Head Them Up Move Quotes & Sayings

When you understand the fear then you can begin to move past it. So when I hear the people say it's innate, you can't learn it, I just want to hit them in the head. — Robert Greene

Life, in her experience, had a kind of velvet luster. You looked at yourself from one perspective and all you saw was weirdness. Move your head a little bit, though, and everything looked reasonably normal. — Jonathan Franzen

In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger .
"I heard a rumor."
"What's that?" I struggled to get out.
"It's your birthday."
Terrified speaking would break the spell, I licked my suddenly dry lips and nodded.
"Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober. — Katie McGarry

So what do I do? What do we do? How do we move forward when we are tired and afraid? What do we do when the voice in our head is yelling that WE ARE NEVER GONNA MAKE IT? How do we drag ourselves through the muck when our brain is telling us youaredumbandyouwillneverfinishandnoonecaresanditistimeyoustop? Well, the first thing we do is take our brain out and put it in a drawer. Stick it somewhere and let it tantrum until it wears itself out. You may still hear the brain and all the shitty things it is saying to you, but it will be muffled, and just the fact that it is not in your head anymore will make things seem clearer. — Amy Poehler

Some random supernatural hit me hard from the side. With a shriek I went head-over-ass and landed on my face. Smooth. My wolf was real proud of that graceful move.

Eve, Jaymin (2015-01-29). Dragon Marked: Supernatural Prison #1 (p. 31). . Kindle Edition. — Jaymin Eve

A whisper of fabric as Derek dressed. Then a hand on my waist, a light touch, tentative. I turned and Derek was right there, his face above mine, hands sliding around me as I titled my face up
"What the - ?"
We both jumped - again. Tori stood there, staring at us, Simon behind her, grabbing her arm.
"I told you not to - " Simon began.
"Yeah, but you didn't say why. I sure didn't expect ... " She shook her head. "Am I the last one to know everything around here?"
Liz raced in. "What's going on?"
"Derek's ready," I said. "We need to move." — Kelley Armstrong

Hagrid's hint about the spiders was far easier to understand - the trouble was, there didn't seem to be a single spider left in the castle to follow. Harry looked everywhere he went, helped (rather reluctantly) by Ron. They were hampered, of course, by the fact that they weren't allowed to wander off on their own but had to move around the castle in a pack with the other Gryffindors. Most of their fellow students seemed glad that they were being shepherded from class to class by teachers, but Harry found it very irksome. One person, however, seemed to be thoroughly enjoying the atmosphere of terror and suspicion. Draco Malfoy was strutting around the school as though he had just been appointed Head Boy. Harry didn't realize what he was so pleased about until the Potions lesson about two weeks after Dumbledore and Hagrid had left, when, sitting right behind Malfoy, Harry overheard him gloating to Crabbe and Goyle. "I always thought Father might be the one who — J.K. Rowling

[He] ... watches the Joker rising from his wheelchair, the way a rabbit watches car headlights bearing down, unable to move a single, spotlit muscle. The madman's limbs appear to unlatch as though some psychotic god has chosen to give life to a complicated Swiss Army knife. The Joker's head rotates ... the green lasers of his eyes target the keys at the big man's belt, and he shakes his head. — Grant Morrison

When you can turn people on their head and shake them and no money falls out, then you know God's saying, "Move on, son." — A.A. Allen

My lover is dead.
And they think I killed him.
I'm running rogue.
Hell bent on both revenge and redemption. Whatever it takes, I'm going to finish a job that began nine months ago. An unauthorized assignment that turned horribly, devastatingly wrong. My miscalculation.
My fault.
My heart left shattered into incomplete pieces which will never wholly fit back together again.
But first I have to outsmart my former organization and the hired killer they've sent after me; a ghost from my past who knows my every move, who's been inside my head, my heart, my dreams and memories: Jaxson.
I'm the traitor, Kylie. The rogue mercenary, Jaxon's newest assignment. And this is our love story. — Michele Mannon

I lick my lips as his teeth nibble on my earlobe. Between my muscles melting under his touch, my blood tingling with the teasing of my ear and the way my foot rubs against his calf, my thoughts become hazy.
My shirt rides up and Isaiah rubs his thumb in small circles on the bare skin of my stomach. The sensation causes me to arch my back and Isaiah groans as I kiss his neck. I like these feelings. Actually, I more than like them. They're addicting, and I love how every little thing I do causes Isaiah to kiss and touch me more.
He rolls and I move with him. Our tangled legs become unraveled as my thighs fall open, accepting his weight. Isaiah's body over mine is heavier than I would have imagined, but it's a weight I craved without knowing it.
Isaiah kisses up my neck and when his lips meet mine again, he rocks his hips. Suddenly very aware parts of him are touching very aware parts of me, and my head falls to the side as a new sensation spikes through my body. — Katie McGarry

On the days that feel dark and endless, I make myself a simple promise: I'll get out of bed in the morning. Then I'll head up the hill to class. If I put one foot in front of the other, day by day, I'll move closer to the light at the end of all this struggle. — Regina Calcaterra

Then, that memorably powerful look into my eyes told me something more: compared to dogs, wolves are grown-ups. He was not asking for help, head down, forehead wrinkled, as a dog might: "Is this right? What do you want?" Instead, head high, gaze level, he was assessing me, like a poker player: "Are you in or out?" Judging that I was in, he made his move; and we both won. — Karen Pryor

I can remember every second of that morning, if I shut my eyes I can see the deep blue colour of the sky and the mango leaves, the pink and red hibiscus, the yellow handkerchief she wore around her head, tied in the Martinique fashion with the sharp points in front, but now I see everything still, fixed for ever like the colours in a stained-glass window. Only the clouds move. It was wrapped in a leaf, what she had given me, and I felt it cool and smooth against my skin. — Jean Rhys

That night, Zalmai wakes up coughing. Before Laila can move, Tariq swings his legs over the side of the bed. He straps on his prosthesis and walks over to Zalmai, lifts him up into his arms. From the bed, Laila watches Tariq's shape moving back and forth in the darkness. She sees the outline of Zalmai's head on his shoulder, the knot of his hands at Tariq's neck, his small feet bouncing by Tariq's hip.
When Tariq comes back to bed, neither of them says anything. Laila reaches over and touches his face. Tariq's cheeks are wet. — Khaled Hosseini

While you are sucking her, take two fingers and slide them inside her. Feel how the blood in her skin is hot against your fingers as you do. Feel the weight of her pussy. Reach up inside her, to the spot that would be the back of her clit, and you will find a spot right there that is soft, like the top of a baby's head. Rest your fingers there. You do not need to move. Just press very gently. Notice how the pressure pushes her clit from behind, how it pops forward into your mouth. Suck it as if you were sucking all the juices out of it. — Nicole Daedone

How soon do you want to move in?" "As soon as possible after school is out. In about six or seven weeks." "Are you a teacher too?" AJ asked. Shelby shook her head. "I have a first grader. And a three-year-old." "You're married?" As AJ's brown eyes flitted to her left hand, she self-consciously folded it into her waist. It'd been over a year since Gary's death, but she still wore her wedding band. More for her daughters' sakes than her own. "I was. — Johnnie Alexander

The Time Line is great for getting things into perspective when you feel a bit lost and lacking direction or if you have a big change coming up such as moving to secondary school, your parents splitting up or having a new family arrangement. When you experience grief or loss, whether that is for a person or a part of your life such as leaving your Primary School, you can travel back along the time line, identify which skills you need from your old life, anchor them and bring them into the present as you move forward to Secondary School. Once you've done the Time Line a few times it will be in your head and you can conjure up the image and the steps without moving. This can be useful in situations when you can't actually move physically, in class for instance. — Judy Bartkowiak

Then the Announcer would transform: into a screen through which to glimpse the past-or into a portal through which to step.
This Announcer was sticky,but she soon pulled it apart,guided it into shape. She reached inside and opened the portal.
She couldn't stay here any longer. She had a mission now: to find herself alive in another time and learn what price the Outcasts had referred to, and eventually,to trace the origin of the curse between Daniel and her.
Then to break it.
The others gasped as she manipulated the Announcer.
"When did you learn how to do that?" Daniil whispered.
Luce shook her head. Her explanation would only baffle Daniil.
"Lucinda!" The last thing she heard was his voice calling out her true name.
Strange,she'd been looking right at his stricken face but hadn't seen her lips move. Her mind was playing tricks.
"Lucinda!" he shouted once more, his voice rising in panic,just before Luce dove headfirst into the beckoning darkness. — Lauren Kate

Kissing scenes are never romantic or sexy, they're actually super technical, like, "Move your head, you're blocking her light," or, "Stop looking like an idiot when you kiss her." You do it again and again because of the camera angles and takes and whatnot. So by the end of it, it's not even kissing. All the anything is totally drained out of it. — Will Poulter

You've got to have some adversity and learn from it. I'm working hard, but I didn't expect a cure in one day. You learn. You move on. You hold your head up. You go on to the next day. — Chuck Knoblauch

tucked an arm around the back of Prophet's neck and Prophet buried his face in Doc's shoulder as Doc said, "It's not fair. I know it's not. But before you do anything else, you have to tell Tom." "How do you know I haven't?" "How do I know the sun rises in the morning?" "Fucker," Prophet muttered against Doc's shoulder. "Disability-hater." Doc rubbed the back of his neck but didn't make a move to let him go. And Prophet was okay with that. "Do you want me to tell him?" Doc asked finally. "Yeah. But you can't." God, it was safe right here, with Doc. And Prophet wanted it to be this safe with Tommy . . . and it was, except for this issue. Which he hadn't given Tommy the chance to deal with. "I can be there with you. I'll answer the questions he'll have, so you don't have to." Prophet lifted his head. "Yeah, I get you're trying to make it easier on me, but fuck, it's not going to be at all. I can't pretend anything will help." "Not pretending is the first step. — S.E. Jakes

If you keep the burden on your head, God (Bhagwan) will move away. — Dada Bhagwan

As she died, Mary was alone on the planet as were Dwayne Hoover or Kilgore Trout. She had never reproduced. There were no friends or relatives to watch her die. So she spoke her very last words on the planet to Cyprian Ukwende. She did not have enough breath left to make her vocal cords buzz. She could only move her lips noiselessly.
Here is all she had to say about death: 'Oh my, oh my.'
...
Like all Earthlings at the point of death, Mary Young sent faint reminders of herself to those who had known her. She released a small could of telepathic butterflies, and one of these brushed Dwayne Hoover, nine miles away.
Dwayne heard a tired voice from somewhere behind his head, even though no one was back there. It said this to Dayne: 'Oh my, oh my.
... — Kurt Vonnegut

An intense cold swept over them all. Harry felt his own breath catch in his chest. The cold went deeper than his skin. It was inside his chest, it was inside his very heart ...
Harry's eyes rolled up into his head. He couldn't see. He was drowning in cold. There was a rushing in his ears as though of water. He was being dragged downward, the roaring growing louder ...
And then, from far away, he heard screaming, terrible, terrified, pleading screams. He wanted to help whoever it was, he tried to move his arms, but couldn't ... a thick white fog was swirling around him, inside him - — J.K. Rowling

Everyone, this is the new girl. Elder knows her. New girl, this is everyone." A few people look up politely; some actually smile. Most, however, look wary at best, disgusted at worse. The nurse closest to me jabs her finger behind her ear and starts whispering to nobody.
"What's wrong with her?" I ask Harley as he leads me to the table he was sitting at.
"Oh, don't worry, we're all mad here."
I giggle, mostly from nerves. "It's a good thing I read Alice in Wonder-land . I definitely think I've fallen into the rabbit hole."
"Read what?" Harley asks.
"Never mind." All around me, eyes follow my every move.
"Look," I say loudly. "I know I look different. But I'm just a person, like you." I hold my head up high, looking them all in the eyes, trying to hold their stares for as long as possible.
"You tell 'em," says Harley with another Cheshire grin. — Beth Revis

His head dropped to watch his thumb move over my fingers as he muttered, "Naked, baby."
My head twitched at his weird word.
"Pardon?"
His eyes came to mine and he repeated, "Naked."
I felt my brows draw together and I asked, "Naked?"
He held my gaze even as he moved ... — Kristen Ashley

You cannot go around in grief and panic every day; people will not let you, they will coax you with tea and tell you to move on, bake cakes and paint walls. [ ... ] So what you do is you let them coax you. You bake the cake and paint the wall and smile; you buy a new freezer as if you now had a plan for the future. And secretly
in the early morning
you sew a pocket in your skin. At the hollow of your throat. So that every time you smile, or nod your head at a teacher meeting, or bend over to pick up a fallen spoon, it presses and pricks and stings and you know you've not moved on. You never even planned to. — Andrew Sean Greer

Dancer finds me the next day as I practice my Aureate accent in the penthouse's holomirror. I can see a three-dimensional depiction of my head in front of me. The teeth move strangely, catching my tongue as I try to roll my words. I am still becoming used to my body, even months after the last of the surgeries. My teeth are larger than I initially thought them. It also doesn't help that the Goldbrows speak as though they've had golden shovels stuck up their bloodydamn stinkholes. So I find it easier to speak like one if I see that I am one. The arrogance comes easier. — Pierce Brown

I can understand the teachers saying it's a gun at my head, but they've got the same gun at the parents' head at the moment. The parent goes up to the teacher and says, well, I'm not satisfied with what you're doing, and the teacher can say, well tough. You can't take him away, you can't move him, you can't do what you like, so go away and stop bothering me. That can be the attitude of some teachers today, and often is. But now that the positions are being reversed [with vouchers] and the roles are changed, I can only say tough on the teachers. Let them pull their socks up and give us a better deal and let us participate more. — Milton Friedman

When two people live in one place, their individual habits get amplified.
For example: I'm not lazy. But I don't like to move a whole lot. I mean, if I am doing something, I'll do it. I'm as active as the next guy. But if I'm sitting, I don't like to get up. Even if I'm facing the wrong way.
If I'm talking to someone whose chair isn't quite facing me, I'll talk to the side of their head. If I sit down and realize the TV is angled wrong, I won't get up to adjust. I'll watch it like that. I'll sit there and wait til someone walks by and ask them to move the TV. — Paul Reiser

Amanda bit her lip. "You're not ... trying to be funny or something, are you?"
"I'm not trying to be anything!" I said.
"All right, kids," the photographer called. "On the count of three. One, two-" She broke off, straightening up from the camera with a frown. "Excuse me. You in the turquoise? I need you to face forward."
I rotated my body as best I could.
"All the way, please."
I turned so that my shoulders werre even with everybody else's, only now my head faced Gail instead of the lens.
Gail pressed her lips together. "Stop it!" she said.
"Winnie?" Mr. Hutchinson said. He walked to the end of our row. "What's going on?"
"I can't," I whispered.
"Can't what?"
"Can't move my neck, it's stuck." Tears burned in my eyes, and I blinked hard to keep them back.
"Mr. Hutchinson, she's faking," Gail said. "She's trying to be funny and she's ruining everything. — Lauren Myracle

The game's rules were Byzantine, and we had to work them out through trial and error. One rule, which had only gradually become apparent, was that one could only move into another character's head if the move did not involve too big a jump in social status. A peasant could not swap into the head of a king, even if the king knelt down to kiss the peasant. But the peasant could get there by jumping into the head of a blacksmith, and then an armourer, and then an officer in the king's guard, and so on - working their way up by discrete steps. Sometimes it would not be possible to change character between one session and the next, but that was all part of the game's richly involving texture. It was difficult and slow, but because at each step one had access to the memories and personality of the inhabited character, it was seldom boring. — Alastair Reynolds

McReynolds emphatically shook his head. "No way. Legal's all over that deal. It's squeaky clean. Even the woman signed off. Trammel. I could make her a three-hundred-pound whore who likes black dick in the movie and she couldn't do a thing about it. That deal is perfect." "Yeah, well, what Legal's missed is the part about neither one of them having the rights to the story to sell you in the first place. Those rights happen to reside here with me. Trammel signed them over to me before Dahl came along and took second position. He thought he could move up one by stealing the original contracts out of my files. Only that's not going to work. I've got a witness to the theft and Dahl's fingerprints. He's going to go down on fraud and theft charges and your choice here is to decide whether you want to go down — Michael Connelly

But his son hated him. He hated him for coming up to them, for stopping and looking down on them; he hated him for interrupting them; he hated him for the exaltation and sublimity of his gestures; for the magnificence of his head; for his exactingness and egotism (for there he stood, commanding then to attend to him); but most of all he hated the twang and twitter of his father's emotion which, vibrating round them, disturbed the perfect simplicity and good sense of his relations with his mother. By looking fixedly at the page, he hoped to make him move on; by pointing his finger at a word, he hoped to recall his mother's attention, which, he knew angrily, wavered instantly his father stopped. But, no. Nothing would make Mr. Ramsay move on. There he stood, demanding sympathy. — Virginia Woolf

This way," he murmurs and abruptly is inside me once more, but he doesn't start his usual punishing rhythm straight away. He leans over, releases my hands, and pulls me upright so I am practically sitting on him. His hands move up to my breasts, and he palms them both, tugging gently on my nipples. I groan, tossing my head back against his shoulder. He nuzzles my neck, biting down, as he flexes his hips, deliciously slowly, filling me again and again.
"Do you know how much you mean to me?" he breathes against my ear.
"No," I gasp.
He smiles against my neck, and his fingers curl around my jaw and throat, holding me fast for a moment. "Yes, you do. I'm not going to let you go." I groan as he picks up speed. "You are mine, Anastasia." "Yes, yours," I pant. "I take care of what's mine," he hisses and bites my ear. — E.L. James

Bryn took off running. Her thigh muscles bunched as she scrambled down the rise, breath coming in jerky gasps. The ill-fitting helmet jiggled up and down, obscuring her vision, so she yanked at the chinstrap and shoved the thing off her head. And kept running. She had to get there before the air strike. Had to save the kids. "Bryn!" Ignoring Dec's shout, she sprinted hard, fueled by adrenaline. Bouncing off rocks and boulders, she reached the road and scrambled to her feet, breath sawing in and out of her lungs in sobs. She could not let innocent children be caught up in this. "Bryn, no!" She ignored him. The children weren't stopping. She opened her mouth and screamed the Arabic word for stop. It came out in a high-pitched wail, and both children jerked around to face her in fear. "Stop! Go back!" she yelled, waving her arms in a frantic effort to get them to move. "Run! — Kaylea Cross

People who get implants, it's so depressing, you know ... People - I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here ... Well if you really want more attention, why not get them in your eyes? And then move you eyes down to where you nipples used to be, put you breasts up on your head, EVERYBODY will pay attention! — Dylan Moran

Do you have any idea how much it turns me on, knowing something of mine has been cradling your sweet pussy all day long?" Without warning, he thrust two thick fingers inside her with just enough force to make her cry out, bring her up on her toes. He didn't move them, only held them there, high and tight inside her. Ruby's head fell forward on a moan that was equal parts frustrated and relieved. He'd finally filled her. But she needed so much more from him, and he seemed determined to take his time. "You walked around with your naughty secret all day, didn't you? Did you think of me while you sat in class wearing my underwear? Did the thought of me get you all wet, baby?" His thrust his fingers deeper. "Answer me or you'll get no more. — Tessa Bailey

I mustered all my strength, drew back, and swung.
The sword's blade hit the side of her neck, hard and deep. She gave a horrible, sickening cry, a shriek that made my skin crawl. She tried to move toward me. I pulled back and hit again. Her hands clutched at her throat, and her knees gave way. I struck and struck, the sword digging in deeper into her neck each time. Cutting off someone's head was harder than I thought it would be. The old, dull sword probably wasn't helping.
But finally, I gained enough sense to realize she wasn't moving. Her head lay there, detached from her body, her dead eyes looking up at me as though she couldn't believe what had happened. That made two of us. — Richelle Mead

Her head against his chest and whispered: We can busy ourselves with living or with dying, Ove. We have to move on. — Fredrik Backman

Anyway ... she's asleep, turned away from me on her side. The usual stratagems and repositionings have failed to induce narcosis in me, so I decide to settle myself against the soft zigzag of her body. As I move and start to nestle my shin against a calf whose muscles are loosened by sleep, she sense what I'm doing, and without waking reaches up with her left hand and pulls the hair off her shoulders on the top of her head, leaving me her bare nape to nestle in. Each time she does this I feel a shudder of love at the exactness of this sleeping courtesy. My eyes prickle with tears, and I have to stop myself from waking her up to remind her of my love. At that moment, unconsciously, she's touched some secret fulcrum of my feelings for her. — Julian Barnes

I'm going to have a nice little nap in this sun. Don't think to wander off-I'll know if you move. A very light sleeper, I am.
Heather stared, speechless, at the woman who slept so soundly every night that she'd never heard Heather slip out of their room, or back in. Heather managed not to shake her head in disbelief, just in case Martha was watching through her lashes. — Stephanie Laurens

He isn't Eric, so our lips don't move in a familiar rhythm. He isn't Eric, and so our teeth grit against each other. He holds the back of my head, as if he is afraid I will break away. My heart beats so hard I begin to feel it in forgotten places: behind my eyes, at the base of my throat, between my legs. — Jodi Picoult

Lying is like trying to hide in a fog: If you move about you're in danger of bumping your head against the truth, and as soon as the fog blows off, you are gone anyhow. — Josh Billings

I want to be the kind of person who can do that. Move on and forgive people and be healthy and happy. It seems like an easy thing to do in my head. But it's not so easy when you try it in real life. — Susane Colasanti

Bury my head in the sand and go with the status quo or find myself in the rubble and move on. I'd chosen the latter and that had led me here to him. Heaven help me. — Jordan Silver

It was the least I could do after what you did for us," Gregori said. Mikhail graciously thanked each of the Lycan hunters for their help. Vikirnoff and Natalya along with Destiny and Nicolae immediately came over. Destiny had fought with the Lycans and she introduced her lifemate, his brother and Natalya as she led the other pack members over to the tables of food and drink. Fen knew immediately that Mikhail had planned for just that move. The pack respected Destiny's abilities and would relate to her and her family. Out of the corner of his eye he could see other Carpathian couples going up and introducing themselves to the pack members and engaging them in conversation. Mikhail inclined his head toward Fen. "I believe you two know one another." "We've certainly fought a few battles together now," Zev said, holding out his hand to Fen. — Christine Feehan

In hindsight, though, I might have overdone it by adding that flour, which means before I depart for Abigail's cottage I need to tidy up this room." "If you're moving out, I'm moving with you," Thaddeus said, slipping up beside Millie and taking hold of her hand. Elizabeth was the next to move. She reached out and put her arm around Millie's middle, leaning in to rest her head against Millie's side. "I'm coming too," she said as she snuggled closer right as Millie smiled and placed a quick kiss on top of Elizabeth's paste-covered head. Everett's heart immediately took to the unusual act of lurching, no doubt due to the sight of Millie's understated affection. Ladies of society always made a big production out of kissing their children when company was present, but Millie . . . Her kiss had been the real thing, a show of regard for a child who'd caused her no small amount of trouble. Expecting — Jen Turano

(William) Deresiewicz offers a vision of what it takes to move from adolescence to adulthood. Everyone is born with a mind, he writes, but it is only through introspection, observation, connecting the head and the heart, making meaning of experience and finding an organizing purpose that you build a unique individual self. — David Brooks

We have all seen these circus elephants complete with tusks, ivory in their head and thick skins, who move around the circus ring and grab the tail of the elephant ahead of them. — John F. Kennedy

By now I had drawn up as much magic as I could possibly hold, but I was afraid to start sending big bolts of it into the fray. The last thing I wanted was to hit Archer, who, I was beginning to realize, had definitely held back in Defense. I'd never seen anyone move like he did, his movements fast and sure. Too bad they weren't doing any good.
Finally,one of the ghouls got a grasp on his hair, and he winced as the thing jerked his head back. I think I might have cried out, but it was hard to hear anything between my heartbeat and the whirring of magic in my veins.
"Could we start with the necromancing now?" Archer shouted at me. — Rachel Hawkins

You do realize you just insulted me, right?"
"How so?"
"You implied that I can't protect her or my people."
I looked at him. "That's not at all what I meant."
"Apologize and I'll let it go."
I kept my hands firmly on the iron rail before me. Grabbing the weight bar and walloping the Beast Lord upside the head wouldn't be the best diplomatic move.
"I'm sorry, Your Majesty." There. I was civil. It almost killed me. — Ilona Andrews

My little donkey, if I hadn't shown up, your fate would have been sealed. Love has saved you. Is there anything else that could erase the innate fears of a donkey and send him to rescue you from certain death? No. That is the only one. With a call to arms, I, Ximen Donkey, charged down the ridge and headed straight for the wolf that was tailing my beloved. My hooves kicked up sand and dust as I raced down from my commanding position; no wolf, not even a tiger, could have avoided the spearhead aimed at it. It saw me too late to move out of the way, and I thudded into it, sending it head over heels. Then I turned around and said to my donkey, Do not fear my dear, I am here! — Mo Yan

Do you know what a balance wheel is?" She shook her head slightly. "There's one in every clock or watch. It rotates back and forth without stopping. It's what makes the ticking sound ... what makes the hands move forward to mark the minutes. Without it, the watch wouldn't work. You're my balance wheel, Poppy." -Harry Rutledge — Lisa Kleypas

Everything started to move in slow motion. A vehicle was coming up the hill in the opposite direction, facing us but in its own lane. With vehicles parked on both sides of the road, this meant that there was just a narrow passage area for both vehicles to pass through. However, he had yet to reduce his speed, and now I knew which car he was going to hit. I was frozen stiff with fear in the front passenger seat, as I helplessly watched him slam into the back of a parked car. I was not wearing a seat belt, so upon impact my head crashed into the windshield. I was then slammed back into my seat, but with such force that everything went black. — Drexel Deal

Stu stops munching, looks up at me from under his shaggy hair.
"So, can you read?" He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can't read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
"Guess not. You want me to read stuff out loud to you?"
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
"It's so weird," he says in a hesitant voice. "You don't look like a cat. When you stare at me, you look like Eliza."
That's the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you. — Simone Martel

Kasen lifted one of the bottles and read the label. "This stuff can kill you." "Yeah, but obviously not quick enough." He went to take another swig. Nykyrian jerked it out of his hand. "Hey!" He pulled it away from his grasping hand. "Don't even make that noise at me." Syn curled his lip. "You and Vik. You're both traitors. You might as well move in with Shahara, too." Vik had gone to live with her and refused to come back until Syn "got over himself". Little wormy betraying mecha bastard. Kasen shook her head. "I think this is the first time I've ever seen you drink from a bottle." Nykyrian snorted. "Lucky you. I've seen him tap a keg and funnel it."
- Kasen, Syn, & Nykyrian — Sherrilyn Kenyon

The things I will invent will be, I suspect, mundane by comparison with the truth. And as I said, it's my intention that you should not know the difference. I plan to interweave the elements of my story so cunningly that you'll cease to even care whether an event happened out there in the same world where you walk, or in here, in the head of a crippled man who will never again move from his stepmother's house. — Clive Barker

Grief is a lovely word and a lovely thing. It heals, as resentment cannot. Grief must be admitted and lived through, or it turns into resentment, and continues to bother you for the rest of your life, rearing its depressed little head at all the wrong moments, so that one Sunday tea time at the old lady's home you will unexpectedly begin to cry into your toasted teacake, and the nurses will say "Poor Mrs. Frazer, that's the end," and will move you into the senile ward, when the truth of the matter is quite different. It's not senility, but grief grown uncheckable with age. Myself, I cry now and eat now, so as not to cry later, when it is yet more dangerous. I shall make a very cheerful old lady. — Fay Weldon

But now they must've worn off. He thought he may have groaned. It was hard to be sure in his kinda awake state. He tried to move his hand and yelled out at the pain. Oh yeah, fractured wrist. "Easy there, bad boy." Oh my lord. Curtis would know that sexy whisky-dripped baritone anywhere. He'd force open his own eyes now just to see those green eyes looking down at him. He didn't care if his head exploded into a million pieces. It'd be worth it for this sight. "Open those beautiful baby blues," Genesis said in a hushed drawl. Curtis fought through the fog and the pain and cracked open his eyes. He blinked a few times at the harsh light above his head but he kept on until Genesis' gorgeous face was in focus. Curtis' lips parted in a smile. What on earth was he doing there? He believed it was a Monday now. Genesis should be in school. "Gen. — A.E. Via

He felt something move in his chest, as though an organ had been removed and something unfamiliar left in its place. A sentiment he had never suspected the existence of bloomed in him. It traveled from his chest along his veins to every limb. It swelled in his head, muffled his ears, stilled his voice, and collected in his feet and fingers. Having no language for it, he remained silent, but felt it root, become permanent. — Diane Setterfield

I get out of the car and move to stand in front of them. Over their slobbing bodies, I say, "Seriously?" I scratch my head. "I mean, seriously? — Victoria Scott

For a minute he stands there, looking at me, and I can tell that he knows why I'm crying, and he understands, and it's going to be all right. He opens his arms to me.
"Come here," he says quietly.
I can't move to him fast enough. I practically fall into him. He catches me and pulls me in tightly to his chest, and I let myself go again, let sobs run through me. He stands there with me and murmurs into my hair and kisses the top of my head and lets me cry over losing another boy, a boy I loved better. — Lauren Oliver

When Mama starts to move across a room, people pay attention. You can never be sure she's not going to grab you by the top of the head to steady herself. And she's pretty free with that walking stick, too. — Bailey White

Quote taken from Chapter 1:
That's the idea. Listen, Frank, this one is different. She's a keeper." He let that part gel in me. "Get your head screwed on straight and move to Richmond. You hate it living in Pelham. — Ed Lynskey

I look down and feel a sort of distant horror as I see a body that is mine but not mine. My limbs are bent at odd angles. Shards of bone poke out though my skin. When I try to move, I realize that I feel no pain because I feel nothing. Nothing at all. And no matter how hard I try, I can't move anything but my head.
I'm broken, like Luka. Broken and bloody.
The thought feels hazy, as though it ought to mean more to me than it does. — Eve Silver

Innocent people can get into terrible jams, too. One false move and you're in over your head. — Ben Hecht