Hands Look Yellow Quotes & Sayings

A muffled voice startled them both.
"When are you going to kiss her?"
They pulled away. In the ballroom windows, noses and hands pressed against the glass, were the girls. They stood among the prickly rosebushes, beaming wicked little grins. Delphinium and Eve whispered and giggled to each other; Bramble wore a magnificent grin on her face and a spark of light in her yellow-green eyes.
Another figure stood among them. This one had his arms folded across his chest, stiff and firm and formal ...
... Yet he did not look displeased. — Heather Dixon

I work out with a trainer three times a week, and I try to take long walks and hikes. — Rebecca Gayheart

I'm trying to build an empire, because after this, I cannot get a normal job. — Nicole Polizzi

The truth only irritates those it enlightens, but does not convert. — Pasquier Quesnel

Fuck, she was feisty. I wasn't a fan of attitude off a woman, but I couldn't deny my dick was hard as hell. I'd have to fuck that feisty out of her and I doubted she'd surrender easily, if at all. — Nina Levine

Jaidee studies the general's desk. "I wasn't aware that the Environment Ministry only inspected cargo at others' convenience."
"I am trying to reason with you. My hands are full with tigers: blister rust, weevil, the coal war, Trade Ministry infiltrators, yellow cards, greenhouse quotas, fa' gan outbreaks ... And yet you choose to add another."
Jaidee looks up. "Who is it?"
"What do you mean?"
"Who is so angry that you're pissing your pants this way? Coming to ask me not to fight? It's Trade, yes? Someone in the Trade Ministry has you by the balls."
Pracha doesn't say anything for a moment. "I don't know who it is. Better that you don't know, either. What you do not know, you cannot fight." He slides a card across the desk. "This arrived today, under my door." His eyes lock on Jaidee so that Jaidee cannot look away. "Right here in the office. Inside the compound, you understand? We are completely infiltrated."
Jaidee turns over the card. — Paolo Bacigalupi

He wanted to make cast models of her. He wanted to take a set of precision calipers and measure every distance between her features. He wanted her blood and glandular fluids analyzed by the finest chemists in the world - there must be something detectibly different in her inner workings for him to respond so dramatically, as if he'd been given a drug for which science had yet to find a name.
But more than anything, he wanted to - — Sherry Thomas

You could make iPS cells by introducing just four genes into a differentiated cell. — Nessa Carey

If two people loved, they slept together; it was a mathematical formula, tested and proved by human experience. — Graham Greene

For a second, he was still, blinking. Then he shook off all the blankets and coats so that his arms were free and he wrapped them around me as tightly as he could. I felt him shuddering, shuddering against me as he buried his face in my hair.
I said, uselessly, "Sam, don't go."
Sam cupped my face in his hands and looked me in the eyes. His eyes were yellow, sad, wolf, mine. "These stay the same. Remember that when you look at me. Remember it's me. Please.""
- Grace and Sam (Shiver) — Maggie Stiefvater

I said uselessly, "Sam, don't go."
Sam cupped my face in his hands and looked me in the eyes. His eyes were yellow, sad, wolf, mine.
"These stay the same. Remember that when you look at me. Remember it's me. Please. — Maggie Stiefvater

How soon, indeed, are human things forgotten! As we meet here this morning, the Southern sun is shining on their place of burial, and the waves sparkling and the sea-gulls circling around Fort Wagner's ancient site. But the great earthworks and their thundering cannon, the commanders and their followers, the wild assault and repulse that for a brief space made night hideous on that far-off evening, have all sunk into the blue gulf of the past, and for the majority of this generation are hardly more than an abstract name, a picture, a tale that is told. Only when some yellow-bleached photograph of a soldier of the 'sixties comes into our hands, with that odd and vivid look of individuality due to the moment when it was taken, do we realize the concreteness of that by-gone history, and feel how interminable to the actors in them were those leaden-footed hours and years. — William James

At first you saw only a mass of coarse, matted black hair; presently it was seen that this covered a body of fearful thinness, almost a skeleton, but with the muscles standing out like wires. The hands were of a dusky pallor, covered, like the body, with long, coarse hairs, and hideously taloned. The eyes, touched in with a burning yellow, had intensely black pupils, and were fixed upon the throned King with a look of beast-like hate. Imagine one of the awful bird-catching spiders of South America translated into human form, and endowed with intelligence just less than human, and you will have some faint conception of the terror inspired by the appalling effigy. — M.R. James

Inside the maize mill, the owners no longer had any use for a broom. The hungry people kept the floors cleaner than a wet mop. At the beginning of the month, the mill was packed full of those waiting for fallen scraps. The crowd would part long enough to allow women to pass with their pails of grain. As the machine rumbled and spit a white cloud of flour into the pails, the multitude of old people, women, and children watched intently with eyes dancing like butterflies. Once the pail was pulled away, they themselves on hands and knees and scooped the floor clean. Afterward, old women would rattle their walking sticks up inside the grinder as if ringing a bell, collecting the loose flour that drifted to the floor. — William Kamkwamba

Sometimes I look up in spite of myself and see that the hospital wall, painted in soothing pastel yellow, has been replaced with gray stones held together by ancient mortar and covered with ivy. The ivy is dead, and the branches look like skeletal hands. The small door in the wall is hidden, Astrid was right about that, but it's there. The voice comes from behind it, drifting through an ancient rusty keyhole. — Stephen King

I'm still getting to the good part / the breaking down / learning how to write my story. — Lucy Hale

The majority of American writers today have chosen passive non-resistance to things as they are, producing sloughs of poetry about their personal angst and anomie, cascades of short stories and rivers of novels obsessed with the nuances of domestic relationships - suburban hanky-panky - chic boutique shopping mall literary soap opera. When they do speak out on matters of controversy they attack not the evils of our time but fellow writers who may insist on complaining. — Edward Abbey