Hemingway Faulkner Quotes & Sayings

A year after Hemingway died on the front page, Faulkner went off after a binge, as if dying was nobody's business but his own. — Alfred Kazin

If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal. — Dave Barry

A digital camera has to be kept in check like a racehorse. — Rene Burri

Hemingway shot himself. I don't like a man that takes the short way home. — William Faulkner

When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently. — Agnes Varda

Carol would not be a bad one to [settle down] with. She's pretty and bright, and maybe this is what love is. She's good company: her interests broaden almost every day. She reads three books to my one, and I read a lot. We talk far into the night. She still doesn't understand the first edition game: Hemingway, she says, reads just as well in a two-bit paperback as he does in a $500 first printing. I can still hear myself lecturing her the first time she said that. Only a fool would read a first edition. Simply having such a book makes life in general and Hemingway in particular go better when you do break out the reading copies. I listened to myself and thought, This woman must think I'm a government-inspected horse's ass. Then I showed her my Faulkners, one with a signature, and I saw her shiver with an almost sexual pleasure as she touched the paper where he signed. Faulkner was her most recent god[.] — John Dunning

As the style of Faulkner grew out of his rage
out of the impotence of his rage
the style of Hemingway grew out of the depth andnuance of his disenchantment. — Wright Morris

Story, as I understood it by reading Faulkner, Hardy, Cather, and Hemingway, was a powerful and clarifying human invention. The language alone, as I discovered it in Gerard Manley Hopkins and Faulkner, was exquisitely beautiful, also weirdly and mysteriously evocative. — Barry Lopez

We have in America "The Big Two-Hearted River" tradition: taking your wounds to the wilderness for a cure, a conversation, a rest, whatever. And as is in the Hemingway story, if your wounds aren't too bad, it works. But this isn't Michigan (or Faulkner's Big Woods in Mississippi for that matter). This is Alaska. — Edward Hoagland

Faulkner is a writer who has had much to do with my soul, but Hemingway is the one who had the most to do with my craft - not simply for his books, but for his astounding knowledge of the aspect of craftsmanship in the science of writing. — Gabriel Garcia Marquez

Christian Louboutin - his shoes are classic and can be worn for any occasion. I love the feel of Prada shoes and the comfort of Fendi. I like Miu Miu and Nicholas Kirkwood. A shoe can decide how stylish you are. — Shilpa Shetty

Poor Faulkner. Does he really think big emotions come from big words? He thinks I don't know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use. — Ernest Hemingway,

I have more to say than Hemingway, and God knows, I say it better than Faulkner. — Carson McCullers

The best American writers have come from the hinterlands
Mark Twain, Theodore Dreiser, Jack London, Hemingway, Faulkner, Wolfe, Steinbeck. Most of them never even went to college. — Edward Abbey

She wanted to know what American writers I liked. "Hawthorne, Henry James, Emily Dickinson ... " "No, living." Ah, well, hmm, let's see: how difficult, the rival factor being what it is, for a contemporary author, or would-be author, to confess admiration for another. At last I said, "Not Hemingway - a really dishonest man, the closet-everything. Not Thomas Wolfe - all that purple upchuck; of course, he isn't living. Faulkner, sometimes: Light in August. Fitzgerald, sometimes: Diamond as Big as the Ritz, Tender Is the Night. I really like Willa Cather. Have you read My Mortal Enemy?" With no particular expression, she said, "Actually, I wrote it. — Truman Capote

Beneath all the chatter and the liturgy runs a fierce nostalgia for the literary myths of the past, for the gigantic figures of Dickens and Joyce, Hemingway and Faulkner. A writer can't even aim at that kind of aura today. But it's that yearning for imagined greatness that drives the whole literary enterprise. Plus the publishers' desperation to manufacture a bestseller to pay the bills. The idea of greatness is a marketing tool. See Franzen. — Tim Parks

If I had not existed, someone else would have written me, Hemingway, Dostoyevsky, all of us. — William Faulkner

In order for you to acquire luck you must be at the right place, in the right time and show the work of your hands, your labor, and your talent. Luck, according to the creator, is not a happenstance or the result of probabilities or numerical factors. I is a function of you creating your own land and being the ruler of your earthly possessions according to a greater purpose. — Celso Cukierkorn

Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary — Pat Conroy

It was a period when live TV was just starting and getting popular and they took it seriously too. Not so much like TV now. They did [Ernst] Hemingway and [William] Faulkner - and they're all wonderful artists and it just was very creative at that time. — Gena Rowlands

The 1992 US Olympic basketball team is the best sports team ever, the equivalent of rounding up the greatest American writers of the last century or so and watching them collaborate: 'OK, Twain, you do the dialogue and hand off to Faulkner. He'll do the interior monologue. Hemingway will edit - no, don't make that face, you know you overwrite. And be nice to Cheever. He's young, but he's got a good ear. Wharton and Cather can't play - they're girls.' — Anna Quindlen

If [the heavyweights] become champions they begin to have inner lives like Hemingway or Dostoyevsky, Tolstoy or Faulkner, Joyce or Melville or Conrad or Lawrence or Proust ... Dempsey was alone and Tunney could never explain himself and Sharkey could never believe himself nor Schmeling nor Braddock, and Carnera was sad and Baer an indecipherable clown; great heavyweights like Louis had the loneliness of the ages in their silence, and men like Marciano were mystified by a power which seemed to have been granted them. With the advent, however, of the great modern Black heavyweights, Patterson, Liston, then Clay and Frazier, perhaps the loneliness gave way to what it had been protecting itself against - a surrealistic situation unstable beyond belief. Being a Black heavyweight champion in the second half of the twentieth century (with Black revolutions opening all over the world) was now not unlike being Jack Johnson, Malcolm X and Frank Costello all in one ... — Joyce Carol Oates

I consider it a shame that most contemporary American writing seems informed more by Hemingway, the hero of adolescent boys of all ages and genders, than by the sui generis genius of letters, Faulkner. A phalanx of books about boredom in the Midwest is lauded (where the Midwest lies is a source of constant puzzlement to me, somewhere near Iowa, I presume), as are books about unexplored angst in New Jersey or couples unable to communicate in Connecticut. It was Camus who asserted that American novelists are the only ones who think they need not be intellectuals. — Rabih Alameddine

I was writing novels in high school and apprenticed myself in a way both to Faulkner and to Hemingway. — Joyce Carol Oates

Well, people have been wondering what's going to happen to the novel for two hundred years; its death has been announced many times. You know, I think the novel keeps redefining the world we live in. What you should look for in a novel is a window nobody else is looking out of, that nobody else can look through. What you look for is a voice. You pick up a novel by someone such as Faulkner or Hemingway and you just read three pages and you know who wrote it. And that's what one should demand of a novelist. — Mordecai Richler

Style has a profound meaning to Black Americans. If we can't drive, we will invent walks and the world will envy the dexterity of our feet. If we can't have ham, we will boil chitterlings; if we are given rotten peaches, we will make cobblers; if given scraps, we will make quilts; take away our drums, and we will clap our hands. We prove the human spirit will prevail. We will take what we have to make what we need. We need confidence in our knowledge of who we are. — Nikki Giovanni

Today's culture is unfortunately inseparable from economic and military power. A ruling nation can impose its culture and give a worldwide fame to a second-rate writer like (Ernest Hemingway). (John Steinbeck) is important due to American guns. Had (John Dos Passos) and (William Faulkner) been born in Paraguay or in Turkey, who'd read them? — Luis Bunuel

He has never been known to use a word that might send a reader to the dictionary.
(on Ernest Hemingway — William Faulkner

One of the most important things is to remind yourself of where you are from and be thankful. I don't for a second take anything for granted. That's a good way to start your day. — Colin Morgan

Of course, I'm of the generation that grew up with Hemingway and Faulkner as strong influences. — Italo Calvino

Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity. — William Styron