Have You Ever Felt Used Quotes & Sayings

We felt that the police needed a label, a label other than that fear image that they carried in the community. So we used the pig as the rather low-lifed animal in order to identify the police. And it worked. — Huey Newton

I'm used to being in the minority. I'm a left-handed gay Jew. I've never felt, automatically, a member of any majority. — Barney Frank

Recalling, some time later, what I had felt at the time, I distinguished the impression of having been held for a moment in her mouth, myself, naked, without any of the social attributes which belonged equally to her other playmates and, when she used my surname, to my parents, accessories of which her lips - by the effort she made, a little after her father's manner, to articulate the words to which she wished to give a special emphasis - had the air of stripping, of divesting me, like the skin from a fruit of which one can swallow only the pulp, while her glance, adapting itself to the same new degree of intimacy as her speech, fell on me also more directly and testified to the consciousness, the pleasure, even the gratitude that it felt by accompanying itself with a smile. — Marcel Proust

I'm a woman; in so many ways I've been programmed to please. I took the job and spent time hunkered over figures, budgets, charts, and fiscal-year projections. I tried, but I hated it.
"Working at a job you don't like is the same as going to prison every day," my father used to say. He was right. I felt imprisoned by an impressive title, travel, perks, and a good salary. On the inside, I was miserable and lonely, and I felt as if I was losing myself. I spent weekends working on reports no one read, and I gave presentations that I didn't care about. It made me feel like a sellout and, worse, a fraud.
Now set free, like any inmate I had to figure out what to do with the rest of my life. — Kathleen Flinn

Do you love me?"
There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!"
"What do you mean?" Jonas asked. Amusement was not at all what he had anticipated.
"Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully.
Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory.
"And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said.
"Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'"
"Do you understand why it's inappropriate to use a word like 'love'?" Mother asked.
Jonas nodded. "Yes, thank you, I do," he replied slowly.
It was his first lie to his parents. — Lois Lowry

After my first 'Sports Illustrated' cover, I felt terrible about myself for a solid month. People deal with models like they are children. They think they can pull one over on you. I'm not a toy; I'm a human. I'm not here to be used. — Kate Upton

I felt that it was not a historical work, but that, under the guise of physical warfare, it described the duel that perpetually went on in the hearts of mankind, and that physical warfare was brought in merely to make the description of the internal duel more alluring. This preliminary intuition became more confirmed on a closer study of religion and the Gita. A study of the Mahabharata gave it added confirmation. I do not regard the Mahabharata as a historical work in the accepted sense. The Adiparva contains powerful evidence in support of my opinion. By ascribing to the chief actors superhuman or subhuman origins, the great Vyasa made short work the history of kings and their peoples. The persons therein described may be historical, but the author of the Mahabharata has used them merely to drive home his religious theme. — Mahatma Gandhi

My father used to say that when he was growing up the water was clear and there were tons of fireflies everywhere ... He felt sorry for the kids growing up today ... But it is really beautiful ... Time will just keep on passing ... we'll get old ... and look back on the past. I hope we can always say ... how great things were. — Fuyumi Soryo

To picture Roosevelt as a man at this time in his life - he felt he was old. He was 53 years old, feeling lonely and irrelevant. And all of a sudden, he takes on this campaign, and it becomes a crusade for popular government. And he ultimately goes on fire in the campaign, but he discovers he's up against all the old machine tactics that he used to use himself, and he has to let the public get involved. And he energizes the public through the most extreme kind of rhetoric, which truly brings him into the streets and onto his side. — Geoffrey Cowan

Next to our big room was the only bath in the hotel, so that by law we could not keep it to ourselves. A bath cost about ten cents, I remember. The few people who used it evidently felt that this price included full maid service, but the two overworked slaveys in the hotel did not, so that I usually cleaned the tub in self-protection. I decided then that many people are latently swinish and that I would rather work anywhere than in a hotel. — Mary Francis Kennedy Fisher

Kell used to feel like a possession. Now he felt like a prisoner. — Victoria Schwab

I felt like a piece of trash. I felt dirty and I felt used and I was disappointed. — Monica Lewinsky

I used to feel sorry for them, those people who cling to people. I always thought they brought more needs than gifts. I felt that if they didn't want to be by themselves, with themselves, I surely didn't want to be with them either. — Lionel Fisher

He had heard that people who had the toes chopped off one foot could not stand up, but fell over constantly until they learned to walk again. He felt like that, as if part of him had been amputated, and he could not get used to the idea that it was gone forever. — Ken Follett

She watched his throat move, and then, he reached out and touched her face. "You sure are pretty," he said. "It's the stone," she replied immediately. Her skin felt warm; his fingertip touched just the very edge of her mouth. "It's flattering." Adam gently pulled the stone out of her hand and a set it on the floorboards between them. Through his ingers he threaded one of the flyaway hairs by her cheek. "My mother used to say, 'Don't throw compliments away, so long as they're free." HIs face was very earnest. "That one wasn't mean tho cost you anything, Blue." Blue plucked at the hem on her dress, but she didn't look away from him. "I don't know what to say when you say things like that." "You can tell me if you want me to keep saying them." She was torn by the desire to encourage him and the fear of where it would lead. "I like when you say things like that." Adam asked, "But what?" "I didn't say but." "You meant to. I heard it. — Maggie Stiefvater

In a sense, this book is not an autobiography but a biography, because I am writing about someone I used to know. Yes, these events are true, yet sometimes they seemed to have happened to someone else, and I often felt like a curious onlooker or someone trying to remember a dream. I ignored my stand-up career for twenty-five years, but now, having finished this memoir, I view this time with surprising warmth. One can have, it turns out, an affection for the war years. — Steve Martin

The thing that's hard about it - the thing that makes it so hard when the person you love has been taken from you, not by something evil you could have seen coming but by random, pure chance - is that you find yourself suddenly living through a history other than the one you expected to live, through no fault of your own. I feel . . . it's hard to describe, but I feel weirdly outside of time. Ever since the accident I've had these moments when I felt like a visiting guest in this world, not a permanent resident. Like sometimes I look in a mirror and I feel like I can almost see through the version of me on the other side of the glass. And sometimes I feel like I can see the history I used to be in more clearly than the history I'm in now - the real history is one where Philip and Sean and I are all together, being a family and doing whatever family things people do, and this one's like . . . like a fake version of events that I've been yanked into, where everything's gone wrong. — Dexter Palmer

He was stricken anew by her, overcome with the knowledge that in the morning he would have to relinquish her. In Prison 33, little by little, you relinquished everything, starting with your tomorrows and all that might be. Next went your past, and suddenly it was inconceivable that your head had ever touched a pillow, that you'd once used a spoon or a toilet, that your mouth had once known flavors and your eyes had beheld colors beyond gray and brown and the shade of black that blood took on. Before you relinquished yourself
Ga had felt it starting, like the numb of cold limbs
you let go of all the others, each person you'd once known. They became ideas and then notions and then impressions, and then they were as ghostly as projections against a prison infirmary. Sun Moon appeared to him now like this, not as a woman, vital and beautiful, making an instrument speak her sorrow, but as the flicker of someone once known, a photo of a person long gone. — Adam Johnson

Incommunicable. Language used for communication with individual-persons will not contain other forms of relationship. Jor Jor." The right hand, a great, greenish, flipperlike extremity, came forward in a slow and perhaps tentative fashion. "Tiua'k Ennbe Ennbe." Orr shook hands with it. It stood immobile, apparently regarding him, though no eyes were visible inside the dark-tinted, vapor-filled headpiece. If it was a headpiece. Was there in fact any substantial form within that green carapace, that mighty armor? He didn't know. He felt, however, completely at ease with Tiua'k Ennbe Ennbe. "I don't suppose," he said, on impulse again, "that you ever knew anyone named Lelache?" "Lelache. No. Do you seek Lelache." "I have lost Lelache." "Crossings in mist," the — Ursula K. Le Guin

She dared to cry? On this day of all days? I was the one who would be married at sunset, and I hadn't let myself cry in five years.
There was ice in my lungs and in my heart. I was floating. I was swept away, and out of the cold I spoke to her in a voice as soft as snow, the gentle and obedient voice I had used to consent to every order that Father and Aunt Telomache ever gave me, every order that they would never give Astraia because they actually loved her.
"You know, that Rhyme is a lie that Aunt Telomache only told you because you weren't strong enough to bear the truth."
I had thought the words so often, they felt like nothing in my mouth, like no more than a breath of air, and as easily as breathing I went on.
"The truth is, Mother died because of you, and now I have to die for your sake, too. And neither one of us will ever forgive you."
Then I shoved her aside and strode out of the room. — Rosamund Hodge

Every bed I've ever slept in never felt like my own. There were always strange sheets, strange smells - and just when I thought I'd be getting used to it, we'd have to leave. I got so tired of running."

Then stay. You don't ever have to run again. — Felice Stevens

And once it's reached that point, I'm left as alone as I've always known is the safest I could ever be. Except that I have the worst pain I've ever felt, and I feel it all. It's all of mine to feel. The only thing I'm sure is absolutely real. It keeps me company. The same way it would be trapped somewhere with someone that you hate. Wishing they weren't there, but needing them to be there. This is where the old survival skills start coming back, not quite as at my command as they used to be. They tell me to keep my right amount of distance, the only real way to be strong. But then I realize those parts of me that have been pieced together and have come back, to different degrees. Their revival works against survival. I know how to make myself untouchable. But when I tell myself how to, something answers me by telling me it's too late for that. — Ashly Lorenzana

Would she ever dare tell him that no pleasure, no joy, no figment of her imagination could ever compete with the happiness she felt at the way he used her with such utter freedom, at the notion that he could do anything with her, that there was no limit, no restriction in the manner with which, on her body, he might search for pleasure? — Pauline Reage

I went downstairs to Dad's encyclopedia and looked up HOMOSEXUALITY, but that didn't tell me much about any of the things I felt. What struck me most, though, was that, in the whole long article, the word "love" wasn't used even once. That made me mad; it was as if whoever wrote the article didn't know that gay people actually love each other. The encyclopedia writers ought to talk to me, I thought as I went back to bed; I could tell them something about love. — Nancy Garden

The camp suddenly felt light-years away, as distant as Earth used to look from the Colony. "You make me feel legitimately crazy. You know that, right?" Wells whispered, running his hand down her back. "Why? Because I'm seducing you in a tree?" "Because no matter what else is going on, being with you makes me perfectly happy. It's crazy, switching gears that fast." Wells ran his hand along her cheek. "You're like a drug." Sasha smiled. "I think you need to work on your compliments, space boy." "I've — Kass Morgan

Kissed. Cath loved that word. She used it sparingly in her fic, just because it felt so powerful. It felt like kissing to say it. Well done, English Language. — Rainbow Rowell

His anger was still there, and he used it to break into her. He liked the way her eyes widened in alarm, as if he was forcing a lock, as if he was breaking and entering. It was the first time he'd ever slept with a woman and it felt like burglary. — Rupert Thomson

She'd fucked him over hardcore. She'd betrayed him and she'd lied to him, and she knew that as far as he was concerned she'd led him on and used him as well, had consorted with people who wanted to see him dead and given them information to help them make him so. Most of all, she'd hurt him. And if the pain in her chest was anything close to what he'd felt, she was more than willing to admit he deserved to get his own back. Was willing to do more than admit it; was willing to take it, in the hopes he'd eventually decide she'd been punished enough and they could maybe move on. — Stacia Kane

I used to think that sharing secrets always brought people closer. So I revealed secrets I did not want known in order to feel closer to someone. Oh, the loss I felt when I found out the secrets that I had held dear, that were so difficult to say out loud, that I had kept to myself, were being spread around the next day as if they were nothing! I think that was the moment I realized that pouring your heart out to someone might not bring you closer but in fact make you poorer instead. I even though maybe growing close to someone was better achieved by empathizing in silence. — Kyung-Sook Shin

I think I let go of the need for approval, ... It certainly feels good when you get it, but I used to be more desperate for it. Once I felt better inside about myself ... I could do everything based on how I want to do things. — Ellen DeGeneres

I used to watch dailies and felt I had to keep on top of the character, but I don't feel that any more. — Dianne Wiest

Within her presence, I had once been used
to feeling - trembling - wonder, dissolution;
but that was long ago. Still, though my soul,
now she was veiled, could not see her directly,
by way of hidden force that she could move,
I felt the mighty power of old love. — Dante Alighieri

In the past, I used to argue with those who didn't share my views. I felt this incredible need to 'make my point.' Now I live my life and do my best to be an example of what seems right to me. — Victoria Moran

Felt-tip markers, always a scarce resource even on Earth, became objects of great value as people used them to mark directions on the walls of hamster tubes and habitat modules. — Neal Stephenson

To search for power within myself means I must be willing to move through being afraid to whatever lies beyond. If I look at my most vulnerable places and acknowledge the pain I have felt, I can remove the source of that pain from my enemies' arsenals. My history cannot be used to feather my enemies' arrows then, and that lessens their power over me. Nothing I accept about myself can be used against me to diminish me. I am who I am, doing what I came to do, acting upon you like a drug or a chisel to remind you of your me-ness, as I discover you in myself. — Audre Lorde

A formal period in life where there isn't the worry of another person's dramas and insecurities can be of great advantage, especially when used for growing into the full and wholesome beings we intended to be when choosing to come to this material manifestation.
"Even after ending a long relationship or a marriage, it seems normal to have some alone-time to reflect, meditate, explore areas of interest, find meaning in one's suffering and try to placate the void felt in the heart before attempting to enter into new relationships, otherwise the same old mistakes will surely re-emerge.
"Once we're at the stage of life where we can stand our own silence, where we've made peace with our past, where we've accepted and grown from its lessons, and we would like to share our independence without becoming dependent on someone else for love and affection, then we can choose to commit to a two bodied intimate relationship. — Nityananda Das

We sat on the dusty floor like that for what felt like hours, our legs intertwined in the kneeling position. Like the demon and the angel reaching for one another on Jet's arm, I felt half of everything. Half pure, half used. Locked in a dark, beautiful embrace. One I wouldn't wish on anyone yet one I wouldn't ever reverse if given the chance.
Not when it had the power to save a life. - Skylla Warden — Rachael Wade

When you left on Saturday, I felt a horrible void, I saw you everywhere, on the beach, in your room, in the garden: impossible for me to get used to the idea that you had left. — Camille Claudel

I used to hate getting dressed, getting in front of the camera and walking down the red carpet. It bothered me because I felt like I couldn't be what they wanted me to be. Now it's still not my favorite thing, but I get through it a lot easier because I know that my work brings value to who I am. — America Ferrera

Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists. — Fleur East

This is largely the methodology I've used throughout my career - that is, starting with a question as to what might be the properties of a set of compounds that could be invented which were unusual and unpredictable. Many times I've felt a bit like Columbus setting sail. — Donald Cram

We used to have more references to things that we pulled out because they almost felt like they were trying too hard to allude to something. — J.J. Abrams