Hausfeld Campbell Quotes & Sayings

Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own; if it doesn't, the thing collapses. — Arnold Newman

The Tunisian blogger and activist Sami Ben Gharbia has written passionately about how U.S. government involvement in grassroots digital spaces can endanger those who are already vulnerable to accusations by nasty regimes of acting as foreign agents. — Rebecca MacKinnon

Like a shoe that has lost its mate is never worn again, I had lost my matching part and didn't know how to run barefoot. — Amy Harmon

He's seeing the actual Milky Way streaked across the sky. The whole of his entire galaxy, right there in front of him. Billions and billions of stars. Billions and billions of worlds. All of them, all of those seemingly endless possibilities, not fictional, but real, out there, existing, right now. There is so much more out there than just the world he knows, so much more than his tiny Washington town, so much more than even London. Or England. Or hell, for that matter.
So much more that he'll never see. So much more that he'll never get to. So much that he can only glimpse enough of to know that it's forever beyond his reach. — Patrick Ness

Of course I get hurt. — Jackie Chan

How much cooler was Oz than seeing the little dude behind the curtain? — Emile Hirsch

Free societies are hopeful societies. And free societies will be allies against these hateful few who have no conscience, who kill at the whim of a hat. — George W. Bush

Most men are within a finger's breadth of being mad. — Diogenes

Have you ever watched someone become American? Last week, at a national citizenship conference I organize, thirty immigrants from 17 countries swore an oath and became citizens of the United States. It was a stirring experience for the hundreds of people in the room. — Eric Liu

Hurl your calumnies boldly; something is sure to stick. — Francis Bacon

I see the carpet reflecting that narratological structure of the storytelling, with Scheherazade as the outside frame story on the outside, with the stories woven on the inside. It's also demonstrative of the infinity of it, with no beginning and no end. The carpet is also a kind of metonym for cinema, this idea that the flat surface carries a terrific depth of imaginative field while remaining totally flat. — Marina Warner