little and cute. She yaps around trying to please like ... What are they called? A Yorkie?"
Rusty sighed. "We decided she's more similar to a cute little poodle with her long blonde hair." She flashed a smile at Ellie. "Don't take it offensively please. We enjoy having you around and you amuse us to no end. — Laurann Dohner

crowded about the four sides of the green to watch and cheer. Viola had set out from home early in the morning looking ladylike and elegant in a muslin dress and shawl and straw bonnet, her hair in a neatly braided coronet about her head beneath it. She had even been wearing gloves. But she had long ago discarded all the accessories. Even her hair, slipping stubbornly out of its pins during the busy morning of rushing hither and yon, had been allowed finally to hang loose in a long braid down — Mary Balogh

Marius glowered at the long cone-shaped ship with its stupid curving tailfins. His field scan swept out. It was an illusion, produced by a small module on the airlock floor. He smashed a disruptor pulse into the solido projector, and the starship image shivered, shrinking down to a beautiful, naked young girl with blonde hair that hung halfway down her back. 'Oh, Howard,' she moaned sensually, running her hands up her body, 'do that again.' Marius let out an incoherent cry, and shot the projector again. — Peter F. Hamilton

She hugged her arms around his chest and leaned her head into his shoulder. She did this every night, and like most small demonstrations of love, it had a large impact. Dor felt a surge of calm whenever she held him, like being wrapped in a blanket, and he knew no one else would ever love or understand him the way she did. He nestled his face into her long dark hair, and he breathed a way he never breathed except when he was with her. — Mitch Albom

A girl sat neatly on a flat rock. Somehow he'd not seen her. She looked like she'd stepped through the screen of a 1950s movie. Her skin and blond hair were such pale shades they looked monochrome. Her long coat was tied at the waist by a fabric belt. She was probably a few years younger than him, in her early twenties, wearing a white hat with matching gloves. "Sorry," she said, "If I surprised you." Her irises were titanium gray, her most striking feature. Her lips were an afterthought and her cheekbones flat. But her eyes ... He realized he was staring into them and quickly looked away. — Ali Shaw

He stepped close to her; she could feel his breath on her neck. "Eve, you make me not want to die."
She turned to see his face. "I didn't want to be this, and now it's all I am."
He put his hands on her cheeks. The look on his face did her in. He was kind, caring, and mourning her losses. Tears wet his cheeks. Eve felt a very deep sob choke her. If he was mourning, so could she.
He pulled her into his arms. "Cry. It's okay. Cry."
Eve felt her knees give. He caught her and carried her to his couch. He petted her hair and let her empty her pain and guilt onto his chest. He kissed the top of her head. For the first time, his actions toward her seemed to have no sexual intent whatsoever.
Eve let go of a rope she'd clung to for too long. And she fell. She fell right into him. Wrong or right, she gave up judging. Her lips found his, and he kissed her gently, not demanding any more than she was willing to offer. — Debra Anastasia

Classical Sanskrit prose writers made very long sentences like this: "Lost in the forest and in thought, bent upon death and at the root of a tree, fallen upon calamity and her nurse's bosom, parted from her husband and happiness, burnt with the fierce sunshine and the woes of widowhood, her mouth closed with silence as well as by her hand, held fast by her companions as well as by grief, I saw her with her kindred and her graces all gone, her ears and her soul left bare, her ornaments and her aims abandoned, her bracelets and her hopes broken, her companions and the needle-like grass-spears clinging round her feet, her eyes and her beloved fixed within her bosom, her sighs and her hair long, her limbs and her merits exhausted, her aged attendants and her streams of tears falling down at her feet...." and it goes on. — Abraham Eraly