He Was Drawn To Her Quotes & Sayings

The effect on Lucy was not bad, for the faint seemed to merge subtly into the narcotic sleep. It was with a feeling of personal pride that I could see a faint tinge of colour steal back into the pallid cheeks and lips. No man knows, till he experiences it, what it is to feel his own lifeblood drawn away into the veins of the woman he loves.
The Professor watched me critically. "That will do," he said. "Already?" I remonstrated. "You took a great deal more from Art." To which he smiled a sad sort of smile as he replied, "He is her lover, her fiance. You have work, much work to do for her and for others, and the present will suffice. — Bram Stoker

He'd discovered the tables now and was staring at the pile. It looked like the work of a miniaturist beaver: a heap of objects that was illegible yet clearly not random. To Sasha's eye, it almost shook under its load of embarrassments and close shaves and little triumphs and moments of pure exhilaration. It contained years of her life compressed. The screwdriver was at the outer edge. Sasha moved closer to Alex, drawn to the sight of him taking everything in. — Jennifer Egan

He was conscious - and the thought brought a gleam of pleasure into his brown agate eyes - that it was through certain words of his, musical words said with musical utterance, that Dorian Gray's soul had turned to this white girl and bowed in worship before her. To a large extent the lad was his own creation. He had made him premature. That was something. Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art, was indeed, in its way, a real work of art, life having its elaborate masterpieces, just as poetry has, or sculpture, or painting. — Oscar Wilde

He rose up over her, his arms straight on either side of her shoulders, and slowly withdrew, his flesh dragging against hers.
He was hot and hard.
She spread her thighs, reveling in this lush feeling, his thrusts blunt and hard now, pounding into her body.
And still he watched her, the green of his eyes slivers of want, demanding something of her. Something she was no longer willing to give, it was just too much.
When at last she came, her breaths hitching and halting, her legs trembling, her sex pulsing with every push of his cock, she watched him. She saw when he gritted his teeth, his lips drawn back in need and pleasure.
He shouted her name, loud in her quiet bedroom, as his big body jerked and plunged and emptied itself in her. — Elizabeth Hoyt

Valentine whirled. Clary, lying half-conscious in the sand, her wrists and arms a screaming agony, stared
defiantly back. For a moment their eyes met - and he looked at her, really looked at her, and she
realized it was the first time her father had ever looked her in the face and seen her. The first and only
time.
"Clarissa," he said. "What have you done?"
Clary stretched out her hand, and with her finger she wrote in the sand at his feet. She didn't draw runes.
She drew words: the words he had said to her the first time he'd seen what she could do, when she'd
drawn the rune that had destroyed his ship.
MENE MENE TEKEL UPSHARIN. — Cassandra Clare

I used to wonder if a mother could see the shift when her child became an adult. I wondered if it was clinical, like at the onset of puberty; or emotional, like the first time his heart was broken; or temporal, like the moment he said I do. I used to wonder if maybe it was a critical mass of life experiences - graduation, first job, first baby - that tipped the balance; if it was the sort of thing you noticed immediately when you saw it, like a port-wine stain of sudden gravitas, or if it crept up slowly, like age in a mirror. Now I know: adulthood is a line drawn in the sand. At some point, your child will be standing on the other side. I — Jodi Picoult

But when his mistress for the time being was a woman in society, or at least one whose birth was not so lowly, nor her position is so irregular that he was unable to arrange for her reception in 'society,' then for her sake he would return to it, but only to the particular orbit in which she moved or into which he had drawn her. — Marcel Proust

For his part, the stranger was drifting in Annabel's direction, yet not very deliberately. As if, in some way, he were being drawn to her, by some (unconscious) motion or motive of Annabel herself. Why — Joyce Carol Oates

It was too familiar to Cody. He placed his arms around his wife trying somehow to shelter her from the reality she was facing. There was another reason for his closeness; his desperation to show her he was not one of them, that the tribes of cruel men did not recognize him as one of their own, and to show his wife that his promise to create a safe place for her was a promise she need not fear would be broken. In the innermost part of him, from the secret child that lives within all men, was a scared cry, "Please don't think I'm bad too." From the other innermost part of him, the secret animal that prowls in some men was a raging wolf ready to kill. The battle line within the man had been drawn. The boundaries of faith rose up around the rage, warning the soul against righteous anger morphing to blood lust. — Lee Goff

They talked about the incubators for a while, which he told her that he'd built himself. Then he showed her an ancient motorcycle with a few shiny new parts, and explained shyly that it was a Harley Super Glide, and he was restoring it. He'd brought her up to the loft, where there was a breathtaking view of the ranch spread and the horse fields. Then they sat in the gorgeous horse-drawn carriage that Mr. Thatcher always brought to town events and talked about school, life on the ranch, everything and anything. — Morgan Blaze

She grabbed her briefcase and took a step toward him. "You don't have a last name?"
"Everyone has a last name." His hand hovered in the air, waiting. He was forcing her to cross the marble floor to meet him, and like a Luna moth drawn to a midnight moon, she drifted toward him.
When she reached him, she took his hand and looked up into his face. "Is it Jones? Smith? Or Brown?"
His lips twitched. "None of the above."
"And you won't tell me?"
"It's not necessary information."
She tilted her head, studying his angular features. "You don't look like an Adrian."
His smile broadened. "Imagine that."
"More like a Carlos, or a Juan, or a Diego."
"Those are Hispanic names."
"Aren't you Hispanic?"
"I'm anything you want me to be. — Shelby Reed

He and Anna lay facing each other, Staines lying on his left hip, and Anna, on her right, both of them with their knees drawn up to their chests, Staines with one hand tucked beneath his bandaged shoulder, Anna with one hand tucked beneath her cheek. She must have turned toward him, some time in the night: her left arm was flung outward, her fingers reaching, her palm turned down ...
Devlin came closer ... He looked down at Anna and Emery, their mirrored bodies, facing in. They were breathing in tandem.
So they are lovers, he thought, looking down at them. So they are lovers, after all. He knew it from the way that they were sleeping. — Eleanor Catton

He liked to think he was in on the secrets she had. When she smiled slyly, he smiled slyly too, and they exchanged confidences in whispers. The world had drawn close around them, and they were in the center of it, or rather Rose of Sharon was in the center of it with Connie making a small orbit about her. Everything they said was a kind of secret. — John Steinbeck

Her brows had drawn together over those big eyes, in an expression that no doubt she thought stern, but that was, in reality, rather adorable. Like a small girl chiding a kitten. A streak of anger surged through him. She shouldn't be out by herself in the ruined garden. If he'd been another type of man - a brutal man, like the ones who'd run Bedlam - her dignity, perhaps even her life, might've been in danger. Didn't she have a husband, a brother, a father to keep her safe? Who was letting this slip of a woman wander into danger by herself? — Elizabeth Hoyt

He was drawn to painful thoughts, fear, darkness. And Reyna's darkest, most painful memory was San Juan. Her biggest fear? Coming back here. — Rick Riordan

Cleo was surprised that he'd drawn so close to her. "I know." "You could have been killed." "Theon, I wasn't thinking straight." "Neither was I. And neither am I at this very moment." She looked up at him just as he captured her mouth with his and kissed her deeply. This was not a chaste kiss of friendship. This was a kiss of true passion, such as she'd only dreamed of before. Her heart leapt in her chest and she wrapped her arms around him to pull him closer. When it finally ended, he stepped back from her, his eyes steady on the ground, a deep frown creasing his brow. "My humble apologies for that, princess." She pressed her fingers against her lips. "Please, don't apologize. — Morgan Rhodes

And you, Edward? Is there something in this world for which you'd surrender your life and your soul, if need be? You need not answer - I saw in your face and in your heart, last night, as you bent over the bed. Good art, good art - both of you. I have found several sorts of good and original art in this world, enough to justify encouraging your Artist to try again. But there was so much that was bad, poorly drawn and amateurish, that I could not find it in me to approve the work as a whole until I encountered and savored this, the tragedy of human love." Cynthia looked at him wildly. "Tragedy? you say 'tragedy'?" He looked at her with eyes that were not pitying, but serenely appreciative. "What else could it be, my dear? — Robert A. Heinlein

He found a stuffed animal, a fluffy wolf with bright blue eyes, and was immediately drawn to it. "I want to get this for her. It is telling me it needs to go home with us." Francesca laughed at him. — Christine Feehan

Tyrion Lannister sniggered. That was when Catelyn knew he was hers. "This man came a guest into my house, and there conspired to murder my son, a boy of seven," she proclaimed to the room at large, pointing. Ser Rodrik moved to her side, his sword in hand. "In the name of King Robert and the good lords you serve, I call upon you to seize him and help me return him to Winterfell to await the king's justice."
She did not know what was more satisfying: the sound of a dozen swords drawn as one or the look on Tyrion Lannister's face. — George R R Martin

As far back as she could remember, a phantom life had mocked her with its impenetrable "something else," but now it was the opposite. Here, in the circle of Akiva's presence, even as they spoke of war and siege and enduring enmity, she felt herself being drawn into the warm absoluteness and rightness of him, like he was both place and person and, contrary to all reason, exactly where she was supposed to be. — Laini Taylor

He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow, this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable that it might well have been a dream. — G.K. Chesterton

She smiled a little, and there was effortful lightness in her voice when she asked, "And how would you know what darkness is like?" Her hand brushed his feathers and they sparked to her touch. "You are your own light."
And Akiva almost said, I know what darkness is, because he did, in all the worst senses of the word, but he didn't want Karou to think he was retreating to the bleak state she'd drawn him out of in Morocco. So he held his tongue and was glad he had when she added, so softly he nearly didn't hear, "And mine. — Laini Taylor

Bedroom. "And, please, stay away from Venable, Jock. Don't let him talk you into doing anything like this again." He didn't answer, and she glanced back over her shoulder. He smiled, that beautiful, gentle smile that had first drawn her to him when he was a boy scarcely out of his teens. "Things aren't good for you, Jane. I have to make them better." She shook her head helplessly. In his way, he was an implacable force on the same scale as MacDuff. "Good night." She closed the bedroom door — Iris Johansen

When he turned to face her, the drawn look on his face was one of absolute agony as if Luce had just ripped his heart out — Lauren Kate

Had the girl had any common sense, she would have dropped the line at once. But she had no sense. She made no sense. She was a pale English rose of a governess, adrift in a watery wilderness, on her way to a grueling post on a godforsaken island, when any fool could have told her-a woman so lovely need never work for her keep.
Had the men around her any sense, they would have cut the rope immediately. But they were idiots, bloody shite-for-brains idiots, too entranced by the pretty girl in peril to reach for their knives.
Had Gray his own knife, he would have drawn it. But he wasn't wearing his knife, because he wasn't the captain on this ship, was he? Nor an officer, nor even part of the crew. He was just a stupid, overdressed passenger who hadn't strapped on a goddamned knife that morning because it might ruin the lines of his goddamned brand-new coat. — Tessa Dare

She had a good, strong voice. She smiled with her voice, too. This, he thought, was the magic that had drawn him to her. — Carolyn Jewel

Teresina went often to confession. She was the despair of Father Ramon. Indeed he had seen that while her knees, her hands, and her lips did penance for an old sin, her modest and provocative eyes, flashing under drawn lashes, laid the foundation for a new one. During — John Steinbeck

She turned toward Roarke's office, then stopped in the doorway. He was at his console; captain of his ship. He'd drawn his hair back so it lay on his neck in a short, gleaming black tail. His eyes were cool, cool blue. The colour they were when his mind was fully occupied. He'd taken off his dinner jacket, his shirt was loose at the collar, the sleeves rolled up. There was something ... just something about that look that always and forever grabbed her in the gut. She could look at him for hours, and at the end of it, still marvel that he belonged to her.
"Someone wants to hurt you," she thought. "I'm not going to let them. — J.D. Robb

He and Brenna were different in one crucial respect, a difference they had both gone to great lengths to avoid discussing - the lack of a mating bond between them.
He was a psychic being. He would have seen it had it been present in any form. That it wasn't, was a sign that though they might be drawn to each other, they weren't made to fit. He didn't give a damn. He was keeping her. — Nalini Singh

The words trailed off, and she smiled helplessly as she waited for him to rescue her from her own sentence. Nate's thoughts had been far removed from relationship issues, and he didn't feel like getting drawn into another of these conversations. He also didn't like being pressured to provide reassurances on demand, being made to perform his affection at someone else's bidding, like a trained seal. Besides, it seemed that in soliciting reassurance - after everything that had been said the other night - Hannah was allowing herself to give in to a neurotic compulsion. That wasn't something he wanted to reward. — Adelle Waldman

She loved him because he had brought her back to life. She had been like a caterpillar in a cocoon, and he had drawn her out and shown her that she was a butterfly. — Ken Follett

He raked his hand through his hair. 'This is more difficult than I'd anticipated.'
Good, she thought. If he was going to break her heart, she didn't want it to be easy for him.
'What I'm trying to say is that I had it all wrong. I don't want a wife who...'
'You don't want a wife?' she choked.
'No!' he practically yelled. Then he continued in a more normal tone, 'I don't want a wife who will look the other way if I stray.'
'You want me to /watch?/
'No, I want you to be furious.'
Ellie was by now on the verge of tears. 'You deliberately want to make me angry? To hurt me?'
'No. Oh, God, you've got it all wrong...I just want you to love me so much that if I did [be unfaithful] - which I'm not going to - you would want to have me drawn and quartered. — Julia Quinn

She was exquisite, and he feared that he was blinded to everything else, that he was drawn to her by weakness, that his passion for her was incomplete. Know ing all too well the deeply religious love of the Italian poets for women they had merely seen on the street, he feared that his infatuation for Lia could never be compared to the elemental union that can occur between men and women when God is present and light surrounds them. — Mark Helprin

The problem was that he had fallen in love with her. After considering the situation, he discovered it was useless trying to figure out how it had happened. Bewitched from the beginning with her beauty, her wit and her honesty had drawn him in further. She was so unlike anyone - any woman - he had ever met before, and the emotions had simply crept up on him. He was in the middle before he had been aware he had begun. — L.L. Diamond

As she was working out the calculations in her head, she forgot to really worry about all the physical things that were getting in the way--the balancing of the bow, the aiming, the fear she wasn't going to get it right--and suddenly it all just clicked. She felt it come into sudden, sharp focus, like a spotlight had suddenly focused on her, and she let go of the arrow. That instant, she knew it would hit the target. She let the bow rock gracefully forward on the balance point, watching the arrow, and it smacked into the exact center of her crudely drawn paper circle. Physics. She loved physics. Shane arrived just as she put the arrow into the center, and slowed down, staring from the target to Claire, standing straight and tall, bow still held loosely in one hand and ready to shoot again. "You look so hot right now," he said. — Rachel Caine

One exhibition to which Tom Norman became particularly attached was his family of midgets. It consisted of two midgets, billed as man and wife and always brought into town in a specially constructed miniature coach drawn by ponies. In each town on the tour he made a point of closing the show down for a few days so as to allow the lady midget to 'give birth to her baby'. A new-born infant would then be hired to stand in for the hypothetical offspring, and even larger queues always gathered after such a 'happy event' to see the new arrival. The only problem was the difficulty he had in restraining the 'mother' from swearing volubly, smoking a pipe and drinking gin in front of the customers. The exhibition finally came to grief when the 'mother' ran away one night, objecting to being displayed as a woman any longer, both midgets being men. — Peter Ford

Then Maeglin bowed low and took Turgon for lord and king, to do all his will; but thereafter he stood silent and watchful, for the bliss and splendour of Gondolin surpassed all that he had imagined from the tales of his mother, and he was amazed by the strength of the city and the hosts of its people, and the many things strange and beautiful that he beheld. Yet to none were his eyes more often drawn than to Idril the King's daughter, who sat beside him; for she was golden as the Vanyar, her mother's kindred, and she seemed to him as the sun from which all the King's hall drew its light. — J.R.R. Tolkien

And the more he was irritated by her basic personality, the more he was drawn to her by a harsh, bestial sensuality, illusions of a moment, which ended in hate. — Gustave Flaubert

After slipping on a negligee and making herself comfortable on the lounge, she became conscious that she was miserable and that the tears were rolling down her cheeks. She wondered if they were the tears of self-pity, and tried resolutely not to cry, but this existence without hope, without happiness, oppressed her, and she kept shaking her head from side to side, her mouth drawn down tremulously in the corners, as though she were denying the assertion made by some one, somewhere. She did not know that this gesture of hers was years older than history, that, for a hundred generations of men, intolerable and persistent grief has offered that gesture, of denial, of protest, of bewilderment, to something more profound, more powerful than the God made in the image of man, and before which that God, did he exist, would be equally impotent. It is a truth set at the heart of tragedy that this force never explains, never answers - this force intangible as air, more definite than death. — F Scott Fitzgerald

He broke away to catch his breath, but his mouth was soon drawn back to her skin, kissing her temple, her forehead, one cheek, then the other. "Mr. Weston," she breathed shakily. "I . . . I think - " "I think you might call me Henry at this point, don't you?" he teased. — Julie Klassen

Mencheres slid through the water toward her, drawn by the same inexorable compulsion that led moths to dance with flames. He'd had several lifetimes' worth of reason, cold machinations, and, ultimately, emptiness. Perhaps the moths knew what he didn't, that the joy of the flame was worth the price of destruction. — Jeaniene Frost

At the edge of the still, dark pool that was the sea, at the brimming edge of freedom where no boat was to be seen, she spoke the first words of the few they were to exchange. 'I cannot swim. You know it?"

In the dark she saw the flash of his smile. 'Trust me.' And he drew her with a strong hand until the green phosphorescence beaded her ankles, and deeper, and deeper, until the thick milk-warm water, almost unfelt, was up to her waist. She heard him swear feelingly to himself as the salt water searched out, discovered his burns. Then with a rustle she saw his pale head sink back into the quiet sea and at the same moment she was gripped and drawn after him, her face to the stars, drawn through the tides with the sea lapping like her lost hair at her cheeks, the drive of his body beneath her pulling them both from the shore. They were launched on the long journey towards the slim shape, black against glossy black, which was the brigantine, with Thompson on board. — Dorothy Dunnett

You are absolutely amazing,' he breathed into her ear, but she didn't have the breath to respond to his words. She gasped heavily as their faces drew closer. He leaned down towards her, and she felt so drawn to him that she leaned up to meet him. She had no idea what was going on, but in spite of Uche's presence, she decided to follow her heart under the clear cold stars. Next thing, her unprepared body was rising gently, gradually standing on her tingling toes in order to meet his face. He was so tall that she barely reached his shoulders... — Nick Nwaogu

That was what the dream was meant to tell Tomas, what Tereza was unable to tell himself. She had come to her, to escape her mother's world, a world where all bodies were equal. She had drawn an equal sign between her and the rest of them: she kissed them all alike, made no absolutely no distinction between Tereza's body and the other bodies. He had sent her back into the world she tried to escape, sent her to march naked with the other naked woman. — Milan Kundera

Zack stepped toward Mollie, and without asking permission, tugged her into his arms. "Let's dance," he said impulsively. Her eyes widened in alarm. "Don't be ridiculous." Mollie was not the sort to be drawn out of her comfort zone without a little prodding. She tried to skitter out of his arms, but he hauled her back. "Let me do all the work, Mollie. I know what I'm doing." Like any good Pole in Chicago, Zack had been dancing since childhood and confidently led Mollie in a rousing jig. She was clumsy at first, but all she had to do was follow his lead. The tension in her back relaxed, and she learned the steps. Her smile started out hesitant, then bloomed wider. With her face illuminated by firelight and laughter, she was perfect in his arms. — Elizabeth Camden

As Amani frantically diced the ingredients for her Pan seared Mahi-Mahi with Mango Salsa, she recalled her first meeting with him during a class he taught on the presentation of food and organization the previous year. Amani had been immediately drawn to the tall, serious Californian, and not just because of his looks. With dark wavy hair, strong features and the deepest blue eyes she had ever seen short of Paul Newman's, David Spencer was everything Amani admired in a man, and then some. — Joanna Hynes

But she found herself drawn to Ivy because he wasn't like her at all, wasn't like anyone, really. Most people were different because they wanted to be noticed. ivy was different because he couldn't be anyone else — Pamela Todd

Wonder Woman completely eschewed a damsel in distress role by instead being a superhero of unparalleled skill, and the inversion of the typical gender roles didn't stop there. Like her superhero peers, Wonder Woman had her own damsel in distress, a fawning love interest who always got captured and had to be rescued. "Her" name was Steve Trevor. A major in the US Air Force, Steve was a highly decorated pilot who was often called on to perform important secret missions. He appeared to be the quintessential American hero and was drawn that way by H. G. Peter, with a strong jaw, muscular build, and handsome face. However, the man was entirely inept. — Anonymous

And it was not simply because he did think her beautiful to look upon. Paine had been correct, of course. Rachel was indeed - as he had crudely put it - a "handsome piece." Matthew could understand how Paine - how any man, really - could be drawn to her. Rachel's intelligence and inner fire were also appealing to Matthew, as he'd never met a woman of such nature before. Or, at least, he'd never met a woman before who had allowed those characteristics of intelligence and fire to be seen in public. It was profoundly troubling to believe that just possibly Rachel's beauty and independent nature were two reasons she'd been singled out by public opinion as a witch. It seemed to him, in his observations, that if one could not catch and conquer an object of desire, it often served the same to destroy it. — Anonymous

He shouldn't be captivated by the sight of a tear caught on her lashes, or her perfect nose, slightly pink. Those lips were even more intriguing, so he made himself look away, staring out at the forest beyond the gazebo.
He glanced down to find Ellice still looking up at him, her eyes liquid pools of chocolate.
Their gaze caught and held, the seconds ticking by in solemn regularity. He felt drawn to her like a magnet. Pulling away would be a difficult task.
He must for his own safety. This woman with her guileless eyes, soft heart, and lurid imagination was a danger. — Karen Ranney

I don't want to be a widow, I don't want Michael Bayning, and I don't want you to joke about such things, you tactless clodpole!"
As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists.
Bewildered by the immediate force of her fury - it was like being stung by a butterfly - Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. "Did she just say she doesn't want Bayning?"
"Yes," Win said, a smile hovering on her lips. "That's what she said. Go after her, Harry."
Every cell in Harry's body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy's sister a desperate glance. "What should I say?"
"Be honest with her about your feelings," Win suggested.
A frown settled on Harry's face as he considered that. "What's my second option? — Lisa Kleypas

How old are you?'
The question startled him. 'Earth and Air. There are times you are no more comfortable a companion than I am. The answer to that serves no conceivable purpose, and I refuse to give it to you.'
When I was a kid I read Black Beauty. There were horse-drawn cabs in that. Are you that old?'
Older, older, older. I shall not tell you, so you may as well leave off, my primrose.'
She snorted. 'I think that means I should give up. You've started sweet-talking.'
I am torn,' the phouka said, grinning, 'between responding, 'Oh, absolutely!' and 'What do you mean, started?' He grabbed her hand, dropped a kiss on the knuckles, and loped across the street. Eddi felt the touch of his mouth on her hand for an inexplicably long time. — Emma Bull

He hadn't lied. He honestly liked her house, for the same reasons he was drawn to the woman. There was no artifice about either one. — Ruth Wind

But even more than her diary, Shimamura was surprised at her statement that she had carefully cataloged every novel and short story she had read since she was fifteen or sixteen. The record already filled ten notebooks.
"You write down your criticisms, do you?"
"I could never do anything like that. I just write down the author and the characters and how they are related to each other. That is about all."
"But what good does it do?"
"None at all."
"A waste of effort."
"A complete waste of effort," she answered brightly, as though the admission meant little to her. She gazed solemnly at Shimamura, however.
A complete waste of effort. For some reason Shimamura wanted to stress the point. But, drawn to her at that moment, he felt a quiet like the voice of the rain flow over him. He knew well enough that for her it was in fact no waste of effort, but somehow the final determination that it had the effect of distilling and purifying the woman's existence. — Yasunari Kawabata

Talik said, 'His contract with Lord Berenger ends soon. Ancel will seek a new contract, a high bidder. He wants money, status. He is foolish. Lord Berenger may offer less money, but he is kind, and never puts pets in the ring. Ancel has made many enemies. In the ring, someone will scratch his green eyes out, an "accident."'
Damen was drawn in against his will. 'That's why he's chasing royal attention? He wants the Prince to
' He tried out the unfamiliar vocabulary. '
offer for his contract?'
'The Prince?' said Talik, scornfully. 'Everyone knows the Prince does not keep pets.'
'None at all?' said Damen.
She said, 'You.' She looked him up and down. 'Perhaps the Prince has a taste for men, not these painted Veretian boys who squeal if you pinch them.' Her tone suggested that she approved of this on general principle. — C.S. Pacat

Sam was stiff and tired. He crept onto the houseboat, careful not to wake anyone, and sidled down the narrow passage to his bunk. The shades were drawn and of course there were no lights, so he felt his way to the edge of his bed and crawled across it on hands and knees to find his pillow.
He collapsed on his back.
But even at the edge of sleep he was aware of something different about the bed.
Then he felt soft breath on his cheek.
He turned and her lips were on his. Not gentle. Not soft. She kissed him hard, and it was like he'd been awakened by an electric power line.
She kissed him and slid on top of him.
Their bodies did the rest.
At some point in the hours that followed he said, "Astrid?"
"Don't you think you should have made sure of that about three times ago?" Astrid said in her familiar, slightly condescending tone.
They said many things to each other after that, but nothing that involved words. — Michael Grant

He felt again irresistibly drawn to her. He felt there was a secret bond, a secret thread between him and her, something very exclusive, which shut out everybody else and made him and her possess each other in secret. — D.H. Lawrence

Above all her voice moved him. He had not known that an accent seduced his emotions. But he'd always been drawn to those with an accent. Be it woman or man. It sounded nicer. A lavender husk. More proper, elegant. American English was clumsy, clipped, flat. No lilt, nothing guttural, boring, unpleasant. He had no exotic fetishes. His attuned ear seemed to be remembering voices from another life, another time. He could never escape the sense that he'd lost a life dear to him and that life was lived in another language. — Wheston Chancellor Grove

She had always dimly guessed him to be in touch with important people, involved in complicated relations - but she felt it all to be so far beyond her understanding that the whole subject hung like a luminous mist on the farthest verge of her thoughts. In the foreground, hiding all else, there was the glow of his presence, the light and shadow of his face, the way his short-sighted eyes, at her approach, widened and deepened as if to draw her down into them; and, above all, the flush of youth and tenderness in which his words enclosed her. Now she saw him detached from her, drawn back into the unknown, and whispering to another girl things that provoked the same smile of mischievous complicity he had so often called to her own lips. The feeling possessing her was not one of jealousy: she was too sure of his love. It was rather a terror of the unknown, of all the mysterious attractions that must even now be dragging him away from her, and of her own powerlessness to contend with them. — Edith Wharton

In some indefinable way he felt drawn to her, as if he already knew her, as if they had been close friends, soulmates even, somewhere in a previous existence. Her mere presence seemed to calm his thoughts, saving him from the vicissitudes of his mind. She appeared before him as familiar, a kindred spirit. Perhaps it was something in her face, her eyes. She seemed to know ... what, exactly, he was not sure. She seemed to understand. Or rather, he had detected in her the capacity to understand. — Tabitha Suzuma

He knew he would have to believe in order to go where she had been; knew that, if he believed, he could go there even if it didn't exist, if it was make-believe. He moved the hand she had drawn around her down her long flesh, and with a little sound she pressed herself against him. He searched himself for that old will, long in disuse. If she went there, ever, he didn't want to be left behind; wanted to never be farther from than this. — John Crowley

Olivia Lydall was too innocent, too emotional to understand his world. The realization that he was drawn to her was humiliating. It revealed a weakness within him and he resented her for it. — Alexandra Hawkins

But as the sun slipped even further, his eyes weren't drawn to the horizon. He watched Lily as she stood on the dock, glorying in the golden ritual, her russet hair slipping free from its ponytail to frame her face with messy abandon.
This is the view I need to be happy, she'd said.
The irony was exquisite. Because that was what he whispered to himself every time he saw her too.
And there wasn't a damn thing he could ever do about it. — Elyse Mady

Did you really think I might have drawn that picture?" Emma swallowed a self-conscious lump in her throat, then lifted her chin. "I own the notion did cross my mind. But can you blame me? After all, you knew what the piece looked like and you gave me prodigious cause to suspect you in the past." He inhaled deeply. "I suppose you are right. But that was a long time ago. I have no interest in tricking you now. Nor in frightening you, nor any other dishonorable motive, I assure you." The warm tenor of his voice did odd things to Emma's stomach. She blinked, unable to meet his gaze. "Emma, look at me." She forced herself to meet his remarkable green eyes and saw the sincerity burning there. He said, "You have my word, Emma. I did not do this." He had called her Emma. She liked the sound of her name on his lips. Nodding, she said, "I believe you. — Julie Klassen

What was your first kiss like?"he had asked.
She answered, "I do not know as I have yet to experience such. Mayhap I should find a willing young man to help teach me how to kiss before I marry. With you being such a worldly and experienced man, mayhap you would want a wife who is just as experienced and worldly?"
His response left her laughing almost uncontrollably.
"It would bring me much relief to know you have not one grain of experience with kissing. I would hate to think you were comparing my kisses with anyone else's. Equally important is the fact that I might be drawn and quartered before our wedding day, for gutting any man who dare even think about kissing you. You would, in truth, be saving countless lives by remaining ignorant on the matter. — Suzan Tisdale

He kissed the pulsing vein at her temple that had drawn his attention when he had first met her. In hindsight, he knew that it had been love at first sight for him. Now that he held his dream in his hands, he would do anything to protect and keep it. He wasn't the kind of man that took anything for granted. He was willing to risk everything for her, including his heart. If he had to slay a few dragons on the way in order to keep her, well, suffice it to say he was well-trained physically and mentally for just that. — Belle Ami