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Her Leaving You Quotes & Sayings

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Top Her Leaving You Quotes

We tried to be good parents ... but there's a point at which you give up trying."
"No, there's not," Connor tells her. Then he turns to go, leaving them with the worst punishment of all: having to live with themselves. — Neal Shusterman

Maybe I could love you someday."
If you ever do," he said, "come and let me know. You know where to find me."
Her teeth were chattering harder. "I can't lose you, Simon. I can't."
You never will. I'm not leaving you. But I'd rather have what we have, which is real and true and important, than have you pretend anything else. When I'm with you, I want to know I'm with the real you, the real Clary."
She leaned her head against his, closing her eyes. He still felt like Simon, despite everything; still smelled like him, like his laundry soap. "Maybe I don't know who that is."
But I do. — Cassandra Clare

So You Want to Know

All about her. Who
she
really is. (Was?) Why
she swerved off the
high road. Hard
left
to nowhere,
recklessly indifferent to
me.
Hunter Seth Haskins,
her firstborn
son. I've been
chocking
that down for
nineteen years.
Why did she go
on
her mindless way,
leaving me spinning
in a whirlwind of
her dust? — Ellen Hopkins

He looked at the mud. "If I pull you free, will you promise to bed me for my pains?"

"Here's what I'll promise, Logan MacKenzie. If you don't get me free, I will come back from the grave and haunt you. Relentlessly."

"For a timid English bluestocking, you can be quite fierce when you choose to be. I rather like it."

She hugged herself to keep her hands out of the creeping mud. "Logan, please. I be you, stop teasing and get me out of this. I'm cold. And I'm frightened."

"Look at me."
She looked at him.
His gaze held hers, blue and unwavering.

All teasing went out his voice. "I'm not leaving. Ten years in the British Army, and I've never left a man behind. I'm not leaving you. I'll have you out of this. Understand? — Tessa Dare

Blake waited for her to look at him with a smile, but her shoes were still too captivating. He held a hand up to stop Cole from beginning the ceremony. He knelt on one knee, close to the hem of her dress, and looked up at her. She watched him as he kissed her hand.
"Beautiful, enchanting Livia, will you marry me today?"
Livia's disobedient tears emerged, gravity bathing his smiling face with their small, splashy wishes. She took her hand from his and covered her mouth. She nodded over and over as she cried.
Blake stood and gathered her. Livia dissolved into him, leaving the guests alternately tearing up or looking in other directions.
Blake tried to stroke her hair through the veil, but he was afraid he would pull it out. "Shhh. It's okay. I'm not that terrible, am I?"
Livia shook her head.
"I'm making you my wife right now, even if you cry through the whole damn thing." Blake switched to wiping her tears. — Debra Anastasia

What?" he demanded.
"Did you just ... clean a dish?" Dee backed away slowly, blinking. She glanced at Daemon. "The world is going to end. And I'm still a vir - "
"No!" both the brothers yelled in unison.
Daemon looked like he was actually going to vomit. "Jesus, don't ever finish that statement. Actually, don't ever change that. Thank you."
Her mouth dropped open."You expect me to never have - "
"This isn't a conversation I want to start my morning with." Dawson grabbed his book bag off the kitchen table. "I'm so leaving for school before this gets more detailed."
"And why aren't you dressed yet?" Dee demanded, her full attention concentrated on Daemon. "You're going to be late."
"I'm always late."
"Punctuality makes perfect. — Jennifer L. Armentrout

Father Wanderly, have you seen a demon or evil spirit actually leave the body? What did it look like? Could you see anything? Did you see a wisp, like smoke over a campfire? Does the demon get sucked into a void, clutching on to the old, possessed body like a life raft? Or does it go quietly, like a child leaving her parents' home for the final time? If you couldn't see anything, if the spirit was invisible, then how could you know if the exorcism really, truly worked? — Paul Tremblay

I'm not leaving."

"I want you out of the city, and now. If the chalet doesn't suit you, go where you like. But you will go."

"I have no intention of going anywhere."

"Fuck it. You're fired."

"Very well. I will remove my belongings and book a hotel until -- "

"Oh, shut up. Both of you shut the hell up." She fisted her hands in her hair, yanked fiercely. "Just my luck, you finally say the words I've been waiting over a year to hear and I can't do my happy dance. You expect him to put his tail between his skinny legs and hide?" she demanded of Roarke. "You think when you're in the middle of this kind of mess he's just going to bop over to Switzerland and yodel, or whatever the hell they do there? — J.D. Robb

But you could not blame someone for dying. For leaving on purpose, perhaps, as her brother had left her and her parents, but not for dying, the power over which was surely beyond the grasp of any mortal human. — Cassandra Clare

Lily has never gotton used to being alone. They turn in the water and turn again, then Ambrose lifts her above the surface once more and the creek rains down from her. He lays her gently on her back and her heart breaks. Her tears begin to flow because he is leaving - don't go! He sinks into the water on his back - take me with you! His body turns white again and shimmers into segments until all the pieces disappear. Lily lies face down at right angles to the creek, her head hanging over the edge, arms outstretched towards the spot where she last saw her brother. — Ann-Marie MacDonald

That's what you wanted me for," he all but growled. His dick was going to cuss him for a bastard if he didn't get inside her. But he'd just have to take it. This was about leaving her wanting more. "Wasn't it? To get you dirty. That's why you know you're going to let me do it. After I leave and you cool down, you'll tell yourself you won't. But one day, you'll beg me for it, because you know there's more, and you know I can give it to you. — Cherrie Lynn

My mother died yesterday, yesterday many years ago. You know, what amazed me the most the next day after her leaving was the fact that the buildings were still in place, the streets were still full of cars running, full of people who were walking, seemingly ignoring that my whole world has just disappeared.
(rough translation) — Marc Levy

But sleep didn't come. She could hear Jace's soft piano playing through the walls, but that wasn't what was keeping her awake. She was thinking of Simon, leaving for a house that no longer felt like home to him, of the despair in Jace's voice as he said 'I want to hate you', and of Magnus, not telling Jace the truth: that Alec did not want Jace to know about his relationship because he was still in love with him. She thought of the satisfaction it would have brought Magnus to say the words out loud, to acknowledge what the truth was, and the fact that he hadn't said them - had let Alec go on lying and pretending - because that was what Alec wanted, and Magnus cared about Alec enough to give him that. Maybe it was true what the Seelie Queen had said, after all: Love made you a liar. — Cassandra Clare

I will not be spoken to in that tone," she said to her mother.
Enid's mouth gaped open. For only a moment, however, until she began to protest.
"You've gotten snippy since your marriage, haven't you? I'll not take that behavior from you, child. Your sister would never have disrespected me in such a fashion."
"Enough!" Ellice held up her hand, her gaze never once leaving her mother.
"When have you ever respected me, Mother? I'm only a poor substitute for Eudora." She took a deep breath. "I'm not Eudora," she said. "I'm not your beloved daughter who died. I'm the one who lived. I'm tired of hearing about what my sister did or would have done. I suspect that Eudora would have silenced you long before now."
She grabbed her skirts and walked around her mother, heading for the kitchen. At the door, she stopped and turned.
"Must I die before you begin to value me as well? — Karen Ranney

On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives. — Shirley Maclaine

Zack drew alongside her, leaning down to murmur in her ear. Mollie, I'm not leaving you again. If the city burns to the ground for a second time. If an earthquake splits the land in two or a plague saps us dry . . . I am not leaving. I'll show up at your doorstep every morning and every evening for the rest of the year if that's what it takes. — Elizabeth Camden

Did you hurt yourself? Sort of. Why'd you do that? I didn't do it on purpose. It's just the cost of doing business. Her Grandmother smiles and she gently touches my face with her free hand. I hope that's a business you're leaving, James. I smile, enjoy the warmth of her hand. We'll see. She nods. Her eyes and her hand understand my words, have seen and felt this type of damage before. There is no judgment and no condescension. Just hope. — James Frey

I wound up writing a review that asserted her greatness but also said that this was not her career album, and that she could and would do even better than this.

I was in Atlanta, late at night, leaving a piano bar (don't ask), when my cell phone rang and I distractedly picked it up.

'Hello?'

'Peter Cooper?'

The words came out as one: 'Petercooper?'

'Yes.'

'You better get your ass over here right now.'

'Who is this?'

'Petercooper, it's Leeannwomack. Where the hell are you?'

'I'm in Atlanta?'

'Why?'

That one was hard to answer. I paused to ponder.

'Doesn't matter. Get your sorry ass over here right now.'

'I can't. I'm in Atlanta.'

'Well, get in your car and drive to Nashville. 'Cause I'm gonna give you three swift kicks to the groin. — Peter Cooper

I'm not leaving, Kitten. You're going to do this.
My mouth opened as did the door behind us. Stomach dropping, I turned to see Mom standing there in all her fuzzy-bunny pajama glory. Oh, for the love of God. — Jennifer L. Armentrout

Don't believe I've had the pleasure," she began. "Are you mad? I had you last year at Lord Addington's spring formal! We went behind his pagoda and I took you from the rear. You said I was the best you'd ever had!" The color drained from her face - clearly she didn't find my scenario entirely implausible. Stammering an explanation she hurried off, leaving me to watch the celebration solo. — Daniel Polansky

On this thanksgiving, I would like to thank that one girl, who never lost hope despite all odds were against her, who always worked, and moved on, despite losing all friends just after leaving school, a time when you need friends the most! Who had immense strength and will-power and so much inspiration inside her that she ended up being happy, satisfied, and successful, all alone.
That one girl who always smiles in the mirror, and says, 'Bitch, you have a long way to go, and you gotta travel all alone, depending upon anyone will make you weak, so buck up, there's a lot you gotta do!' On this thanksgiving, I thank myself, my soul for being so majestically robust!
I would have thanked other people, but sadly, nobody ever helped me, more than I helped myself ... — Mehek Bassi

I'd love to have First Lady Michelle Obama over and ask, 'How do you make your marriage work?' I think the president is sexy as all get-out, but he has got to get on her nerves some kind of way. He's this wonderful, powerful man, but she sees him leaving his socks on the floor. — Sherri Shepherd

(Dorothy) Dunnett is the master of the invisible, particularly in her later books. Where is this tension coming from? Why is this scene so agonizing? Why is this scene so emotional? Tension and emotion pervade the books, sometimes almost unbearably, yet when you look at the writing, at the actual words, there's nothing to show that the scene is emotional at all. I think it is because Dunnett layers her novels, meaning that each event is informed by what has come before (and what came before that, and what came before that) but Dunnett doesn't signpost in the text that this is happening, leaving it to the reader to bring the relevant information to the table — C.S. Pacat

On the plane ride to Ethiopia, doubts had plagued my thoughts. What are you doing leaving your children for two weeks? Why go all the way to Africa to help the poor? Why you? For this exact moment, answered a voice in my spirit. I crossed the room, held her hand, and, bending near, whispered life-giving Scripture. In that moment love was as elemental to life as breath. Love is extending my hand, sharing a prayer, and, sometimes, leaving all I've ever known to find what I truly have to give. — Gary Chapman

I was just saying goodnight." Logan quipped and pecked Sienna on the cheek before slipping something in to her hand. She looked down to see it was a sleek new cellphone. He turned to leave but Mrs. Rivers interrupted him.
"Your fly is undone." She told him grimly giving him her the full extent of her medusa glare. If looks could kill, Mrs. Rivers had homicide down to a science. When had that happened? Sienna thought. Probably sometime when they were too busy pressing themselves against each other. Sienna was mortified. Logan however looked mildly amused. He zipped up his trousers and quietly thanked her.

"Oh and Logan, you left your souvenir behind." She added now giving Sienna the full extent of the medusa glare. Logan and Sienna both frowned momentarily before realizing what she meant. He snatched the condom and put it back in his pocket and quickly left the house leaving Sienna to battle with the Gorgon. — Ali Harper

Bryce carried her to the bed and lowered her onto it. He crawled to her with a predatory look, leaving her no doubt she was the prey. "I promise to make you feel good. — Lisa Carlisle

I don't trust you, she whispered, her gaze caught in his as if hypnotized. He was close enough to kiss. He could dominate a room and make her head spin, and his sudden vulnerability confused her. I barely know this boy. She had to remind herself of that when he ran his fingers down her arms, leaving goose bumps in his wake. — Jessica Khoury

For depression to take your wife to such an extreme, she had to be trapped inside her own thoughts to a point where she couldn't perceive the ripple effect of her decision." I look up. It's the first time anyone has attempted to understand Maddy's frame of mind. "Brady: she wasn't leaving you; she was leaving her." My — Abby Fabiaschi

He also tried to block the doorway when she left him. My mother ducked under his arm, ran to her car, and drove away. I remember thinking that this was somehow romantic, as it pinpointed the actual memory of my mother's departure, something you don't see a lot of in television. Real people don't slam doors without opening them five minutes later because it's raining and they forgot their umbrella. They don't stop dead in their tracks because they realize they're in love with their best friend.They don't say, "I'm leaving you, Jack," and fade to a paper towel commercial. — Sloane Crosley

My name is Lev," said Lev.
"My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator."
"That sounds promising."
"I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial."
Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?"
"Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean? — Rose Tremain

Leaving?" she squeaked, bemused, as Max opened her wardrobe. "You're abducting me?"
"Eloping. Eloping involves hurried packing. Abducting involves masked men and a burlap sack. — Kate Noble

Danes, Norse... all were from the northlands in the eyes of her people. To their fright-frozen minds, Hakan was another of the dreaded Norse, sweeping over the land like a plague and leaving little in the wake. But summer had yielded a different crop for her: not all Norse were vicious raiders out for death and plunder.
Hakan braced one foot on a rock. "And now the Norse wolf brings you safely home."...
"Aye," she said. — Gina Conkle

Now that he could see his plan had not worked, he realized with a jolt that he was no longer interested in her leaving him. Remembering a phrase he had once heard, "Once you lose your sanity, you do not miss it," Darcy decided he was happier with Elizabeth near him and speaking to him than he was having her so distant and in opposition to him, or worse, gone altogether. Upon — KaraLynne Mackrory

A spiritual pilgrim needs to discern when his or her life is stunted in an old field and find the courage and determination to go to a "new land" that the Lord will show. (Abraham-Journey) ... so that you can find the wholeness you seek. — Sue Monk Kidd

Mia's mother, Nonna Celia, is to blame for that, because she's a prophet of doom. Every time I'd ask her if we could go someplace the next day or next week, her reply would be, "We might not live that long." If I'd say, "See you tomorrow," her answer would be, "If that's what God wants." Leaving so much to fate has kept me an insomniac for most of my life... — Melina Marchetta

Jiji: [after hearing that Kiki plans on leaving town for her witch training] I'm going to put my paws together and pray that you're not serious! — Hayao Miyazaki

Why couldn't she have slid it under the door? he wondered. Why couldn't she have folded it? It looked just like any other note she would leave him, like, Could you try to fix the broken knocker? or I'll be back soon, don't worry. It was so strange to him that such a different kind of note - I had to do it for myself - could look exactly the same: trivial, mundane, nothing. He could have hated her for leaving it there in plain sight, and he could have hated her for the plainness of it, a message without adornment, without any small clue to indicate that yes, this is important, yes, this is the most painful note I've ever written, yes, I would sooner die than have to write this again. Where were the dried teardrops? Where was the tremor in the script? — Jonathan Safran Foer

And then you came along and you spoke to me and nobody had looked me in the eye for years. ( ... ) But I remember you that day and you looked at peace with yourself and it made me reconsider everything I had planned to do. Because I thought to myself, you can't do this to her, not after the Hermit thing."
"Do what to me? I don't think leaving me on that platform would have changed my life, Griggs," I lie.
"You being on that platform changed mine. — Melina Marchetta

It is very imprudent to deprive America of any of her privileges. If her commerce and friendship are of any importance to you, they are to be had on no other terms than leaving her in the full enjoyment of her rights. — Benjamin Franklin

I did not have an opportunity to speak privately with Peter until just as he was leaving, when he handed me one of the Burns song-sheets and (with a most earnest look) told me to read it before I went to bed.
The song was 'My Love is Like a Red, Red Rose,' but it was not until was up in my bedchamber that I saw he had written on the inside page: 'My mother would be honoured if you visited her after church tomorrow. — Jennifer Paynter

I'll be back," she said. "Very soon."
He needed to reply. He needed to say Good, come back; better, Don't go; or better still, I'll join you. He wanted to say, Your neck is beautiful. He wanted to say, I never ever thought my life would hold this, and if your leaving is what I must give for what I was given, then it was worth it.
But the children were all around and Mr Abasi was calling out and motioning for her to come, and anyway, he knew now, if he hadn't known before, that there were limitations to words - words in the air or on a page. — Masha Hamilton

I woke up and you weren't here."

Her eyes drift over my arms and chest, laden with weaponry. "What are you doing?"

"I'm leaving."

Her brows pinch. "Where . . . where are you going?"

When I speak, I barely recognize my own voice.

"I'm going to find your father, and then I'm going to kill him. Badly. I thought it'd be rude not to ask if you'd like to come along and watch. — Emma Chase

Elizabeth studied the blurry tabloid photo, which showed her cousin Mary Stuart leaving a Paris disco at dawn, drunkenly clinging to the arm of a French tennis pro. The message was very clear. Put passion first and you end up neither loved nor respected. — Barbara Taylor Bradford

He never should have left the island. He'd been there with Diana and Penny. He could have tossed Penny off a cliff and been fine on the island. Decent food, a beautiful mansion, electricity, and a soft bed with Diana in it.
What had he been thinking, leaving the island?
He missed Diana busting him. He missed her snarky voice. He missed her eye rolls and that skeptical look she had where she'd half close her eyes and look at him like he was too dumb to merit her full attention. He'd have killed, or at least injured, anyone else who treated him like that. But she wasn't anyone else.
He missed her hair. Her neck. Her breasts.
She understood him. She loved him, in her own way. And if he had listened to her, he'd still be on the island. Somehow he would have found some fuel to keep the lights on there. Probably. And the food would have run out and then they'd have starved, but hey, this was the FAYZ, where all you could really hope to do was delay the pain. — Michael Grant

Wait, so you do love me?" I asked, hope welling in my heart.
She growled and pounded her fist into a locker, leaving a fist-shaped dent. "Stop it, Justin. Stop it!"
I grabbed her shoulders. "Look at me and tell me you don't love me," I said. "Do it and I'll never bother you again."
"I don't love you," she mumbled.
"Look at me when you say it!"
She turned to me, her eyes hard but dull and faded. "I don't love you."
I let her go. My heart turned to lead, the heavy lump sagging in my chest. "Well, if there are agents out there looking to kill me, I guess it would be a mercy."
I turned to leave. Her hand gripped my shoulder.
"Please listen to me, Justin."
I pushed her hand away but didn't turn to face her. I couldn't let her see the tears welling in my eyes. "Why? What does it matter?"
"It just does. I - I don't want to see you hurt."
I took a deep shuddering breath. "You're not doing a very good job of it." I walked away and left her standing there. — John Corwin

I know, somewhere in me, that it's not her that's being stupid. I understand, on one level, that she doesn't know, that everything's up in the air. But that's no use to me. You know the worst thing about being rejected? The lack of control. If you could only control the when and how of being dumped by somebody, then it wouldn't seem as bad. But then, of course, it wouldn't be rejection, would it? It would be by mutual consent. It would be musical differences. I would be leaving to pursue a solo career. I know how unbelievably and pathetically childish it is to push and push like this for some degree of probability, but it's the only thing I can do to grab any sort of control back from her. — Nick Hornby

Nix: We're not leaving without her. So unless you want permanent houseguests of the destructive sort, just hand her over. — Kresley Cole

Love is not the doe-eyed virgin you believe her to be. Love is always hungry. Love is always wanting. Love is not rational. Love does not compromise. And Love is not happy simply possessing you. It wants to own you. Control you. Be you. The first murder was because of love. And I promise you that the last of your kind will die for it. "Love is the single-minded hunter who consumes its prey, sucking it of all it's worth and then seeks another. Love is only happy when you are on your knees, begging it to stay. And love will walk away, leaving you to your self pity just to feel your need. "Love — R.E. Vance

Amelia groped for the ring and began tugging and twisting it. "It's stuck again." She sounded disgruntled.
Cam pinned her wrist and bent his head, taking her finger into his mouth. She gasped as his tongue swirled around the base, leaving it wet. Gently, he used his teeth to draw the gold band off. Taking the ring from between his lips, he slid it back onto his own finger. Her hand, now bare, flexed as if bereft, and she looked at him uncertainly.
"You'll get used to wearing it." Cam smoothed his hand along the plane of her midriff and stomach. "We'll try it on you a few minutes at a time. Like breaking a horse to harness." He grinned at her expression. — Lisa Kleypas

Eric, I'm going to pay you back for leaving me." She smoothed her dress. "You understand?" "Yes," he said, and walked into the kitchen. "I'll devote my life to it," Kathy said, from the bedroom. "Now I have a reason for living. It's wonderful to have a purpose at last; it's thrilling. After all these pointless ugly years with you. God, it's like being born all over again." "Lots of luck," he said. — Philip K. Dick

When you laugh ... I want to smile. And when you cry ... ' She brushed the tears off of my face. 'I want the tears to roll down my cheeks.' She shook her head once, whispering, 'I'm not leaving you ... won't. — Charles Martin

Mrs. Seaton?" His lordship was frowning at the table, but when he looked up at her, his expression became perfectly blank - but for the mischief in his eyes. "My lord?" Anna cocked her head and wanted to stomp her foot. The earl in a playful mood was more bothersome than the earl in a grouchy mood, but at least he wasn't kissing her. He held up her right glove, twirling it by a finger, and he wasn't going to give it back, she knew, unless she marched up to him and retrieved it. "Thank you," she said, teeth not quite clenched. She walked over to him, and held out her hand, but wasn't at all prepared for him to take her hand in his, bring it to his lips, then slap the glove down lightly into her palm. "You are welcome." He snagged a third muffin from the bread box and went out the back door, whistling some complicated theme by Herr Mozart that Lord Valentine had been practicing for hours earlier in the week. Leaving — Grace Burrowes

You have to take this with you too," she said, opening a box and holding up a silver necklace with the Syriac cross (a crucifix with a budding flower shape on each tip) dangling from it. "My mother gave it to me mother, who passed it to me. Now is the right time to give it to you. Not just because you're leaving and will need something that always connects you to your roots, but also because tonight we remember her. — Zack Love

A little downy girl still wearing poppies
still eating popcorn in the colored gloam
where tawny Indians took paid croppers
because you stole her
from her wax-browed and dignified protector
spitting into his heavy-lidded eye
ripping his flavid toga and at dawn
leaving the hog to roll upon his new discomfort
the awfulness of love and violets
remorse despair while you
took a dull doll to pieces
and threw its head away
because of all you did
because of all I did not
you have to die — Vladimir Nabokov

The nurse whirled and fixed him with a gimlet eye. "You - " she began, then threw her hands up. "Go get ready, idiot. You've been hovering at the door like a lost puppy all day. Tell the prince we'll be leaving as soon as Miss Chase is ready. Now, get."
Puck retreated, grinning, and the nurse sighed. "Those two," she muttered.
"They're either best friends or darkest enemies, I can't tell which. Come with me, Miss Chase. — Julie Kagawa

Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away,"she whispered. "Stay with me. Let me love you, Derek. — Lisa Kleypas

The sled runners had been replaced by wheels and they traveled on a rutted, muddy road that formed a dark line between two fields of snow that occasionally showed a patch of matted, tangled weeds. Seeing them got her thinking. She wiped her face with the blanket and, digging her brush out of a nearby pack, began the arduous process of clearing the snarls from her hair.

She pulled, grunted, and then sighed. Modina looked over with a questioning expression, and Arista explained by letting go of the brush and leaving it to hang.

Modina smiled and crawled over to her. "Turn around," she said, and taking the brush, the empress began working the back of Arista's head. "You have quite the rat's nest here."

"Be careful one doesn't bite you," Arista replied. — Michael J. Sullivan

Hatred ... When it comes to men and sex, David, nothing surprises me any more. Maybe, for men, hating the woman makes sex more exciting. You are a man, you ought to know. When you have sex with someone strange - when you trap her, hold her down, get her under you, put all your weight on her - isn't it a killing? Pushing the knife in; exiting afterwards, leaving the body behind covered in blood - doesn't it feel like murder, like getting away with murder? — J.M. Coetzee

Mama and I walked back out of the woods just in time to hear Frannie squeal, "I want to stay here forever!" "Fine by me." Cleo smiled. She opened up her little red cooler and sloshed through the ice. She pulled out an orange soda bottle and passed it to my sister. "We can stay here all day, at least." "Cleo Harness?" yelled a familiar, husky voice from the edge of the woods. "Is that you?" "Pack up!" Cleo hollered. "We're leaving!" She kicked the cooler lid shut and stood up so fast that her camping chair stayed stuck to her behind. — Natalie Lloyd

I suppose the first big shift in my life was when, at the age of 8, my father left my mother, leaving her alone with two daughters to bring up. That taught me the importance of women being financially independent. You never know what might happen. — Cherie Blair

Know this ... she does not want to become the shadow of her husband, but the moon of his life, for when she appears, her presence is powerful in all her mysterious ways ... she comes and goes so discreetly, waning and waxing whilst forever leaving her presence behind, reminding you that you cannot survive life without her ... — Jemina Akhtar

Still," he added firmly, "I think you'd best drink no more of it, or ye won't get back up the stairs." He tilted the glass and deliberately drained it himself, then handed the empty goblet to Laoghaire without looking at her. "Take that back, will ye, lass," he said casually. "It's grown late; I believe I'll see Mistress Beauchamp to her chamber." And putting a hand under my elbow, he steered me toward the archway, leaving the girl staring after us with an expression that made me relieved that looks in fact cannot kill. — Diana Gabaldon

And I'm left with this girl, this Siren of Mixed Signals, this Norah. She's a fuck-good kisser, but clearly has some massive consistency issues. I ask her how the fuck she knows Tris, because that is leaving me completely confused, and at first she's looking at me like I'm this guy she didn't just start kissing out of nowhere, but then she's got her hand on my arm in a way that makes me really notice I have an arm, and then she's making to run away, and at the same time looking at me like I'm some cancer child. Then I take hold of her arm and she resists without really resisting. Finally she pulls away, only to touch my face in this way that reminds me exactly of her kiss.Then she calls me you poor schmuck. — David Levithan

She turns and stalks off in search of other minions to intimidate, leaving you flexing your fingers and trying to decide whether you want to strangle her or go down on your knees and beg for lessons. — Charles Stross

That last night," she said quietly. "Why did you say you hoped you'd never see me again?"
He hadn't said it; it had been his last thought when he'd turned to leave. But he didn't seem to notice the discrepancy as he looked at her now.
"Because," he began before faltering, his voice leaving on a sigh. His left hand reached to rake a path through his hair, scattering the inky thickness in all directions. "The more I learn of you, the more difficult it is to stay away. — Angela B. Wade

She sighed. "I don't know, Father, how do you get over someone who's held your heart in their hands for so long? And what do you do when they constantly turn your love away, leaving you battered and bruised?" A sob broke free from her throat to pierce the darkness.
His arm stiffened, paralyzed over her shoulder.
Marcy's voice rose, quiet and strong, to counter her daughter's pain. "You run to the arms of the Almighty, Lizzie. 'Because thou hast been my help, therefore in the shadow of thy wings will I rejoice.' That's the only place our hearts are safe, the only place they can heal. — Julie Lessman

How could you lose me? I'm not going anywhere."
"I worry that you will get tired of putting up with my undependableness and you will leave me."
Clare puts her sketchbook aside. I sit up. "I won't ever leave you," she says. "Even though you're always leaving me."
"But I never want to leave you. — Audrey Niffenegger

It's a shame you left without a word, you know. She was just beginning to trust you before that. Before you got angry. Before you ran off. Just like every other man in her life. Lusting after her, full of sweet words, then just walking away. Leaving her alone. Good thing she's used to it by now, isn't it? Otherwise you might have hurt her. Otherwise you just might have broken that poor girl's heart — Patrick Rothfuss

Once before, my daughter,' she said, ignoring Ahmed's continuing ravings, 'your father and I,
whatsitsname, said there was no shame in leaving an inadequate husband. Now I say again: you have, whatsitsname, a man of unspeakable vileness. Go from him; go today, and take your children, whatsitsname, away from these oaths which he spews from his lips like an animal, whatsitsname, of the gutter. Take your children, I say, whatsitsname-both your children,' she said, clutching me to her bosom. — Salman Rushdie

A man had said that to her once at the stage door. She'd been leaving after a theatre session, buzzing still with the high of performance, and he'd stopped her to say how much he'd enjoyed it. "You've a great talent for observation," he'd said. "Ears, eyes, and heart, all at once. — Kate Morton

You have games on there?" he asks.
"Yeah," I answer for her. "She's become a checkers fanatic. Shelley, show him how it works."
While Shelley slowly taps the screen with her knuckles, Alex watches, seemingly fascinated.
When the checkers screen comes up, Shelley nudges Alex's hand.
"You go first," he says.
She shakes her head.
"She wants you to go first," I tell him.
"Cool." He taps the screen.
I watch, getting all mushy inside, as this tough guy plays quietly with my big sister.
"Do you mind if I make a snack for her?" I say, desperate to leave the room.
"Nah, go ahead," he says, his concentration on the game.
"You don't have to let her win," I say before leaving. "She can hold her own in checkers."
"Uh, thanks for the vote of confidence, but I am tryin' to win," Alex says. He has a genuine grin on his face, without trying to act cocky or cool. — Simone Elkeles

Though her husband often went on business trips, she hated to be left alone.
"I've solved your problem," he said. "I've bought you a St. Bernard. Its name is Great Reluctance. Now, when I go away, you shall know that I am leaving you with Great Reluctance!"
She hit him with a waffle iron. — Charles M. Schulz

You are burnt beyond recognition, he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her fawn sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, understanding, took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile. — Kate Chopin

Being a woman in India is an altogether different experience. You can't always see the power women hold, but it is there, in the firm grasp of the matriarchs who still rule most families. It has not been easy for Sarla to navigate the female path: she has become a master traveler, but one with no pupil. She thought she might develop this relationship with one of her daughters-in-law, but the others, like Somer, didn't quite fill the role. And when they had babies, they relied on their own mothers, leaving her once again in the company of men. But now, Sarla muses as she glances at the clock, anticipating Krishnan's arrival, she will finally get her granddaughter. — Shilpi Somaya Gowda

If my life were a corny horror movie, and the heroine was lost and alone, trapped in an underwater cave, what would happen next? If you guessed, "She drops her flashlight, and it hits a rock and breaks, leaving her in utter darkness," you would be right. But I bet you didn't guess the part about an attack by a giant octopus. — James Patterson

(Hadley and Mary in the Garden at Blanchard House)
He laughed, a harsh sound, all sign of humor leaving his eyes. "Don't let any of it fool you, my dear, for even the most tarnished silver can acquire a fine and gleaming polish. And believe me, there is far more tarnish here than an innocent and unschooled eye such as yours can discern."
"Why would you speak so of yourself?" Mary protested.
He reached for a red-gold curl that had escaped her lace cap and coiled it around his !nger. "I would forewarn you, Miss Edwardes that I am a man, and men in general are not to be trusted ... " He held her gaze as he slowly released the ringlet, allowing his fingers to skim her cheek. " ... especially not by pretty young virgins. — Victoria Vane

What about me?" Monica whined.
"Do you really want to know?" Shane gave her a glare that should have scorched her hair off. "Be grateful I'm not leaving you as an after-dinner mint on his pillow."
Myrnin leaned close to Claire's ear and said, "I think I like your young man." When she reacted in pure confusion, he held up his hands, smiling. "Not in that way, my dear. He just seems quite trustworthy. — Rachel Caine

Why do people fall in love if it means there is a chance of feeling this way? What the fuck is wrong with humans?! HUMANS ARE FUCKING SICK AND TWISTED! I mean, I get it - it feels good, you know? Being in love, being happy." Her body trembled as the tears fell faster than she could take breaths. "But when that magical rug is ripped out from under you, it takes all the happy and good feelings with it. And your heart? It just breaks. It breaks and it's unapologetic. It shatters into a million pieces, leaving you numb, blankly staring at the pieces because all your free will, all the common sense you once had in your life is gone. You gave up everything for this bullshit thing called love, and now you're just destroyed." I — Brittainy C. Cherry

Luisa was on her knees on the bed, naked, my 9mm in her hands and aimed right at me. I automatically had my gun pointed back at her. The sexiest Mexican standoff I'd ever been involved in. "What are you doing?" I asked, taking a cautious step toward her, not lowering my gun for a second. "Leaving," she answered, her eyes hard. She was distracting as all hell, her tits and pussy and that gun. I don't think I'd ever been so turned on so quick and in such an untimely situation. "It doesn't look like it." "I'm going to ask you nicely to let me leave, and if you don't, I'll shoot you." A grin broke out across my face. My god, she couldn't be more perfect. "If you shot me, you'd kill me," I said, taking another step. "Then who would make you come all the time? — Karina Halle

My fingers draw up her back and tangle into her hair. "They'll never separate us."
"Never," she repeats.
Our lips crush together, our bodies pressed tight. An inferno of lips and hands and movements that continues to grow in heat. The blanket falls away as Rachel slides her legs so that she straddles me. On the verge of burning up completely, I groan and cling to her small frame. Her hands drift under my shirt, leaving a singeing trail.
We've become a wildfire. Almost unstoppable. I kiss her neck and the beautiful sounds escaping her mouth encourage me further. My hands skim under her shirt, up her back, linger for seconds near her bra, and I gently nip her ear when I feel lace.
Images pour into my mind of what she'd look like with her shirt off, then her jeans. My fist traps strands of her hair. "I want you, Rachel."
And because I do, I kiss her fully on the mouth - nothing left to the imagination. Every fantasy becomes a reality with that one embrace. — Katie McGarry

Bryan pulled back and laid his forehead against Zahara's, his breath ragged and intense enough to set her on fire. "You'e making this difficult."
"Making what difficult?" Zahara huffed.
"Leaving you." Bryan closed his eyes and kissed her again. — Annabell Cadiz

What would you have me do? A knight doesn't look for a princess among the garbage."
"My Sam had no use for me when he first met me."
That Maddie couldn't believe. "You are Sam's princess in the tower."
"I was Sam's pain in the - " Bella smiled and tapped her behind, leaving the word unsaid. — Sarah McCarty

She straightened, forcing herself not to feel guilty. "All right, fine. I'm leaving. I'm going to Paelsia and I don't care what anyone says. Are you going to try to stop me?" Nic studied her for a moment, his expression neutral. "No. But I'll tell you what I am going to do." "What?" He grinned. "I'm going with you. — Morgan Rhodes

You haven't given me any ink," he said.
"Oh, you won't need ink," said Professor Umbridge with the merest suggestion of a laugh in her voice.
Harry placed the point of the quill on the paper and wrote: I must not tell lies.
He let out a gasp of pain. The words had appeared on the parchment in what appeared to be shining red ink. At the same time, the words had appeared on the back of Harry's right hand, cut into his skin as though traced there by a scalpel - yet even as he stared at the shining cut, the skin healed over again, leaving the place where it had been slightly redder than before but quite smooth.
Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile.
"Yes?"
"Nothing," said Harry quietly. — J.K. Rowling

A terrible day," Frank echoes.
"Yes," Edie says, her gaze never leaving Ava's face. "But look. You grew up anyway. — Nina LaCour

You're not leaving. I told you that." She worked to keep the calm in her tone to counter his fury.
"I'm going to shoot."
"It's time to put your gun down, Noah."
"His blood will be on you."
Rook made eye contact with her and mouthed, Shoot. Him.
She had no shot and said so with the smallest head shake. — Richard Castle

I need you to make a choice, Breanna. If you want things to stay as they are between us, then I need you to walk out that door. Otherwise, it's going to change."
She tilts her head as if she's as lost in emotion as I am. "It's already changed."
A part of me mourns for her. She's the firefly I'm not sure I'll be able to keep alive, but I shove those thoughts away. Breanna is here, and she isn't leaving, which means she's mine. — Katie McGarry

I'll never leave you. I'll never mistreat you. I think you know that by now. Try with me. Let us find what we
may find."
"What do you expect to find, Robert?"
"How should I know? I've never experienced anything like this before in my life."
Tears shone briefly under her graceful long lashes before she blinked them away and glanced at him
again with a reluctant twist of a smile. Sitting up, she wrapped her arms around her bent knees and
sighed. "You are asking us both to set ourselves up for great hurt when it comes time for me to leave."
"Leave? Don't speak of leaving, angel. You must stay forever."
"As your mistress."
"As my love," he countered insistently. — Gaelen Foley

Avery worries about her, too, so Lissa's in good hands. Avery's pretty amazing."
I gave him a scathing look. "Amazing? Do you like her or something?" I hadn't forgotten Avery's comment about leaving the door unlocked for him.
"Of course I like her. She's a great person."
"No, I mean like. Not like."
"Oh, I see," he said, rolling his eyes. "We're dealing with elementary school definitions of 'like'. — Richelle Mead

The problem with stealing the magician's assistant from a carnival was that you were always waiting for her to disappear. He expected her to vanish. She had in fact, multiple times, before Simon was born, and just after, too.

...Daniel wanted to be worried for, wanted to be missed without doing any of the leaving that missing demanded. When Paulina left, he counted breaths, and thought constantly of the disappearing box. The reappearing was the most important part of the trick. Eventually he stopped living in fear that she wouldn't come back. The more pressing concern was that she was cutting herself in two. — Erika Swyler

But I will not allow you to be put down. You aren't done with this life yet, little badass. You just got a big old beast put inside you, and you have to learn how to work with her." "How?" "With support. You have Samuel and Red Havoc. And first and foremost, you have me for as long as you want. For every breath, every smile, every tear, I'll be here right here beside you. Leaving didn't fix anything for either of us. It hurt She-Devil, it hurt you, it hurt me, it hurt Titan. I tried to let you go so you could have a better life, but it didn't take. So, this is where we dig our toes in against the hurricane that is your monster kitty and walk through the damn storm together. Deal? No quitting. I won't let you. — T.S. Joyce

What will life be like without her? I am dreadfully sad she is leaving. What if she just disappears; gets tired of all this trouble at home? What if she leaves me too? How heavy is a dresser when you're the only one pushing it against the door? I feel truly on my own. — Mira Bartok

L.A. kills people.' Jacaranda said. 'You're lucky you're leaving. You'll be able to write.'
She looked paler, going through another depression, smoking in bed in her lilac room. The walls were the color of her veins. She was getting too thin, even for the modeling ... Jacaranda died last winter when the flowering trees were bare. You couldn't even tell which ones once cried the purple blossoms she named herself after. — Francesca Lia Block

You better be able to turn yourself off if you think you're coming back into my house," she said. The bird gave her another dubious look before stamping one foot and the flames disappeared leaving long gold and red feathers.
"Oh," Anya said embarrassed. "I suppose you can. — Amy Kuivalainen

Ian!" she cried, afraid to believe it. "I don't want you to ever regret that you married me."
He smiled, and his fingertips caressed her cheeks. "Regret it? How could I?" You are my passionate
Italian wife. You are the woman who is going to give me children and whose bed I intend to sleep in
every night. You're the reason I'll wake up every morning with a smile on my face. I love you, I will be in
love with you every day of my life, and the only day I'm leaving you is the day they put me in the ground. — Laura Lee Guhrke

Jehanne said that it would always be like this. That I would always be young and beautiful in her memory, and she in mine. That I would never grow resentful, never be tempted to betray her. That she would never grow restless and fickle, and see to replace me. So you see, not exactly the sentiments of a great and terrible love affair. — Jacqueline Carey

I'll thank you now, Kathel, Keirah whispered. Placing a simple, soft kiss on Kathel's lips, she turned and walked away toward her cabin, leaving both men stunned in her wake. — Madison Thorne Grey

Is it time to go?" she asked, propping herself onto her elbow. He tugged up the collar of his coat and slipped his feet into his boots. Then he looked at her with a seriousness that sent a jolt of fear through her. "We can't leave." "Sure we can." She pushed herself up but was immediately overcome by a wave of dizziness. "Even if you were up to leaving, which you're not" - he nodded at her weak attempt at sitting up - "I let the horse go last night. It was her only chance of surviving. Hopefully she made her way back to the stable." "We could walk - " "Not without snowshoes. The snow's too deep and the wind too harsh." She leaned back again, suddenly weary and cold. "Then we're stuck here?" "Until a rescue party comes for us." He pulled on his gloves. "Or until spring. Whichever comes first." He gave a halfhearted grin at his attempt at a joke. — Jody Hedlund

A mix from the book: "Aren't you going to tell me why you're leaving?" Drake asked. He wasn't growling at her anymore. His voice was as gentle as she supposed one could make gravel."

"I know, but seeing as you view yourself as human, I decided that I have to court you before I can claim you as my mate."

"What, and have you pissed off at me? No thanks. I'd like to have my mate happy."

She still had her purse on her shoulder. "Spend the day with me? — Chudney Thomas

This time, whatever you're gonna do, make sure it's for keeps. You might be able to threaten those guys into leaving us alone, but you won't bully me. If you hurt her, I'll hurt you. — Melyssa Winchester