Quotes & Sayings About Having Your Back Turned

Syn pulled Furi to his chest. "Furi, I want you to go back through the bar and go wait at my place. I'm going to have a little chat with your ex-husband," Syn said extra loudly.

Furi huffed in annoyance, "Syn, I took six months of self-defense courses at the YMCA this year. I can fight for myself."

Syn looked at Furi like he'd lost his damn mind. "At the Y? Well hell, that's great Furious. If you ever get jumped by the Village People, feel free to pull out those moves. As for now, I want you to take your karate-kicking-YMCA-going-ass back to my apartment," Syn snarled at Furi, urging him toward the door, having neither the time nor the patience to argue with his ridiculous pride. Thankfully, with one final glare Furi went back into the pub. When Syn turned back, God and Day were looking back and forth between him and his two foes.


"What's going on here, fellas?" God asked casually, not acknowledging Syn. — A.E. Via

Eddis looked around as if recalling a question that had nagged at her for several hours. "Where's Eugenides?" she asked.
For a moment the Attolian queen was immobile, her smile gone as if it had never been. The horse under her threw up its head as if the bit had twitched against its delicate mouth.
"Locked in a room," Attolia said flatly. "In Ephrata."
The smile faded from Eddis' face.
"I ordered the other prisoners released," Attolia explained. "I forgot that I had him locked up separately. I doubt my sensechal will have released him without my specific instruction to do so."
"You forgot?" Eddis asked.
"I forgot," Attolia said firmly, daring Eddis to contradict her.
"You will marry him?" Eddis asked, hesitant again.
"I said I would," snapped Attolia, and turned her horse away. Eddis followed. When they joined their officers, Attolia gave brisk orders and then rode on, heading back toward Ephrata without waiting for Eddis. — Megan Whalen Turner

Michael staggered to his feet and turned to face his worst nightmare. Baal stood before him, a smirk on his face. He wore his signature grey, pinstripe, three-piece suit, and casually twisted his pinky ring on his long and slender well-manicured finger. As it rotated Michael caught a glimpse of the rubies in the skull's eye sockets. His black hair was slicked back, the sight of his false appearance made Michael sick to his stomach. — Wendy Owens

It goes a long way back, some twenty years. All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. I accepted their answers too, though they were often in contradiction and even self-contradictory. I was naive. I was looking for myself and asking everyone except myself questions which I, and only I, could answer. It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man! — Ralph Ellison

Bringing an asteroid back to Earth? What's that have to do with space exploration? If we were moving outward from there, and an asteroid is a good stopping point, then fine. But now it's turned into a whole planetary defense exercise at the cost of our outward exploration. — Buzz Aldrin

Have you been having fun, Eliza?" Gloria asked. "She's danced every dance," Hamilton said before Eliza could respond. "How wonderful," Gloria exclaimed. "See, I told you there was no reason for your earlier distress." "You were distressed?" Mr. Murdock inquired as he leaned forward over Agatha. "It was only a little case of nerves," Eliza returned, her eyes widening when Hamilton absently traced a finger down her arm. The action was not lost on Mr. Murdock. He sat back in his seat and turned his head to address the guest on his left. "What are you doing?" Eliza hissed. "If you're not careful, everyone will believe there's soon to be an announcement." "That would bother you?" And just what did he mean by that? She took a deep breath and slowly released it. "You've obviously lost your mind." Hamilton sent her a wicked smile and refused to say another word, although he did remove his finger from her skin. — Jen Turano

With her back turned, she loosened each plait until her hair hung in waves that curled around her waist. Then she spun to face him and puffed a sigh.
"Fine. You caught me. I guess there's no use pretending anymore."
Doran settled in and waited for the punch line.
"I lured you onto this ship," she said, "because I couldn't get enough of your scintillating personality."
There it was.
"Kiss me, Doran," she cried, flopping onto the mattress with one arm slung over her eyes and the other clutched to her breast. "I burn for you, hotter than a thousand hells."
He cocked his head to the side. "I think there's an ointment for that. — Melissa Landers

Give me all of you, and I'll give you back yourself when we have finished.
And in the high country she had screamed aloud in some combination of fear and pleasure. And she had done that once more in a bed in Iowa, then turned the scream into a dwindling, involuntary cry for all the things she had once felt and now felt again with another strange man who lived in his own far places. — Robert James Waller

Since you seldom spoke, you were rarely wrong. You seldom spoke because you seldom went out. If you did go out, you listened and watched. Now, since you no longer speak, you will always be right. In truth, you do still speak: through those, like me, who bring you back to life, and interrogate you. We hear your responses and admire their wisdom. If the facts turned out to contradict your counsel, we blame ourselves for having misinterpreted you. Yours are the truths, ours are the errors. — Edouard Leve

Holl?" Seth turned over. "Where you going?"
"Home. Sorry. Go back to sleep." I pulled on my sweatpants.
"But we have all night." He pushed to his elbows.
"I know. I can't." My voice sounded hoarse, hollow. "I don't feel good. I'm sorry." I lurched for the door. I needed to get out, get away. As far away from here as possible. She was in me, in my blood, invading every cell in my body. She was the one I wanted. She was the one I saw, felt, desired. This was wrong. He was wrong. It was all so wrong. (Chapter. 12) — Julie Anne Peters

Barrons Books and Baubles had been ransacked!

Tables were overturned, books torn from shelves and strewn everywhere, baubles broken. Even my little TV behind the counter had been destroyed.

"Barrons?" I called warily. It was night and the lights were on. My illusory Alina had told me more than an hour had passed. Was it the same night, nearly dawn? Or was it the night following our theft attempt? Had Barrons come back from Wales yet? Or was he still there, searching for me? When I'd been so rudely ripped from reality, who or what had come through those basement doors?

I heard footsteps, boots on hardwood, and turned expectantly toward the connecting doors.

Barrons was framed in the doorway. His eyes were black ice. He stared at me a moment, raking me from head to toe. "Nice tan, Ms. Lane. So, where the fuck have you been for the past month? — Karen Marie Moning

turned back into his office, pushing his door closed. "Uh oh," Zwingler said to Casey. "Looks — Robin Burcell

The face of the angel of history is turned toward the past. Where we perceived a chain of events, he sees a single catastrophe which keeps piling wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistably propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress. — Walter Benjamin

When you sever ties with the unit purely for self-serving intentions, you are likely to find yourself stranded and struggling to survive; fighting to keep your head above water. What's more, there is no one to save you because you've turned your back on your comrades and snubbed your support system. — Carlos Wallace

I turned up the inane sound effects and let them fill the room, setting up an atmosphere of mind-body pollution while Miss Chianti and I got better acquainted. A couple of glasses had me convinced that she's a real sweetheart, though a protracted rendezvous was probably going to leave me regretting the entire encounter. It's always the quiet ones that come back to bite you. — Alice Yi-Li Yeh

He doesn't trust me - and I'm sorry to say he has reason." He looked at Samuel. "I don't think he'll trust you either - not another male when his daughter is there." He turned back to me. "But you have his scent all over your van, and he has a picture of you in his bedroom."
Samuel gave me a sharp look. "In his bedroom? — Patricia Briggs

Most of the time, I get auditions for deaf characters where the scene has them communicating in really convoluted ways, like reading lips from across the room when the other person's back is turned or having other people parrot what they say. — Shoshannah Stern

I had turned to leave and he had called after me. "Miss Maria, I kin no other woman who could be wearing men's trousers and be dripping such as ye are and look quite so lovely. It's a right shame your mother is marrying you off to that great sot!"
I had turned to call back to him, "I doubt very much we will have to worry about that after today! — Gwenn Wright

Cut! Go again."
And again, and again, and again. Finally, after the fourth of fifth take I yelled down the hill to the director: "This isn't a fucking marathon! If we're going to go again, tell him on the bloody bike to slow down."
David turned to me and said, "Having a bit of trouble, Captain?"
"That's all right for you to say," I laughed breathlessly, "but I'm carrying a rucksack on my back with your fucking hand in a glass jar inside — John Barrowman

The columns of mounted men moved forward, passed out through the gates of the Palace of Karma, turned off the roadway and headed up the slope that lay to the southeast of the city of Mahartha, comrades blazing like the dawn at their back. — Roger Zelazny

Have you heard the latest word from Arrakis?" the Baron asked. "No, Uncle." Feyd-Rautha forced himself not to look back. He turned down the hall out of the servants' wing. "They've a new prophet or religious leader of some kind among the Fremen," the Baron said. "They call him Muad'Dib. Very funny, really. It means 'the Mouse.' I've told Rabban to let them have their religion. It'll keep them occupied. — Frank Herbert

I was so intimidated by the thought of improvising back in the '80s when I was in Chicago. I think the opportunity only even came up once that I can recall, and I turned down the offer. It was to go improvise in some club in the suburbs or something. Good God, I couldn't think of anything more frightening than to get up there without a plan. — Neil Flynn

Sure," I said. "But some people would ask, 'How can you expect others to replicate what you're doing here?' What would be your answer to that?" He turned back and, smiling sweetly, said, "Fuck you." Then, in a stentorian voice, he corrected himself: "No. I would say, 'The objective is to inculcate in the doctors and nurses the spirit to dedicate themselves to the patients, and especially to having an outcome-oriented view of TB.' " He was grinning, his face alight. He looked very young just then. "In other words, 'Fuck you. — Tracy Kidder

Is it time for your period, or something?"
With unerring instinct, he'd found a great big red button, and pushed it. Wyatt fights to win, which means he fights dirty. I understand the concept because that's how I fight, too, but understanding it didn't stop me from reacting. I could practically feel my blood bubbling with steam. "What?"
He turned around, all controlled aggression, and damned if he didn't push the button again. "What is it about having a period that makes women so bitchy?"
... It was an effort, but I said as sweetly as possible, "It isn't that we're bitchier, it's that having a period makes us feel all tired and achy, so we have less tolerance for all the bullshit we normally SUFFER IN SILENCE." By the time the sentence ended the sweetness was long gone, my jaw was clenched, and I think my eyes were bugging out.
Wyatt took a step back, belatedly looking alarmed. — Linda Howard

Yeah, well, we're all grieving in our own way, obviously. It's just I heard this crazy rumor about your having inherited twenty-two million dollars." He tried to meet her eyes, but she'd turned away, squeezing her thumbs, fists balled. "Crazy, huh? But getting back to this lunch, let's see, Mr. Aldren and whatever his name is, Tweedledum, they had steak, right? And Mr. Stoorhuys
" He snapped his fingers. "Rabbit. Half a rabbit, grilled. Or what do you call it? Braised. — Jonathan Franzen

I do not find that I grow any older. Being arrived at seventy, and considering that by traveling further in the same road I should probably be led to the grave, I stopped short, turned about, and walked back again; which having done these four years, you may now call me sixty-six. Advise those old friends of ours to follow my example; keep up your spirits, and that will keep up your bodies. — Benjamin Franklin

Starting in 1792 with George Washington, there were financial crises every ten to fifteen years. Panics, bank runs, credit freezes, crashes, depressions. People lost their farms, families were wiped out. This went on for more than a hundred years, until the Great Depression, when Oklahoma turned to dust. "We can do better than this." Americans said. "We don't need to go back to the boom-and-bust cycle." The Great Depression produced three regulations:
The FDIC-your bank deposits were safe.
Glass-Steagall-banks couldn't go crazy with your money.
The SEC-stock markets would be tightly controlled.
For fifty years, these rules kept America from having another financial crisis. Not one panic or meltdown or freeze. They gave Americans security and prosperity. Banking was dull. The country produced the greatest middle class the world had ever seen. — Elizabeth Warren

All the way back she talked haltingly about herself, and Amory's love waned slowly with the moon. At her door they started from habit to kiss good night, but she could not run into his arms, nor were they stretched to meet her as in the week before. For a minute they stood there, hating each other with a bitter sadness. But as Amory had loved himself in Eleanor, so now what he hated was only a mirror. Their poses were strewn about the pale dawn like broken glass. The stars were long gone and there were left only the little sighing gusts of wind and the silences between ... but naked souls are poor things ever, and soon he turned homewards and let new lights come in with the sun. — F Scott Fitzgerald

Luisa was on her knees on the bed, naked, my 9mm in her hands and aimed right at me. I automatically had my gun pointed back at her. The sexiest Mexican standoff I'd ever been involved in. "What are you doing?" I asked, taking a cautious step toward her, not lowering my gun for a second. "Leaving," she answered, her eyes hard. She was distracting as all hell, her tits and pussy and that gun. I don't think I'd ever been so turned on so quick and in such an untimely situation. "It doesn't look like it." "I'm going to ask you nicely to let me leave, and if you don't, I'll shoot you." A grin broke out across my face. My god, she couldn't be more perfect. "If you shot me, you'd kill me," I said, taking another step. "Then who would make you come all the time? — Karina Halle

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

Put you hand before your eyes and remember, you that have walked, the places from which you have walked away, and the wilderness into which you manfully turned the steps of your abandonment ... It is your business to leave all that you have know altogether behind you, and no man has eyes at the back of his head - go forward. — Hilaire Belloc

darted a look out the window and then back to him. He kept that same faint smile but he watched the road. Houses passed us on either side in a blur of colors overwhelmed by the white of the snow. We shot through an intersection and the traffic light made me stare. I turned back to him. "What's your name?" He looked over at me for a flicker before turning back to the road. "Reed." I nodded. It was a nice — Robert J. Crane

Bramble had taken another pencil from Delphinium, and Azalea's napkin, and wrote something new.
You're afraid of the King. Admit it.
Azalea grimaced at her untouched food, burning in humiliation as Lord Bradford took the napkin and read it. This time, he looked to be discreetly writing something back beneath the table.
Fairweller blinked at the King for a moment, in which Lord Bradford handed Bramble her napkin. She opened it and turned a rosy pink.
My lady, it read,who isn't?
Bramble pursed her lips and kicked Lord Bradford beneath the table-hard. His face twitched befre regaining its solemn expression.Azalea buried her face in her hands.
"All we ask is for you to consider it. That is all," said Fairweller.
"Oh." Lord Bradford's voice was slightly strangled. "Yes. Thank you."
Bramble threw the pencil-smudged napkin onto her plate. "I'm done," she said. "May we go to our room now? — Heather Dixon

In all of our experiences together, there always was that moment that I could have turned back and I never ever did. Even if it scared me to the core, to the very soul and fiber of my being, I still went forward into the unknown. Some may call that brave. I don't think I'd call it that. Stubborn beyond repair seemed more fitting. — Karina Halle

He sat there looking at her smiling and laughing, watching her hair fall over her eyes and she setting it back behind her ear, He turned away bowed his head down and smiled himself looking back at the sky. — Akshay Vasu

Edith's clothes were flung in disarray on the floor beside the bed, the covers of which had been thrown back carelessly; she lay naked and glistening under the light on the white unwrinkled sheet. Her body was lax and wanton in its naked sprawl, and it shone like pale gold. William came nearer the bed. She was fast asleep, but in a trick of the light her slightly opened mouth seemed to shape the soundless words of passion and love. He stood looking at her for a long time. He felt a distant pity and reluctant friendship and familiar respect; and he felt also a weary sadness, for he knew that he would never again be moved as he had once been moved by her presence. The sadness lessened, and he covered her gently, turned out the light, and got in bed beside her. — John Edward Williams

While there is widespread recognition that the War on Drugs is racist and that politicians have refused to invest in jobs or schools in their communities, parents of offenders and ex-offenders still feel intense shame - shame that their children have turned to crime despite the lack of obvious alternatives. One mother of an incarcerated teen, Constance, described her angst this way: "Regardless of what you feel like you've done for your kid, it still comes back on you, and you feel like, 'Well, maybe I did something wrong. Maybe I messed up. You know, maybe if I had a did it this way, then it wouldn't a happened that way.'" After her son's arrest, she could not bring herself to tell friends and relatives and kept the family's suffering private. Constance is not alone. — Michelle Alexander

They carried on sniping in the front seat, and Mae turned back to Jamie. "You doing okay?" she murmured. "Yes," said Jamie, a bit too earnestly. "I love you, Mae. Your hair is the color of flamingos! And I love Nick as well." He gazed soulfully in Nick's direction. "Sometimes when you are not being psychotic, you are quite funny. And you!" He regarded Seb for a long moment. "No, I still don't like you," he decided. "Maybe I need another drink." "I don't think so," Nick said. — Sarah Rees Brennan

If you can look back at your entire life and at the end of the day and say, 'You know? My life was good. I'm pleased with how it all turned out . . . and if I could do it all over again, I'd be happy to' - those people have integrity," Norma told her students. — Erika Hayasaki

Kingsley turned his attention back to her.
"Why do you have your clothes on?"
"Was I supposed to take them off?"
"I've never heard a stupider question in my life. — Tiffany Reisz

Carl waited while I knocked, and when the door opened I came within an ace of slipping a couple of pound coins into his gloved hand and asking him to book me a table at L'Epicure. Luckily, he stopped me by saluting violently, then turned on his heel and set off back down the corridor at a hundred and ten paces to the minute. — Hugh Laurie

Every great loss demands that we choose life again. We need to grieve in order to do this. The pain we have not grieved over will always stand between us and life. When we don't grieve, a part of us becomes caught in the past like Lot's wife who, because she looked back, was turned into a pillar of salt. — Rachel Naomi Remen

Her hand accidentally brushed up against his chest. She froze. His breathing remained steady and regular. He had not awoken. She was about to pull her hand away, then stopped. Never had she touched a man's chest. She waited a moment. His breathing was still constant, still regular. He was still asleep. Flattening her palm against his chest, she felt the tautness of his muscles. She moved her hand, slowly, tremulously, down his chest and across his stomach, feeling the firmness of his skin and his strong physique. He seized her hand, pushed it away, and turned his back to her. — Cate Campbell Beatty

The pallbearers lowered the casket onto a metal stand, then moved to their seats. Thomas, James's brother, slid into the front pew beside Claire, who was dressed in a black suit with her silver hair coiled as tight and rigid as her posture. Phil, James's cousin, moved into the pew to stand on her other side. He turned and looked at me, dipping his head in acknowledgment. I swallowed, inching back until my calves pressed into the wood bench. Claire — Kerry Lonsdale

I heard a choking sound behind me. When I looked back, Cannoli was hanging from the backpack harness with her hind legs circling frantically in the air. She looked like she was riding a bike just above ground level.
"Cannoli," I yelled. I unhooked her and made sure she was breathing on her own. When I tried to get her back in the backpack, she whimpered. I talked to her soothingly yet firmly, then tried again. This time she started howling like I was hurting her.
People turned and stared as they walked by. "What are you looking at?" I said to one couple. I suddenly felt true remorse for every time I'd stared at a parent with a toddler throwing a tantrum. I made a vow to be a better aunt to Tulia's kids if I ever made it out of this parking garage. I pleaded with Cannoli one more time. — Claire Cook

The chef turned back to the housekeeper. "Why is there doubt about the relations between Monsieur and Madame Rutledge?"
The sheets," she said succinctly.
Jake nearly choked on his pastry. "You have the housemaids spying on them?" he asked around a mouthful of custard and cream.
Not at all," the housekeeper said defensively. "It's only that we have vigilant maids who tell me everything. And even if they didn't, one hardly needs great powers of observation to see that they do not behave like a married couple."
The chef looked deeply concerned. "You think there's a problem with his carrot?"
Watercress, carrot - is everything food to you?" Jake demanded.
The chef shrugged. "Oui."
Well," Jake said testily, "there is a string of Rutledge's past mistresses who would undoubtedly testify there is nothing wrong with his carrot."
Alors, he is a virile man ... she is a beautiful woman ... why are they not making salad together? — Lisa Kleypas

Oh my fucking - " Ruxs heaved underneath him, taking the burn and stretch like the man Green knew he was. "Fuck!" "Just as tight as I knew this virgin ass would be." Green panted in Ruxs ear. He hadn't moved, knew if he did it would be over before it even began. "Fuck you," Ruxs grunted. "Augh. Do something, Chris." "I'm gonna make you feel real good, baby." Green slowly pulled out, just halfway, and slid back in again. "You trust me don't you?" "I did. Before you lied and said this fuckin' felt good." Ruxs turned a little, positioning most of his weight on side, making Green maneuver with him. Green — A.E. Via

Maybe greatness isn't about being immortal, or glorious, or popular - it's about choosing to fight for the greater good of the world, even when the world's turned its back on you. — Chris Colfer